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You Are the One (Argentine TV series)

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You Are the One
The main characters Martín Quesada (Facundo Arana, left) and Esperanza Muñoz, "la monita" (Natalia Oreiro, right)
GenreDrama
Humour
Created byAdrián Suar
Written byErnesto Korovsky
Sebastián Parrotta
Directed byRodolfo Antúnez
Jorge Bechara
StarringNatalia Oreiro
Facundo Arana
Theme music composerNatalia Oreiro, original song by Gilda
Opening themeCorazon Valiente
ComposerNatalia Oreiro
Country of originArgentina
Original languageSpanish
No. of episodes230
Production
Executive producerAdrián González
ProducersMariana Petraglia
Julieta Martinelli
Production locationBuenos Aires
CinematographyPablo Storino
Jorge Fernández
EditorsAlejandro Alem
Alejandro Parysow
Running time60 minutes
Original release
NetworkCanal 13
Release16 January 2006 –
9 January 2007

You are the one (Spanish: Sos mi vida) is a 2006 Argentine romantic comedy TV series, starred by Facundo Arana and Natalia Oreiro, directed by Rodolfo Antúnez and Jorge Bechara and broadcast by Canal 13. It began broadcasting on January 16, 2006 and ending January 9, 2007, and during its broadcast averaged 26.9 points overall rating.[1][2] It was written by Ernesto Korovsky and Sebastian Parrotta, and won four Martín Fierro Awards and three Clarín Awards.

Premise

The telenovela was produced by Pol-ka over a premise of Adrián Suar. As it is customary in the production, he formulated it nearly six months before the premiere.[3] This was a "rich man, owner of a company with unspecified business and former Formula 1 racer falls in love with a poor girl looking for work in his emporium". Suar began discussing the idea with his partner Javier Blanco y Tevah, detailing the specifics of the plot. The scripts were requested to Ernesto Korovsky and Sebastian Parrotta, the authors of Gasoleros and El sodero de mi vida, and Hombres de honor and Padre Coraje respectively. Daniel De Felippo and Rodolfo Antúnez managed the direction, and César Markus González the production. The bulk of the filming was done in the Pol-ka studio at the Colegiales neighborhood, using as well unconventional outdoor scenes for the genre.

The telenovela features Facundo Arana and Natalia Oreiro in leading roles, an acting duo from the successful telenovela Muñeca Brava. The relationship between the two had surpassed the professional level, so Facundo Arana had spontaneously offered a guest appearance on the Russian series A ritmo de tango starred by Natalia Oreiro.[4] Both actors conditioned their presence to a joint work, so the program design was decided only after both were confirmed in the leading roles.[4] Natalia Oreiro delayed filming proposals in Israel, Spain and Uruguay, and the recording of her fourth music album, to join the project.[5]

As in the aforementioned Muñeca Brava, You are the one is based on a counterpoint of a couple of a wealthy suitor and a poor girl, but unlike the former one it does not concentrate all the characters on one main narrative context (which was the Di Carlo mansion, living place of all the characters) but organized instead two contexts for both the rich and the poor, each one with its own characteristic locations and supporting characters.[6]

Houses of La Boca neighbourhood, with their characteristic style. The tenement of the series was modeled after it.

The character of Natalia Oreiro, included in a background of poor characters, is called Esperanza Muñoz, a female boxer nicknamed "La Monita". Natalia was inspired by the singer Gilda to outline the personality of the character.[7] The primary environment is in a tenement in the neighborhood of La Boca where she lives with other characters. Her adoptive mother Nieves (Dalma Milebo) lives with her natural son, Enrique "Quique" Ferreti (Carlos Belloso), and childhood boyfriend of Esperanza. The writers drafted only the general outlines of the character Quique, most of his characteristic personality was defined by Belloso, including the relation with Esperanza, halfway between engagement and brotherhood, and his Oedipus complex with his mother.[8] Other characters in the "Conventillo" are the actress Nilda Yadhur (Mónica Ayos), known as "The Turk", and the Paraguayan janitor Kimberly (Fabiana García Lago). Esperanza trains as a boxer in a neighbourhood gym, as well as Quique, who has a wrestling gimmick as the "Commander Ray".[6]

