How Do I Look: Difference between revisions
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How Do I Look is a journalistic alternative and a balance to the 1990 documentary entitled ''[[Paris Is Burning (film)|Paris Is Burning]]'', distributed by Miramax Films, which exploited the House Ball community and is to this date suffering from the consequences.{{POV-statement|date=December 2011}} As a result of the release of Paris is Burning, no still cameras and video cameras were allowed for years.{{Chronology citation needed|date=October 2011}} Ballroom member Octavia St. Laurent sued the director Jeannie Livingston successfully and Jeannie Livingston was never invited back to the House Ball community.{{Chronology citation needed|date=October 2011}} |
How Do I Look is a journalistic alternative and a balance to the 1990 documentary entitled ''[[Paris Is Burning (film)|Paris Is Burning]]'', distributed by Miramax Films, which exploited the House Ball community and is to this date suffering from the consequences.{{POV-statement|date=December 2011}} As a result of the release of Paris is Burning, no still cameras and video cameras were allowed for years.{{Chronology citation needed|date=October 2011}} Ballroom member Octavia St. Laurent sued the director Jeannie Livingston successfully and Jeannie Livingston was never invited back to the House Ball community.{{Chronology citation needed|date=October 2011}} |
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==Content== |
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When i walk on by girls be lookin' like damn he fly. I pay to the beat walking on the street in my new lafreak yah. This is how i roll animak print pants out control. Its read foo with the big ass fro. They like Bruce Lee rock at the club yo. Girl look at that body. Girl look at that body. Girl look at that body. I-i-i work out! Girl look at that body. Girl look at that body. Girl look at that body. I-i-i work out! When i walk in the spot this is what i see. Everybody sops and they staring at me. I got passion in my pants and i aint afraid to show it show it show it show it. Im sexy and i know it. Im sexy and i know it. Yeah. When im at the mall security cant just fight them off. And when im at the beach trynta tan my cheeks. What? This is how i roll Come on ladies its time to go. When we hit it to the bar baby dont be nervous. No shoes no shirt and i still get service. Girl look at that body. Girl look at that body. Girl look at that body. I-i-i work out! Girl look at that body. Girl look at that body. Girl look at that body. I-i-i work out! When i walk in the spot this is what i see. Everybody stops and they staring at me. I got passion in my pants and i ant afraid to show it show it show it show it. Im sexy and i know it. Aye! Im sexy and i know it. Check it out! Check it out! Wiggle wiggle wiggle wiggle wiggle. YEAH! Wiggle wiggle wiggle wiggle wiggle. YEAH! Wiggle wiggle wiggle wiggle wiggle. YEAH! Wiggle wiggle wiggle wiggle wiggle. YEAH! YEAH! Do the wiggle man. A little wiggle man. Yeah. Im sexy and i know it. Aye! Yeah! Girl look at that body. Girl look at that body. Girl look at that body. I work out! Girl look at that body. Girl look at that body. I work out! Im sexy and i know it. Ii really didnt mean it exept fo the sexy and i no it parts |
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''How Do I Look'' is a LGBT Historic Art Documentary focusing on those Ballroom members that opened the doors artistically for the community, the passing of the House Ball traditions from generation to generation, and is a "talent showcase" for this trend setting community in fashion, dance (the originators of the dance "Vogue"), music and runway.<ref name="nn">[http://www.twoboots.com/pioneer/monthly_programs/2006-08.htm] ''Pioneer Theater'', "How Do I Look," August 2006 Programs</ref> It follows several famous artists, such as [[Willi Ninja]], [[Kevin Ultra-Omni]], [[Octavia St. Laurent]], Ross Infiniti and [[Jose Xtravaganza]]. The film interviews its artists about their experiences with Ball competitions and the every day challenges faced by the Ball community. Among the issues this community confronts are persistent social misconception, drug use, sex work, acceptance of sexuality and gender, and sends HIV/AIDS hope messages. |
