File:Sustermans, Justus - Official portrait of Ferdinando II de' Medici as Grand Duke of Tuscany.jpg: Difference between revisions

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== {{int:filedesc}} ==
== {{int:filedesc}} ==
{{Artwork
{{Artwork
|artist ={{Creator:Justus Sustermans}}
|artist ={{Creator:Justus Sustermans}}
|title ={{en|'''Official portrait of Ferdinando II de' Medici, Grand Duke of Tuscany'''.}}
|title ={{en|'''Official portrait of Ferdinando II de' Medici, Grand Duke of Tuscany'''.}}
|description={{it|1=Il ritratto di Ferdinando II de' Medici, granduca di Toscana, fa parte della cosiddetta "serie aulica" (o "dei serenissimi principi"), una raccolta di ritratti dei membri più importanti della famiglia Medici.
|description={{it|1=Il ritratto di Ferdinando II de' Medici, granduca di Toscana, fa parte della cosiddetta "serie aulica" (o "dei serenissimi principi"), una raccolta di ritratti dei membri più importanti della famiglia Medici.
L'opera è ricordata per la prima volta nella Galleria degli Uffizi insieme al pendant raffigurante la moglie nel 1659, quando furono ritirati per essere copiati. Una lettera del 1° luglio 1654, scritta dal guardarobiere mediceo Zanobi Betti al cardinal Carlo de' Medici, riferisce che il ritratto di Ferdinando II era finito e se ne inviava una copia più piccola a Roma per averne un parere. Per questo motivo i ritratti di Ferdinando e Vittoria sono datati al 1653/54 circa. Altre due copie dei ritratti dei granduchi furono inviate a Oliver Cromwell nel 1655. Nel 1672 Sustermans dovette ritoccare il dipinto per rimuovere un vistoso cappello piumato, ritenuto inadatto per un ritratto così formale (il cappello è visibile in alcune copie precedenti).}}
L'opera è ricordata per la prima volta nella Galleria degli Uffizi insieme al pendant raffigurante la moglie nel 1659, quando furono ritirati per essere copiati. Una lettera del 1° luglio 1654, scritta dal guardarobiere mediceo Zanobi Betti al cardinal Carlo de' Medici, riferisce che il ritratto di Ferdinando II era finito e se ne inviava una copia più piccola a Roma per averne un parere. Per questo motivo i ritratti di Ferdinando e Vittoria sono datati al 1653/54 circa. Altre due copie dei ritratti dei granduchi furono inviate a Oliver Cromwell nel 1655. Nel 1672 Sustermans dovette ritoccare il dipinto per rimuovere un vistoso cappello piumato, ritenuto inadatto per un ritratto così formale (il cappello è visibile in alcune copie precedenti).}}
{{en|1=The portrait of Ferdinando II de' Medici, Grand Duke of Tuscany, is part of the so-called "serie aulica" (or "of the most serene princes"), a collection of portraits of the most important members of the House of Medici.
{{en|1=The portrait of Ferdinando II de' Medici, Grand Duke of Tuscany, is part of the so-called "serie aulica" (or "of the most serene princes"), a collection of portraits of the most important members of the House of Medici.
The work is mentioned for the first time in 1659 together with the matching portrait of Ferdinando's wife, Vittoria della Rovere, inside the Uffizi Gallery in 1659, when the two paintings are taken away to be copied. A letter, written on 1° July 1654 by medicean cloakroom attendant Zanobi Betti to cardinal Carlo de' Medici, reports that Ferdinando's portrait was completed and a copy was sent to Rome to ask an opinion. That's why Ferdinando and Vittoria's portraits are dated to 1653/54. Other two copies of Grand Dukes' portraits were sent to Oliver Cromwell in 1655. On 1672 Sustermans retouched the painting, removing a flashy feathered hat, judged inappropriated for a so formal portrait (the hat is still visible in some previous copies).}}
The work is mentioned for the first time together with the matching portrait of Ferdinando's wife, Vittoria della Rovere, inside the Uffizi Gallery in 1659, when the two paintings are taken away to be copied. A letter, written on 1° July 1654 by medicean cloakroom attendant Zanobi Betti to cardinal Carlo de' Medici, reports that Ferdinando's portrait was completed and a copy was sent to Rome to ask an opinion. That's why Ferdinando and Vittoria's portraits are dated to 1653/54. Other two copies of Grand Dukes' portraits were sent to Oliver Cromwell in 1655. On 1672 Sustermans retouched the painting, removing a flashy feathered hat, judged inappropriated for a so formal portrait (the hat is still visible in some previous copies).}}
|date ={{other date|between|1653|1654}}
|date ={{other date|between|1653|1654}}
|medium ={{Technique|oil}}
|medium ={{Technique|oil}}
|dimensions =144 x 119 cm
|dimensions =144 x 119 cm
|institution={{Institution:Uffizi}}
|institution ={{Institution:Uffizi}}
|department ={{floor|2}}, Second Corridor - "Corridor facing the River Arno"
|department ={{floor|2}}, Second Corridor - "Corridor facing the River Arno"
|source ={{own}}, 2017-06-02 8:49:00
|source ={{own}}, 2017-06-02 8:49:00
|author =[[User:Kaho Mitsuki|Kaho Mitsuki]]
|photographer =[[User:Kaho Mitsuki|Kaho Mitsuki]]
|other versions=<gallery>
|other versions=<gallery>
File:Sustermans, Justus - Official portrait of Vittoria della Rovere as Grand Duchess of Tuscany.jpg|Matching portrait of Vittoria della Rovere, Ferdinando II's wife
File:Sustermans, Justus - Official portrait of Vittoria della Rovere as Grand Duchess of Tuscany.jpg|Matching portrait of Vittoria della Rovere, Ferdinando II's wife
Line 20: Line 20:
}}
}}
== {{int:license-header}} ==
== {{int:license-header}} ==
{{PD-art|PD-old-auto-expired|deathyear=1681}}
{{cc-by-sa-4.0}}