The character of Facundo Arana establishes a context of characters with a favorable economic situation. His character is named Martin Quesada, a businessman and Formula 1 driver, but is not presented as selfish or greedy as is the archetype of entrepreneurs in the soaps. The two locations associated with him are the Quesada Group office, where he is president, and his home. The office has the characters of Alfredo Uribe (Alejandro Awada), his chief adviser, the secretary Mercedes (Claudia Fontán) and his cousin Miguel Quesada (Marcelo Mazzarello), who has served as vice president. The actor Pablo Cedrón joined the cast later, playing the lawyer Felix Perez Garmendia. Other close people are his girlfriend Constanza Insua (Carla Peterson) and his cousin Debbie (Griselda Siciliani). Martín lives with the housekeeper Rosa (Adela Gleijer), Rosa's grandson Tony (Nicholas D'Agostino) and three adopted orphan siblings, José, Laura and Coqui (Elías Viñoles, Thelma Fardin and Ornella Fazio respectively). Another recurring site is the apartment of Miguel and Debbie, which would be also used as the house of Constanza or Garmendia if needed.[6]

Plot

Supporting characters of the telenovela. From left to right: Alfredo Uribe (Alejandro Awada), Mercedes (Claudia Fontán), Enrique "Quique" Ferreti (Carlos Belloso), Constanza Inzúa (Carla Peterson and Miguel Quesada Marcelo Mazzarello)

The story begins with a fight of the female boxer Esperanza Muñoz, the "Monita", who injured her hand under pressure from his manager to fight despite feeling pain. This injury complicated her economic situation, as her pugilistic activity is the source of income of her adoptive family. Her neighbor Kimberly suggested her to apply for a job in the Quesada Group, where she works as janitor, but Esperanza was rejected by the secretary Mercedes. Martín Quesada, president of the company, saw her crying in the street and hired her. Martín also met three orphan siblings who opposed being adopted by different families, and adopted them. Martín began to like Esperanza, and his girlfriend Constanza was wary on her. Esperanza was the girlfriend of her manager Quique, but did not tell Martín about it, saying instead that he was her brother. Quique and Contanza began their own relation, unnoticed by their couples and most other characters. Martín broke with Esperanza when he saw her goodbye kiss with Quique, which proved that she was lying to him all along.

After breaking with Esperanza, Martín resumed his relation with Constanza, and gets married with her. The judge, who thought that Esperanza was a bad influence on the kids, gave the adoption to Constanza instead of Martín, which also forced him to marry her. Their marriage proved difficult, as Constanza was demanding and possessive. Martín finally broke with Constanza when she acted as being blind to keep him with her. The legal tutelage of the children delays the divorce, as Martín wants to retain them. Martín gradually lost his fortune, his business and his house, moved to the Conventillo and worked as a taxi driver; eventually he recovers everything. A new character, Bárbara, temporarily joins the love triangle of Martín, Esperanza and Constanza. Constanza got pregnant of Quique and tried to pass her son as a son of Quesada, but failed. Martín finally married Esperanza and had a family with her and the children, and Constanza moves with Quique.

Production

The Veltins-Arena stadium. An episode featured location shooting during the Argentina-Serbia and Montenegro match of the 2006 FIFA World Cup.

The direction of the program was conducted by Daniel De Felippo and Rodolfo Antúnez, and production by César Markus González. The main filming were located at the headquarters of Pol-ka in the Colegiales neighborhood.

