Saint John Abbey, Müstair

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The Abbey of Saint John is an ancient Benedictine monastery in the Swiss village of Müstair, in the Canton of Graubünden. By reason of its exceptionally well-preserved heritage of Carolingian art, it has been a UNESCO World Heritage Site since 1983.

Benedictine Abbey of St. John at Müstair
UNESCO World Heritage Site
Benedictine Abbey of Saint John
CriteriaCultural: iii
Reference269
Inscription1983 (7th Session)

History

 
Statue of Charlemagne in the abbey church

It is believed that the abbey was established ca. 780 by a bishop of Chur,[1][2] perhaps under orders from Charlemagne.[2] It was built during a wave of monastery construction that included the nearby monasteries at Cazis, Mistail, Pfäfers, and Disentis. The abbey was located along the Val Müstair pass over the Alps from Italy and was fortified to allow it to control the pass. In 881 the abbey passed over to be completely under the control of the Bishop of Chur. During the early years of the abbey, in the early 9th century, a series of frescos were painted in the church. Later, in the 11th and 12th centuries, the abbey experienced a second expansion and new paintings were added or painted over the old frescoes. These paintings were only rediscovered in the 20th century.

In the 10th century, the church tower was added to the abbey church. During the expansion of the 11th century the bishop of Chur enlarged his residence at the monastery. A fine tower home, cloister, and the double chapel of St. Ulrich and St. Nicholas were added. During the expansion, the two-story residence chapel of the bishop was also decorated with extensive stucco and fresco work.[1] At some time in the 12th century, the occupants of the abbey changed from monks to nuns. This change is first mentioned in 1167, but it happened sometime before this date.[2]

The Swabian War, which was an attempt by the Habsburgs to assert control over the Grisons and key alpine passes, started at the convent.[3] On 20 January 1499, Habsburg troops occupied the surrounding valley and plundered the convent, but were soon driven back by the forces of the Three Leagues at the Battle of Calven. Following the raid, an armistice was signed between the Hapsburgs and the Three Leagues. However this armistice only lasted a few days before the conflicts broke out between the Three Leagues' Old Swiss Confederacy allies and the Habsburg troops. These raids quickly escalated into the Swabian War, which ended in September 1499 with the Treaty of Basel granting virtual independence to the Swiss Confederacy.[3]

About 1500 the abbey church was modified from a single-nave Carolingian construction into a three-nave late Gothic church. Shortly thereafter, in 1524 and 1526, through the Ilanzer Articles, the League of God's House was able to weaken the temporal power of the bishop, which had the indirect effect of reducing the income of the abbey. Consequently, there was limited construction on the abbey following this.

In the spirit of the Council of Trent the bishop issued a series of reforms governing religious life between 1600 to 1614. The reforms included new regulations as to who could receive the sacraments and the publication of the breviary. Other policies, such as the requirement in the Benedictine Rule for common sleeping areas, were also relaxed in this era.

Throughout the history of the Abbey of Saint John there were conflicts between the Bishop of Chur, the Grey League and the House of Hapsburg. The abbey's ruler, the abbess, and the government authority, the vogt, were often chosen by one of these three powers.

Paintings

 
Dinner of Herod Antipas with dancing Salome

During the 20th-century restoration works, some Romanesque frescoes from the 1160s were discovered here. Other murals are dated to Charlemagne's reign. The UNESCO recognized these as "Switzerland's greatest series of figurative murals, painted c. A.D. 800, along with Romanesque frescoes and stuccoes".[4]

The original single nave church with five apses has several significant Early Middle Ages frescoes from around 800. The paintings are organized in five rows that stretch from the southern wall across the west wall to the northern wall. The top row features scenes from the life of King David of the Hebrew Bible/Old Testament. The next three rows show scenes from the youth, life, and Passion of Christ. The bottom row contains scenes from the crucifixion of St. Andreas. On the western wall the rows are tied together with an image of the Last Judgment.[5] The paintings were done in a limited range of colors including ochre, red, and brown and help in the "comprehension of the evolution of certain Christian iconographic themes, like that of the last judgment".[1]

The apses and the eastern wall were repainted in the 12th century with Romanesque frecsos showing a variety of biblical themes including the dinner of Herod Antipas (where the dancing of Herodias' daughter leads to the execution of John the Baptist[6]), the wise and foolish virgins, apostles, and St. Stephen.[2]

References

  1. ^ a b c ICOMOS Evaluation for UNESCO
  2. ^ a b c d Müstair Abbey in German, French and Italian in the online Historical Dictionary of Switzerland.
  3. ^ a b Riezler, Sigmund: Die Grafen von Fürstenberg im Schweizerkriege 1499; Tübingen 1883. Template:De icon from historicum.net. Detailed chronological account of events.
  4. ^ UNESCO List accessed 28 April 2008
  5. ^ Niklaus Flüeler, Lukas Gloor, Isabelle Rucki (eds.) (1982). Kulturführer Schweiz (in German). Spreitenbach: Limmatdruck AG. pp. 254–5. {{cite book}}: |author= has generic name (help)CS1 maint: multiple names: authors list (link)
  6. ^ Matthew 14:6–11; Mark 6:19–28

46°37′45″N 10°26′52″E / 46.62917°N 10.44778°E / 46.62917; 10.44778