Marie Lehmann (soprano): Difference between revisions

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Marie Lehmann was born in [[Hamburg]], the daughter of the soprano [[Maria Theresia Löw]] and the [[heldentenor]] Karl August Lehmann, and the sister of [[Lilli Lehmann]]. Her mother trained the girls, working in Prague.<ref name="Kutsch" />
 
Lehmann made her stage debut at the [[Leipzig Opera]] in 1867 as Ännchen in Weber's ''[[Der Freischütz]]'',<ref name="Kutsch" /> where she was engaged until 1869. She took a break of two years, continuing her career at the [[Hamburg Opera]] in 1871, at the [[Cologne Opera]] in 1873, at the [[Breslau Opera]] in 1878, at the German Theatre in [[Prague]] in 1879,<ref name="Kutsch" /> and finally at the [[Vienna State Opera|Vienna Court Opera]] from 1891 until 1896,<ref name="Forbes" />{{not inuntil source|date1896,<ref name=August"Kutsch" 2018}}/> where she also took mezzo-soprano and contralto roles. She performed there as a guest until 1901.<ref name="Kutsch" /> The roles in her broad repertory included Mozart characters such as Konstanze in ''[[Die Entführung aus dem Serail]]'', Susanna in ''[[Le nozze di Figaro]]'', Donna Elvira in ''[[Don Giovanni]]'', and the Queen of the Night in ''[[Die Zauberflöte]]'', Marzelline in Beethoven's ''[[Fidelio]]'', Leonore in Flotow's ''[[Alessandro Stradella (opera)|Alessandro Stradella]]'', and Christine in Ignaz Brüll's ''[[Das goldene Kreuz]]'',<ref name="Kutsch" /> premiered in Berlin in 1875. Her roles included further Marguerite de Valois in Meyerbeer's ''[[Les Huguenots]]'', Adalgisa in Bellini's ''[[Norma (opera)|Norma]]'' and Antonina in Donizetti's ''[[Belisario]]''.<ref name="Forbes" /> She appeared in operas by Verdi, as Gilda in ''[[Rigoletto]]'' and Desdemona in ''[[Otello]]'', and as Senta in Wagner's ''[[Der fliegende Holländer]]'' and Sieglinde in his ''[[Die Walküre]]''.<ref name="Kutsch" />
 
In [[Bayreuth]], Lehmann performed the soprano solo in Beethoven's [[Symphony No. 9 (Beethoven)|Ninth Symphony]] for the groundbreaking of the [[Bayreuth Festspielhaus]] in 1872.<ref name="Forbes" /> She created two roles, Wellgunde the [[Rhinemaiden]] and Waltraute the [[Valkyrie]], in the first complete performance of Wagner's ''[[Der Ring des Nibelungen]]''<ref name="Forbes" /> at the inaugural [[Bayreuth Festival]] from 13 to 17 August 1876. The other two Rhinemaidens were her sister [[Lilli Lehmann]], and [[Minna Lammert]].<ref name="Kutsch" /><ref name="Lehmann" /> They performed "swimming" in an apparatus imagined by Wagner. After the opening scene was first tried, stage assistant Richard Fricke wrote in his diary that Wagner "thanked them with tears of joy".<ref name="Deaville" /> Lehmann sang again in Bayreuth in 1896, as the Second Norne in ''[[Götterdämmerung]]''.<ref name="Forbes" />