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Talla con monje inspirado por un ángel al traducir el texto bíblico. Inscr.: "Nuestro padre que [está] en los cielos santificará tu nombre". Misericordia gótica, Pons de Thomières, Francia.

Cita literal de imagen en Commons

Planchas sobre la Inquisición en Caprichos 23 y 24, con personajes vestidos con sambenito y titulados ellos Aquellos polbos y No hubo remedio. En sus apuntes (Álbum C, 1803-24), Goya expresa su resentimiento hacia la Inquisición. Allí, muchas de las imágenes están comentadas o tituladas explicando la causa de lo que ocurre: Por haber nacido en otra parte, Por linaje de ebreos, Por mober la lengua en otro modo, Por casarse con quien quiso, etc. señalando la frivolidad con que la Inquisición perseguía a sus víctimas. La visión de Goya con respecto a la Inquisición ya había cambiado. De ser una institución anticuada, que se asienta sobre supersticiones y un pueblo ignorante, una institución específicamente española, pasa a convertirse en un símbolo de la injusticia universal.

A verificar


DATUM

Mishné Torá = código legal

  • Mishné Torá, 1342. Sefer Ahavah. a skilled non-Jewish artist of Perugia by the name of Matteo di Ser Cambio. Jewish National and University Library, Jerusalem, Heb. 4* 1103. 14th century. A page with a decorated title-panel of Sefer Ahavah (Book of Love) from the second book of the Mishneh Torah. Spain and Italy, 14th century. This is one of the most elaborately decorated manuscripts of the Mishneh Torah. In the absence of a colophon, it can be inferred from the script that the manuscript was copied either in Spain or southern France in the first half of the 14th century (in any case, before 1351, when the codex was sold in Avignon). The scribe's name was probably Isaac, since this name is decorated in several places in the text. The manuscript was illuminated in burnished gold and lively wash colors by a skilled non-Jewish artist of Perugia by the name of Matteo di Ser Cambio. Jewish National and University Library, Jerusalem, Heb. 4* 1103 [2] - foto y datos JUNL. El libro fue escrito entre 1300 y 1350, luego miniado en Sefarad y hacia 1400 con iluminaciones realizadas por un artista del taller de Mateo Di Ser Cambio proveniente de o en Perugia.
  • Guía de los Perplejos, Barcelona, 1348. Facsimile of a page from Maimonides' great philosophical work Moreh Nevukhim (Guide of the Perplexed) written originally in Arabic and here in the Hebrew translation of Samuel ibn Tibbon (ca. 1160-1230) copied and illuminated in Barcelona, 1348. The seated figure is holding an astrolabe. Royal Library, Copenhagen, Cod. Hebr. XXXVII, fol. 114r [3]
  • Mishné Torá, Lisboa, 1472. Facsimile of the colophon of the Lisbon Mishneh Torah written by the scribe Solomon ibn Alzuk and completed in 1471-72. The British Library, London, Harley Ms. 5699, fol. 434v. [4]

IMAGO

  • Mishné Torá:Sefer Ahavah, Sefarad-Perugia?, 14th century - c. 1342 INUL
    Mishné Torá:Sefer Ahavah, Sefarad-Perugia?, 14th century - c. 1342 INUL
  • Arba ha-Turim, Sefarad, c. 1350. Gótico internacional, escuela lombarda. Véase Gutmann, Hebrew Ms Ptg, 1979, 27:XVI.
    Arba ha-Turim, Sefarad, c. 1350. Gótico internacional, escuela lombarda. Véase Gutmann, Hebrew Ms Ptg, 1979, 27:XVI.
  • Mishné Torá: Sefer Mishpatim, c. 1457. semi-cursive Ashkenazic script. IMJ
    Mishné Torá: Sefer Mishpatim, c. 1457. semi-cursive Ashkenazic script. IMJ
  • Hagadá de Venecia, 1609. Impresa por Giovanni di Gara e Israel ben Daniel ha-Zifroni. IM
    Hagadá de Venecia, 1609. Impresa por Giovanni di Gara e Israel ben Daniel ha-Zifroni. IM
  • Meguilat Ester, Italia, 1616. INUL
    Meguilat Ester, Italia, 1616. INUL
  • Mishneh Torah (Maimonides), North-Eastern France, 1296. Kauffman Ms. 77a, fol. 046v.[1]​
    Mishneh Torah (Maimonides), North-Eastern France, 1296. Kauffman Ms. 77a, fol. 046v.[1]​

Menorah. Illuminated leaf with illustration of the Menorah. IM. Spain, Late 15th century. Since the Temple’s destruction, depictions of its seven-branched candelabrum (Menorah) have served a symbol of the Temple and of redemption. Medieval Hebrew manuscripts contain many portrayals of the Menorah alongside other Tabernacle and Temple vessels. In Spain and Provence, these were especially profuse, and the Bible codex was sometimes called a Mikdashyah (God’s Temple). This single leaf, probably part of a manuscript, shows the Menorah symmetrically flanked by tongs, incense shovels, and the three-stepped stone on which, according to the Mishnah, the priest stood to trim the lamp.

