Saint John Abbey, Müstair: Difference between revisions

Content deleted Content added
m date format audit, minor formatting
m Fixing style/layout errors
 
(14 intermediate revisions by 12 users not shown)
Line 18:
| Extension =
}}
The '''Abbey of Saint John''' ({{lang-gerde|Benediktinerinnenkloster St. Johann}},; {{lang-rm|Claustra benedictina da Son Jon}}) is an ancient[[Early Middle Ages|early medieval]] [[Benedictine]] [[monastery]] in the [[Switzerland|Swiss]] municipality of [[Val Müstair]], in the Canton of [[Graubünden]]. By reason of its exceptionally well-preserved [[Cultural heritage|heritage]] of [[Carolingian art]], it has been a UNESCO [[World Heritage Site]] since 1983.
 
== History ==
[[File:Benediktinerkloster St. Johann Skulptur.JPG|thumb|upright|left|Statue of Charlemagne in the abbey church]]
 
The [[Charlemagne|Carolingian Renaissance]] is deeply in debt to the success of [[Charlemagne]] as a king and patron, and the driving force behind what we see here in St John Abbey. Throughout history, art, education and leisure have all only truly thrived in times of peace, although war is often the most important factor for technological change. In the early Middle Ages the constant conflicts between the Frankish Kingdoms hindered the artistic progress previously enjoyed by the Romans when their empire was at its height. Under [[Charlemagne]]'s prosperous kingship, the introduction of a new peacetime monastic order began, paving the way for the [[frescos]] and architecture seen at Saint John Abbey.<ref>J. Hubert, The Carolingian Renaissance (George Braziller, New York 1970) p.XI</ref>
 
As a devout Christian, [[Charlemagne]] wished to further the ability for his people to be both educated in the teachings of the church, and for his kingdom to be stable. One of the many ways that he achieved this was through his patronage of many monasteries throughout the Frankish Kingdom. The monasteries served as a training ground for missionaries, who were to be sent to the newly conquered areas of his empire and effect their conversion to Christianity.<ref>M.M. Hilderbrant, the External School in Carolingian Society (Brill, Leiden 1992) p. 61</ref> His goals were mostly focused on education, and his mission as king was to provide the basis for the education of the clergy so they could, in turn, educate the parishioners. These monasteries served as canvas for much of the art and architecture of the [[Carolingian Renaissance]].
Line 45:
During the 20th-century restoration works, some [[Romanesque art|Romanesque]] frescoes from the 1160s were discovered here. Other murals are dated to [[Charlemagne]]'s reign. The UNESCO recognized these as "Switzerland's greatest series of figurative murals, painted c. A.D. 800, along with Romanesque frescoes and stuccoes".<ref name="UNESCO List">[https://whc.unesco.org/en/list/269 UNESCO List] accessed 28 April 2008</ref>
 
The figures seen in the frescos of St Johns are of balanced and symmetrical composition, and throughout the church this creates a sense of story and rhythm. The artist’s rapid application of paint and his use of brightness are a means of drawing attention to certain images over others, and shows the complexity and sophistication of the artist's skill. There is a clear link between the frescos seen here in Mustair and those seen in the [[CharlemagneCastelseprio (archaeological park)#Frescoes|Lombard Church of Santa Maria foris portas di Castelseprio]], has led some academics to believe that the artist were either local or at the very least familiar with the work seen there.<ref>Marco Abate (editor), World heritage: Monumental Sites (Skira Editore, Italy 2003) p. 288</ref> One of the main reasons for the popularity of paintings was the fact that literacy is not required. As a result of this, the stories of Christianity and the messages that the clergy wish to share become more easily accessible to the masses that may or may not be literate.<ref>Hubert p.&nbsp;27</ref> The Abbey of St John holds some of the most important biblical stories. These stories hold greater implications for the modern day viewer as it shows what was considered to be the most important elements of Christianity at the time.
One of the main reasons for the popularity of paintings was the fact that literacy is not required. As a result of this, the stories of Christianity and the messages that the clergy wish to share become more easily accessible to the masses that may or may not be literate.<ref>Hubert p.&nbsp;27</ref> The Abbey of St John holds some of the most important biblical stories. These stories hold greater implications for the modern day viewer as it shows what was considered to be the most important elements of Christianity at the time.
 
The original single [[nave]] church with five [[apse]]s has several significant [[Early Middle Ages]] [[fresco]]es from around 800. The paintings are organized in five rows that stretch from the southern wall across the west wall to the northern wall. The top row features scenes from the life of [[David|King David]] of the [[Hebrew Bible]]/[[Old Testament]]. The next three rows show scenes from the youth, life, and [[Passion (Christianity)|Passion]] of Christ. The bottom row contains scenes from the [[crucifixion]] of St. Andreas. On the western wall the rows are tied together with an image of the [[Last Judgment]].<ref name="Kulturfuhrer">{{cite book |author=Flüeler |first=Niklaus |title=Kulturführer Schweiz |languagelast2=GermanGloor |authorfirst2=Niklaus Flüeler, Lukas Gloor,|last3=Rucki |first3=Isabelle Rucki (eds.)|publisher=Limmatdruck AG|location=Spreitenbach |year=1982 |location=Spreitenbach |pages=254–5 |language=German}}</ref> The paintings were done in a limited range of colors including [[ochre]], red, and brown and help in the "comprehension of the evolution of certain Christian iconographic themes, like that of the last judgment".<ref name=ICOMOS />
 
The importance of [[The Last Judgment]] is a substantial element in the power of the church over its congregation. What the fresco depicts is the end of the world, and the judgment that will befall all of mankind. Here people are assessed for their sins, and if they have asked forgiveness for their sins. Although it would be foolish to assume that all who visited the church at the time believed exactly what was depicted on its walls, we can draw conclusions about the messages the church was trying to portray about the importance of confession and a sense of self-assessment when it comes to the question of morality.
Line 54 ⟶ 53:
Many of the frescos were painted over and only some have been restored.
 
The apses and the eastern wall were repainted in the 12th century with [[Romanesque art|Romanesque]] frescoes showing a variety of [[Bible|biblical]] themes including the dinner of [[Herod Antipas]] (where the dancing of [[Herodias]]' daughter leads to the execution of [[John the Baptist]]<ref>{{Bibleverse||Matthew|14:6–11|NRSV}}; {{Bibleverse||Mark|6:19–28|NRSV}}</ref>), the [[Parable of the Ten Virgins|wise and foolish virgins]], [[Apostles in the New Testament|apostles]], and [[Saint Stephen|St. Stephen]].<ref name="HDS" />
 
== Gallery ==
Line 74 ⟶ 73:
File:Meister von Müstair 002.jpg|Carolingian fresco showing Christ healing a deaf-mute
File:Benediktinerkloster St. Johann Relief.JPG|Stucco relief on the north wall of the abbey church
File:Last Judgment of Müstair.jpg|'''Last Judgment of Müstair'''
</gallery>
 
==See also==
* [[Iconography of Charlemagne]]
 
== Notes and references ==
Line 82 ⟶ 85:
*{{commons category-inline|Monastery of Saint John in Müstair}}
*{{HDS|11610}}
*[http://www.muestair.ch/ Kloster Müstair] limited information in English
 
{{World Heritage Sites in Switzerland}}
{{Portal bar|Christianity|History|Switzerland}}
{{Authority control}}
 
{{DEFAULTSORT:Saint John Abbey, Mustair}}
[[Category:Val Müstair]]
[[Category:Benedictine nunneries in Switzerland]]
[[Category:Buildings and structures in Graubünden]]