[[Category:Serie aulica|29]]
[[Category:Serie aulica|Aul-270]]
⚫
[[Category:Paintings by Justus Sustermans in the Uffizi Gallery]]
[[Category:Portrait paintings of Ferdinando II de' Medici, Grand Duke of Tuscany|1653]]
[[Category:Portrait paintings of Ferdinando II de' Medici, Grand Duke of Tuscany|1653]]
[[Category:Portraits of Ferdinand II of Tuscany by Justus Sustermans]]
[[Category:Portraits of Ferdinand II of Tuscany by Justus Sustermans]]
[[Category:House of Medici by Justus Sustermans]]
[[Category:House of Medici by Justus Sustermans]]
⚫
[[Category:17th-century portrait paintings in the Uffizi Gallery|1653]]
[[Category:1650s paintings in Italy]]
[[Category:1650s paintings in Italy]]
[[Category:1650s portrait paintings from Italy|M]]
[[Category:1650s portrait paintings from Italy (male)|M]]
[[Category:1650s portrait paintings of men]]
[[Category:1650s portrait paintings of men]]
[[Category:17th-century oil portraits of standing men at three-quarter length in armour|1653]]
[[Category:17th-century oil portraits of standing men at three-quarter length in armour|1653]]
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[[Category:Portrait paintings of standing men with left hand on hip|1653]]
[[Category:Portrait paintings of standing men with left hand on hip|1653]]
[[Category:Portrait paintings of standing men with right hand holding objects on tables|1653]]
[[Category:Portrait paintings of standing men with right hand holding objects on tables|1653]]
[[Category:Red drapery in portrait paintings|1653]]
[[Category:17th-century portrait paintings with red drapery|1653]]

Latest revision as of 12:13, 2 July 2024

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Summary

[edit]
Justus Sustermans: English: Official portrait of Ferdinando II de' Medici, Grand Duke of Tuscany.   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Justus Sustermans  (1597–1681)  wikidata:Q974195
 