Sefer Mishpatim (enlace escrito desde commons). Facsimile of a page with a decorated title-panel of Sefer Mishpatim (Book of Civil Law) from the 13th book of the Mishneh Torah, northern Italy, 15th century. In the bottom register three men stand before a panel of four seated judges. The top register consists of a jousting scene that is unrelated to the text. Private collection, fol. 298v. [5]

Commons categories

Mishné Torá Kaufmann Francés

LINKS n ARTICLES

David Kaufmann. Mss. miniados hebreos del medioevo . En la Biblioteca de la Academia Húngara de Ciencias. - versión castellana. - Mishneh Torah (MS A 77); artistas; profanidad | Mahzor (MS A 384); zodíaco

Yale

McBee

Trabajados

En curso

Trabajados eventualmente

  • Abraham
  • Arte sefardí
  • Biblia de Alba
  • Capricho (arte)
  • Cautiverio de Babilonia 586-537 aEC
  • Crónicas de Núremberg
  • Cúpula de la Roca
  • Doce Tribus de Israel
  • Dybbuk
  • Efraím
  • Gótico español
  • Hartmann Schedel
  • Israelita
  • Jehú
  • José (patriarca)
  • Judaísmo y cristianismo
  • Leví (patriarca)
  • Macabeos
  • Manasés (hijo de José)
  • Mevaseret Sion
  • Modernismo (arte)
  • Obelisco Negro
  • Oseas
  • Palmaj
  • Sinagoga
  • Tabernáculo
  • Tierra Prometida
  • Tribu de Efraín
  • Tribu de Leví
  • Tribu de Manasés
  • Pogromo de Kishinev

Aún sin trabajar

  • Agam - Yaacob Agam
  • Arca de la Alianza
  • Biblia hebrea
  • Chagall - Marc Chagall
  • Diáspora sefardí
  • Diez Mandamientos
  • Divisiones étnicas judías
  • Dura Europos
  • Estela de Mesha (inscripciones paleohebreas), siglo IX aEC
  • Gueto
  • Hagadá
  • Hebreo - Idioma hebreo
  • Hilel
  • Historia de los judíos en España
  • Historia de los judíos en la Tierra de Israel
  • Historia del Antiguo Israel
  • Reino de Israel
  • Reino de Judá — 930-587 aEC
  • Holocausto
  • Homaranismo - Hilelismo
  • Israëls - Jozef Israëls
  • Mendelsohn - Erich Mendelsohn
  • Museo de Arte y de Historia del Judaísmo, París
  • Oppenheim - Moritz Daniel Oppenheim
  • Pueblo judío
  • Sion
  • Solución final
  • Sucot
  • Talmud
  • Tanaj
  • Teoría del reemplazo
  • Tierra Santa
  • Tribus de Israel
  • Zona de Asentamiento

A ser creados

Compilación material a ser incluido en entradas diversas

  • La así llamada "Roca Fundacional" (hebreo: אבן השתייה, Even Hashetiá; árabe: صخرة, Sajrah) preservada en el interior del Domo de la Roca
    La así llamada "Roca Fundacional" (hebreo: אבן השתייה, Even Hashetiá; árabe: صخرة, Sajrah) preservada en el interior del Domo de la Roca
  • Moisés con los Diez Mandamientos
    Moisés con los Diez Mandamientos
  • Las Doce Tribus de Israel, 1200-1050 a.E.C.
    Las Doce Tribus de Israel, 1200-1050 a.E.C.
  • Doce tribus. Aaron ben Hayyim of Grodno, 1836. Mapa publicado en Varsovia en 1883
    Doce tribus. Aaron ben Hayyim of Grodno, 1836. Mapa publicado en Varsovia en 1883
  • Reino de Israel (monarquía unida) en tiempos de Saúl y David, 1020–930 a.E.C.
    Reino de Israel (monarquía unida) en tiempos de Saúl y David, 1020–930 a.E.C.
  • Shoshenq I, 926 a.E.C.
    Shoshenq I, 926 a.E.C.
  • La monarquía dividida: Reino de Judá (sur) y Reino de Israel (norte), 926 a.E.C. (Bible Society, 1888).
    La monarquía dividida: Reino de Judá (sur) y Reino de Israel (norte), 926 a.E.C. (Bible Society, 1888).
  • Juda e Israel. Aaron ben Hayyim of Grodno, 1836. Mapa publicado en Varsovia en 1883
    Juda e Israel. Aaron ben Hayyim of Grodno, 1836. Mapa publicado en Varsovia en 1883
  • Reino de Judá y Reino de Israel, c. 830 a.E.C.
    Reino de Judá y Reino de Israel, c. 830 a.E.C.
  • Exilio babilónico. Deportación de los judíos del Reino de Judá a Babilonia tras la destrucción del Templo de Salomón (Tissot, 1896-1902)
    Exilio babilónico. Deportación de los judíos del Reino de Judá a Babilonia tras la destrucción del Templo de Salomón (Tissot, 1896-1902)
  • Reino de Herodes el Grande, siglo I
    Reino de Herodes el Grande, siglo I
  • Segundo Templo de Jerusalén
    Segundo Templo de Jerusalén
  • Fragmentos arqueológicos judaico y romano. Fotografiados por Auguste Salzmann en 1853.
    Fragmentos arqueológicos judaico y romano. Fotografiados por Auguste Salzmann en 1853.
  • Sitio y destrucción de Jerusalén por los romanos, 70 EC (Roberts, 1850)
    Sitio y destrucción de Jerusalén por los romanos, 70 EC (Roberts, 1850)
  • Expolios de Jerusalén, 70 EC
    Expolios de Jerusalén, 70 EC
  • Dura Europus, 244 EC
    Dura Europus, 244 EC
  • Josué, representado entre el sol y la luna en un fresco de la Sinagoga de Dura Europos, 244-256 E.C.[2]​
    Josué, representado entre el sol y la luna en un fresco de la Sinagoga de Dura Europos, 244-256 E.C.[2]​
  • Mosaico del Sinagoga de Beit Alfa, siglo V
    Mosaico del Sinagoga de Beit Alfa, siglo V
  • Mosaico en la Sinagoga de Seforis, siglo V
    Mosaico en la Sinagoga de Seforis, siglo V
  • Mosaic proveniente de la Sinagoga de Hamat Gader, siglo V-VI
    Mosaic proveniente de la Sinagoga de Hamat Gader, siglo V-VI
  • Mosaico con Menorá, lulav y etróg, siglo VI.
    Mosaico con Menorá, lulav y etróg, siglo VI.
  • Llegada de los judíos a Polonia, 1096 (Jan Matejko, s. XIX).
    Llegada de los judíos a Polonia, 1096 (Jan Matejko, s. XIX).
  • Los cruzados capturan Jerusalén, 1099
    Los cruzados capturan Jerusalén, 1099
  • Hagadá Barcelona, s. XIV, fol. 42v
    Hagadá Barcelona, s. XIV, fol. 42v
  • Hagadá Cataluña, s. XIV. Versificación: "Ilu... ve lo..."
    Hagadá Cataluña, s. XIV. Versificación: "Ilu... ve lo..."
  • Puerta de Sion, Jerusalén, 1540
    Puerta de Sion, Jerusalén, 1540
  • Beit Hamikdash. Insignia hebrea con bendiciones de Marco Antonio Giustiniani, que incorpora una imagen del Templo de Jerusalén representado a partir del Domo de la Roca como fuente de inspiración al Domo de la Roca; Venecia, 1546
    Beit Hamikdash. Insignia hebrea con bendiciones de Marco Antonio Giustiniani, que incorpora una imagen del Templo de Jerusalén representado a partir del Domo de la Roca como fuente de inspiración al Domo de la Roca; Venecia, 1546
  • Emancipación de los judíos, 1806
    Emancipación de los judíos, 1806
  • Degradación de Alfred Dreyfus (Le Petit Journal, 1895).
    Degradación de Alfred Dreyfus (Le Petit Journal, 1895).
  • Musée des Horreurs: Le Traître, litografía, 1899
    Musée des Horreurs: Le Traître, litografía, 1899

