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Dy Saveth

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Dy Saveth
ឌី សាវ៉េត
Saveth (right) with Seang Vanthy
Born1944 (age 79–80)
Years active1962–1975, 1993-present
SpouseHuoy Keng (divorced)

Dy Saveth (Khmer: ឌី សាវ៉េត, UNGEGN: Di Savét [ɗiː saʋeːt]; born 1944) is a Cambodian actress and first Miss Cambodia (1959) often referred to as the "actress of tears".[1] She is "one of the most beloved actresses from the 1960s era of Cambodian film".[2]

Biography

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A rising star of Cambodian cinema

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Dy Saveth was born in Cambodia in March 4, 1944 in a family of artists where women, at least since her grandmother, had been dancers of the Palace in the Royal Ballet.[3] She obtained her first role as an actress at age 18 in 1962 in Kbuon Chivit (The Raft of Life), where she not only become famous as the "actress of tears"[1] but also helped the production make a "massive profit", encouraging the movie industry in Cambodia to produce more movies locally.[4] At age 19, Dy Saveth won the first beauty pageant of Miss Cambodia. In 1967, she played with Prince Sihanouk and his wife Monique in a thriller title Ombre sur Angkor (Shadow on Angkor) about the downfall of the gruesome governor of Siem Reap, General Dap Chhuon.[5] She rapidly obtained many new roles in the booming industry of Cambodian cinema, and starred in the 1969 Crepuscule (Twilight) movie, directed by Norodom Sihanouk, thus becoming "one of the best-known faces of the Golden Age of Khmer Cinema".[3]

From actress of tears in the Rose of Pailin to tears in exile and flowers of Paris

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She married Huoy Keng, an actor, producer and film director, during the 1970s. Just as Van Vanak ran his own production company, Huoy Keng and Dy Saveth jointly ran Sovann Kiry. During the Cambodian Civil War, she continued making numerous movies, and played her most famous role in Puos Keng Kang, with her director and mentor Tea Lim Koun. She was invited to join Thai movies as well, working with Thai director Sor Asanajinda in the 1971 film, Rak Kham Kob Fa, in which she sings a duet with Thai actor Sombat Metanee (using voice dubbers), as well as in another Thai movie, Nam Jai Por Kha, in which she shared the screen with Thai actress Aranya Namwong in the sequel to Puos Keng Kang.[1]

After the Khmer Rouge came to power in 1975, Dy Saveth, who was visiting friends in Bangkok during the fall of Phnom Penh,[2] escaped with Huoy Keng to France, while four of her siblings were left to during the Cambodian genocide.[3]

The couple later moved to Hong Kong. There they separated while Keng continued his film business and became one of Hong Kong's first millionaires; meanwhile, Dy Saveth abandoned acting and became a flower arranger with a florist in Paris.[2] She later moved to Nice where she lived for 18 years before returning to Cambodia.[3]

Returning to Cambodia and to acting

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Saveth returned to Cambodia in 1993 and resumed acting, after she was recognized on the street by an employee of the Cambodia National Television, while she was crying for help as a nearby was had caught fire.[3] In 1994, she joined an unreleased film title The Saw Wheel with Cambodian actor Haing Ngor.[6] Dy Saveth has been involved in training a new generation of actors and actresses since returning to Cambodia by teaching performance at the Royal University of Fine Arts, training contemporary Khmer artists such as Leang Seckon,[7] and participating in the Koun Khmer Film Camp. In 2011, she appeared in the documentary Golden Slumbers by filmmaker Davy Chou. In 2012, she made her stage debut in the play Cambodia, Here I Am by Jean-Baptiste Phou, attracting a "keen interest from audiences".[8]

Family

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Dy Saveth is divorced from her ex-husband Houy Keng, with whom she had two children.[9] Dy Saveth also has one adopted daughter.[3]

Legacy

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A legendary actress of Cambodia

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With her impressive filmography of more than a hundred films,[10] Dy Saveth is a living legend of Cambodian cinema.

A witness to the lost reels of Cambodian cinema

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Dy Saveth, as one of the rare artists and actresses along with Prum Manh to have survived the Cambodian genocide, has become an important link in the transmission of collective memory in Cambodia.[11]

Dy Saveth, who lives surrounded by photos of film-makers and actors lost during the Khmer rouge period, embodies the imperative to testify, to speak for and remember those who died.

— Leslie Barnes, Palimpsestic memory and the loss of Cambodian film[12]

Filmography

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Dy Saveth was featured in many films throughout the 1960s and 1970s until the communist takeover in 1975, and later from 1993 to present. Dy Saveth has starred in over 100 Cambodian films, most of which were lost due to the Khmer Rouge era, including:

