File:Sustermans, Justus - Official portrait of Ferdinando II de' Medici as Grand Duke of Tuscany.jpg: Difference between revisions
Jump to navigation
Jump to search
Content deleted Content added
Spatsibeau (talk | contribs) |
No edit summary |
||
(4 intermediate revisions by 4 users not shown) | |||
Line 1: | Line 1: | ||
== {{int:filedesc}} == |
== {{int:filedesc}} == |
||
{{Artwork |
{{Artwork |
||
|artist |
|artist ={{Creator:Justus Sustermans}} |
||
|title |
|title ={{en|'''Official portrait of Ferdinando II de' Medici, Grand Duke of Tuscany'''.}} |
||
|description={{it|1=Il ritratto di Ferdinando II de' Medici, granduca di Toscana, fa parte della cosiddetta "serie aulica" (o "dei serenissimi principi"), una raccolta di ritratti dei membri più importanti della famiglia Medici. |
|description={{it|1=Il ritratto di Ferdinando II de' Medici, granduca di Toscana, fa parte della cosiddetta "serie aulica" (o "dei serenissimi principi"), una raccolta di ritratti dei membri più importanti della famiglia Medici. |
||
L'opera è ricordata per la prima volta nella Galleria degli Uffizi insieme al pendant raffigurante la moglie nel 1659, quando furono ritirati per essere copiati. Una lettera del 1° luglio 1654, scritta dal guardarobiere mediceo Zanobi Betti al cardinal Carlo de' Medici, riferisce che il ritratto di Ferdinando II era finito e se ne inviava una copia più piccola a Roma per averne un parere. Per questo motivo i ritratti di Ferdinando e Vittoria sono datati al 1653/54 circa. Altre due copie dei ritratti dei granduchi furono inviate a Oliver Cromwell nel 1655. Nel 1672 Sustermans dovette ritoccare il dipinto per rimuovere un vistoso cappello piumato, ritenuto inadatto per un ritratto così formale (il cappello è visibile in alcune copie precedenti).}} |
L'opera è ricordata per la prima volta nella Galleria degli Uffizi insieme al pendant raffigurante la moglie nel 1659, quando furono ritirati per essere copiati. Una lettera del 1° luglio 1654, scritta dal guardarobiere mediceo Zanobi Betti al cardinal Carlo de' Medici, riferisce che il ritratto di Ferdinando II era finito e se ne inviava una copia più piccola a Roma per averne un parere. Per questo motivo i ritratti di Ferdinando e Vittoria sono datati al 1653/54 circa. Altre due copie dei ritratti dei granduchi furono inviate a Oliver Cromwell nel 1655. Nel 1672 Sustermans dovette ritoccare il dipinto per rimuovere un vistoso cappello piumato, ritenuto inadatto per un ritratto così formale (il cappello è visibile in alcune copie precedenti).}} |
||
{{en|1=The portrait of Ferdinando II de' Medici, Grand Duke of Tuscany, is part of the so-called "serie aulica" (or "of the most serene princes"), a collection of portraits of the most important members of the House of Medici. |
{{en|1=The portrait of Ferdinando II de' Medici, Grand Duke of Tuscany, is part of the so-called "serie aulica" (or "of the most serene princes"), a collection of portraits of the most important members of the House of Medici. |
||
The work is mentioned for the first time |
The work is mentioned for the first time together with the matching portrait of Ferdinando's wife, Vittoria della Rovere, inside the Uffizi Gallery in 1659, when the two paintings are taken away to be copied. A letter, written on 1° July 1654 by medicean cloakroom attendant Zanobi Betti to cardinal Carlo de' Medici, reports that Ferdinando's portrait was completed and a copy was sent to Rome to ask an opinion. That's why Ferdinando and Vittoria's portraits are dated to 1653/54. Other two copies of Grand Dukes' portraits were sent to Oliver Cromwell in 1655. On 1672 Sustermans retouched the painting, removing a flashy feathered hat, judged inappropriated for a so formal portrait (the hat is still visible in some previous copies).}} |