Recursos a ser incorporados

Material a traducir y explorar su imaginería:

  • Washington, D.C., Library of Congress, Arthur Szyk: Artist for Freedom, diciembre de 1999-mayo de 2000; accedido 22 de junio de 2014. Arthur Szyk (1894 - 1951) was one America's leading political artists during World War II, when he produced hundreds of anti-Axis illustrations and cartoons in aid of the Allied war effort. Throughout his career he created art in the service of human rights and civil liberties -- in his native Poland, in Paris where he was trained during the 1920s, and in America, the country he adopted in 1940. Settling in the United States, Szyk announced, "At last, I have found the home I have always searched for. Here I can speak of what my soul feels. There is no other place on earth that gives one the freedom, liberty and justice that America does." / Born of Jewish parents in Lodz, Poland, Szyk acquired his early art training in Paris and Cracow. Between 1919 and 1920, during Poland's war against the Soviet Bolsheviks, he served as artistic director of the Department of Propaganda for the Polish army regiment quartered in Lodz. In 1921, he moved to Paris where he lived and worked for ten years. In 1934, Szyk traveled to the United States for exhibitions of his work, including one at the Library of Congress where a series of thirty-eight miniatures commemorating George Washington and the Revolutionary period were shown. In late 1940, after a period of residence in England, he immigrated to the United States. / In America, Arthur Szyk embraced the patriotic and democratic spirit of his adopted country. His work entitled The United States of America, includes portrayals of an African American and Native American, representing the diversity of American society, as well as familiar imagery -- Hoover Dam, the Manhattan skyline, the Golden Gate Bridge, and the Pony Express. His anti-Axis cartoons appeared frequently in such popular magazines as Collier's and in two published compilations, The New Order (1941) and Ink & Blood (1946). He also illustrated numerous works, including a richly rendered, magnificently printed Haggadah (1940), reflecting his passion for his own Jewish heritage and concern for the Jewish people in the face of Nazi hostility.
  • Washington, D.C., Library of Congress, Scrolls from the Dead Sea: The Ancient Library of Qumram and Modern Scholarship, abril-agosto de 1993; accedido 22 de junio de 2014. The exhibition Scrolls From the Dead Sea: The Ancient Library of Qumran and Modern Scholarship brings before the American people a selection from the scrolls which have been the subject of intense public interest. Over the years questions have been raised about the scrolls' authenticity, about the people who hid them away during the period in which they lived, about the secrets the scrolls might reveal, and about the intentions of the scrolls' custodians in restricting access. The Library's exhibition describes the historical context of the scrolls and the Qumran community from whence they may have originated; it also relates the story of their discovery 2,000 years later. In addition, the exhibition encourages a better understanding of the challenges and complexities connected with scroll research.