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In a 2000 article in [[The Village Voice]], noted fashion writer Guy Trebay wrote that the cultural impression was that "the world of the balls was transitory."<ref name="vv">[http://www.villagevoice.com/news/0002,trebay,11690,5.html] ''The Village Voice'', "Paris Is Still Burning," January 2000</ref> |
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In the 2005 ''New York Times'' article, one of the stars of ''How Do I Look'' commented about the mainstream's lack of acceptance of Ball children and their creative forms of dancing. |
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"Break dancers get together and do stuff like this, and it's fully accepted," said [[Willi Ninja]], surely the most celebrated dancer ever produced by the ballroom community, speaking in a mainstream sense. "If Madonna does voguing, it's O.K.," he added. "But when the ball children dance, even now, people say, 'Oh, it's a bunch of crazy queens throwing themselves on the floor.' "<ref name="zz"/> |
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</blockquote> |
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A significant number of the artists who are featured in ''How Do I Look,'' such as [[Willi Ninja]], Octavia St. Laurent and [[Pepper LaBeija]], have died since the beginning of the filming of this documentary. Because the footage for this film was collected after the release of ''Paris is Burning'' and [[Madonna (entertainer)|Madonna]]'s hit single, "[[Vogue (Madonna song)|Vogue]]," ''How Do I Look'' measures the impact on the community since 1990. Some successful artists, such as the dancer [[Jose Xtravaganza]], recounts his appreciation for having worked as a choreographer for [[Madonna (entertainer)|Madonna]]. Other dancers and artists address their experiences with transgender issues and HIV/AIDS awareness and prevention.<ref name="ss">[http://www.afterelton.com/archive/elton/movies/2005/7/howdoilook.html] ''AfterElton.com'', "Wolfgang Busch's How Do I Look," Published: July 8, 2005</ref> |
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As of 2007, an article about a major Ball competition in Philadelphia commented that the artists who are trained in the Ball community are looking for opportunities to use their talents positively. "As the ballroom scene becomes more accessible, there's hope the talent and creativity it nurtures may finally achieve commercial success."<ref name="qq">[http://www.philadelphiaweekly.com/view.php?id=14044&highlight=paris%20is%20burning] ''Philadelphia Weekly'', "Philly is burning," Published: February 14, 2007</ref> |
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==See also== |
==See also== |
Revision as of 20:26, 3 March 2012
How Do I Look | |
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Directed by | Wolfgang Busch; assistant directors Kevin Omni and Luna Khan |
Produced by | Wolfgang Busch |
Starring | Kevin Aviance Pepper LaBeija Willi Ninja Octavia St. Laurent, Jose Xtravaganza, Tracy Africa, Emanuel Xavier, Kevin Omni, Luna Khan, Carmen Xtravaganza, Andre- Jack Mizrahi, CoolAid Khan and Jaimee Balenciaga. |
Cinematography | Wolfgang Busch |
Edited by | Wolfgang Busch Darryl Hell Gregg Payne |
Music by | Tori Fixx Michael O'Hara Harmonica Sunbeam, Dutchboy, Shane, Octavia St. Laurent, Jade, Anutha Enity, Willie Villegas, Deadlee, Muhammad Omni, Robson Milian and DJ Punch. |
Distributed by | www.ArtFromTheHeartnyc.org |
Release date | June 4, 2006 |
Running time | 80 min. |
Country | USA |
Language | English |
Budget | $15.000 |
How Do I Look is a LGBT Historic Art Documentary, released in 2006 as a documentary film directed by Wolfgang Busch, assistant directors are Kevin Omni and Luna Khan. Distributed by Art From The Heart; USA , 80 minutes. How Do I Look world premiered at the NewFest Film Festival in New York City in 2006, won a Humanitarian Award at the Black International Cinema in Berlin, Germany in 2008, and won the Pill Award for Best Documentary in New York City in 2007. The How Do I Look DVD is available on Amazon.com and ships worldwide.
