Grace Panvini
Grace Panvini, also known by her married name Grace Panvini Rice, (6 April 1907, Manhattan — 12 February 1999, Lighthouse Point, Florida) was an American soprano and voice teacher. On the stage her career spanned from opera to musical theatre and the concert repertoire. After retiring from the performance, she and her husband, the operatic baritone Curtis Rice, worked jointly as voice teachers.
Life and career
Grazia "Grace" Panvini was born on 6 April 1907 in Manhattan.[1][2] She was the daughter of Paolo and Concetta Panvini.[2] She trained as an operatic soprano primarily under Estelle Liebling, the voice teacher of Beverly Sills.[3] In her early career she was a voice student of Vincent Nola.[4]
Panvini began performing in the 1930s. In 1931 she made her recital debut at the Brooklyn Academy of Music; giving a program of coloratura soprano arias which Musical Advance described as very successful.[5] In 1932-1933 she was a member of the Endorf Walking Ensemble in the original Broadway production of Oscar Hammerstein II and Jerome Kern's Music in the Air which opened at the Alvin Theatre before transferring to the 44th Street Theatre.[6] Kern wrote music specifically for her voice to display her skills singing high coloratura.[7] After this production closed she began working as a singer on American radio.[8][9]
Panvini made her opera debut as Rosina in The Barber of Seville at the Central City Opera in 1936, and was also heard that season as Casilda in Gilbert and Sullivan's The Gondoliers.[10] In 1937 she gave a national concert tour in conjunction with baritone Conrad Mayo with stops in Pennsylvania,[11] Maryland, Alabama, North Carolina, New Hampshire, and Maine.[12] The singers performed a concert of opera arias and duets.[11] After this she performed roles with the New England Opera and Cincinnati Opera.[13]
In 1938 Panvini created the role of the Marquis in Frederick Loewe's short lived Broadway musical Great Lady at the Majestic Theatre.[14] That same year she performed the aria "Una voce poco fa" in concert with the Toronto Symphony Orchestra under conductor Reginald Stewart; recording the work with them for broadcast on NBC Radio.[15] In 1939 she was a soloist in Toronto's Promenade Symphony Concerts, performing "The Bell Song" from Léo Delibes's Lakmé under the baton of Adrian Boult.[16]
In the 1940s Panvini was a leading soprano of the San Carlo Opera Company (SCOC); a professional company that routinely toured throughout the United States.[3] Early roles she performed with the SCOC included Micaela in Carmen (1942)[17] and Gilda in Rigoletto (1942).[18] A petite woman of just 4-foot-11 3/4 inches,[19] The Washington Evening Star critic felt her short stature was a particular advantage in her portrayal of Gilda, adding a certain credibility to the youthfulness of the character.[20]
In August 1942 the SCOC debuted a new version of Gioachino Rossini's opera The Barber of Seville that used contemporary American English in a new libretto by Laszlo Halasz. First performed at the theater of The Watergate Hotel in Washington D.C., the production starred Panvini as Rosina.[21] The production moved to Broadway where it was performed under the name Once Over Lightly at the Alvin Theatre. This work was an Americanized version of Gioachino Rossini's opera The Barber of Seville that used contemporary American English in a new book by Laszlo Halasz. The work failed with New York audiences, but was a precursor to the later successful Carmen Jones which successfully adapted Georges Bizet's opera Carmen a year later for Broadway.[22]
In Januuary 1943 Panvini began a national tour with Sigmund Romberg and his orchestra, singing Romberg tunes with the composer conducting.[23] Panvini also sang German operetta arias on this tour.[24] The tour made stops in West Virginia,[25] Ohio,[26] Texas,[27] South Dakota,[28] Indiana,[29] Iowa,[30] Mississippi,[31] Pennsylvania,[32] South Carolina,[33] and Washington D.C.[34] After the conclusion of the tour with Romberg, she joined the Columbia Opera Company of New York with whom she spent the fall of 1943 touring as Gilda in Rigoletto.[35] She performed this role again on tour with the SCOC in 1944-1945 with Carlo Morelli in the title role, Mario Palermo as the Duke of Mantua, and William Wilderman as Monterone.[36][37][38][39]
With her husband she co-founded the Young Artist Program at the Florida Grand Opera; and frequently gave masterclasses to singers associated with that program into the late 1990s.[19]
References
Citations
- ^ Grace P Rice in the U.S., Social Security Applications and Claims Index, 1936-2007
- ^ a b 1920 United States Federal Census for Grazia Panvini, New York, New York, Manhattan Assembly District 18, District 1259, Sheet No. 9B.