Ilustraciones temas varios

Arca de la Alianza Augusta Victoria

  • Réplica del Arca de la Alianza
    Réplica del Arca de la Alianza
  • The Erection of the Tabernacle and the Sacred vessels (right plate); as in Exodus 40:17-19: "And it came to pass in the first month in the second year, on the first day of the month, that the tabernacle was reared up. And Moses reared up the tabernacle, and fastened his sockets, and set up the boards thereof, and put in the bars thereof, and reared up his pillars. And he spread abroad the tent over the tabernacle, and put the covering of the tent above upon it; as the Lord commanded Moses."; illustration from the 1728 Figures de la Bible; illustrated by Gerard Hoet (1648–1733) and others, and published by P. de Hondt in The Hague; University of Oklahoma Libraries
    The Erection of the Tabernacle and the Sacred vessels (right plate); as in Exodus 40:17-19: "And it came to pass in the first month in the second year, on the first day of the month, that the tabernacle was reared up. And Moses reared up the tabernacle, and fastened his sockets, and set up the boards thereof, and put in the bars thereof, and reared up his pillars. And he spread abroad the tent over the tabernacle, and put the covering of the tent above upon it; as the Lord commanded Moses."; illustration from the 1728 Figures de la Bible; illustrated by Gerard Hoet (1648–1733) and others, and published by P. de Hondt in The Hague; University of Oklahoma Libraries
  • Transport of the Ark, Auch Cathedral, France
    Transport of the Ark, Auch Cathedral, France
  • Tissot, The Ark Passes Over the Jordan, between 1896 and 1902
    Tissot, The Ark Passes Over the Jordan, between 1896 and 1902
  • Les Très Riches Heures du duc de Berry, Folio 29r - The Ark of God Carried into the Temple, 1412-15. Musée Condé, Chantilly
    Les Très Riches Heures du duc de Berry, Folio 29r - The Ark of God Carried into the Temple, 1412-15. Musée Condé, Chantilly
  • Replica of the Ark of the Covenant in the Royal Arch Room of the George Washington Masonic National Memorial
    Replica of the Ark of the Covenant in the Royal Arch Room of the George Washington Masonic National Memorial
  • Parochet for Yamim Noraim in Mizmor L'Assaf Shul, made by Efod Art Embroidery, Nahariya, 2011
    Parochet for Yamim Noraim in Mizmor L'Assaf Shul, made by Efod Art Embroidery, Nahariya, 2011
  • Isidor Kaufmann, Day of Atonement, 1907
    Isidor Kaufmann, Day of Atonement, 1907
  • Jakub Weiles, On the eve of Yom Kippur, c. 1890. National Museum, Varsovia
    Jakub Weiles, On the eve of Yom Kippur, c. 1890. National Museum, Varsovia
  • Cherubim, from ulius Bate, A new and literal translation, from the Hebrew, of the Pentateuch of Moses, and of the historical books of the Old Testament, to the end of the second book of Kings (1773).
    Cherubim, from ulius Bate, A new and literal translation, from the Hebrew, of the Pentateuch of Moses, and of the historical books of the Old Testament, to the end of the second book of Kings (1773).
  • Ark of the Covenant church in Axum, Ethiopia, 2004
    Ark of the Covenant church in Axum, Ethiopia, 2004
  • Choeur de l'église du monastère de l'Annonciade à Menton. Avec une réplique de l'Arche d'Alliance
    Choeur de l'église du monastère de l'Annonciade à Menton. Avec une réplique de l'Arche d'Alliance
  • Tissot, The Seven Trumpets of Jericho 1896 and 1902
    Tissot, The Seven Trumpets of Jericho 1896 and 1902
  • High priest in robes and breastplate
    High priest in robes and breastplate
  • Tissot, A Patriarch, 1850
    Tissot, A Patriarch, 1850
  • Cementerio Judío, Heinheim, Alemania, siglo XVII
    Cementerio Judío, Heinheim, Alemania, siglo XVII
  • Idem
    Idem
  • Judaismo y Cristianismo. Biblia: frontispicio con tribus y apóstoles. Sur la colonne de gauche les médaillons des 12 tribus d'Israël (1. RUBEN 2. SIMON (épée) 3. LEVI 4. JUDAH (lion) 5. DAN 6. NEPHTALI 7. GAD 8. ASHER 9. ISSACHAR 10. ZEBULON 11. JOSEPH 12. BENJAMIN ) et sur la colonne de droite ceux des 12 apôtres. One of 6,330 prints in the 45 volumes of the Bowyer Bible in Bolton Museum, England.
    Judaismo y Cristianismo. Biblia: frontispicio con tribus y apóstoles. Sur la colonne de gauche les médaillons des 12 tribus d'Israël (1. RUBEN 2. SIMON (épée) 3. LEVI 4. JUDAH (lion) 5. DAN 6. NEPHTALI 7. GAD 8. ASHER 9. ISSACHAR 10. ZEBULON 11. JOSEPH 12. BENJAMIN ) et sur la colonne de droite ceux des 12 apôtres. One of 6,330 prints in the 45 volumes of the Bowyer Bible in Bolton Museum, England.
  • Ze'ev Raban
    Ze'ev Raban
  • Judá y el león; escenas de la historia de Ester. Moscú, 1690
    Judá y el león; escenas de la historia de Ester. Moscú, 1690
  • León de Judá
    León de Judá
  • Cementerio judío de Skwierzyna, Polonia
    Cementerio judío de Skwierzyna, Polonia
  • Cementerio judío de Radom
    Cementerio judío de Radom
  • Cementerio judío de Będzin
    Cementerio judío de Będzin

