Lynd Ward: Difference between revisions

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In 1929, Ward was inspired to create a woodcut novel of his own. The first American wordless novel, {{not a typo|''[[Gods' Man]]''}}, was published by Jonathan Cape & Harrison Smith that October, the week before the [[Wall Street Crash of 1929]]; over the next four years, it sold more than 20,000 copies in six editions.{{sfn|Spiegelman|2010|p=805}} Ward published five more such works: ''[[Madman's Drum]]'' (1930), ''[[Wild Pilgrimage]]'' (1932), ''[[Prelude to a Million Years]]'' (1933), ''[[Song Without Words]]'' (1936), and ''[[Vertigo (wordless novel)|Vertigo]]'' (1937).{{sfn|Cohen|1977|p=191}} Around 1940, he produced roughly twenty wood engravings for another woodcut narrative, titled ''Hymn for the Night'', but never finished the project.{{sfn|Scott|2022|p=9}} During the 1970s, Ward worked on an ambitious wordless novel, tentatively titled ''Dance of the Hours'', which at his death consisted of 77 woodblocks in various stages of completion. In 2001, Rutgers University Libraries published images from 26 of the most finished blocks as ''Lynd Ward's Last Unfinished Wordless Novel''.{{sfn|Scott|2022|p=218}}
 
In addition to woodcuts, Ward also worked in [[watercolor]], oil, brush and ink, [[lithography]] and [[mezzotint]]. He illustrated over a hundred children's books, several of which were collaborations with his wife, May. During the 1930s, Ward became well known for the political themes of his graphic work, which often addressed class and labor issues. In 1932 he founded Equinox Cooperative Press as a response to the mechanized routines of the modern publishing business. Each of the sixteen books eventually published by the press was custom designed and printed. Every facet of the book, such as the paper, type fonts and vignettes, grew out of the collaborative decisions of a small group of writers, artists and editors, and represented an affirmation of handwork. While running Equinox, Ward also took on leadership roles in the [[Artists Union]], the [[American Artists Congress]] and the Federal Arts Project of the [[Works Project Administration]] (WPA). In 1939, Ward became Supervisor of the Graphic Arts Division of the New York Chapter of the Federal Arts Project. He managed 300 artists who made 5,000 prints a year which were distributed for display to libraries, museums, post offices and schools.{{sfn|Scott|2022|pp=13-17}} During World War II, Ward worked for the Bendix Corporation in New Jersey assembling gyroscopes for aircraft.{{sfn|Dance|2015|p=48}} He was named a member of the [[National Academy of Design]] in 1947.<ref name="br-1949"/> He was also a member of the [[Society of Illustrators]], and a member and President of the Society of American Graphic Artists (SAGA), and the [[National Academy of Design]].
 
Ward moved to [[Leonia, New Jersey]], in 1943,<ref name="br-1949">{{cite news | url=https://www.newspapers.com/article/the-record/137407322/ | title=Leonia Artist Awarded Prize | newspaper=Bergen Evening Record | location=Hackensack, New Jersey | date=November 11, 1949 | page=7 | via=Newspapers.com}}</ref> where he used a barn as a studio.<ref>{{cite news | url=https://www.newspapers.com/article/the-evening-independent/137408065/ | title=Artist Prints 'Novels Without Words' In Barn | agency=Associated Press | newspaper=The Evening Independent | location=Massillon, Ohio | date=October 7, 1947 | page=18 | via=Newspapers.com}}</ref> He and his wife lived in Leonia for the next fifteen years.<ref>{{cite news | url=https://www.newspapers.com/article/the-record/137407986/ | title=Couple Honored For Biographies | newspaper=Bergen Evening Record | location=Hackensack, New Jersey | date=February 8, 1958 | page=4 | via=Newspapers.com}}</ref> Beginning in 1958, Ward lived with his wife in a home in [[Cresskill, New Jersey]], to which they added a studio for their work.<ref>Halasz, Piri. [https://www.nytimes.com/1974/10/27/archives/ward-engravings-on-view-wide-range-of-subjects.html "Ward Engravings on View"], ''[[The New York Times]]'', October 27, 1974. Accessed September 12, 2017. "Since then, Mr. Ward has illustrated more than 100 books for adults and children; they range from editions of Goethe's ''Faust'' and Mary Shelley's ''Frankenstein'' to a number of children's books written by his wife, May McNeer Ward.... For the last 16 years, Mr. and Mrs. Ward have lived on Lambs Lane, in Cresskill, in a small house to which they have added a much larger studio."</ref>
 
==Death==
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==Awards==
He won a number of awards, including athe Joseph Pennel Award at the Library of Congress Awardin 1948 for wood engraving,<ref name="br-1949"/> the [[Caldecott Medal]] for ''[[The Biggest Bear]]'' in 1953 (with a runner-up for ''America's Ethan Allen'' in 1950), and a [[Rutgers University]] award for Distinguished Contribution to Children's Literature. He also illustrated two [[Newbery Medal]] books and six runners-up. In 2011, Ward was listed as a Judges' Choice for [[The Will Eisner Award Hall of Fame]].<ref>{{cite web |url=http://www.comic-con.org/cci/cci_eisners_11nom.php#nominees |title= The 2011 Eisner Awards: Nominees Announced - Nominations Span Full Range of Works|website=www.comic-con.org |archive-url=https://web.archive.org/web/20110513193750/http://www.comic-con.org/cci/cci_eisners_11nom.php |url-status=dead |archive-date=May 13, 2011}}</ref>
 