Despite the success, the telenovela tried several risks in the creative and production fields, most times with successful results.[1] The choice of a background for Martín Quesada as a Formula 1 driver meant to work with a large infrastructure to represent realistic races. The plot scenes that took place away from Buenos Aires were actually filmed out of the city, to ensure the highest realism possible. There was significant press coverage to the location shooting in Germany during the 2006 FIFA World Cup. Facundo Arana and Natalia Oreiro played their characters during the Argentina-Serbia and Montenegro match, in the Veltins-Arena stadium. The shooting was benefited by the result of the match, a 6–0 Argentine victory, and the episode got 31,5 rating points.[9] Another location shooting was done in the touristic ski resort Las Leñas, located in the Andes. A simulated aircraft crash that left the characters in the jungle was filmed at the Pereyra Iraola park and a park in Morón belonging to the Argentine Air Force.[10]

To ease the realism of her performance as a female boxer, Natalia Oreiro trained regularly with the renowned boxer Marcela Acuña and his coach Ramón Chaparro. Facundo Arana was advised by the pilot Alberto Di Giorgio.[5] The actress was taught to stand and move in the ring and the various types of strokes, and underwent cardiovascular and weight training. Marcela Acuña pointed that Oreiro mastered the basic techniques much more quickly than most beginner boxers.[11] For this training, Natalia Oreiro had to temporarily give up her vegetarianism.[12]

Another plot required the characters to fly a Piper Tomahawk and make an emergency landing. This was risky filming, as Arana and Oreiro did not use stunt doubles for it.[13] The scene, which was the first of its kind in a daily Argentine telenovela, was the work of a team of 5 people, four professional pilots, five special effects experts and two additional aircraft that filmed the main aircraft from the outside.[14]

The song opening is Gilda's "Corazón valiente" (Spanish: Braveheart), sung by Natalia Oreiro. It has a musical production by Toti Gimenez, widower and productor of the late Gilda. Oreiro is a fan of the singer, and chose the song as a homage for the 10 years after her death.[5][15] She considered to include it in her next music CD, but did not record anything afterwards.[7]

Guest actors

The boxer Marcela Acuña trained Natalia Oreiro, and appeared as a guest star.

The program used several guest stars, who interpreting secondary or support roles for a few episodes. Some guest stars interpreted themselves within the fiction of the program, such as the singers Chayanne, Ricky Martin and Julieta Venegas. Venegas' song "Tu nombre" is used as a background song in romantic settings. The boxer Marcela Acuña, the personal trainer of Natalia Oreiro, appeared on two occasions, interpreting herself in a match against Oreiro's character.[16] The appearance of the actress Leticia Brédice was nominated as "best cameo in fiction" in the Martín Fierro Awards; the prize was finally given to Nora Cárpena.[17] Actress Reina Reech delayed other projects to take part in the program.[18]

Narration

The program expanded the usual conventions of the genre by using several types of metafiction, referencing the actors themselves or the nature of the program.[1] An example within the plot was "Sos mi muqui", a program within the program whose characters were based on the main characters. The actors' former characters were occasionally referenced in plots that placed them in similar contexts than those of older fictions. Facundo Arana infiltrated a convent using a habit, similar to the one he used at Padre Coraje, and Natalia Oreiro donned clothes similar to those the "Cholito" from Muñeca Brava when they had to get into a slum.[19]

Many actors played a secondary character, as well as their main one, during the telenovela. Pablo Cedrón played a Paraguayan brother of his character Falucho, which were both involved in a love triangle with Kimberly. Carlos Belloso played a lost sister of Quique, dressed as a woman. Natalia Oreiro, who speaks Russian language with ease because of an early work in Russia, played as a Russian princess. Facundo Arana played a criminal, a role unlike both his ongoing one and others taken in his previous works.[20] Those scenes did not use special effects, shooting each character by the same actor separately, without shared screen scenes.

The hero of the telenovela got married with the villain, unlike the usual conventions in which such a wedding was interrupted or canceled at the last moment.[21] The wedding was close in time to another one in a contemporary telenovela, Collar de Esmeraldas.[22] This action would have obstructed the later wedding of the main couple, because the Church considers marriage indissoluble despite of divorce, and annulment is not granted for light reasons. To avoid this, the first one was only a civil marriage, without religious intervention.