Symbols on Jewish gravestones

  • Star of David : The six-pointed Star of David, a symbol of Judaism, is frequently found on Jewish tombstones.
  • Cohanim Hands – Priestly Blessing : Two hands with outspread fingers indicated that the dead man was descended from priestly stock (Kohanim) who blessed the people in this fashion
  • Ewer : Levite pitcher (and bowl)
  • the shofar (ram's horn) indicating that the deceased was a blower of the shofar
  • deer : people whose name is Zvi, Hirsch or Naftali (deer representing the tribe of Naphtali)
  • lion : people whose name is Aryeh, Judah, Leib or Loew (lion representing the tribe of judah)
  • bear : people whose name is Dov and Ber.
  • wolf : representing the Tribe of Benjamin
  • books : an open book indicates the presence of a rabbi, an officiating minister, or just a scholar
  • bookshelves : groups of books, sometimes arranged in an open bookcase, or on shelves.
  • fish : zodiac sign for the month of Adar
  • menorah : one of the oldest symbols of Judaism
  • candles : one of the most accepted symbols of the woman. The candle was lit by the Jewish woman. Most of the candlesticks have three branches but there are ones with two, five and more. A broken candle on a gravestone symbolizes an early death, at a young age.
  • crown . כתר שם טוב "crown of a good name" (based on Mishna in Avos 4:17)
  • tree : A broken tree or branch is a sign that the deceased was young at the time of death
  • bird : appears on the gravestones of many women
  • grapes : cluster of grapes is an emblem of Israel,

Biblia por Tissot

Biblia por Tissot addendum

  • Dios renueva sus promesas con Abraham
    Dios renueva sus promesas con Abraham
  • Moisés
    Moisés
  • Cantos de alegría
    Cantos de alegría
  • Moisés con el Decálogo
    Moisés con el Decálogo
  • Bezalel
    Bezalel
  • Moisés y Josué en el Tabernáculo
    Moisés y Josué en el Tabernáculo
  • Isaías
    Isaías
  • Zacarías
    Zacarías
  • Jonás
    Jonás

Compilados

  • La Synagogue aux yeux bandés, portant une lance et les Tables de la Loi brisées. Cathédrale de Strasbourg, XIIIe siècle.
    La Synagogue aux yeux bandés, portant une lance et les Tables de la Loi brisées. Cathédrale de Strasbourg, XIIIe siècle.
  • Ancienne synagogue de Strasbourg (1896–1940), inaugurée en 1898, brûlée par les nazis en 1940.
    Ancienne synagogue de Strasbourg (1896–1940), inaugurée en 1898, brûlée par les nazis en 1940.
  • Synagogue de Thann, Alsacia. Les tables de la loi; מַה-נּוֹרָא, הַמָּקוֹם הַזֶּה Genèse 28:17 - Que ce lieu est redoutable !
    Synagogue de Thann, Alsacia. Les tables de la loi; מַה-נּוֹרָא, הַמָּקוֹם הַזֶּה Genèse 28:17 - Que ce lieu est redoutable !
  • Deuteronomio. Portada del Deuteronomio en la "Biblia de San Paolo". Bible of S Paolo fuori le Mura, fol. 50r
    Deuteronomio. Portada del Deuteronomio en la "Biblia de San Paolo". Bible of S Paolo fuori le Mura, fol. 50r
  • Palacio de Justicia, Caen
    Palacio de Justicia, Caen
  • Coat of arms of the Dutch municipality of Bedum, Holanda
    Coat of arms of the Dutch municipality of Bedum, Holanda
  • Rabbinerbibel
    Rabbinerbibel
  • Paul Delaroche (1797–1856), Moisés y Miriam.
    Paul Delaroche (1797–1856), Moisés y Miriam.
  • Tomić Psalter, Bulgaria, 1360. Museo de Historia, Moscú. Miriams Dance, see Exodus 15:20 "Then Miriam the prophetess, Aaron's sister, took a tambourine in her hand, and all the women followed her, with tambourines and dancing"
    Tomić Psalter, Bulgaria, 1360. Museo de Historia, Moscú. Miriams Dance, see Exodus 15:20 "Then Miriam the prophetess, Aaron's sister, took a tambourine in her hand, and all the women followed her, with tambourines and dancing"
  • York Minster, Inglaterra
    York Minster, Inglaterra
  • Stained glass window (early 17th century), Church Saint Etienne du Mont in Paris. Above: Rabbis washing their hands under a menorah and the Ark of the Covenant, and a plan of the Synagogue. Below: Christ washing the feet of the Apostles, and a plan of the Church
    Stained glass window (early 17th century), Church Saint Etienne du Mont in Paris. Above: Rabbis washing their hands under a menorah and the Ark of the Covenant, and a plan of the Synagogue. Below: Christ washing the feet of the Apostles, and a plan of the Church
  • Tierra Prometida. Abraham Ortelius, 1575
    Tierra Prometida. Abraham Ortelius, 1575
  • Tierra Santa. Tirinius, 1632. Chorographia Terrae Sanctae in Angustiorem Formam Redacta, et ex Variis Auctoribus a Multis Erroribus Expurgata
    Tierra Santa. Tirinius, 1632. Chorographia Terrae Sanctae in Angustiorem Formam Redacta, et ex Variis Auctoribus a Multis Erroribus Expurgata
  • Las 4 ciudades santas. Holy Cities Plaque (Palestine, nineteenth century). Depicting the four Holy Cities of the Holy Land, this plaque is divided into four quadrants, with Jerusalem occupying by far the largest area in the upper right quadrant. Below Jerusalem, is Hebron. Dividing the drawing roughly down the center is the Jordan River. In the top left quadrant -- higher even than Jerusalem -- is Safed; and directly below it, we find Tiberias. Each of the four cities includes representations of the sacred shrines, as well as the graves of sainted rabbis and holy men. siglo XIX
    Las 4 ciudades santas. Holy Cities Plaque (Palestine, nineteenth century). Depicting the four Holy Cities of the Holy Land, this plaque is divided into four quadrants, with Jerusalem occupying by far the largest area in the upper right quadrant. Below Jerusalem, is Hebron. Dividing the drawing roughly down the center is the Jordan River. In the top left quadrant -- higher even than Jerusalem -- is Safed; and directly below it, we find Tiberias. Each of the four cities includes representations of the sacred shrines, as well as the graves of sainted rabbis and holy men. siglo XIX
  • Charles Francois Delamarche. Carte De La Terre Hebreux ou Israelites partagee selon l'ordre de Dieu aux douze tirbus descendantes Des Douze Fils De Jacob. Paris 1797.
    Charles Francois Delamarche. Carte De La Terre Hebreux ou Israelites partagee selon l'ordre de Dieu aux douze tirbus descendantes Des Douze Fils De Jacob. Paris 1797.
  • Sinagoga de Oni, Georgia, 1880
    Sinagoga de Oni, Georgia, 1880

