Michel Chion: Difference between revisions

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Altered url. URLs might have been anonymized. | Use this bot. Report bugs. | Suggested by Spinixster | Category:French composers | #UCB_Category 178/237
 
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| publisher = Editions Nathan
| location = Paris
| isbn = {{Format ISBN|9782091908854}}978-2-09-190885-4
}}</ref> has been considered by all critics as the definitive book on the relations between sound and image, which are described as two different languages within the multimedia art form, discussing the argument from both technical-linguistic and aesthetic points of view, where before it was discussed principally in terms of narrative implications.<ref>{{cite book |last=Daniele |first=Romina |url=https://books.google.com/books?id=5_DvEAAAQBAJ |title=Ascenseur pour l'échafaud, Il luogo della musica nell'audiovisione |publisher=RDM |year=2011 |isbn=978-88-904905-9-0 |location=Milan |pages=13–14}}</ref>
| url = https://books.google.com/books?id=Ol0P0uHrn7AC
| last = Daniele
| first = Romina
| title = Ascenseur pour l'échafaud, Il luogo della musica nell'audiovisione
| year = 2011
| publisher = RDM
| location = Milan
| isbn = {{Format ISBN|9788890490590}}
| pages = 13–14
}}</ref>
<ref>{{cite book
| url = https://books.google.com/books?id=Dz-1LBWOod0C&q=film+sound+theory+and+practice
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| year = 1985
| publisher = Columbia University Press
| isbn = {{Format ISBN|9780231056373}}978-0-231-05637-3
}}</ref>