Cast

Actor Character Description
Natalia Oreiro Esperanza Muñoz, "la monita" A poor female boxer
Facundo Arana Martín Quesada Formula One driver and businessman, president of the "Quesada Group"
Carla Peterson Constanza Inzúa Socialite girlfriend of Martín Quesada
Carlos Belloso Enrique "Quique" Ferreti Boyfriend and adoptive brother of Esperanza
Fabiana García Lago Kimberly Paraguayan janitor
Mónica Ayos Nilda Yadhur, "la turca" Unemployed actress
Dalma Milebo María de las Nieves Mother of Quique, adoptive mother of Esperanza
Griselda Siciliani Débora Quesada, "Debbie" Simple-minded cousin of Martín
Marcelo Mazzarello Miguel Quesada Evil cousin of Martín
Pablo Cedrón Félix Pérez Garmendia, "Falucho" Evil lawyer
Alejandro Awada Alfredo Uribe Assistant of Martín
Claudia Fontán Mercedes Secretary of the Quesada Group
Elías Viñoles Jose Adoptive son of Martín
Thelma Fardin Laura Adoptive daughter of Martín
Ornella Fazio Coqui Adoptive daughter of Martín
Adela Gleijer Rosa Butler of Martín
Nicolás D'Agostino Tony Grandson of Rosa
Mike Amigorena Rolando Martínez Rival driver of Martín

Reception

Rating

The program was released in January, a month of low TV activity in Argentina because of the summer vacations. Nevertheless, it was a high success.[23] The competitor channel Telefe aired the teen comedy Alma Pirata, which was re-scheduled because of its low rating.[24] It was replaced with the second season of Casados con Hijos, a local remake of the American sitcom Married... with Children starred by Guillermo Francella and Florencia Peña. Both programs had similar rating until the end of Casados... in August.[25] With an average 26,8 points of rating Sos mi vida ended as the most watched fiction in the television of Argentina so far;[26] it was displaced by the 2009 telenovela Valientes, which got 27,3 rating points.[27]

Awards

Natalia Oreiro received the Martín Fierro Award for her work.

The program was awarded the best TV comedy in the 2006 ceremony of the Martín Fierro Awards, prevailing over Casados con hijos and Quién es el jefe?. Facundo Arana received the award for best lead actor in comedy, prevailing over Guillermo Francella, Humberto Tortonese and Nicolás Vázquez. Natalia Oreiro was awarded as the best lead actress in comedy, prevailing over Florencia Peña, Nancy Duplaá, Carmen Barbieri and Andrea Bonelli. Three of the five nominations for supporting comedy actor were for actors from the program: Alejandro Awada, Marcelo Mazzarello and Carlos Belloso, the latter being the winner. Similarly, three of five nominations for supporting comedy actress were for Carla Peterson, Mónica Ayos and Claudia Fontán, but the award was granted to Érika Rivas, actress of Casados con hijos. The program also had unsuccessful nominations for best theme song and best guest appearance (Leticia Brédice).

Facundo Arana and Natalia Oreiro were nominated again in the 2007 ceremony of the Martín Fierro Awards. These nominations proved controversial, as the program only lasted for a week in 2007 before the end and had no second season, and both actors took a recess from work after it.[28] Neither of them received an award for those nominations. Natalia Oreiro was awarded as the best dressed actress of the night, an award created that year, which is not part of the official awards.[29]

The Clarín Awards ceremony took place in late 2006. The program was awarded as best comedy, prevailing over Casados con hijos and Alma Pirata. Elías Viñoles was awarded as male revelation. Ornella Fazio was nominated for female revelation, the award was given to María Abadi of Montecristo. Unlike the Martín Fierro, the Clarín awards make no distinction for lead or supporting actors. Carlos Belloso was awarded as best comedy actor, Natalia Oreiro was nominated and the award was given to Érika Rivas.[30]