Referencia bíblica

Filatelia

  • Procesión solemne de los judíos de Praga, grabado, 1741
    Procesión solemne de los judíos de Praga, grabado, 1741
  • Procesión solemne de los judíos de Praga, grabado, 1741
    Procesión solemne de los judíos de Praga, grabado, 1741
  • Menorá y tribus. "...And the children of Israel shall pitch their tants, every man by his own camp and every man by his own standard..." Numbers I: 52. - Otte Wallish, 1952
    Menorá y tribus. "...And the children of Israel shall pitch their tants, every man by his own camp and every man by his own standard..." Numbers I: 52. - Otte Wallish, 1952
  • Memorial Day for the Fighters for Independence 1958 - Otte Wallish
    Memorial Day for the Fighters for Independence 1958 - Otte Wallish

Mapas

  • John Speed, 1595
    John Speed, 1595
  • Descriptio Paradisi et Terrae Canaan, regionumque a Patriarchis primum habitatarum. Franciscus Halma, 1707
    Descriptio Paradisi et Terrae Canaan, regionumque a Patriarchis primum habitatarum. Franciscus Halma, 1707
  • Carte du voïage des Israëlites dans le désert depuis leur sortie de l'Egipte jusqu'au passage du Jourdain. Jean-Baptiste Liébaux, siglo XVII
    Carte du voïage des Israëlites dans le désert depuis leur sortie de l'Egipte jusqu'au passage du Jourdain. Jean-Baptiste Liébaux, siglo XVII
  • Canaan. 1880
    Canaan. 1880
  • Tierra Prometida. Liébaux, siglo XVII. Bibliothèque nationale de France
    Tierra Prometida. Liébaux, siglo XVII. Bibliothèque nationale de France
  • Mapa bíblico. Keurs 1702 (basado en Nicholas Visscher, 1650; y D. Stoopendaal).
    Mapa bíblico. Keurs 1702 (basado en Nicholas Visscher, 1650; y D. Stoopendaal).
  • Ortelius - Hondius, 1570
    Ortelius - Hondius, 1570
  • Tirinus, 1632
    Tirinus, 1632
  • Abraham Bar-Jacob, 1695
    Abraham Bar-Jacob, 1695
  • Funck, 1720
    Funck, 1720
  • Tribes. Schryver, 1729
    Tribes. Schryver, 1729
  • Tribus. Johann Christoph Harenberg, 1750
    Tribus. Johann Christoph Harenberg, 1750
  • Tribus. Tobias Lotter, 1759
    Tribus. Tobias Lotter, 1759
  • Lotter, 1762
    Lotter, 1762
  • Rigobert Bonne, 1770
    Rigobert Bonne, 1770
  • Delamarche, Paris, 1797
    Delamarche, Paris, 1797
  • Gaon de Vilna, 1802
    Gaon de Vilna, 1802
  • Claude Reignier Conder, 1889
    Claude Reignier Conder, 1889
  • Martino Sanudo, 1320
    Martino Sanudo, 1320
  • Abraham y Judá Cresques, Tierra Santa, Atlas, 1375
    Abraham y Judá Cresques, Tierra Santa, Atlas, 1375
  • Carta Catalana, 1450
    Carta Catalana, 1450
  • Rudimentum Novitiorum: Terra Sanctae. Lucas Brandis, 1475
    Rudimentum Novitiorum: Terra Sanctae. Lucas Brandis, 1475
  • Geographiae Sacrae. Nicolas Sanson, 1662. Publicado 1690.
    Geographiae Sacrae. Nicolas Sanson, 1662. Publicado 1690.
  • Israel. Guillem Soler, 1380
    Israel. Guillem Soler, 1380
  • Tierra de Israel. Rabbi Chaim Salomon Pinta, Zefat, 1875
    Tierra de Israel. Rabbi Chaim Salomon Pinta, Zefat, 1875
  • Holy Land. Shiviti. Moshe Ganbash, 1838-39
    Holy Land. Shiviti. Moshe Ganbash, 1838-39
  • Deportaciones asirias, 734-715 a.E.C.
    Deportaciones asirias, 734-715 a.E.C.
  • Imperio persa. Houze, 1844.
    Imperio persa. Houze, 1844.
  • Período persa, 538-332 a.E.C.
    Período persa, 538-332 a.E.C.
  • Época de los macabeos, 168-135 a.E.C.
    Época de los macabeos, 168-135 a.E.C.
  • Fases de expansión del Reino Asmoneo, 134-63 a.E.C.
    Fases de expansión del Reino Asmoneo, 134-63 a.E.C.
  • Reino Asmoneo en su apogeo, 76-67 a.E.C.
    Reino Asmoneo en su apogeo, 76-67 a.E.C.
  • Reino de Herodes el Grande, 40 a.E.C.-4 E.C.
    Reino de Herodes el Grande, 40 a.E.C.-4 E.C.

