File:Ere Ibeji, Nigeria, Benin, Brücke Museum Berlin, 64963, view a.jpg
Original file (6,196 × 8,270 pixels, file size: 18.2 MB, MIME type: image/jpeg)
Captions
Captions
Summary
Object
Artist |
English: once known creator, Yoruba style
Deutsch: einst bekannte*r Urheber*in, Yoruba-Stil |
|||||||||||||||||||||||
Description |
Deutsch: Ere Ibeji, Erinnerungsfigur an einen verstorbenen Zwilling
English: Ere ibeji, memorial figure for a deceased twin |
|||||||||||||||||||||||
Date |
from 19th century date QS:P571,+1850-00-00T00:00:00Z/7 until 20th centurydate QS:P571,+1950-00-00T00:00:00Z/7 |
|||||||||||||||||||||||
Medium |
wood medium QS:P186,Q287 , beads, fibermedium QS:P186,Q161 |
|||||||||||||||||||||||
Dimensions |
height: 26 cm (10.2 in); width: 5.5 cm (2.1 in); depth: 7.5 cm (2.9 in) dimensions QS:P2048,26U174728 dimensions QS:P2049,5,5U174728 dimensions QS:P5524,7,5U174728 |
|||||||||||||||||||||||
Collection |
institution QS:P195,Q833759 |
|||||||||||||||||||||||
Accession number |
H 2 |
|||||||||||||||||||||||
Place of creation | Nigeria (Q1033)/Benin (Q962) | |||||||||||||||||||||||
Object history |
transferred to Karl und Emy Schmidt-Rottluff Stiftung from Karl Schmidt-Rottluff |
|||||||||||||||||||||||
Notes |
Deutsch: "Für die Yoruba sind Zwillinge (ibeji) zwar körperlich zwei, aber geistig eins. Wenn einer von ihnen stirbt, wird daher ein Denkmal (ère) wie dieses geschaffen, um die Seele des verstorbenen Zwillings zu lokalisieren. Dieses Bild wird oft dem lebenden Partner zum Spielen gegeben, um die geistige Verbindung zwischen den beiden aufrechtzuerhalten. Aufwändiger Körperschmuck spiegelt in der Regel die elterliche Liebe und Zuneigung wider." (Babatunde Lawal: Yoruba, Milan: 5 Continents 2012, S. 130)
English: “To the Yoruba, even though twins (ibeji) are physically two, they are spiritually one. Hence, if one of them should die, a memorial (ère) such as this one would be created to localize the soul of the departed twin. This image is often given to its living partner to play with so as to maintain the spiritual bond between the two. Elaborate body adornment usually reflects parental love and affection.” (Babatunde Lawal: Yoruba, Milan: 5 Continents 2012, p. 130) |
Photograph
DescriptionEre Ibeji, Nigeria, Benin, Brücke Museum Berlin, 64963, view a.jpg | ||||
Date | ||||
Source | BrückeMuseumBerlin | |||
Author | Nick Ash, Berlin | |||
Permission (Reusing this file) |
|
|||
Other versions |
The estate of Karl Schmidt-Rottluff, owned by the Karl and Emy Schmidt-Rottluff Foundation at the Brücke Museum, contains his collection of around 100 sculptures and objects with colonial backgrounds. The Brücke artist himself never travelled outside Europe and, to the best of current knowledge, bought these objects in the art trade and from private owners from the 1910s onwards. The collection includes ritual and everyday objects, alongside souvenirs for the Western market. The way they were perceived underwent changes: they came to be seen as objects of art and decoration. Little is known of their origins, the circumstances of their acquisition, or the historical and current importance of the objects. Most of them originate from Germany’s former colonies, thus referring directly to German Expressionists’ entanglements in the often unlawful appropriation of material culture in colonially occupied lands. More
|
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 09:16, 27 September 2021 | 6,196 × 8,270 (18.2 MB) | BrückeMuseumBerlin (talk | contribs) | Uploaded own work with UploadWizard |
You cannot overwrite this file.
File usage on Commons
The following page uses this file:
Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Hasselblad |
---|---|
Camera model | Hasselblad X1D II 50C |
Author | Nick Ash |
Exposure time | 1/500 sec (0.002) |
F-number | f/11 |
ISO speed rating | 100 |
Lens focal length | 90 mm |
User comments | Stacked from 30 images. Method=B (R=8,S=4) |
Date and time of data generation | 11:55, 8 June 2021 |
Width | 6,196 px |
Height | 8,270 px |
Bits per component |
|
Compression scheme | Uncompressed |
Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop 22.4 (Macintosh) |
File change date and time | 19:02, 17 June 2021 |
Exposure Program | Manual |
Exif version | 2.1 |
Date and time of digitizing | 11:55, 8 June 2021 |
APEX shutter speed | 8.9657842814922 |
APEX aperture | 6.9188632369041 |
Maximum land aperture | 3.47393118 APEX (f/3.33) |
Subject distance | 0.787 meters |
Metering mode | Center weighted average |
Flash | Flash did not fire |
Color space | sRGB |
Focal plane X resolution | 1,886.792452 |
Focal plane Y resolution | 1,886.792452 |
Focal plane resolution unit | 3 |
Focal length in 35 mm film | 71 mm |
Lens used | XCD 90 |
Serial number of camera | VQ29100674 |
Rating (out of 5) | 5 |
Date metadata was last modified | 21:02, 17 June 2021 |
Unique ID of original document | xmp.did:0d5d9da8-774a-45d5-8438-c24b072c11aa |
Contact information | [email protected]
Monumentenstr. 13E Berlin, , 10829 Deutschland |
IIM version | 4 |