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{{Use dmy dates|date=February 2021}}
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{{Year in music|1924}}
{{AfDM|page=1915 in jazz|timestamp=20101128044516|year=2010|month=November|day=28|substed=yes}}
{{Year in jazz
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|image = Wolverine orchestra 1924.jpg
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|caption = The Wolverines with Bix Beiderbecke at [[Doyle's Academy of Music]] in Cincinnati, Ohio in 1924
In '''1924 in jazz''', the improvised solo had become an integral part of most jazz performances<ref name="Cook & Pople">{{cite book|url=http://books.google.co.uk/books?id=g3NweXtHo7wC&pg=PA131&dq=1924+in+jazz&hl=en&ei=xI33TPOcIYW6hAen0eTFDw&sa=X&oi=book_result&ct=result&resnum=4&ved=0CDkQ6AEwAw#v=onepage&q=1924%20in%20jazz&f=false|authors=Cook, Nicholas; Pople, Anthony|title=The Cambridge history of twentieth-century music|publisher=[[Cambridge University Press]]|year=2004|page=131|isbn=0521662567}}</ref>Jazz was becoming increasingly popular in New Orleans, Kansas City, Chicago and New York City. [[John Alden Carpenter]] made a statement insisting that jazz was now 'our contemporary popular music', <ref>{{cite web|url=http://books.google.co.uk/books?id=KYl1_KVoSY0C&pg=PA111&dq=1924+in+jazz&hl=en&ei=WZL3TKOSKIK6hAfChYjGDw&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDAQ6AEwAQ#v=onepage&q=1924%20in%20jazz&f=false|author=Cooke, Mervyn; Horn, David|title=The Cambridge companion to jazz|publisher=[[Cambridge University Press]]|year=2003|page=111|isbn=0521663881}}</ref>and [[Irving Berlin]] makes a statement that jazz was the "rhythmic beat of our everyday lives," and the music's "swiftness is interpretive of our verve and speed".
|decade = 1920s
|standards = 1920s
|prioryear = 1923
|afteryear = 1925
}}
{{Year nav topic5|1924|jazz}}
{{Dynamic list}}


This is a timeline documenting events of jazz in the year 1924.
Black jazz enterpeneur and producer [[Clarence Williams]] successfully recorded groups in the [[New Orleans]] area, amongst them [[Sidney Bechet]] and [[Louis Armstrong]].<ref name="Cook & Pople"/> Williams, like Armstrong soon moved from New Orleans and opened a record store in Chicago. In Chicago, [[Earl Hines]] formed a group and incidentally inhabited the neighboring apartment to Armstrong whilst he was in Chicago.<ref name="AAJ">{{cite web|url=http://www.allaboutjazz.com/jazz1924.htm|title=History of Jazz Time Line: 1924|publisher=All About Jazz|accessdate=December 2, 2010}}</ref>Also in Chicago, trumpeter [[Tommy Ladnier]] begins playing in [[Joe Oliver]]'s band. Meanwhile Bechet soon moved to New England with Ellington during the summer of 1924, playing dances and later New York City. In 1924 in jazz, ensembles in the [[Kansas City]] area began play a style with a four even beat ground beat as opposed to a New Orleans two beat ground beat behind a 4/4 melody.<ref name="AAJ"/> [[Charlie Parker]] grew up in Kansas City listening to this style of jazz.


Musicians born that year included the drummer [[Max Roach]] and singers [[Sarah Vaughan]] and [[Dinah Washington]]. In 1924, [[Leopold Stokowski]], the British orchestral conductor of the [[Philadelphia Orchestra]], observed that jazz had "come to stay."<ref name="Lopes">{{cite book |last=Lopes |first= Paul Douglas |title=The Rise of a Jazz Art World |url=https://books.google.com/books?id=hQfOJRe6lysC&pg=PA82 |year=2002 |publisher=Cambridge University Press |isbn=978-0-521-00039-0 |page=82 }}</ref>
In 1924, [[Django Reinhardt]] became a guitarist and began playing the clubs of Paris.<ref name="AAJ"/>Noted Classic Blues singer [[Bessie Smith]] began to achieve major fame.<ref name="AAJ"/>

==Jazz scene==
In 1924 the improvised solo had become an integral part of most jazz performances<ref name="Cook & Pople">{{cite book|url=https://books.google.com/books?id=g3NweXtHo7wC&pg=PA131 |author=Cook, Nicholas |author2=Pople, Anthony |title=The Cambridge history of twentieth-century music |publisher=Cambridge University Press |year=2004 |page=131 |isbn=978-0-521-66256-7 }}</ref>
Jazz was becoming increasingly popular in New Orleans, Kansas City, Chicago and New York City and 1924 was something of a benchmark of jazz being seen as a serious musical form.<ref>{{cite book |url=https://books.google.com/books?id=qNOciojh-80C&pg=PA114|author=Ewen, David |title=Men of popular music |publisher=Ayer Publishing |year=1972 |page=114 |isbn=978-0-8369-7263-4 }}</ref><ref>{{cite book |title=American Popular Music: The nineteenth century and Tin Pan Alley |author=Scheurer, Timothy E. |publisher=Popular Press |year=1989 |page=[https://archive.org/details/americanpopularm0000unse/page/147 147] |isbn=978-0-87972-466-5 |url=https://archive.org/details/americanpopularm0000unse/page/147 }}</ref> [[John Alden Carpenter]] insisted that jazz was now 'our contemporary popular music',<ref>{{Cite book|url=https://books.google.com/books?id=KYl1_KVoSY0C&pg=PA111 |author1=Cooke, Mervyn |author2=Horn, David |title=The Cambridge companion to jazz |series=[[Cambridge Companions to Music]] |publisher=Cambridge University Press |year=2003 |page=111 |isbn=978-0-521-66388-5 }}</ref> and [[Irving Berlin]] made a statement that jazz was the "rhythmic beat of our everyday lives" and the music's "swiftness is interpretive of our verve and speed". [[Leopold Stokowski]], the conductor of the [[Philadelphia Orchestra]] in 1924, publicly embraced jazz as a musical art form and praised jazz musicians.<ref>{{cite book |title=African American jazz and rap: social and philosophical examinations of Black expressive behavior |author=Conyers, James L. |publisher=McFarland |year=2001 |isbn=978-0-7864-0828-3 |url-access=registration |url=https://archive.org/details/africanamericanj00jame }}</ref> In 1924, [[George Gershwin]] wrote ''[[Rhapsody in Blue]]'', widely regarded as one of the finest compositions of the 20th century,<ref>{{cite book |url=https://books.google.com/books?id=t3AEWtKgklsC&pg=PA34 |author=Studwell, William Emmett |title=The popular song reader: a sampler of well-known twentieth century-songs |publisher=Routledge |page=34 |year=1994 |isbn=978-1-56024-369-4 }}</ref> saying he conceived it "as a sort of musical kaleidoscope of America–of our vast melting pot, of our incomparable national pep, our blues, our metropolitan madness."<ref name="abbeville">{{cite web |url=http://www.abbeville.com/jazz/055.asp |title=An Experiment in Modern Music |work=abbeville.com |accessdate=4 December 2010 |archive-url=https://web.archive.org/web/20110430034100/http://www.abbeville.com/jazz/055.asp |archive-date=30 April 2011 |url-status=dead}}</ref>