T

  • Old Yishuv Court Museum, Bario Judío, J. shiviti
    Old Yishuv Court Museum, Bario Judío, J. shiviti
  • menora
    menora
  • lujot
    lujot
  • tc
    tc
  • tcz
    tcz
  • Museo Judío de Grecia, Atenas
    Museo Judío de Grecia, Atenas
  • Funda. Zeev Jabotinsky Institute, Israel
    Funda. Zeev Jabotinsky Institute, Israel
  • Torah Reading. Pointer
    Torah Reading. Pointer
  • Belarus, 19th-century. National Historical Museum of Belarus
    Belarus, 19th-century. National Historical Museum of Belarus
  • Br Silver breast plate for Torah, Bavaria-Bohemia
    Br Silver breast plate for Torah, Bavaria-Bohemia
  • Silver torah Breast plate. Jewish Encyclopedia
    Silver torah Breast plate. Jewish Encyclopedia
  • Silver torah Breast plate. Jewish Encyclopedia, by 1900
    Silver torah Breast plate. Jewish Encyclopedia, by 1900
  • Silver torah Breast plate. Hadad Brothers, Israel, 2010
    Silver torah Breast plate. Hadad Brothers, Israel, 2010
  • TC. Nyirbator, Hungary. 1886-1922. Yeshiva University Museum, NY
    TC. Nyirbator, Hungary. 1886-1922. Yeshiva University Museum, NY
  • Torah crown, 1775, gilt silver, from the Portuguese Synagogue. Joods Historisch Museum, Amsterdam
    Torah crown, 1775, gilt silver, from the Portuguese Synagogue. Joods Historisch Museum, Amsterdam
  • T crowns n finials. Sanok, Polonia
    T crowns n finials. Sanok, Polonia
  • Judaica, Sanok
    Judaica, Sanok
  • Judaica. Torah mantles, Torah breast plates, Torah crowns Sinagoga de Turin
    Judaica. Torah mantles, Torah breast plates, Torah crowns Sinagoga de Turin
  • Judaica
    Judaica
  • Judaica. Sanok, PL
    Judaica. Sanok, PL
  • Sanok
    Sanok
  • Sanok
    Sanok
  • Sinagoga Bialystoker, NY, 1906.
    Sinagoga Bialystoker, NY, 1906.
  • Sinagoga Bialystoker, NY, 1906. bimah parojet
    Sinagoga Bialystoker, NY, 1906. bimah parojet
  • Aaron rod
    Aaron rod
  • Bendición de la Torá. Beth Shalom Synagogue, Afula
    Bendición de la Torá. Beth Shalom Synagogue, Afula
  • Estuche
    Estuche
  • Corona. Silver Thora crown in Lviv Museum of Religion
    Corona. Silver Thora crown in Lviv Museum of Religion
  • Piotr Kranc Sztuczyński, Papercutting, Sanok, PL, 2011
    Piotr Kranc Sztuczyński, Papercutting, Sanok, PL, 2011

Ayuda

Destructividad dolosa y persistente

Asunto
  • Vandalismo insistente y doloso de REGISTRO , [https: ... aquí], FECHA. - Solicito su exclusión de Wikipedia por destructividad intencional y persistente. Justificación: al focalizar en la investigación y desarrollo de cada artículo invertimos tiempo y dedicación en nuestro quehacer; ese ha debe ser nuestro trabajo y no perder el tiempo con gente que se dedica a destruir Wikipedia - Para sentar precedente, en caso de no haberlo, o bien para reafirmar nuestras políticas, la respuesta de los bibliotecarios wikipedísticos debe ser inequívoca, severa y contundente, caso contrario perderemos nuestras vidas SOLO revirtiendo los caprichos de anónimos malintencionados. No estaría por otra parte de más el que sólo los usuarios registrados podamos editar: por el momento libramos una batalla contra "fantasmas". Agradezco y envío mis saludos cordiales para todo el Equipo Wikipedístico,
Usuario que lo solicita
Respuesta

(a rellenar por un bibliotecario)

Cronología

Abraham
2000.[3]​[4]​
1850.[5]​

Patriarcas
2000-1500.[4]​

Éxodo, seguido de la revelación de la Torá en Sinaí
1300.[4]​
siglo XIII.[3]​
1250.[5]​

David, rey de Israel, conquista Jerusalén y la hace capital de su reino.
1010-970.[5]​
1005-965.[4]​

"Canción del Mar", poema bíblico proclama a YHVH como dios supremo sobre todos los demás
1000.[4]​

Reinado de Salomón; construcción del Primer Templo de Jerusalén.
970-931.[5]​

Separación de los reinos: Judá e Israel
931.[5]​

Salmanazar V toma Samaria
722.[5]​

Rey Josías de Judá prohibe el culto a cualquier otro diose que no sea YHVH
622.[4]​

Nabucodonosor toma Jerusalén; destrucción del Templo y deportación de los habitantes a Babilonia
587-586.[5]​
586.[3]​[4]​