Critical reception

The Clarin newspaper attributes the success of the program to various factors, such as performances by the leading couple and supporting actors, the subplots, production initiatives and the originality of the treatment of stories.[1] It also notes that the plot does not feature just the central couple, developing as well many other romantic ties with their own autonomy and specific approaches.[31] Those include the romances of Constanza and Quique, Alfredo and Mercedes, Nilda and Jose, and Debbie and Rolando Martínez. The work of the supporting cast was also praised, including Carla Peterson,[32] Fabiana Garcia Lago[33] and Marcelo Mazzarello.[34] According to the newspaper, these features allowed the program to excel despite being based on a concept, the romance between a poor girl and a rich boy, that is a common trope of telenovelas. Such a plot was also being used in other telenovelas aired in Argentina during that year, as Se dice amor, Collar de Esmeraldas, Rosalinda, Todos quieren con Marilyn and La Tormenta. The newspaper La Nación praised the ability to mix sitcom humor and telenovela drama, and equaled the dramatic episodes to the works of renowned telenovela authors as Abel Santa Cruz, Alberto Migré and Delia Fiallo.[35]

The program was criticized by the long time, nearly three months, before the lead couple had their first kiss.[36] Clarín criticized as well a badly performed striptease act by Facundo Arana.[37] As Carlos Belloso could not go with Arana and Oreiro to the shooting in the world Cup, he was filmed in the Plaza San Martín, pretending that he was in Germany as well.[38]

The program was scheduled to be aired at 21:00, but the channel made frequent delays to begin, sometimes of 30 or 40 minutes. This led to conflicts with the other channels and the COMFER, the institution that regulates the Argentine television.[39][40] The last episode lasted for half an hour, followed by the premiere of the new telenovela Son de Fierro; La Nación considers that the last episode should have had the common length of a full hour.[26]

Airings and remakes

The program was initially aired in Argentina in 2006, in the channel El Trece in the prime time. Following the success of the initial run, it was rerun by the same channel and by Volver. It is sold internationally by the Dori Media Group, under the English name "You Are The One". It was sold to more than 40 countries.[41]

The idea of the program was sold as well, and some countries made remakes of the telenovela, with local actors. The Mexican Un gancho al corazón starred Danna Garcia, Sebastián Rulli, Laisha Wilkins and Raul Araiza. The characters were renamed, but Danna's one retained the sobriquet "La Monita". The Polish Prosto w serce starred Anna Mucha, Filip Bobek and Małgorzata Socha. The Portuguese Deixa-me amar was starred by Paulo Pires and Paula Lobo Antunes.

