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欧陆迪斯科

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Eurodisco
風格起源
文化起源Mid-1970s in West Germany, France, Italy, and United Kingdom.[4][5]
衍生形式
類型分支
Italo disco[17]
融合類型
Space disco
其他主題

Eurodisco (also spelled as Euro disco or Euro-disco) is a genre of electronic music that evolved from disco in the middle 1970s,[18] incorporating elements of Europop in a purely electronic, mechanized[19] and futuristic sound.[20] The genre emerged when European producers and musicians, especially Giorgio Moroder, Marc Cerrone and Frank Farian, adapted American disco music by incorporating European pop influences and recent new musical technologies, such as drum machine, electronic drums and synthesizers.[21]

Many Eurodisco compositions feature lyrics sung in English, although the singers often share a different mother tongue. In addition, the genre is considered to be one of the earliest forms of electronic dance music,[22][23] as well as being credited as a precursor to later electronic music genres such as house, eurodance and techno.

  1. ^ Horn, David; Shepherd, John. Continuum Encyclopedia of Popular Music of the World Volume 8. Bloomsbury Publishing. 8 March 2012. ISBN 978-1-4411-4874-2 –通过Google Books. 
  2. ^ Koskoff, Ellen. The Garland Encyclopedia of World Music. Taylor & Francis. 25 September 2017. ISBN 9781351544146 –通过Google Books. 
  3. ^ Peter Shapiro. Turn the Beat Around: The Secret History of Disco. Macmillan + ORM. 23 June 2015. ISBN 978-1-4668-9412-9. The following year, the flip, “Baby Come Back,” becomes a huge hit across Europe, setting in motion Europop and soon Eurodisco. 
  4. ^ Electronica, Dance and Club Music. Routledge. 5 July 2017 [May 31, 2024]. ISBN 978-1-351-56854-8. ... eurodisco emerged in the mid - 70s and revolved around a simplifica- tion of early disco's polyrhythmic percussion , which it reduced to a pound- ing bass beat ... 
  5. ^ Wodtke, Larissa. Dance-Punk. Bloomsbury Publishing. 6 April 2023. ISBN 9781501381874 –通过Google Books. ... instead of coming from Eurodisco strongholds in Germany, Italy, or France, the best imports right now are from England... 
  6. ^ Kuligowski, Waldemar; Poprawski, Marcin. Festivals and Values Music, Community Engagement and Organisational Symbolism. Springer International Publishing. 27 November 2023. ISBN 9783031397523 –通过Google Books. disco polo , a musical genre combining influences from Italian and German eurodisco and Belarusian , Ukrainian and Balkan folk melodies , with kitsch lyrics mainly about ( heterosexual ) love ( Socha 2020 ). 
  7. ^ Ellis, Iain. Rebels Wit Attitude Subversive Rock Humorists. Soft Skull Press. 29 October 2008. ISBN 9781593763350 –通过Google Books. ... Fischerspooner and Chilly Gonzales have also embraced the "electroclash" style-a camp mutation of Euro-disco and new wave-as the vehicle for their own campaigns of identity fluidity... 
  8. ^ Morley, David; Ang, Ien. Cultural Studies. Taylor & Francis. 3 August 2005. ISBN 9781134957927 –通过Google Books. Eurorecords had to have immediate cross-national appeal, musical simplicity was of the essence- a bouncy beat, just one chorus hook, elementary lyrics. The fun of these records was entirely a matter of sound quality, but once a record was a hit it took on a kind of sleazy, nostalgic charm of its own. It was precisely the brazen utility of these records, in short, that gave them gay disco consumer appeal too.[...] Eurodisco also had an obvious element of camp -British club audiences took delight in the very gap between the grand gestures of Eurosingers and the vacuity of their songs. 