{{multiple image
| align = left
| image1 = Bechet.gif
| width1 = 110
| alt1 =
| caption1 =
| image2 = Louis Armstrong restored.jpg
| width2 = 200
| alt2 =
| caption2 =
| footer = Left: [[Sidney Bechet]]. Right: [[Louis Armstrong]].
}}

Black jazz entrepreneur and producer [[Clarence Williams (musician)|Clarence Williams]] recorded groups in New Orleans, among them [[Sidney Bechet]] and [[Louis Armstrong]].<ref name="Cook & Pople"/> Williams moved from New Orleans to Chicago and opened a record store. In Chicago, [[Earl Hines]] formed a group and incidentally inhabited the neighboring apartment to Armstrong while he was in Chicago.<ref name="AAJ">{{cite web |url=http://www.allaboutjazz.com/jazz1924.htm |title=History of Jazz Time Line: 1924 |publisher=All About Jazz |accessdate=2 December 2010 |archive-url=https://web.archive.org/web/20110415042151/http://www.allaboutjazz.com/jazz1924.htm |archive-date=15 April 2011 |url-status=dead}}</ref> Also in Chicago, trumpeter [[Tommy Ladnier]] begins playing in [[King Oliver]]'s band. Bechet moved to New England with Ellington during the summer of 1924, playing dances.

While in 1924 in jazz, ensembles in the [[Kansas City Metropolitan Area|Kansas City]] area began play a style with a four even beat ground beat as opposed to a New Orleans two beat ground beat behind a 4/4 melody,<ref name="AAJ"/> European jazz included a fox trot by the Swiss composer Frank Martin for the Marionette Theatre in Paris.<ref name="Slonimsky & Yourke">{{cite book |last1=Slonimsky |first1=Nicolas |last2=Yourke |first2=Electra |title=Nicolas Slonimsky: Early articles for the Boston evening transcript |url=https://books.google.com/books?id=6Exa2oNv7lsC&pg=PA53 |year=2003 |publisher=Psychology Press |isbn=978-0-415-96865-2 |page=53}}</ref>

[[Charlie Parker]] grew up in Kansas City listening to this style of jazz. In 1924, [[Django Reinhardt]] became a guitarist and began playing the clubs of Paris.<ref name="AAJ"/> Noted Classic Blues singer [[Bessie Smith]] began to achieve major fame.<ref name="AAJ"/>


