Draft:Pere-Enric de Ferran i de Rocabruna: Difference between revisions

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He resumed his musical activity, and in 1915 he presented at the [[Palau de la Música Catalana]] in Barcelona his romance for violin and piano ''Primavera'', which he had already premiered in Brussels in 1914; the same piece was presented at the [[Mandarin Oriental Ritz, Madrid|hotel Ritz]] in Madrid in 1917, with good reviews from critics in both cases.
 
His musical career culminated with the premiere in 1917 at the Gran Teatro de Madrid of the symphonic poem ''Crepúsculo (Le Soir)'', with lyrics by [[ Jean Delville]], a piece that the war had prevented from being premiered in Brussels. Performed by the orchestra Benedito and conducted by the maestro {{ill|Rafael Benedito|es|Rafael Benedito Vives}} himself; it had a great reception, and the success was reflected in the musical reviews and chronicles of the Madrid newspapers.<ref> {{Cite news |date=April 16, 1917 |title="Músicos y Concertos" |url=https://www.abc.es/archivo/periodicos/abc-madrid-19170416-23.html |work=[[ABC (newspaper) | ABC]] |pages=23}}</ref>
 
He composed some solo piano pieces, such as ''Abril'', dedicated to [[Andrés Segovia]], he began the composition of the operetta ''Barnum'' with a libretto by Marc-Jesús Bertran Tintorer, started collaborations with [[Enrique García Álvarez (playwright)|Enrique García Álvarez]] and [[:es:Alfonso Hernández-Catá|Alfonso Hernández-Catá]] for some operettas, he worked on a symphonic poem based on the poem ''Le Sylphe'' by [[Victor Hugo]], and continued developing the opera ''Les amantes de Palerme'' that he had started in Belgium.<ref name="interview" />