- ^ a b "Grace Panvini Rice, Opera Singer, Teacher". South Florida Sun Sentinel. February 13, 1999.
- ^ "Vincent Nola". Musical Advance. March 1931. p. 4.
- ^ "Vincent Nola Offers Free Vocal Tests". Musical Advance. March 1931. p. 9.
- ^ Dietz 2018, pp. 288.
- ^ "Grace Pavini and Conrad Mayo Will Be Presented In Last of Season's Recitals". Salisbury Times. March 30, 1937. p. 16.
- ^ Butterfield, C. K. (January 4, 1935). "On the Radio Day By Fay". The Kingston Daily Freeman. p. 19.
- ^ "Radio Programs". Gettysburg Times. February 22, 1935. p. 6.
- ^ "Miss Blagen and Jack Ish Go to Central City Sunday". Greeley Daily Tribune. July 14, 1936. p. 4.
- ^ a b "Concert Held Last Evening Is A Very Successful Affair". Daily News Standard. November 18, 1937. p. 8.
- ^ "Music Notes". The Musical Leader. 69: 22. 1937.
- ^ "Grace Panvini a Soloist in Romberg Band". Hattiesburg American. March 19, 1943. p. 5.
- ^ Dietz 2018, pp. 528–529.
- ^ "Toronto Orchestra to Give Concert". Ogden Standard Examiner. June 8, 1938. p. 10.
- ^ "The Evening Highlights". Washington Evening Star. July 13, 1939. p. 52.
- ^ "San Carlo's Carmen Draws Capacity Crowds". San Antonio Express. February 20, 1942. p. 2.
- ^ "Johnston, Panvini, Lushanya Will Star in Coming Operas". Salt Lake Tribune. March 29, 1942. p. 31.
- ^ a b "INSTRUCTORS TEACH STUDENTS TO LIFT THEIR VOICES". South Florida Sun Sentinel. December 3, 1996.
- ^ Alice Eversman (August 12, 1942). "Rigoletto Brings Singers ti Water Gate". Washington Evening Star. p. 45.
- ^ "Barber of Seville Audience Enjoys English Version". Washington Evening Star. August 14, 1942. p. 29.
- ^ Dietz 2015, pp. 145–146.
- ^ "Romburg Concert Planned". Charleston Gazette. December 13, 1942. p. 16.
- ^ Joe Lattimore (March 13, 1943). "Romberg Tour Plays Waltz-Opera Tunes". Dallas Semi Weekly. p. 2.
- ^ "Romberg Presents Music With Smile". Charleston Gazette. January 7, 1943. p. 9.
- ^ "In Person: Sigmund Romberg". Steubenville Herald Star. January 12, 1943. p. 10.
- ^ "Announcement of Romberg Concert". Amarillo Globe. February 12, 1943. p. 38.
- ^ "Romberg Appears Here As Special Attraction With His Orchestra". Fargo Spectrum. February 12, 1943. p. 3.
- ^ "Romberg Concert". Terre Haute. February 13, 1943. p. 16.
- ^ "In Person: Sigmund Romberg". Le Grand Reporter. February 26, 1943. p. 2.
- ^ "In Person: Sigmund Romberg". Jackson Mississippi Enterprise. March 20, 1943. p. 3.
- ^ "Romberg Brings Orchestra Here". Altoona Mirror. April 24, 1943. p. 11.
- ^ "Romberg, Nash, and Panvini". Florence Morning News. May 24, 1943. p. 6.
- ^ "Romberg Concert". Washington Evening Star. March 28, 1943. p. 54.
- ^ "Opera Performances Differ: One is Excellent, One Is Poor". Washington Evening Star. October 31, 1943. p. 20.
- ^ "Casts of Opera At Dayton". Piqua Daily Call. September 22, 1944. p. 2.
- ^ "News of York: Large Audience Enjoys Opera". Hanover Evening Sun. October 19, 1944. p. 23.
- ^ "New Musical Director for San Carlo". San Antonio Light. December 10, 1944. p. 42.
- ^ "San Carlo Opera Company Superb in "Rigoletto"". El Paso Herald Post. January 5, 1945. p. 2.
Bibliography
- Dietz, Dan (2018). The Complete Book of 1930s Broadway Musicals. Rowman & Littlefield Publishers. ISBN 9781538102770.
- Dietz, Dan (2015). The Complete Book of 1940s Broadway Musicals. Rowman & Littlefield Publishers. ISBN 9781442245280.