Peter Galison

Peter Louis Galison is the Pellegrino University Professor in History of Science and Physics at Harvard University.

Galison received his Ph.D. from Harvard University in both Physics and the History of Science in 1983. His publications include Image and Logic: A Material Culture of Microphysics (1997) and Einstein's Clocks, Poincare's Maps: Empires of Time.

In Image and Logic, Galison explored the fundamental rift rising in the physical sciences: whether singular, visual accounts of scientific phenomenon would be accepted as the dominant language of proof, or whether statistically significant, frequently repeated results would dominate the field. This division, Galison claims, can be seen in the conflicts amongst high-energy physicists investigating new particles, some of whom offer up statistically significant and frequently replicated analysis of the new particle passing through electric fields, others of whom offer up a single picture of a particle behaving--in a single instance--in a way that cannot be explained by the characteristics of existing known particles.

His work with Lorraine Daston developed the concept of "mechanical objectivity" which is often used in scholarly literature, and he has done pioneering work on applying the anthropological notion of "trading zones" to scientific practice. He has developed a film for the History Channel on the development of the hydrogen bomb, and has done work on the intersection of science with other disciplines, in particular art (along with his wife, Caroline A. Jones) and architecture. He is on the editorial board of Critical Inquiry and was a MacArthur Fellow in 1996.

Before moving to Harvard, Galison taught for several years at Stanford University where he was professor of History, Philosophy, and Physics. He is considered part of the "Stanford School" of philosophy of science along with Ian Hacking, John Dupre, and Nancy Cartwright.

Bibliography

Peter Galison, How experiments end (Chicago: University of Chicago Press, 1987). ISBN 0-226-27914-6
— Image and logic: a material culture of microphysics (Chicago: University of Chicago Press, 1997). ISBN 0-226-27917-0
— and Caroline Jones, Picturing science, producing art (New York: Routledge, 1998). ISBN 0-415-91912-6
— Einstein's clocks, Poincarés maps: empires of time (New York: W.W. Norton, 2003). ISBN 0-393-02001-0
Peter Galison & David J Stump (eds), The Disunity of Science: Boundaries, Contexts, and Power (Stanford, CA: Stanford University Press). ISBN 0-8047-2562-4
Peter Galison & Bruce Hevly (eds), Big Science: The Growth of Large-Scale Research (Stanford, CA: Stanford University Press). ISBN 0-8047-2335-4