How Do I Look is an artistic empowerment and HIV/AIDS awareness community project and is used by university, college, and high school students and by community based institutions for theses, research and outreach, and is screened at festivals and special events worldwide.
How Do I Look is about the Harlem House Ball competitions, also known as "Drag Balls" (see also ball culture). According to a 2005 article published by The New York Times, the director spent a decade collecting footage to create How Do I Look.[1]
How Do I Look is a journalistic alternative and a balance to the 1990 documentary entitled Paris Is Burning, distributed by Miramax Films, which exploited the House Ball community and is to this date suffering from the consequences.[neutrality is disputed] As a result of the release of Paris is Burning, no still cameras and video cameras were allowed for years.[chronology citation needed] Ballroom member Octavia St. Laurent sued the director Jeannie Livingston successfully and Jeannie Livingston was never invited back to the House Ball community.[chronology citation needed]
Content
How Do I Look is a LGBT Historic Art Documentary focusing on those Ballroom members that opened the doors artistically for the community, the passing of the House Ball traditions from generation to generation, and is a "talent showcase" for this trend setting community in fashion, dance (the originators of the dance "Vogue"), music and runway.[2] It follows several famous artists, such as Willi Ninja, Kevin Ultra-Omni, Octavia St. Laurent, Ross Infiniti and Jose Xtravaganza. The film interviews its artists about their experiences with Ball competitions and the every day challenges faced by the Ball community. Among the issues this community confronts are persistent social misconception, drug use, sex work, acceptance of sexuality and gender, and sends HIV/AIDS hope messages.
In a 2000 article in The Village Voice, noted fashion writer Guy Trebay wrote that the cultural impression was that "the world of the balls was transitory."[3]
In the 2005 New York Times article, one of the stars of How Do I Look commented about the mainstream's lack of acceptance of Ball children and their creative forms of dancing.
"Break dancers get together and do stuff like this, and it's fully accepted," said Willi Ninja, surely the most celebrated dancer ever produced by the ballroom community, speaking in a mainstream sense. "If Madonna does voguing, it's O.K.," he added. "But when the ball children dance, even now, people say, 'Oh, it's a bunch of crazy queens throwing themselves on the floor.' "[1]
A significant number of the artists who are featured in How Do I Look, such as Willi Ninja, Octavia St. Laurent and Pepper LaBeija, have died since the beginning of the filming of this documentary. Because the footage for this film was collected after the release of Paris is Burning and Madonna's hit single, "Vogue," How Do I Look measures the impact on the community since 1990. Some successful artists, such as the dancer Jose Xtravaganza, recounts his appreciation for having worked as a choreographer for Madonna. Other dancers and artists address their experiences with transgender issues and HIV/AIDS awareness and prevention.[4]
As of 2007, an article about a major Ball competition in Philadelphia commented that the artists who are trained in the Ball community are looking for opportunities to use their talents positively. "As the ballroom scene becomes more accessible, there's hope the talent and creativity it nurtures may finally achieve commercial success."[5]
See also
References
- ^ a b [1] The New York Times, "Still Striking a Pose," by Guy Trebay, Published: May 22, 2005
- ^ [2] Pioneer Theater, "How Do I Look," August 2006 Programs
- ^ [3] The Village Voice, "Paris Is Still Burning," January 2000
- ^ [4] AfterElton.com, "Wolfgang Busch's How Do I Look," Published: July 8, 2005
- ^ [5] Philadelphia Weekly, "Philly is burning," Published: February 14, 2007
External links
- How Do I Look NYC Website for Wolfgang Busch's documentary on the ballroom scene as it has evolved since Jennie Livingston's Paris is Burning (1990).
- [6] The 21st London Lesbian & Gay Film Festival.
- [7] Austin Gay & Lesbian International Film Festival.
- [8] The 15th Annual African Diaspora Film Festival.
- [9] Website