==Events==
==Events==

*[[February 5]]: Louis Armstrong marries pianist and composer [[Lil Hardin]].<ref name="AAJ"/>
*5 February: Louis Armstrong marries pianist and composer [[Lil Hardin]].<ref name="AAJ"/>
*[[February 12]]: [[Paul Whiteman]] brings jazz to the concert stage, at Aeolian Hall in New York City. The concert includes such jazz tunes as [[Livery Stable Blues]], and was the premier of [[George Gershwin]]'s [[Rhapsody in Blue]].<ref>Ward, Geoffrey C., "Jazz: a history of America's music." Knopf, 2000. Pages 99-100. ISBN 0-679-44551-X</ref>
*12 February: [[Paul Whiteman]] brings jazz to the concert stage, at Aeolian Hall in New York City. The concert includes such jazz tunes as [[Livery Stable Blues]], and was the premier of [[George Gershwin]]'s [[Rhapsody in Blue]].<ref>Ward, Geoffrey C., "Jazz: a history of America's music." Knopf, 2000. pp. 99–100. {{ISBN|978-0-679-44551-7}}</ref> According to jazz historian [[Marshall Stearns]], "Paul Whiteman made jazz semi-respectable in 1924."<ref>Shaw, p. 43</ref>
*[[February 18]]:A 20-year old [[Bix Beiderbecke]] (cornet), [[Min Lelbrook]] (tuba), [[Jimmy Hartwell]] (clarinet), [[George Johnson]] (tenor sax), [[Bob Gilette]] (banjo), [[Vic Moore]] (drums), [[Dick Voynow]](piano) and [[Al Gandee]] (trombone) form the [[Wolverines]] and make their first recording at the [[Gennett studios]] in [[Richmond, Indiana]] with ''[[Fidgety Feet]]''.<ref name="AAJ"/>
*18 February: A 20-year-old [[Bix Beiderbecke]] (cornet), [[Min Lelbrook]] (tuba), [[Jimmy Hartwell]] (clarinet), [[George Johnson (saxophone)|George Johnson]] (tenor sax), [[Bob Gilette]] (banjo), [[Vic Moore]] (drums), [[Dick Voynow]] (piano) and [[Al Gandee]] (trombone) form [[The Wolverines (jazz band)|The Wolverines]] and make their first recording at the [[Gennett]] studios in [[Richmond, Indiana]] with "[[Fidgety Feet]]".<ref name="AAJ"/>
*[[June]]: Armstrong quits the Oliver band upon the request of his wife much to his dismay and is later rejected by [[Sammy Stewart]] because he "wasn't dicty enough".<ref name="AAJ"/>
*[[September 30]]: [[Louis Armstrong]], having left [[King Oliver]]'s band in Chicago, arrives in [[New York City]].<ref name="AAJ"/>
* June: Armstrong quits the Oliver band upon the request of his wife much to his dismay and is later rejected by Sammy Stewart because he "wasn't dicty enough".<ref name="AAJ"/>
* July: [[Meyer Davis (musician)|Meyer Davis]] was reportedly offered a hundred dollars to come up with a new name for "jazz". Concern over the name disappeared by the end of 1924 and did not resurface until 1949 when ''[[Down Beat Magazine]]'' ran a $1000 contest in the searching for a new name, remarking that the name "jazz" had lost all significance.<ref>{{cite book|url=https://books.google.com/books?id=z5SFqRWrtkMC&pg=PA26|last=O'Meally|first= Robert G. |title=The jazz cadence of American culture|publisher=[[Columbia University Press]]|year=1998|page=26|isbn=978-0-231-10449-4}}</ref>
*[[October]]: Armstrong joins [[Fletcher Henderson]]'s band in New York City upon his wife's insistence. They begin performing at the [[Roseland Ballroom]] on 51st street and Broadway in Manhattan.<ref name="AAJ"/> His new style of jazz playing greatly influences the style of other New York musicians such as [[Coleman Hawkins]] and [[Duke Ellington]].<ref>Ward, Geoffrey C., "Jazz: a history of America's music." Knopf, 2000. Page 112, 115. ISBN 0-679-44551-X</ref> Ellington and his Washingtonians perform at the [[Hollywood Club]] on 49th street and Broadway, whilst Bix Beiderbecke and the Wolverines, renamed [[Personality Kids]] perform at the [[Cinderella Ballroom]] on 41st street and Broadway. [[Hoagy Carmichael]] is much impressed by Beiderbecke and the Wolverines and later states, "I could feel my hands trying to shake and getting cold when I saw Bix getting out his horn. Just four notes...But he didn't blow them; he hit 'em like a mallet hits a chime..."<ref name="AAJ"/>
*30 September: [[Louis Armstrong]], having left [[King Oliver]]'s band in Chicago to be replaced by [[Lee Collins (musician)|Lee Collins]], arrives in New York City.<ref name="AAJ"/><ref>{{cite book|title=The world of jazz trumpet: a comprehensive history & practical philosophy|last=Barnhart |first= Scotty |publisher=[[Hal Leonard Corporation]]|year=2005|page=188|isbn=978-0-634-09527-6}}</ref>
* October: Armstrong joins [[Fletcher Henderson]]'s band in New York City upon his wife's insistence. They begin performing at the [[Roseland Ballroom]] on 51st street and Broadway in Manhattan.<ref name="AAJ"/> His new style of jazz playing greatly influences the style of other New York musicians such as [[Coleman Hawkins]] and [[Duke Ellington]].<ref>Ward, Geoffrey C., "Jazz: a history of America's music." Knopf, 2000. Page 112, 115. {{ISBN|978-0-679-44551-7}}</ref> Ellington and his Washingtonians perform at the [[Hollywood Club]] on 49th street and Broadway, whilst Bix Beiderbecke and the Wolverines, renamed [[Personality Kids]] perform at the [[Cinderella Ballroom]] on 41st street and Broadway. [[Hoagy Carmichael]] is much impressed by Beiderbecke and the Wolverines and later states, "I could feel my hands trying to shake and getting cold when I saw Bix getting out his horn. Just four notes...But he didn't blow them; he hit 'em like a mallet hits a chime..."<ref name="AAJ"/>
*5 December – A 17-year-old [[Jimmy McPartland]] replaces Beiderbecke in the Wolverines (Personality Kids) band and violinist [[Dave Harmon]] joins.<ref>{{cite book|url=https://books.google.com/books?id=EdKGpTw4ZwIC&pg=PA133|first1=Max |last1=Harrison |first2=Charles |last2=Fox|first3= Eric|last3= Thacker|title=The Essential Jazz Records: Ragtime to swing|publisher=Continuum International Publishing Group|year=2000|page=133|isbn=978-0-7201-1708-0}}</ref> Bix reportedly quietly sat in the back of the club during the audition, later revealing himself with the compliment, "I like ya, kid. Ya sound like me, but you don't copy me." They became friends and roomed together while Bix gave McPartland pointers. At that time, Bix picked out a cornet for McPartland that he then played throughout his career.


==Standards==
==Standards==
<!-- Deleted image removed: [[File:Hard Hearted Hannah Sheet Music Cover.jpg|thumb|250px|Sheet music cover for [[Hard Hearted Hannah (The Vamp of Savannah)]].]] -->
* 1924 – "[[Everybody Loves My Baby]]" is a song composed by [[Spencer Williams]] with lyrics by Jack Palmer.<ref>{{cite web| title=Everybody Loves My Baby| url=http://www.jazzstandards.com/compositions-5/everybodylovesmybaby.htm| publisher=JazzStandards.com| accessdate=20 February 2009}}</ref> It was introduced by [[Clarence Williams (musician)|Clarence Williams]] and His Blue Five, with Louis Armstrong on trumpet.<ref name="Shaw 1989, p. 149">{{Harvnb|Ref=none|Shaw|1989|p=149}}</ref> Armstrong also recorded the song with the [[Fletcher Henderson]] Orchestra later in 1924; the take marked Armstrong's first vocal recording.<ref>{{Harvnb|Ref=none|Nollen|2004|p=24}}</ref> The song is also known as "Everybody Loves My Baby, but My Baby Don't Love Nobody but Me".<ref name="Shaw 1989, p. 149"/>
{{see also|List of 1920s jazz standards}}
* 1924 – "[[Hard Hearted Hannah (The Vamp of Savannah)]]"<ref>''The Real Book, Volume III'', p. 138</ref> is a song composed by [[Milton Ager]] with lyrics by Charles Bates, Bob Bigelow and [[Jack Yellen]]. It was introduced by Frances Williams in the Broadway musical ''Innocent Eyes''.<ref>{{Harvnb|Ref=none|Jasen|2003|p=4}}</ref> Hit recordings were made by Dolly Kay, [[Margaret Young]] and [[Herb Wiedoeft]] and His Orchestra.<ref name="Jasen 2002, p. 70">{{Harvnb|Ref=none|Jasen|2002|p=70}}</ref> [[Ella Fitzgerald]] sang it in the 1955 film ''[[Pete Kelly's Blues (film)|Pete Kelly's Blues]]''.<ref name="Jasen 2002, p. 70"/>
* Standards published that year included "[[Everybody Loves My Baby]]" and [[Jelly Roll Morton]]'s "[[King Porter Stomp]]".
* 1924 – "[[How Come You Do Me Like You Do?]]"<ref>{{cite web| title=How Come You Do Me Like You Do?| url=http://www.jazzstandards.com/compositions-6/howcomeyoudomelikeyoudo.htm| publisher=JazzStandards.com| accessdate=20 February 2009}}</ref> is a song by [[vaudeville]] duo [[Gene Austin]] and Roy Bergere. It became popular in 1924 with the recordings of blues singers [[Rosa Henderson]] and [[Viola McCoy]].<ref>{{Harvnb|Ref=none|Tucker|1995|p=174}}</ref> [[Marion Harris]] recorded a hit version in 1924.<ref name="Jasen 2002, p. 78">{{Harvnb|Ref=none|Jasen|2002|p=78}}</ref> The song enjoyed a revival in 1954 after Bill Krenz's recording.<ref name="Jasen 2002, p. 78"/>
* "[[When My Sugar Walks Down the Street]]", a "sweet jazz" song written in 1924 by [[Gene Austin]], [[Jimmy McHugh]] and [[Irving Mills]]. [[Victor Talking Machine]] (later known as [[RCA Victor]]) recorded the song in January 1925. Victor A&R executive [[Nathaniel Shilkret]] selected [[Aileen Stanley]], a well-known Victor artist, and Austin, then unknown, as the recording artists, accompanied by Shilkret and the Victor Orchestra.<ref>Shilkret, Nathaniel, ed. Niel Shell and Barbara Shilkret, ''Nathaniel Shilkret: Sixty Years in the Music Business'', Scarecrow Press, Lanham, Maryland, 2005, pp. 73–74. {{ISBN|978-0-8108-5128-3}}</ref><ref>{{cite book|url=https://archive.org/details/shreveportsounds00lorn|url-access=registration|quote=When My Sugar Walks Down the Street.|author1=Lornell, Kip |author2=Laird, Tracey E.W. |title=Shreveport sounds in black and white|publisher=University Press of Mississippi|year=2008|page=[https://archive.org/details/shreveportsounds00lorn/page/242 242]|isbn=978-1-934110-42-3}}</ref> The recording was very popular and launched Austin's career. Austin estimated his lifetime sales at 80 million records. It was recorded by the Wolverines late in 1924, Duke Ellington, and numerous other artists.
* 1924 – "[[King Porter Stomp]]"<ref>{{cite web| title=King Porter Stomp| url=http://www.jazzstandards.com/compositions-3/kingporterstomp.htm| publisher=JazzStandards.com| accessdate=20 February 2009}}</ref> is a ragtime composition by [[Jelly Roll Morton]], originally recorded as a piano solo. Lyrics were later added by [[Sonny Burke]] and Sid Robin. Morton claimed to have originally written the tune in 1902.<ref name="Giddins 2000, p. 517">{{Harvnb|Ref=none|Giddins|2000|p=517}}</ref> It was named after pianist Porter King, and there is a rumor that Morton consulted ragtime pianist [[Scott Joplin]] about the composition.<ref>{{Harvnb|Ref=none|Jasen|2007|p=122}}</ref> It became a hit when Benny Goodman and his orchestra recorded Fletcher Henderson's arrangement of it in 1935.<ref name="Giddins 2000, p. 517"/><ref>{{Harvnb|Ref=none|Schuller|1991|p=21}}</ref> The [[chord progression]] from the first strain has been used in numerous other jazz compositions and is commonly known as the [[Stomp progression]].

