However, Irvin had joined an advisory board to help launch ''[[The New Yorker]]'' and then worked on the staff of magazine''Thes New Yorker''staff as an illustrator and art editor. When Thehe magazine'shad first cover,oftaken athe [[dandy]] peering at a [[butterfly]] through a [[monocle]]job, wasIrvin drawnhad byassumed Irvin;that the dandymagazine replacedwould atfold the last minuteafter a drawingfew of theater curtains revealing the skyline of [[Manhattan]].issues,<ref name=autogenerated4autogenerated2 /> but Thehis gentlemanwork would ultimately appear on the original cover isof referred169 toissues as"Eustace Tilley," a character created forof ''The New Yorker'' bybetween 1925 and 1958.<ref name=autogenerated3>[[Coreyhttp://www.tfaoi.com/aa/1aa/1aa398.htm FordRea Irvin of The New Yorker]].</ref>
When he had taken the job atThe magazine''Thes Newfirst Yorker''cover, Irvinof hada assumed[[dandy]] thatpeering theat magazinea would[[butterfly]] fold afterthrough a few issues[[monocle]],<refname=autogenerated2was />drawn butby hisIrvin; workthe woulddandy appearreplaced onat 169the last minute a coversdrawing of ''Thetheater Newcurtains Yorker''revealing betweenthe 1925skyline andof 1958),[[Manhattan]].<ref name=autogenerated3>[http:autogenerated4 //www.tfaoi.com/aa/1aa/1aa398.htm> The Talkgentleman ofon the Town;original Reacover Irvinis ofreferred to as "Eustace Tilley," a character created for ''The New Yorker<!--'' Botby generated title[[Corey -->Ford]</ref>]. including,Another forexample example,is the piece known as ''The Unity of the Allied Nations''., Thiswhich appeared on the cover forof the July 1, 1944 issue, and depicts the [[national personifications]] of the [[Allies of World War II|Allies]] (the American Eagle, the Chinese Dragon, the [[Russian Bear]] and the British Lion).<ref name=autogenerated3 />
Besides covers for the magazine, Irvin also drew various illustrations, department headings, caricatures, and cartoons.<ref name=autogenerated4 />