Minnie Evans: Difference between revisions

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===Inspiration, style, and technique===
Evans began to [[Drawing|draw]] and [[Painting|paint]] at the age of 43, creating her first pieces of artwork on a scrap of paper bag. She was known to free-hand her drawings from left to right.<ref>{{Cite web|title=About the Artist: Minnie Evans {{!}} Folkstreams|url=https://www.folkstreams.net/film-context.php?id=120|access-date=2020-11-12|website=www.folkstreams.net|language=en}}</ref> Minnie Evans was notorious for drawing with anything on hand, including discarded window shades, book bindings, scrap paper. She also favored the use of Crayola crayons as she said “they are the best.”<ref>{{Cite web|title=UNC Chapel Hill Libraries|url=https://auth.lib.unc.edu/ezproxy_auth.php?url=https://go.gale.com/ps/i.do?p=SCIC&u=unc_main&id=GALE%7CA176019558&v=2.1&it=r&sid=SCIC&asid=0ff633e7|access-date=2020-11-16|language=en-US}}</ref> Five years later she decided to really dedicate herself to recording her dreams through art. Filled with Edens and heavens, the landscape of her dream world is principally free of the threat of hell.<ref>{{Cite web|last=Brennan|first=Lissa|date=2003-04-16|title=The Multi-colored dreams Of Minnie Evans|url=https://indyweek.com/api/content/f1c19053-ec57-5cf9-ad42-8864ead123ba/|access-date=2020-11-16|website=INDY Week|language=en-us}}</ref> She painted her early works on US Coast guard stationery and later worked with more precision, using ink, [[graphite]], [[Crayon|wax crayon]], [[Watercolor painting|watercolour]] and [[Oil painting|oil on canvas]], board and paper.<ref>''[http://www.rawvision.com/books/outsider-art-sourcebook Outsider Art Sourcebook]'', ed. John Maizels, Raw Vision, Watford, 2009, p.71</ref>
 
Evans drawings were inspired by her dreams and filled with many colors inspired by her work at Airlie Gardens. Her designs are complex, with elements recalling the art of [[China]] and the [[Caribbean]] combined with more Western themes. The central [[Motif (visual arts)|motif]] in many pieces is a human face surrounded by plant and animal forms. The eyes, which Evans equated with God's omniscience, are central to each figure, often three eyes were depicted and frontal faces with concealed lips. Symmetry was also a common theme in Evans' work<ref name="Folk Art Messenger" /> In addition, [[God]] is sometimes depicted with [[wing]]s and a multicolored collar and [[Halo (religious iconography)|halo]] and shown surrounded by all manner of creatures.