Libro de Isaías escrito en Babilonia y el reino de Judá
540.[4]​

Edicto de Ciro II de Persia autoriza el regreso de los exiliados; reconstrucción de Jerusalén y su Templo
538.[5]​[3]​

Segundo Templo de Jerusalén
516.[3]​

400 Alejandro Magno conquista Judea
[5]​

Judea bajo dominio de los Lagidos de Egipto
285-200.[5]​

Dominio de la dinastía seleucida del reino de Siria
200-167.[5]​

Revuelta de los Macabeos
siglo II a.E.C.[3]​
167-142.[5]​

Manuscritos del Mar Muerto
150 a.E.C - 68 E.C.[4]​

Reino de la dinastía hasmonea
142-37.[5]​

Pompeyo entra en Jerusalén; control romano sobre Judea
63.[5]​[3]​

Herodes proclamado "rey de Judea" por el senado romano
40.[5]​

Herodes el Grande entra en función, estabiliza la situación política y remodela el Segundo Templo de Jerusalén
37-4.[5]​[3]​

Filón de Alejandría describe al Dios de la Biblia en términos filosóficos griegos, pero sin atributos aristotélicos
30 a.E.C - 50 E.C.[4]​

Dinastía herodiana

4-41.[5]​

Procuradores romanos dirigen Judea
44-66.[5]​

Guerra judía; Roma envía al general Vespaciano para combatir a los judíos
66-70.[5]​

Tito toma Jerusalén e incendia el Templo
70.[5]​[3]​

Rebeliones contra el imperio romano
70-135.[4]​

Toma de Masada
73.[5]​

Revuelta de Bar Kojba
132-135.[5]​

Comienza la redacción del Talmud
170.[3]​

Compilación de la Mishná - versión escrita de la ley oral judaica
200.[5]​[4]​

Cristianismo pasa a ser religión oficial del Imperio Romano
392.[3]​

Culminación del Talmud de Babilonia - incluye la Mishná y la Guemará (serie de comentarios sobre la Mishná)
425.[4]​
500.[5]​

Rabí Shimon bar Yojai compila el Zohar, obra clave de la cábala o misticismo judaico
1250.[4]​

Bibliografía

  • Sed-Rajna, Gabrielle. Abecedaire du Judaïsme, París: Flammarion, 2000.
  • Wilkinson, Philip. Religiões (Religions, 2008), Río de Janeiro: Zahar, 2011.
  • Jones, Gareth, y Georgina Palffy, eds., O livro das religiões (The Religions Book), San Pablo: Globo, 2013.

Referencias

  1. ↑ Another remarkable trait of this manuscript is that it contains many profane illustrations in the margin – in one instance the illustration is even obscene – which bear no relation whatsoever to the text. This cannot be regarded a unique feature of manuscripts produced in the middle of the 13th century: their emergence was closely connected to the spread of Dominican and Franciscan preaching at the time with parables and exempla using motifs from animal fables, bestiaries and – sometimes even becoming completely independent of the text itself. The widespread use of anecdotes in sermons was meant to rekindle flagging interest in theological dogma among believers, and the margin illustrations in manuscripts are to a considerable extent visual manifestations of themes popularized through fabliaux and exempla. Gabrielle Sed-Rajna has shown that most of “the marginal figures have been transferred to this manuscript from a model book used also for several contemporary Latin manuscripts from the same area, executed for the local aristocratic family Bar” – an example of close professional relationship between craftsmen of the Jewish and Christian communities. The popularity of representations of this kind in Christian art in general is attested, for instance, by the fiery diatribe of Bernard of Clairvaux (1090-1153) against non-religious monastic ornamentation. It may be remarked that margin illustrations – including obscene representations – abound in Christian liturgical books while they are rare in secular ones, a strange phenomenon, which Randall is inclined to attribute to an attempt at “provocation by contrast.” Not infrequently it is difficult to decipher the exact symbolic meaning of a given illustration; sometimes this is hardly any longer possible in view of the frequent occurrence of more or less abstruse references to contemporary persons and ideas. There can be no doubt, however, that these margin illustrations were often simply the figments of the artists' imaginations, “diversions which relieved the tedium of daily life.” Thus for instance at the bottom of folio 46 of volume I of our manuscript, the frontispiece of the Book of Adoration, we can see a scene “from the Roman de Renard: the fox, having stolen a goose (or here a cock), is pursued by a woman brandishing a spindle.” In connection with the obscene scene in the upper margin – a man shooting an arrow at the nude hindquarters of a man bending forward – one cannot help but imagine the illuminator who, tired of his monotonous work, suddenly conceives a prank just like an adolescent, in the same way as his modern-day successor, the composer of entries in an encyclopaedia, tired of carding, inserts an entry on a non-existent painter into the serious work of reference, or the lexicographer suddenly gives vent to the accumulated tension of monotony in one of his entries - [1].
  2. ↑ Jewish Art, ed. Cecil Roth, Tel Aviv: Massadah Press, 1961, cols. 203-204: "Joshua".
  3. ↑ a b c d e f g h i j k Philip Wilkinson, Religiões (2008), Río de Janeiro: Zahar, 2011, pp. 61-83.
  4. ↑ a b c d e f g h i j k l m n O livro das religiões (The Religions Book), ed. Gareth Jones y Georgina Palffy, San Pablo: Globo, 2013, pp. 164-199.
  5. ↑ a b c d e f g h i j k l m n ñ o p q r s t u v w Gabrielle Sed-Rajna, Abecedaire du Judaïsme, París: Flammarion, 2000, pp. 116-117.

YIVO

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