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He has also written a number of books as well as essays expounding his theories of the interaction between sound and image within the medium of film.
In particular, the book titled ''
| last = Chion
| first = Michel
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| publisher = Editions Nathan
| location = Paris
| isbn =
}}</ref> has been considered by all critics as the definitive book on the relations between sound and image, which are described as two different languages within the multimedia art form, discussing the argument from both technical-linguistic and aesthetic points of view, where before it was discussed principally in terms of narrative implications.<ref>{{cite book |last=Daniele |first=Romina |url=https://books.google.com/books?id=5_DvEAAAQBAJ |title=Ascenseur pour l'échafaud, Il luogo della musica nell'audiovisione |publisher=RDM |year=2011 |isbn=978-88-904905-9-0 |location=Milan |pages=13–14}}</ref>
<ref>{{cite book
| url = https://books.google.com/books?id=Dz-1LBWOod0C&q=film+sound+theory+and+practice
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| title = Film sound: theory and practice
| year = 1985
| publisher = Columbia University Press
| isbn =
}}</ref>
==Writings==
* 1982. (With [[Norbert Dufourcq]] and Marcelle Benoit). ''La musique électroacoustique''. Paris: [[Presses Universitaires de France]], {{ISBN|2-13-037262-7}}
* 1984. ''La voix au cinéma''. [N.p.]: Cahiers du Cinéma Livres. {{ISBN|2-86642-004-7}}<ref name="Gilbey">{{cite web|url=http://www.newstatesman.com/blogs/cultural-capital/2010/08/james-stewart-voice-film-actor|title=Gilbey on Film: what's in a voice?|last=Gilbey|first=Ryan|date=10 August 2010|work=[[New Statesman]]|
* 1983. ''Guide des objets sonores: Pierre Schaeffer et la recherche musicale ''. Bibliothèque de recherche musicale. [N.p.]: Buchet Chastel. {{ISBN|2-7020-1439-9}}
* 1985. ''Le son au cinéma''. New, revised and corrected edition. [N.p.]: Cahiers du Cinéma Livres. {{ISBN|2-86642-023-3}}
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