* 1924 – "[[The Man I Love (song)|The Man I Love]]"<ref name="The Real Jazz Book">Listed in ''The Real Jazz Book''</ref> is a ballad composed by [[George Gershwin]] with lyrics by [[Ira Gershwin]]. Originally written for the Broadway musical ''[[Lady, Be Good (musical)|Lady, Be Good]]'' (1924), and then meant to be included in ''[[Strike Up the Band (musical)|Strike Up the Band]]'' (1927) and ''[[Rosalie]]'' (1928), the song was dropped from all three musicals before the show opened. [[Marion Harris]]'s 1928 recording helped popularize the song, and it has become one of the most recorded jazz standards.<ref>{{cite web| title=The Man I Love| url=http://www.jazzstandards.com/compositions-0/themanilove.htm| publisher=JazzStandards.com| accessdate=20 February 2009}}</ref>
==Criticism==
* 1924 – "[[Oh, Lady Be Good!]]"<ref name="The Real Jazz Book"/><ref name="Oh, Lady be Good!">{{cite web| title=Oh, Lady be Good! | url=http://www.jazzstandards.com/compositions-0/ohladybegood.htm| publisher=JazzStandards.com| accessdate=20 February 2009}}</ref> is a [[show tune]] from the musical ''Lady, Be Good'', composed by George Gershwin with lyrics by Ira Gershwin. Introduced on stage by [[Walter Catlett]], the song became later identified with [[Ella Fitzgerald]] after her 1947 recording containing a [[scat singing|scat]] solo.<ref name="Oh, Lady be Good!"/> [[Lester Young]]'s influential and much-imitated tenor saxophone solo on [[Count Basie]]'s 1936 recording has been cited as a "crowning achievement"<ref>{{Harvnb|Ref=none|Schuller|1991|p=230}}</ref> and "the best solo [Young] ever recorded".<ref>{{Harvnb|Ref=none|Oliphant|1996|pp=118–119}}</ref>
Both Europe and the US had critics of jazz in 1924. While the songwriter and music business executive [[Arnold Shaw (author)|Arnold Shaw]] wrote in 1989 that "1924 was a 'hot' year in jazz...",<ref name="Shaw">Shaw, p. 150</ref> a columnist for ''[[The New York Times]]'' wrote in 1924 that "Jazz is to real music exactly what most of the 'new poetry,' so-called, is to real poetry. Both are without the structure and form essential to music and poetry alike, and both are the products, not of innovators, but of incompetents."<ref name="Whitworth">{{cite book|last=Whitworth|first=Michael H. |title=Modernism|url=https://books.google.com/books?id=v6cwDNs6RRsC&pg=PA161|year=2007|publisher=Wiley-Blackwell|isbn=978-0-631-23077-9|page=161}}</ref> The American composer and critic, [[Virgil Thomson]], wrote in 1924 that jazz rhythm shakes but doesn't flow; it lacks a climax; and it "never gets anywhere emotionally".<ref name="Thomson & Kostelanetz">{{cite book|last1=Thomson|first1=Virgil |last2=Kostelanetz|first2=Richard |title=Virgil Thomson: a reader : selected writings, 1924–1984|url=https://books.google.com/books?id=R6aFuR24I-IC&pg=PA138|year=2002|publisher=Psychology Press|isbn=978-0-415-93795-5|page=138}}</ref> Jazz in 1924 was just "popular syncopated music" according to the Austrian composer [[Hugo Riesenfeld]].<ref name="Wyatt & Johnson">{{cite book|last1=Wyatt|first1=Robert |last2=Johnson|first2=John Andrew |title=The George Gershwin reader|url=https://books.google.com/books?id=VAASy2Z3aZ4C&pg=PA124|year=2004|publisher=Oxford University Press US|isbn=978-0-19-513019-5|page=124}}</ref>
* 1924 – "[[Riverboat Shuffle]]"<ref>{{cite web| title=Riverboat Shuffle| url=http://www.jazzstandards.com/compositions-9/riverboatshuffle.htm| publisher=JazzStandards.com| accessdate=20 February 2009}}</ref> is a jazz composition by Hoagy Carmichael. Introduced by [[Bix Beiderbecke]] and [[The Wolverines]], it was Carmichael's first published composition.<ref>{{Harvnb|Ref=none|Bogdanov|Woodstra|Erlewine|2002|p=201}}</ref> Publisher [[Irving Mills]] and The Wolverines pianist Dick Voynow were added to the credits on publication.<ref name="Jasen 2003, p. 66">{{Harvnb|Ref=none|Jasen|2003|p=66}}</ref> [[Mitchell Parish]] wrote lyrics for it in 1939.<ref name="Jasen 2003, p. 66"/> Carmichael originally wanted to call the tune "Free Wheeling", but band members disliked the name and renamed it.<ref>{{Harvnb|Ref=none|Sudhalter|2003|p=70}}</ref> [[Paul Whiteman]] recorded the tune in 1927 with Beiderbecke and Carmichael.<ref name="Jasen 2003, p. 66"/>