References

  1. ^ a b c d Silvina Lamazares (January 11, 2007). "Sos mi vida: el fenómeno del amor eterno" (in Spanish). Clarín. Retrieved August 28, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  2. ^ "Sos mi vida" llegó a su fin[dead link]
  3. ^ Natalia Trzenko. "Planeta Pol-Ka" (in Spanish). La Nación. Retrieved August 28, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  4. ^ a b "Una pareja con química" (in Spanish). La Nación. January 16, 2006. Retrieved August 28, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  5. ^ a b c "Oreiro y Arana juntos en "Sos mi vida"" (in Spanish). Río Negro Online. January 16, 2006. Retrieved August 28, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  6. ^ a b c María Iribarren (February 12, 2006). "Quimera de amor entre dos mundos" (in Spanish). Clarín. Retrieved August 28, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  7. ^ a b Sebastián Ramos (September 7, 2006). "Gilda es cultura" (in Spanish). La Nación. Retrieved August 28, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  8. ^ Romina Grosso (July 10, 2006). "Carlos Belloso con brillo propio en "Sos mi vida"" (in Spanish). Río Negro Online. Retrieved August 28, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  9. ^ Silvina Lamazares (June 22, 2006). "Yo te sigo a todas partes" (in Spanish). Clarín. Retrieved August 28, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  10. ^ "Martín y la Monita perdidos en la selva" (in Spanish). La República. December 20, 2006. Retrieved August 28, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  11. ^ Marcela Acuña. "Muñecas bravas" (in Spanish). Tigresa Acuña press. Retrieved August 28, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  12. ^ Soledad Villarroya (January 16, 2006). "Las primeras ficciones del verano" (in Spanish). Dario de Cuyo. Retrieved August 28, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  13. ^ "Arana y Oreiro arriesgan sus vidas" (in Spanish). Infobae. May 5, 2006. Retrieved August 28, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  14. ^ "Un amor con mucho vuelo" (in Spanish). Clarín. May 13, 2006. Retrieved August 28, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  15. ^ "Natalia Oreiro homenajeará a Gilda" (in Spanish). Infobae. January 15, 2006. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  16. ^ "Una pelea entre fierecillas" (in Spanish). Clarín. December 6, 2006. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  17. ^ "Martín Fierro: Montecristo, la más nominada" (in Spanish). La Nación. April 30, 2007. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  18. ^ Fernanda Longo (July 14, 2006). "Eran pocos... y llegó la reina madre" (in Spanish). Clarín. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  19. ^ "Oreiro resucitó a Cholito" (in Spanish). Clarín. March 18, 2006. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  20. ^ Lorena Bassani (September 22, 2006). "Tuvo un sospechoso cambio de actitud: el bueno de Facundo Arana se sacó la careta (era hora)" (in Spanish). Clarín. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  21. ^ Lorena Bassani (July 19, 2006). "¿El mundo se volvió loco? Finalmente, Facundo Arana se casó con su novia" (in Spanish). Clarín. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  22. ^ "Los casamientos en la televisión" (in Spanish). Infobae. July 16, 2006. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  23. ^ Ricardo Marín (December 14, 2008). "La televisión del verano" (in Spanish). La Nación. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  24. ^ Carlos Sanzol (July 16, 2006). "Los programas para adolescentes, en baja" (in Spanish). La Nación. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  25. ^ "A los golpes, pero con rating" (in Spanish). La Nación. August 17, 2006. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  26. ^ a b "El fin del amor más visto de la TV" (in Spanish). La Nación. January 11, 2007. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  27. ^ "Valientes, la tira más vista de Pol-Ka" (in Spanish). Television.com.ar. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  28. ^ Natalia Trzenko (July 2, 2008). "Los premios Martín Fierro, en medio de la controversia" (in Spanish). a Nación. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  29. ^ Azul Cecinini (March 2, 2009). "Lalola arrasó en los Martín Fierro y se llevó el Oro" (in Spanish). La Nación. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  30. ^ "La fiesta que distinguió a lo mejor del espectáculo" (in Spanish). Clarín. December 19, 2006. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  31. ^ "Terceros en conflicto (o parejas que arden)" (in Spanish). Clarín. February 12, 2006. Retrieved August 28, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  32. ^ Silvina Lamazares (July 6, 2006). ""Las chicas malas me sientan bien"" (in Spanish). Clarín. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  33. ^ Natalia Trzenko (February 21, 2006). "Una actriz en primer plano" (in Spanish). La Nación. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  34. ^ María Ana Rago (February 13, 2006). "El hombre que halló su destino" (in Spanish). Clarín. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  35. ^ Natalia Trzenko (September 6, 2006). "Escenas para derretir la nieve" (in Spanish). La Nación. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  36. ^ Lorena Bassani (April 5, 2006). "Te beso en el capítulo 3.583: cuando crear expectativa es un recurso tan exitoso como repetido" (in Spanish). Clarín. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  37. ^ Leonardo Bachanian (March 15, 2006). [Facundo Arana hizo un striptease para Natalia Oreiro "Facundo Arana hizo un striptease para Natalia Oreiro"] (in Spanish). Clarín. Retrieved September 1, 2012. {{cite web}}: Check |url= value (help); Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  38. ^ Leonardo Bachanian (June 20, 2006). "Sos mi birra: Natalia Oreiro y Facundo Arana también viajaron al mundial" (in Spanish). Clarín. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  39. ^ Verónica Bonacchi (December 31, 2006). "La dictadura de los horarios" (in Spanish). La Nación. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  40. ^ Natalia Trzenko (October 6, 2006). "Canal 13, en medio de la encrucijada del rating" (in Spanish). La Nación. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  41. ^ "Natalia Oreiro, a Cannes por "Sos mi vida"" (in Spanish). Clarín. March 21, 2007. Retrieved September 1, 2012. {{cite web}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)

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