  9. ^ Bogdanov, Vladimir; Woodstra, Chris; Bush, John; Erlewine, Stephen Thomas. All Music Guide to Electronica: The Definitive Guide to Electronic Music. Backbeat Books. 2001 [May 31, 2024]. ISBN 978-0-87930-628-1. 
  10. ^ Le Menestrel, Sara. The Color of Music: Social Boundaries and Stereotypes in Southwest Louisiana French Music. Southern Cultures. 2007, 13 (3): 87–105. ISSN 1068-8218. JSTOR 26391066. 
  11. ^ Hasselhoff, David; Thompson, Peter. Don't Hassel the Hoff The Autobiography. St. Martin's Press. 15 May 2007. ISBN 9781429901062 –通过Google Books. Simon invited me to work with Stock, Aitken and Waterman, Britain's biggest hit-makers of the 1980s whose work favoured a high-spirited blend of pop music and Hi-NRG, a high-tech version of Euro-disco. I checked into the Piccadilly Hotel 
  12. ^ Schütte, Uwe. German Pop Music A Companion. De Gruyter. 11 January 2017. ISBN 9783110423549 –通过Google Books. Like Frankfurt, Munich also had a (more indirect) house and techno pre-history via the Eurodisco sound associated with Giorgio Moroder. 
  13. ^ Decentring Dancing Texts The Challenge of Interpreting Dances. Palgrave Macmillan UK. 24 July 2008. ISBN 9780230584426 –通过Google Books. 
  14. ^ Borthwick, Stuart; Moy, Ron. Popular Music Genres: an Introduction. Routledge. 15 April 2020. ISBN 978-0-7486-1745-6 –通过Google Books. 
  15. ^ How Synthwave Grew from a Niche '80s Throwback to a Current Phenomenon. Popmatters. 25 November 2019 [May 31, 2024]. 
  16. ^ Schütte, Uwe. German Pop Music A Companion. De Gruyter. 11 January 2017. ISBN 9783110423549 –通过Google Books. Like Frankfurt, Munich also had a (more indirect) house and techno pre-history via the Eurodisco sound associated with Giorgio Moroder. 
  17. ^ Beatnick, Mr. The Essential... Giorgio Moroder. Fact Magazine. 2013-04-21 [2024-06-18] （美国英语）. 
  18. ^ Evans, Mike. 30-Second Rock Music - The 50 Key Styles, Artists and Happenings Each Explained in Half a Minute. Ivy Press. 4 October 2018. ISBN 9781782405542 –通过Google Books. 'Euro Disco', an electronic music style popularized by producers like Giorgio Moroder. 
  19. ^ Shapiro, Peter. Turn the Beat Around: The Secret History of Disco. Macmillan + ORM. 2015-06-23. ISBN 978-1-4668-9412-9 （英语）. 
  20. ^ Ellen Koskoff, Ellen. The Garland Encyclopedia of World Music The United States and Canada · Volume 3. Taylor & Francis. 25 September 2017. ISBN 9781351544146 –通过Google Books. Rhythm and blues disco was joined by Eurodisco, a style from the continent that relied largely on synthesized instrumentation and effects. Lacking the footing in the rhythm and blues idioms that carried American disco, Eurodisco sounded more purely electronic, often more futuristic. Some tunes 
  21. ^ Sturman, Janet. The SAGE International Encyclopedia of Music and Culture. SAGE Publications. 2019-02-26. ISBN 978-1-5063-5338-8 （英语）. 
  22. ^ Reynolds, Simon. Bring the Noise 20 Years of Writing About Hip Rock and Hip Hop. Soft Skull Press. 24 May 2011. ISBN 9781593764609 –通过Google Books. The 'funkless' accusation is pretty incontestable. It goes back to Giorgio Moroder, whose productions for Donna Summer pioneered the first all-electronic dance music: Eurodisco. 
  23. ^ Christopher, David. British Culture An Introduction. Routledge. 1999. ISBN 9780415220538 –通过Google Books. Around 1977 the German producer Giorgio Moroder popularised an infectious, rhythmical, electronic dance music (later known as 'Euro disco') through the music of the American vocalist Donna Summer. 
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