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'''Childlore''' is the [[folklore]] or folk culture of [[children]] and young people. It includes, for example, rhymes and games played in the school playground. The best known researchers of the field were [[Peter and Iona Opie]].
'''Childlore''' is the [[folklore]] or folk culture of [[children]] and young people. It includes, for example, rhymes and games played in the school playground. The best known researchers of the field were [[Peter and Iona Opie]].


The subject matter of childlore includes the traditions of children between the ages of about 6 and 14 such as 'games, riddles, rhymes, jokes, pranks superstitions, magical practices, wit, lyrics, guile, [[wiktionary:epithets|epithets]], nicknames, torments, parody, oral legislation, seasonal customs, tortures, obscenities, codes, gang lore, etc'(Sutton-Smith 1) as well as individual activities such as 'solitary play, daydreaming, fantasies, imaginary companions and heroes, collections, scrapbooks, model worlds, comic reading, mass media interests, dramatizations, stories, art, etc.'(1) As a branch of folklore, childlore is concerned with those activities which are learned and passed on by children to other children. The stories and games taught by adults to children are not considered childlore except insofar as the children adapt and make them their own. We are primarily concerned with children who are interacting with their peers. In western culture 'most folklorists are concerned with children after they join their peers in elementary school or kindergarten. The traditions of childhood generally stop after the child enters intermediate school, which coincides with puberty and adolescence.' (Grider)
The subject matter of childlore includes the traditions of children between the ages of about 6 and 14 such as 'games, riddles, rhymes, jokes, pranks superstitions, magical practices, wit, lyrics, guile, [[wiktionary:epithets|epithets]], nicknames, torments, parody, oral legislation, seasonal customs, tortures, obscenities, codes, gang lore, etc'([[Brian Sutton-Smith|Sutton-Smith]] 1) as well as individual activities such as 'solitary play, daydreaming, fantasies, imaginary companions and heroes, collections, scrapbooks, model worlds, comic reading, mass media interests, dramatizations, stories, art, etc.'(1) As a branch of folklore, childlore is concerned with those activities which are learned and passed on by children to other children. The stories and games taught by adults to children are not considered childlore except insofar as the children adapt and make them their own. We are primarily concerned with children who are interacting with their peers. In western culture 'most folklorists are concerned with children after they join their peers in elementary school or kindergarten. The traditions of childhood generally stop after the child enters intermediate school, which coincides with puberty and adolescence.' (Grider)


Opie and Opie demonstrate that the culture of children is quite distinctive and is 'as unnoticed by the sophisticated world, and quite as little affected by it, as is the culture of some dwindling aboriginal tribe living out its helpless existence in the hinterland of a native reserve.'(2) Children tend to preserve quite ancient traditions, 'Boys continue to crack jokes that [[Johnathan Swift|Swift]] collected from his friends in [[Anne of Great Britain|Queen Anne]]'s time; they play tricks which lads used to play on each other in the heyday of [[Beau Brummel]]; they ask riddles which were posed when [[Henry VIII]] was a boy. Young girls continue to perform a magic feat (levitation) of which [[Pepys]] heard tell ... They learn to cure warts (and are successful in curing them) after the manner which [[Francis Bacon]] learnt when he was young.'(2) Opie points out that the words of one game 'had survived from the time of [[Nero]].'(v) The conservatism of childlore contrasts with the way adult folklore is rapidly modified to fit changing circumstances.
Opie and Opie demonstrate that the culture of children is quite distinctive and is 'as unnoticed by the sophisticated world, and quite as little affected by it, as is the culture of some dwindling aboriginal tribe living out its helpless existence in the hinterland of a native reserve.'(2) Children tend to preserve quite ancient traditions, 'Boys continue to crack jokes that [[Johnathan Swift|Swift]] collected from his friends in [[Anne of Great Britain|Queen Anne]]'s time; they play tricks which lads used to play on each other in the heyday of [[Beau Brummel]]; they ask riddles which were posed when [[Henry VIII]] was a boy. Young girls continue to perform a magic feat (levitation) of which [[Pepys]] heard tell ... They learn to cure warts (and are successful in curing them) after the manner which [[Francis Bacon]] learnt when he was young.'(2) Opie points out that the words of one game 'had survived from the time of [[Nero]].'(v) The conservatism of childlore contrasts with the way adult folklore is rapidly modified to fit changing circumstances.

Revision as of 20:30, 13 April 2007

Childlore is the folklore or folk culture of children and young people. It includes, for example, rhymes and games played in the school playground. The best known researchers of the field were Peter and Iona Opie.

The subject matter of childlore includes the traditions of children between the ages of about 6 and 14 such as 'games, riddles, rhymes, jokes, pranks superstitions, magical practices, wit, lyrics, guile, epithets, nicknames, torments, parody, oral legislation, seasonal customs, tortures, obscenities, codes, gang lore, etc'(Sutton-Smith 1) as well as individual activities such as 'solitary play, daydreaming, fantasies, imaginary companions and heroes, collections, scrapbooks, model worlds, comic reading, mass media interests, dramatizations, stories, art, etc.'(1) As a branch of folklore, childlore is concerned with those activities which are learned and passed on by children to other children. The stories and games taught by adults to children are not considered childlore except insofar as the children adapt and make them their own. We are primarily concerned with children who are interacting with their peers. In western culture 'most folklorists are concerned with children after they join their peers in elementary school or kindergarten. The traditions of childhood generally stop after the child enters intermediate school, which coincides with puberty and adolescence.' (Grider)

Opie and Opie demonstrate that the culture of children is quite distinctive and is 'as unnoticed by the sophisticated world, and quite as little affected by it, as is the culture of some dwindling aboriginal tribe living out its helpless existence in the hinterland of a native reserve.'(2) Children tend to preserve quite ancient traditions, 'Boys continue to crack jokes that Swift collected from his friends in Queen Anne's time; they play tricks which lads used to play on each other in the heyday of Beau Brummel; they ask riddles which were posed when Henry VIII was a boy. Young girls continue to perform a magic feat (levitation) of which Pepys heard tell ... They learn to cure warts (and are successful in curing them) after the manner which Francis Bacon learnt when he was young.'(2) Opie points out that the words of one game 'had survived from the time of Nero.'(v) The conservatism of childlore contrasts with the way adult folklore is rapidly modified to fit changing circumstances.

References

  • Grider, Sylvia Ann. 'The Study of Children's Folklore.' Western Folklore 39.3, Children's Folklore (1980): 159-69.
  • Mendoza, Vicente T. Lirica Infantil De Mexico. Letras Mexicanas. 2a ed. Mexico: Fondo de Cultura Economica, 1980
  • Opie, Iona Archibald, and Peter Opie. The Lore and Language of Schoolchildren. Trans. Peter Opie. Oxford Paperbacks. New York: Oxford University Press, 1987.
  • Sutton-Smith, Brian. 'Psychology of Childlore: The Triviality Barrier.' Western Folklore 29.1 (1970): 1-8.