== Novels in woodcuts ==
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Ward produced six wood engraving novels over the next eight years, including:
 
* {{not a typo|''[[Gods' Man]]''}} (1929)<ref>[http://wordlessnovels.com/index/ward-lynd-1905-1985/1929-gods-man/ 1929 Gods’ Man] a bibliographic listing for Gods’ Man</ref>
* ''[[Madman's Drum]]'' (1930)<ref>[http://wordlessnovels.com/index/ward-lynd-1905-1985/1930-madmans-drum/ 1930 Madman’s Drum] a bibliographic listing for Madman’s Drum</ref>
* ''[[Madman's Drum]]'' (1930)
* ''[[Wild Pilgrimage]]'' (1932)<ref>[http://wordlessnovels.com/index/ward-lynd-1905-1985/1932-wild-pilgrimage/ 1932 Wild Pilgrimage] a bibliographic listing for Wild Pilgrimage</ref>
* ''[[Wild Pilgrimage]]'' (1932)
* ''[[Prelude to a Million Years]]'' (1933)<ref>[http://wordlessnovels.com/index/ward-lynd-1905-1985/1933-prelude-to-a-million-years/ 1933 Prelude To A Million Years] a bibliographic listing for Prelude To A Million Years</ref>
* ''[[Prelude to a Million Years]]'' (1933)
* ''[[Song Without Words]]'' (1936)<ref>[http://wordlessnovels.com/index/ward-lynd-1905-1985/1936-song-without-words/ 1936 Song Without Words] a bibliographic listing for Song Without Words</ref>
* ''[[Song Without Words]]'' (1936)
* ''[[Vertigo (wordless novel)|Vertigo]]'' (1937)<ref>[http://wordlessnovels.com/index/ward-lynd-1905-1985/1937-vertigo/ 1937 Vertigo] a bibliographic listing for Vertigo</ref>
 
Ward left two additional fragments, the unpublished ''Hymn for the Night'' ({{circa|1940}}), and ''Lynd Ward's Last, Unfinished, Wordless Novel''<ref>[http://wordlessnovels.com/index/ward-lynd-1905-1985/2001-last-unfinished-wordless-novel/ 2001 Last Unfinished Wordless Novel] a bibliographic listing for Last Unfinished Wordless Novel</ref>, which was published posthumously in 2001.
 
== Other works ==
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During the 1960s and early 70s, Ward executed nearly forty independent prints which he issued in unlimited editions. These beautifully made engravings focus on rural scenes celebrating the fertility of nature, the joy of children as they explore the outdoors, and political allegories like ''Two Men Waiting'' (1966), ''Mars, Venus and Snare'' (1968) and ''Victim'' (1970). Engravings that treat the freedom of exploration, such as ''Man Climbing'' (1959) and ''Pathfinder'' (1971), are counterbalanced by those that portray human beings surrounded by dense woods or imprisoned in cages, as in ''Net'' (1962), ''Caged Uncaged'' (1965) and ''Prisoner'' (1974). Perhaps sensing the hypnotic spell cast by the increasingly precise and textured line-work of his prints, Ward returned to his earlier sequential art in his last, unfinished novel. {{sfn|Scott|2022|p=218}}
 
In 1974, [[Harry N. Abrams]] published ''Storyteller Without Words'', a book that included Ward's six novels, selections of his illustrations from other books and a number of his independent prints. In this edition, Ward broke his silence and wrote brief introductions for each of his six novels. In 2010, the [[Library of America]] published ''Lynd Ward: Six Novels in Woodcuts'', with a new chronology of Ward's life and an introduction by [[Art Spiegelman]].<ref>{{Citationcite web needed| url=https://www.loa.org/books/337-lynd-ward-six-novels-in-woodcuts-boxed-set/ | title=Lynd Ward: Six Novels in Woodcuts (boxed set) | publisher=Library of America | access-date=MarchDecember 26, 20132023}}</ref>
 
==Influence==
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|pages = 171–195
}}
*{{cite book |last=Dance, |first=Robert. (|date=2015). ''|title=Illustrated By Lynd Ward.'' |publisher=The Grolier Club. }}
*{{cite book
|first = Eugene P.
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|year = 1984
}}
*{{cite book |last=Scott, |first=Grant F. (|date=2022). ''|title=Lynd Ward's Wordless Novels, 1929-1937: Visual Narrative, Cultural Politics, Homoeroticism.'' |publisher=Routledge.}}
*{{cite book
|last = Spiegelman
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* [http://nwda-db.wsulibs.wsu.edu/findaid/ark:/80444/xv70459 Guide to the Lynd Ward papers at the University of Oregon]
* [http://paganpressbooks.com/jpl/LYNDWARD.HTM Lynd Ward's illustrations for Mary Shelley's ''Frankenstein'']
* {{Gutenberg author |id=Ward,+Lynd 33604| name=Lynd Ward}}
* {{Internet Archive author |sname=Lynd Kendall Ward}}
* [http://artistarchive.com/Artworks/AllArtworks.aspx?Ind=3412&CID=1 www.artistarchive.com] A searchable catalogue listing of over 600 prints by this artist, many with images.
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[[Category:National Academy of Design members]]
[[Category:People from Cresskill, New Jersey]]
[[Category:PlacePeople offrom birthLeonia, missingNew Jersey]]
[[Category:Teachers College, Columbia University alumni]]
[[Category:Will Eisner Award Hall of Fame inductees]]
[[Category:20th-century engravers]]
[[Category:Wordless novels]]