Year Movie Role Other notes
1962 Kbuon Chivit (Raft Life)
1963 Anlong Veasna
1964 Kathreuy Moha Sronoh
1965 Veasna Akosal Present Existence
Sayon Touch Yum
Lolok Nhi Chhmoul
L'oiseau Du Paradis Khmer-French joint film
1966 Khyang Sangselachey
Neang Kev Nama, Thida Muk Seh Kev Nama
K'ek Proat Bangkang (
Katreuy Moha Sranah (
1967 Pao Chouk Sao Present Existence
Neang Vimean Chan
Neang Kev Nama The film was directed by Dy Saveth herself. There are 2 versions of Neang Keo Nama released before the Khmer Rouge.
Ombre Sur Angkor (Chaya Leu Angkor) 1st wife of general Mcholpich
Toek Phnek Leu Khnang Phnum (
1968 Unlucky Life (Khmer/French film:1968)Present Existence
Love and War (Khmer/French film:1968)Present Existence
S'ek On Lea Bang Haeuy (
Kraitoung Neng Kropeu Charavan (
1969 Crepuscule (Twilight), directed by and starring Norodom Sihanouk and Huoy Keng Neang Sopheap (Khmer/French film:1969) Present Existence
Sdech Damrei Sa(King of the White Elephant)
Lea Haeuy Duong Dara (Khmer/French film:1969)Present Existence
Sayon Koma, Neang Preah, Neang Teptida (
Chompa Thoung Present Existence
1970 The Snake King's Wife (The Python) This film won 6 awards in Singapore International Film Festival
Lolok Nhi Chhmoul
Sayon Tuoch Yum
Sdech Damrei Sa
Botra Preah Athtih Psong Cheam Mday
1971 Neang Lvea Chake
Velvinh Na Bang Rumchong Present Existence
Kolab Pailin
Srey Krob Leak
S'ek On Lea Bang Haeuy
1972 'Chivit Tmey'
Bopha Angkor
Mak Theung
Preah Song Mdai
Vongveng Pruah Snae(Confused Because of Love)
Phnhaeu Kang Chang Dai
Toek Phnek Leu Khnang Phnum(Tears On The Back of a Mountain)'
1973 Chivit Psong Praeng(Khmer/Thai film:1973) Soundtrack in both Khmer and Thai. Duet by Sinn Si Samouth and Dy Saveth herself in both languages. Present Existence
Ok Pruot Tronum Present Existence
Dao Dek 32
K'ek Proat Bangkang
Thngai Lich On Sranah (When The Sun Sets, I Miss You)
Thida Sak Puos (Snake Hair)
Pous Keng Kang 2 Soriya (Khmer/Thai film:1973) The Sequence to The Snake King of 1972 which won 6 awards at the Singapore International Film Festival. The film includes 2 versions(A male and female)of the songs "Soriya Psong Snae" by Sinn Sisamouth and Ros Serey Sothear
S'ab Nas Sralanh Nas(I Hate You, I Love You)
Anlong Veasna
1974 Crocodile Man
Phnhnaeu Kang Chang Dai
Pruah Aprey Srey Rong Kam
Bopha Tol Den
Champa Battambang
1975 Snake Girl In Drop (Khmer/Chinese film:1975)
Blood Boxing Girl (Khmer/Chinese film:1975)
1983 Crocodile Men (Khmer/Chinese film:1983)
2002 Neak M'dai Dy Saveth portrays herself as a mother through her own experience.
2003 Min Yok Te Bdey Chas, S'ab Nas Bdei Kmeng (I Don't Want Old Husbands but I Hate Young Husbands)
2004 At Bei(3 Ace)
2005 The Crocodile
2006 Soriya L'ngeach Thngai
2008 Kev Phnek Samnab Chet
2012 I Am Super Student
2014 The Lost Reel Dy Saveth's character is Srey Mom/Sothea. The film won The Spirit of Asia Award at the 2014 Tokyo Film Festival.

Theater

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Year Play Role Other notes
2012 Cambodia, here I am Metha

References

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  1. ^ a b c "Dy Saveth, the 'Actress of Tears'". Bangkok Post. 2012-03-07. Retrieved 2022-06-07.
  2. ^ a b c Jackson, Will (2014-03-07). "7 Questions with Dy Saveth". Phnom Penh Post. Retrieved 2022-06-07.
  3. ^ a b c d e f Ellen, Rosa (2013-01-31). "The long career of Dy Saveth". Phnom Penh Post. Retrieved 2022-06-07.
  4. ^ Taing, Rinith (2020-11-29). "Here's the Cinema, documenting the Kingdom's silver screen". Khmer Times. Retrieved 2022-06-07.
  5. ^ Meas, Sambath (2009). The Immortal Seeds: Life Goes on for a Khmer Family. Wheatmark, Inc. p. 84. ISBN 978-1-60494-246-0.
  6. ^ Variety International Film Guide. Andre Deutsch. 1995. p. 117. ISBN 978-0-600-58516-9.
  7. ^ Ly, Boreth (2019-11-30). Traces of Trauma: Cambodian Visual Culture and National Identity in the Aftermath of Genocide. University of Hawaii Press. p. 45. ISBN 978-0-8248-5606-9.
  8. ^ Nelson, Roger (2015-01-01). ""Performance is Contemporary": Performance and Its Documentation in Visual Art in Cambodia". Udaya: Journal of Khmer Studies 12: 114.
  9. ^ Nuch, Sarita (2010-07-01). "'Golden Age' Actress Dy Saveth on Success". VOA. Retrieved 2022-06-07.
  10. ^ Demessence, Laetitia. Le sommeil d'or (Davy Chou 2011) et L'image manquante (Rithy Panh 2013), deux espaces filmiques de commémoration moyennant l'irrécupérabilité de l'absence. OCLC 1147918671.
  11. ^ Krämer, Marie (2021-08-05). "In Search of a Lost Cinema: Cinephilia and Multidirectional Moving Image Memory in Golden Slumbers (Davy Chou, 2012)". Alphaville: Journal of Film and Screen Media (21): 72–88. doi:10.33178/alpha.21.04. hdl:10468/11656. ISSN 2009-4078. S2CID 238835606.
  12. ^ Barnes, Leslie (2018-12-01), "Un cinéma sans image: Palimpsestic Memory and the Lost History of Cambodian Film", Post-Migratory Cultures in Postcolonial France, Liverpool University Press, p. 83, doi:10.3828/liverpool/9781786941138.003.0005, ISBN 9781786941138, S2CID 216805912, retrieved 2022-06-07
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