* 1924 – "[[Somebody Loves Me]]"<ref name="The Real Vocal Book">Listed in ''The Real Vocal Book''</ref><ref>''The Real Book, Volume I'', p. 369</ref> is a show tune from ''[[George White's Scandals|George White's Scandals of 1924]]'', composed by George Gershwin and Emilia Renaud with lyrics by [[Ballard MacDonald]] and Buddy DeSylva. It was introduced by [[Winnie Lightner]] on stage, and Paul Whiteman's 1924 recording was a number one hit. After the initial success as a popular song, the song became more often played by jazz artists. [[Nat King Cole]] and [[Peggy Lee]] recorded popular cross-over versions in the 1940s.<ref>{{cite web| title=Somebody Loves Me| url=http://www.jazzstandards.com/compositions-1/somebodylovesme.htm| publisher=JazzStandards.com| accessdate=10 June 2009}}</ref>
==Deaths==

; Unknown date
* [[Black Benny]], New Orleans-based bass drummer (born 1890).
[[File:Max roach.jpg|thumb|upright|[[Max Roach]] in Holland, around 1979]]
[[File:Ritareys1.jpg|thumb|upright|[[Rita Reys]] at Hotel De Watergeus, Noorden (The Netherlands) in 2004]]


==Births==
==Births==
*[[January 10]] - [[Max Roach]], drummer
* [[April 16]] - [[Henry Mancini]], composer
*[[Dinah Washington]], singer
*[[Earl "Bud" Powell]]
*[[J.J. Johnson]], trombonist
*[[Sarah Vaughan]], bop singer


; January
* '''5''' – [[Shotaro Moriyasu]], Japanese pianist (died [[1955 in jazz|1955]]).
* '''10''' – [[Max Roach]], American drummer and composer (died [[2007 in jazz|2007]]).
* '''22''' – [[J. J. Johnson]], American trombonist (died [[2001 in jazz|2001]]).
* '''24''' – [[Joe Albany]], American pianist (died [[1988 in jazz|1988]]).
* '''26'''
** [[Alice Babs]], Swedish singer and actress (died [[2014 in jazz|2014]]).
** [[Bob Bain]], American guitarist (died [[2018 in jazz|2018]]).

; February
* '''2'''
** [[Dinah Kaye]], Scottish singer (died [[2011 in jazz|2011]]).
** [[Sonny Stitt]], American saxophonist (died [[1982 in jazz|1982]]).
* '''6''' – [[Sammy Nestico]], American composer and arranger of big band music (died [[2021 in jazz|2021]]).
* '''7''' – [[Ray Crawford (musician)|Ray Crawford]], American guitarist (died [[1997 in jazz|1997]]).
* '''15''' – [[Jiří Šlitr]], Czech songwriter, pianist, and singer (died [[1969 in jazz|1969]]).

; March
* '''13''' – [[Dick Katz]], American pianist (died [[2009 in jazz|2009]]).
* '''16''' – [[Beryl Davis]], English singer (died [[2011 in jazz|2011]]).
* '''18''' – [[Vojislav Simic]], Serbian musician, conductor, and composer.
* '''26''' – [[Brew Moore]], American tenor saxophonist (died [[1973 in jazz|1973]]).
* '''27''' – [[Sarah Vaughan]], American singer (died [[1990 in jazz|1990]]).

; April
* '''3''' – [[Jacky June]], Belgian saxophonist, clarinetist, and bandleader (died [[2012 in jazz|2012]]).
* '''6'''
** [[Charlie Rouse]], American hard bop tenor saxophonist and flautist (died [[1988 in jazz|1988]]).
** [[Jimmy Roberts (singer)|Jimmy Roberts]], American tenor singer (died [[1999 in jazz|1999]]).
* '''12''' – [[Dick Marx]], American pianist (died [[1997 in jazz|1997]]).
* '''14''' – [[Shorty Rogers]], American trumpet and flugelhorn player (died [[1994 in jazz|1994]]).
* '''16'''
** [[Henry Mancini]], American composer and conductor (died [[1994 in jazz|1994]]).
** [[Rudy Pompilli]], American saxophonist and singer (died [[1976 in jazz|1976]]).
* '''17''' – [[Chuck Higgins]], American saxophonist (died [[1999 in jazz|1999]]).
* '''20''' – [[Orlando DiGirolamo]], American accordionist and pianist (died [[1998 in jazz|1998]]).
* '''23''' – [[Bobby Rosengarden]], American drummer (died [[2007 in jazz|2007]]).
* '''26''' – [[Teddy Edwards]], American saxophonist (died [[2003 in jazz|2003]]).
* '''28''' – [[Blossom Dearie]], American singer and pianist (died [[2009 in jazz|2009]]).

; May
* '''6''' – [[Denny Wright]], English guitarist (died [[1992 in jazz|1992]]).
* '''10''' – [[Teddy Riley (trumpeter)|Teddy Riley]], American trumpeter (died [[1992 in jazz|1992]]).
* '''11''' – [[Oscar Valdambrini]], Italian jazz trumpeter (died [[1996 in jazz|1996]]).
* '''14''' – [[Coco Schumann]], German guitarist (died [[2018 in jazz|2018]]).<ref>{{cite web | url=http://www.sueddeutsche.de/kultur/swing-legende-jazz-gitarrist-coco-schumann-ist-tot-1.3845251 | title=Jazz-Gitarrist Coco Schumann ist tot | language=de | newspaper=[[Süddeutsche Zeitung]] | date=2018-01-29 | accessdate=2018-04-10}}</ref>
* '''25''' – [[Marshall Allen]], American saxophonist.
* '''30''' – [[Armando Peraza]], American percussionist (died [[2014 in jazz|2014]]).