||
|date |
|date ={{other date|between|1653|1654}} |
||
|medium |
|medium ={{Technique|oil}} |
||
|dimensions =144 x 119 cm |
|dimensions =144 x 119 cm |
||
|institution={{Institution:Uffizi}} |
|institution ={{Institution:Uffizi}} |
||
|department ={{floor|2}}, Second Corridor - "Corridor facing the River Arno" |
|department ={{floor|2}}, Second Corridor - "Corridor facing the River Arno" |
||
|source |
|source ={{own}}, 2017-06-02 8:49:00 |
||
| |
|photographer =[[User:Kaho Mitsuki|Kaho Mitsuki]] |
||
|other versions=<gallery> |
|other versions=<gallery> |
||
File:Sustermans, Justus - Official portrait of Vittoria della Rovere as Grand Duchess of Tuscany.jpg|Matching portrait of Vittoria della Rovere, Ferdinando II's wife |
File:Sustermans, Justus - Official portrait of Vittoria della Rovere as Grand Duchess of Tuscany.jpg|Matching portrait of Vittoria della Rovere, Ferdinando II's wife |
||
Line 20: | Line 20: | ||
}} |
}} |
||
== {{int:license-header}} == |
== {{int:license-header}} == |
||
{{PD-art|PD-old-auto-expired|deathyear=1681}} |
|||
{{cc-by-sa-4.0}} |
|||
[[Category:Serie aulica| |
[[Category:Serie aulica|Aul-270]] |
||
⚫ | |||
[[Category:Portrait paintings of Ferdinando II de' Medici, Grand Duke of Tuscany|1653]] |
[[Category:Portrait paintings of Ferdinando II de' Medici, Grand Duke of Tuscany|1653]] |
||
[[Category:Portraits of Ferdinand II of Tuscany by Justus Sustermans]] |
[[Category:Portraits of Ferdinand II of Tuscany by Justus Sustermans]] |
||
[[Category:House of Medici by Justus Sustermans]] |
[[Category:House of Medici by Justus Sustermans]] |
||
⚫ | |||
[[Category:1650s paintings in Italy]] |
[[Category:1650s paintings in Italy]] |
||
[[Category:1650s portrait paintings from Italy|M]] |
[[Category:1650s portrait paintings from Italy (male)|M]] |
||
[[Category:1650s portrait paintings of men]] |
[[Category:1650s portrait paintings of men]] |
||
[[Category:17th-century oil portraits of standing men at three-quarter length in armour|1653]] |
[[Category:17th-century oil portraits of standing men at three-quarter length in armour|1653]] |
||
Line 37: | Line 37: | ||
[[Category:Portrait paintings of standing men with left hand on hip|1653]] |
[[Category:Portrait paintings of standing men with left hand on hip|1653]] |
||
[[Category:Portrait paintings of standing men with right hand holding objects on tables|1653]] |
[[Category:Portrait paintings of standing men with right hand holding objects on tables|1653]] |
||
[[Category: |
[[Category:17th-century portrait paintings with red drapery|1653]] |
Latest revision as of 12:13, 2 July 2024
Categories:
- Serie aulica
- Paintings by Justus Sustermans in the Uffizi Gallery
- Portrait paintings of Ferdinando II de' Medici, Grand Duke of Tuscany
- Portraits of Ferdinand II of Tuscany by Justus Sustermans
- House of Medici by Justus Sustermans
- 1650s paintings in Italy
- 1650s portrait paintings from Italy (male)
- 1650s portrait paintings of men
- 17th-century oil portraits of standing men at three-quarter length in armour
- 17th-century three-quarter view portrait paintings of men, facing left and looking at viewer
- Cross of the Order of Saint Stephen (Tuscany) in portrait paintings
- Portrait paintings of men holding crowns
- Portrait paintings of standing men with right hand holding baton
- Portrait paintings of standing men with left hand on hip
- Portrait paintings of standing men with right hand holding objects on tables
- 17th-century portrait paintings with red drapery