Justus Sustermans
Alternative names
Justus Susterman, Justus Sutterman, Justus Suttermans
Description Flemish painter, drawer, printmaker and miniaturist
Date of birth/death 28 September 1597 Edit this at Wikidata 23 April 1681 Edit this at Wikidata
Location of birth/death Antwerp Florence
Work period from 1609 until 1681
date QS:P,+1650-00-00T00:00:00Z/7,P580,+1609-00-00T00:00:00Z/9,P582,+1681-00-00T00:00:00Z/9
Work location
Antwerp (1609-1616), Paris (1616-1619), Florence (between circa 1620 and circa 1681
date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1620-00-00T00:00:00Z/9,P1326,+1681-00-00T00:00:00Z/9,P1480,Q5727902
)
Authority file
artist QS:P170,Q974195
Photographer
Kaho Mitsuki
Title
English: Official portrait of Ferdinando II de' Medici, Grand Duke of Tuscany.
Description
Italiano: Il ritratto di Ferdinando II de' Medici, granduca di Toscana, fa parte della cosiddetta "serie aulica" (o "dei serenissimi principi"), una raccolta di ritratti dei membri più importanti della famiglia Medici. L'opera è ricordata per la prima volta nella Galleria degli Uffizi insieme al pendant raffigurante la moglie nel 1659, quando furono ritirati per essere copiati. Una lettera del 1° luglio 1654, scritta dal guardarobiere mediceo Zanobi Betti al cardinal Carlo de' Medici, riferisce che il ritratto di Ferdinando II era finito e se ne inviava una copia più piccola a Roma per averne un parere. Per questo motivo i ritratti di Ferdinando e Vittoria sono datati al 1653/54 circa. Altre due copie dei ritratti dei granduchi furono inviate a Oliver Cromwell nel 1655. Nel 1672 Sustermans dovette ritoccare il dipinto per rimuovere un vistoso cappello piumato, ritenuto inadatto per un ritratto così formale (il cappello è visibile in alcune copie precedenti).
English: The portrait of Ferdinando II de' Medici, Grand Duke of Tuscany, is part of the so-called "serie aulica" (or "of the most serene princes"), a collection of portraits of the most important members of the House of Medici. The work is mentioned for the first time together with the matching portrait of Ferdinando's wife, Vittoria della Rovere, inside the Uffizi Gallery in 1659, when the two paintings are taken away to be copied. A letter, written on 1° July 1654 by medicean cloakroom attendant Zanobi Betti to cardinal Carlo de' Medici, reports that Ferdinando's portrait was completed and a copy was sent to Rome to ask an opinion. That's why Ferdinando and Vittoria's portraits are dated to 1653/54. Other two copies of Grand Dukes' portraits were sent to Oliver Cromwell in 1655. On 1672 Sustermans retouched the painting, removing a flashy feathered hat, judged inappropriated for a so formal portrait (the hat is still visible in some previous copies).
Date between 1653 and 1654
date QS:P571,+1653-00-00T00:00:00Z/8,P1319,+1653-00-00T00:00:00Z/9,P1326,+1654-00-00T00:00:00Z/9
Medium oil
medium QS:P186,Q296955
Dimensions 144 x 119 cm
institution QS:P195,Q51252
Current location
2nd floor, Second Corridor - "Corridor facing the River Arno"
Source/Photographer Own work, 2017-06-02 8:49:00
Other versions
  • Matching portrait of Vittoria della Rovere, Ferdinando II's wife
    Matching portrait of Vittoria della Rovere, Ferdinando II's wife
  • The feathered hat version
    The feathered hat version

Licensing

[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1681, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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Date/TimeThumbnailDimensionsUserComment
current17:42, 3 June 2017Thumbnail for version as of 17:42, 3 June 20171,500 × 1,822 (767 KB)Kaho Mitsuki (talk | contribs){{Artwork |artist ={{Creator:Justus Sustermans}} |title ={{en|'''Official portrait of Ferdinando II de' Medici, Grand Duke of Tuscany'''.}} |description={{it|1=Il ritratto di Ferdinando II de' Medici, granduca di Toscana, fa parte della cosidd...

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