; June
* '''1'''
** [[Hal McKusick]], American alto saxophonist, clarinetist, and flutist (died [[2012 in jazz|2012]]).
** [[Herbie Lovelle]], American drummer (died [[2009 in jazz|2009]]).
* '''6''' – [[Gil Cuppini]], Italian drummer and bandleader (died [[1996 in jazz|1996]]).
* '''16''' – [[Lucky Thompson]], American saxophonist (died [[2005 in jazz|2005]]).
* '''18'''
** [[Jimmy Cheatham]], American trombonist (died [[2007 in jazz|2007]]).
** [[Mat Mathews]], Dutch accordionist (died [[2009 in jazz|2009]]).
* '''20''' – [[Chet Atkins]], American guitarist (died [[2001 in jazz|2001]]).
* '''24''' – [[Jacques Pelzer]], Belgian alto saxophonist and flautist (died [[1994 in jazz|1994]]).<ref>{{cite web | url=http://oxfordindex.oup.com/view/10.1093/gmo/9781561592630.article.J350200?rskey=QSkIZT&result=112 | title=Jacques Pelzer | website=OxfordIndex.oup.com | accessdate=2018-04-01}}</ref>

; July
* '''1''' – [[Ruth Olay]], American singer (died [[2021 in jazz|2021]]).
* '''6''' – [[Louie Bellson]], American drummer (died [[2009 in jazz|2009]]).
* '''10''' – [[Major Holley]], American upright bassist (died [[1990 in jazz|1990]]).
* '''19''' – [[Al Haig]], American pianist (died [[1982 in jazz|1982]]).
* '''22''' – [[Bill Perkins (saxophonist)|Bill Perkins]], American saxophonist and flutist (died [[2003 in jazz|2003]]).
* '''28''' – [[Corky Corcoran]], American tenor saxophonist (died [[1979 in jazz|1979]]).

; August
* '''4''' – [[Tom Talbert]], American pianist (died [[2005 in jazz|2005]]).
* '''20''' – [[Joya Sherrill]], American singer (died [[2010 in jazz|2010]]).
* '''26'''
** [[Dick Buckley]], American radio presenter (died [[2010 in jazz|2010]]).
** [[Frances Wayne]], American singer (died [[1978 in jazz|1978]]).
* '''29''' – [[Dinah Washington]], American singer and pianist (died [[1963 in jazz|1963]]).
* '''30''' – [[Kenny Dorham]], American trumpeter and singer (died [[1972 in jazz|1972]]).

; September
* '''1''' – [[Stewart "Dirk" Fischer]], American composer (died [[2013 in jazz|2013]]).
* '''10''' – [[Putte Wickman]], Swedish clarinetist (died [[2006 in jazz|2006]]).
* '''20''' – [[Jackie Paris]], American singer and guitarist (died [[2004 in jazz|2004]]).
* '''22''' – [[Ray Wetzel]], American trumpeter (died [[1951 in jazz|1951]]).
* '''26''' – [[Lammar Wright, Jr.]], American trumpeter (died [[1983 in jazz|1983]]).
* '''27''' – [[Bud Powell]], American pianist (died [[1966 in jazz|1966]]).

; October
* '''1''' – [[Roger Williams (pianist)|Roger Williams]], American pianist (died [[2011 in jazz|2011]]).<ref>{{cite web | url=http://www.latimes.com/local/obituaries/la-me-williamsroger-20111009-story.html | title=Roger Williams dies at 87; 'Autumn Leaves' pop pianist found commercial success | first=Valerie J. | last=Nelson | newspaper=[[Los Angeles Times]] | date=2011-10-09 | accessdate=2016-11-07}}</ref>
* '''7''' – [[Marty Flax]], American saxophonist (died [[1972 in jazz|1972]]).
* '''13''' – [[Terry Gibbs]], American vibraphonist and band leader.
* '''19''' – [[Pete Chilver]], British guitarist and hotelier (died [[2008 in jazz|2008]]).
* '''22''' – [[Jesse Drakes]], American trumpet player (died [[2010 in jazz|2010]]).
* '''25''' – [[Earl Palmer]], American drummer (died [[2008 in jazz|2008]]).
* '''27'''
** [[Gary Chester]], American drummer (died [[1987 in jazz|1987]]).
** [[George Wallington]], American pianist and composer (died [[1993 in jazz|1993]]).

; November
* '''2''' – [[Rudy Van Gelder]], American recording engineer (died [[2016 in jazz|2016]]).<ref>{{cite news | url=https://www.nytimes.com/2016/08/26/arts/music/rudy-van-gelder-audio-engineer-who-helped-define-sound-of-jazz-on-record-dies-at-91.html?_r=0 | title=Rudy Van Gelder, Audio Engineer Who Helped Define Sound of Jazz on Record, Dies at 91 | last=Keepnews | first=Peter | newspaper=[[The New York Times]] | date=2016-08-25 | accessdate=2016-11-06}}</ref>
* '''6'''
** [[Bruno Canfora]], Italian composer, conductor, and music arranger (died [[2017 in jazz|2017]]).
** [[Dick Cathcart]], American trumpeter (died [[1993 in jazz|1993]]).
* '''12''' – [[Sam Jones (musician)|Sam Jones]], American upright bassist and cellist (died [[1981 in jazz|1981]]).
* '''25''' – [[Paul Desmond]], American saxophonist and composer (died [[1977 in jazz|1977]]).

; December
* '''11''' – [[Nunzio Rotondo]], Italian trumpeter and bandleader (died [[2009 in jazz|2009]]).
* '''20''' – [[Arne Domnérus]], Swedish saxophonist and clarinetist (died [[2008 in jazz|2008]]).
* '''21''' – [[Rita Reys]], Dutch singer (died [[2013 in jazz|2013]]).
* '''24''' – [[Pupo De Luca]], Italian actor and musician (died [[2006 in jazz|2006]]).
* '''31''' – [[Wilbur Harden]], American trumpeter (died [[1969 in jazz|1969]]).


