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| last = Chion
| first = Michel
| title =
| year = 1990
| publisher = Editions Nathan
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| isbn = 9782091908854
}}</ref> has been considered by all critics as the definitive book on the relations between sound and image, which are described as two different languages within the multimedia art form, discussing the argument from both technical-linguistic and aesthetic points of view, where before it was discussed principally in terms of narrative implications.<ref>{{cite book
| url = https://books.google.com/books?id=Ol0P0uHrn7AC
| last = Daniele
| first = Romina
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}}</ref>
<ref>{{cite book
| url = https://books.google.com/books?id=Dz-1LBWOod0C&
| authors = Elisabeth Weis, John Belton
| title = Film sound: theory and practice
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==Writings==
* 1982. (With [[Norbert Dufourcq]] and Marcelle Benoit). ''La musique électroacoustique''. Paris: [[Presses Universitaires de France]], {{ISBN|2-13-037262-7}}
* 1984. ''La voix au cinéma''. [N.p.]: Cahiers du Cinema Livres. {{ISBN|2-86642-004-7}}<ref name="Gilbey">{{cite web|url=http://www.newstatesman.com/blogs/cultural-capital/2010/08/james-stewart-voice-film-actor|title=Gilbey on Film:
* 1983. ''Guide des objets sonores: Pierre Schaeffer et la recherche musicale ''. Bibliothèque de recherche musicale. [N.p.]: Buchet Chastel. {{ISBN|2-7020-1439-9}}
* 1985. ''Le son au cinéma''. New, revised and corrected edition. [N.p.]: Cahiers du Cinema Livres. {{ISBN|2-86642-023-3}}
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