==References==
==References==
{{Reflist}}
{{Reflist}}


==Bibliography==
{{Jazz}}
* {{cite book |title=Visions of Jazz: The First Century |last=Giddins |first=Gary |authorlink=Gary Giddins |year=2000 |publisher=Oxford University Press US |isbn=978-0-19-513241-0 |url-access=registration |url=https://archive.org/details/visionsofjazzfir0000gidd }}
* {{cite book |title=Tin Pan Alley: An Encyclopedia of the Golden Age of American Song |last=Jasen |first=David A. |year=2003 |publisher=Taylor & Francis |isbn=978-0-415-93877-8}}
* {{cite book |title=Ragtime: An Encyclopedia, Discography, and Sheetography |last=Jasen |first=David A. |year=2007 |publisher=CRC Press |isbn=978-0-415-97862-0}}
* {{cite book |title=Louis Armstrong: The Life, Music, and Screen Career |url=https://archive.org/details/louisarmstrongli0000noll |url-access=registration |last=Nollen |first=Scott Allen |year=2004 |publisher=McFarland |isbn=978-0-7864-1857-2}}
* {{cite book |title=Texan Jazz |url=https://archive.org/details/texanjazz0000olip |url-access=registration |last=Oliphant |first=Dave |year=1996 |publisher=University of Texas Press |isbn=978-0-292-76045-5}}
* {{cite book |title=The Swing Era: The Development of Jazz, 1930–1945 |last=Schuller |first=Gunther |year=1991 |publisher=Oxford University Press US |isbn=978-0-19-507140-5}}
* {{cite book|last=Shaw|first=Arnold |title=The jazz age: popular music in the 1920s|url=https://books.google.com/books?id=MECLMrzcC9kC&pg=PA150|year=1989|publisher=Oxford University Press US|isbn=978-0-19-506082-9}}
* {{cite book |title=Stardust Melody: The Life and Music of Hoagy Carmichael |last=Sudhalter |first=Richard M. |authorlink=Dick Sudhalter |year=2003 |publisher=Oxford University Press US |isbn=978-0-19-516898-3}}


{{Jazz|state=collapsed}}
[[Category:1924 in music]]
[[Category:Years in jazz]]


{{DEFAULTSORT:1924 In Jazz}}
{{Short pages monitor}}<!-- This long comment was added to the page to prevent it being listed on Special:Shortpages. It and the accompanying monitoring template were generated via Template:Longcomment. Please do not remove the monitor template without removing the comment as well.-->
[[Category:1924 in music|Jazz, 1924 In]]
[[Category:Jazz by year]]

Latest revision as of 17:36, 13 March 2024

1924 in jazz
The Wolverines with Bix Beiderbecke at Doyle's Academy of Music in Cincinnati, Ohio in 1924
Decade1920s in jazz
Music1924 in music
StandardsList of 1920s jazz standards
See also1923 in jazz1925 in jazz
List of years in jazz
+...

This is a timeline documenting events of jazz in the year 1924.

Musicians born that year included the drummer Max Roach and singers Sarah Vaughan and Dinah Washington. In 1924, Leopold Stokowski, the British orchestral conductor of the Philadelphia Orchestra, observed that jazz had "come to stay."[1]

Jazz scene[edit]

In 1924 the improvised solo had become an integral part of most jazz performances[2] Jazz was becoming increasingly popular in New Orleans, Kansas City, Chicago and New York City and 1924 was something of a benchmark of jazz being seen as a serious musical form.[3][4] John Alden Carpenter insisted that jazz was now 'our contemporary popular music',[5] and Irving Berlin made a statement that jazz was the "rhythmic beat of our everyday lives" and the music's "swiftness is interpretive of our verve and speed". Leopold Stokowski, the conductor of the Philadelphia Orchestra in 1924, publicly embraced jazz as a musical art form and praised jazz musicians.[6] In 1924, George Gershwin wrote Rhapsody in Blue, widely regarded as one of the finest compositions of the 20th century,[7] saying he conceived it "as a sort of musical kaleidoscope of America–of our vast melting pot, of our incomparable national pep, our blues, our metropolitan madness."[8]

Black jazz entrepreneur and producer Clarence Williams recorded groups in New Orleans, among them Sidney Bechet and Louis Armstrong.[2] Williams moved from New Orleans to Chicago and opened a record store. In Chicago, Earl Hines formed a group and incidentally inhabited the neighboring apartment to Armstrong while he was in Chicago.[9] Also in Chicago, trumpeter Tommy Ladnier begins playing in King Oliver's band. Bechet moved to New England with Ellington during the summer of 1924, playing dances.

While in 1924 in jazz, ensembles in the Kansas City area began play a style with a four even beat ground beat as opposed to a New Orleans two beat ground beat behind a 4/4 melody,[9] European jazz included a fox trot by the Swiss composer Frank Martin for the Marionette Theatre in Paris.[10]

Charlie Parker grew up in Kansas City listening to this style of jazz. In 1924, Django Reinhardt became a guitarist and began playing the clubs of Paris.[9] Noted Classic Blues singer Bessie Smith began to achieve major fame.[9]

Events[edit]

  • 5 February: Louis Armstrong marries pianist and composer Lil Hardin.[9]
  • 12 February: Paul Whiteman brings jazz to the concert stage, at Aeolian Hall in New York City. The concert includes such jazz tunes as Livery Stable Blues, and was the premier of George Gershwin's Rhapsody in Blue.[11] According to jazz historian Marshall Stearns, "Paul Whiteman made jazz semi-respectable in 1924."[12]
  • 18 February: A 20-year-old Bix Beiderbecke (cornet), Min Lelbrook (tuba), Jimmy Hartwell (clarinet), George Johnson (tenor sax), Bob Gilette (banjo), Vic Moore (drums), Dick Voynow (piano) and Al Gandee (trombone) form The Wolverines and make their first recording at the Gennett studios in Richmond, Indiana with "Fidgety Feet".[9]
  • June: Armstrong quits the Oliver band upon the request of his wife much to his dismay and is later rejected by Sammy Stewart because he "wasn't dicty enough".[9]
  • July: Meyer Davis was reportedly offered a hundred dollars to come up with a new name for "jazz". Concern over the name disappeared by the end of 1924 and did not resurface until 1949 when Down Beat Magazine ran a $1000 contest in the searching for a new name, remarking that the name "jazz" had lost all significance.[13]
  • 30 September: Louis Armstrong, having left King Oliver's band in Chicago to be replaced by Lee Collins, arrives in New York City.[9][14]
  • October: Armstrong joins Fletcher Henderson's band in New York City upon his wife's insistence. They begin performing at the Roseland Ballroom on 51st street and Broadway in Manhattan.[9] His new style of jazz playing greatly influences the style of other New York musicians such as Coleman Hawkins and Duke Ellington.[15] Ellington and his Washingtonians perform at the Hollywood Club on 49th street and Broadway, whilst Bix Beiderbecke and the Wolverines, renamed Personality Kids perform at the Cinderella Ballroom on 41st street and Broadway. Hoagy Carmichael is much impressed by Beiderbecke and the Wolverines and later states, "I could feel my hands trying to shake and getting cold when I saw Bix getting out his horn. Just four notes...But he didn't blow them; he hit 'em like a mallet hits a chime..."[9]
  • 5 December – A 17-year-old Jimmy McPartland replaces Beiderbecke in the Wolverines (Personality Kids) band and violinist Dave Harmon joins.[16] Bix reportedly quietly sat in the back of the club during the audition, later revealing himself with the compliment, "I like ya, kid. Ya sound like me, but you don't copy me." They became friends and roomed together while Bix gave McPartland pointers. At that time, Bix picked out a cornet for McPartland that he then played throughout his career.

Standards[edit]

Criticism[edit]

Both Europe and the US had critics of jazz in 1924. While the songwriter and music business executive Arnold Shaw wrote in 1989 that "1924 was a 'hot' year in jazz...",[19] a columnist for The New York Times wrote in 1924 that "Jazz is to real music exactly what most of the 'new poetry,' so-called, is to real poetry. Both are without the structure and form essential to music and poetry alike, and both are the products, not of innovators, but of incompetents."[20] The American composer and critic, Virgil Thomson, wrote in 1924 that jazz rhythm shakes but doesn't flow; it lacks a climax; and it "never gets anywhere emotionally".[21] Jazz in 1924 was just "popular syncopated music" according to the Austrian composer Hugo Riesenfeld.[22]

Deaths[edit]

Unknown date
  • Black Benny, New Orleans-based bass drummer (born 1890).
Max Roach in Holland, around 1979
Rita Reys at Hotel De Watergeus, Noorden (The Netherlands) in 2004

Births[edit]

January
February
March
April
May
June
July
August
September
October
November
December

References[edit]

  1. ^ Lopes, Paul Douglas (2002). The Rise of a Jazz Art World. Cambridge University Press. p. 82. ISBN 978-0-521-00039-0.
  2. ^ a b Cook, Nicholas; Pople, Anthony (2004). The Cambridge history of twentieth-century music. Cambridge University Press. p. 131. ISBN 978-0-521-66256-7.
  3. ^ Ewen, David (1972). Men of popular music. Ayer Publishing. p. 114. ISBN 978-0-8369-7263-4.
  4. ^ Scheurer, Timothy E. (1989). American Popular Music: The nineteenth century and Tin Pan Alley. Popular Press. p. 147. ISBN 978-0-87972-466-5.
  5. ^ Cooke, Mervyn; Horn, David (2003). The Cambridge companion to jazz. Cambridge Companions to Music. Cambridge University Press. p. 111. ISBN 978-0-521-66388-5.
  6. ^ Conyers, James L. (2001). African American jazz and rap: social and philosophical examinations of Black expressive behavior. McFarland. ISBN 978-0-7864-0828-3.
  7. ^ Studwell, William Emmett (1994). The popular song reader: a sampler of well-known twentieth century-songs. Routledge. p. 34. ISBN 978-1-56024-369-4.
  8. ^ "An Experiment in Modern Music". abbeville.com. Archived from the original on 30 April 2011. Retrieved 4 December 2010.
  9. ^ a b c d e f g h i j "History of Jazz Time Line: 1924". All About Jazz. Archived from the original on 15 April 2011. Retrieved 2 December 2010.
  10. ^ Slonimsky, Nicolas; Yourke, Electra (2003). Nicolas Slonimsky: Early articles for the Boston evening transcript. Psychology Press. p. 53. ISBN 978-0-415-96865-2.
  11. ^ Ward, Geoffrey C., "Jazz: a history of America's music." Knopf, 2000. pp. 99–100. ISBN 978-0-679-44551-7
  12. ^ Shaw, p. 43
  13. ^ O'Meally, Robert G. (1998). The jazz cadence of American culture. Columbia University Press. p. 26. ISBN 978-0-231-10449-4.
  14. ^ Barnhart, Scotty (2005). The world of jazz trumpet: a comprehensive history & practical philosophy. Hal Leonard Corporation. p. 188. ISBN 978-0-634-09527-6.
  15. ^ Ward, Geoffrey C., "Jazz: a history of America's music." Knopf, 2000. Page 112, 115. ISBN 978-0-679-44551-7
  16. ^ Harrison, Max; Fox, Charles; Thacker, Eric (2000). The Essential Jazz Records: Ragtime to swing. Continuum International Publishing Group. p. 133. ISBN 978-0-7201-1708-0.
  17. ^ Shilkret, Nathaniel, ed. Niel Shell and Barbara Shilkret, Nathaniel Shilkret: Sixty Years in the Music Business, Scarecrow Press, Lanham, Maryland, 2005, pp. 73–74. ISBN 978-0-8108-5128-3
  18. ^ Lornell, Kip; Laird, Tracey E.W. (2008). Shreveport sounds in black and white. University Press of Mississippi. p. 242. ISBN 978-1-934110-42-3. When My Sugar Walks Down the Street.
  19. ^ Shaw, p. 150
  20. ^ Whitworth, Michael H. (2007). Modernism. Wiley-Blackwell. p. 161. ISBN 978-0-631-23077-9.
  21. ^ Thomson, Virgil; Kostelanetz, Richard (2002). Virgil Thomson: a reader : selected writings, 1924–1984. Psychology Press. p. 138. ISBN 978-0-415-93795-5.
  22. ^ Wyatt, Robert; Johnson, John Andrew (2004). The George Gershwin reader. Oxford University Press US. p. 124. ISBN 978-0-19-513019-5.
  23. ^ "Jazz-Gitarrist Coco Schumann ist tot". Süddeutsche Zeitung (in German). 29 January 2018. Retrieved 10 April 2018.
  24. ^ "Jacques Pelzer". OxfordIndex.oup.com. Retrieved 1 April 2018.
  25. ^ Nelson, Valerie J. (9 October 2011). "Roger Williams dies at 87; 'Autumn Leaves' pop pianist found commercial success". Los Angeles Times. Retrieved 7 November 2016.
  26. ^ Keepnews, Peter (25 August 2016). "Rudy Van Gelder, Audio Engineer Who Helped Define Sound of Jazz on Record, Dies at 91". The New York Times. Retrieved 6 November 2016.

Bibliography[edit]