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{{Short description|Photograph by Annie Leibovitz}}
{{Italic title}}
{{Use mdy dates|date=August 2016}}
[[File:Coversvanity demi.0.jpg|thumb|250px|right|''Demi's Birthday Suit'', August 1992.]]
[[File:Coversvanity demi.0.jpg|thumb|250px|right|''Demi's Birthday Suit'', August 1992.]]
{{Portal|Nudity}}

'''''Demi's Birthday Suit''''', or '''''The Suit''''', was a [[trompe-l'œil]] [[body painting]] by [[Joanne Gair]] photographed by [[Annie Leibovitz]] that was featured on the cover of the ''[[Vanity Fair (magazine)|Vanity Fair]]'' August 1992 issue to commemorate and exploit the success of Leibovitz's ''[[More Demi Moore]]'' cover photo of [[Demi Moore]] one year earlier.<ref name=AWCLLTALA/><ref name=DMpl/> As an example of modern body painting artwork, it raised the profile of Gair in [[pop culture]] as an artist in that genre.<ref name=AMA/>
'''''Demi's Birthday Suit''''', or '''''The Suit''''', was a [[trompe-l'œil]] [[body painting]] by [[Joanne Gair]] photographed by [[Annie Leibovitz]] that was featured on the cover of the ''[[Vanity Fair (magazine)|Vanity Fair]]'' August 1992 issue to commemorate and exploit the success of Leibovitz's ''[[More Demi Moore]]'' cover photo of [[Demi Moore]] one year earlier.<ref name=AWCLLTALA/><ref name=DMpl/> As an example of modern body painting artwork, it raised the profile of Gair in [[popular culture|pop culture]] as an artist in that genre.<ref name=AMA/>

The work is considered to be groundbreaking by some, although there is controversy surrounding its originality. The [[WIKT:converse#Noun 2|converse]] of this image serves as the cover to Gair's second bodypainting book, ''Body Painting''.<ref name="bodypaintingbook">{{cite book |title=Body Painting: Masterpieces by Joanne Gair |isbn=0-7893-1509-2 |date=2006 |publisher=Universe Publishing |author=Gair, Joanne |foreword=Klum, Heidi |pages=}}</ref> The photo shoot also let Moore show off the results of her fitness regimen.<ref name=WLoM/>
The work is considered to be groundbreaking by some, although there is controversy surrounding its originality. The [[WIKT:converse#Noun 2|converse]] of this image serves as the dust jacket art to Gair's second bodypainting book, ''Body Painting''.<ref name="bodypaintingbook"/> The photo shoot also let Moore show off the results of her fitness regimen.<ref name=WLoM/>

==Artistic perspective==
==Artistic perspective==
Gene Newman considers the body painting of Moore to be the introduction of modern body painting to the world.<ref>{{cite web |url=http://www.iocoartmedia.com/PUBLICATIONS/body_painting.htm?n=body_painting.htm |title=body work and paint jobs |accessdate=2008-03-24 |date=2000 |publisher=tagmag.com |author=Newman, Gene}}</ref> Although willing to credit Moore and Gair with the rebirth of bodypainting in a ''[[San Francisco Chronicle]]'' story, the "makeup artist, wig maker and stylist" Jim Ponder had difficulty calling interest in bodypainting a trend because it traces back to the "beginnings of man."<ref name=WSCtL>{{cite web |url=http://docs.newsbank.com/openurl?ctx_ver=z39.88-2004&rft_id=info:sid/iw.newsbank.com:NewsBank:SFCB&rft_val_format=info:ofi/fmt:kev:mtx:ctx&rft_dat=0EB4F43A8015EDDD&svc_dat=InfoWeb:aggregated5&req_dat=0D0CB579A3BDA420 |title=When Statues Come to Life - Painted posers play at posh parties |accessdate=2009-04-02 |date=1992-08-13 |work=[[The San Francisco Chronicle]] |author=Rubin, Sylvia}}</ref> Joanne Gair has described the painting as a stylized reference to [[Botticelli]],<ref>{{cite book |title=Paint A 'Licious: The Pain-Free Way to Achieving Your Naked Ambitions |isbn=0-7407-5537-4 |publisher=Andrews McMeel Publishing |date=2005 |author=Gair, Joanne}}</ref> since the sinuous pose is reminiscent of the central figures in both ''[[Primavera (Painting)|Primavera]]'' and ''[[The Birth of Venus (Botticelli)|The Birth of Venus]]''. The [[Amazon.com]] product description for Gair's book calls her participation in this photoshoot as her "defining moment."<ref>{{cite web |url=http://www.amazon.com/Body-Painting-Masterpieces-Joanne-Gair/dp/0789315092 |title=Body Painting: Masterpieces by Joanne Gair (Editorial Reviews) |accessdate=2008-03-24 |publisher=[[Amazon.com, Inc.]]}}</ref> Soon after the release of the magazine Gair became such a pop culture icon that she was considered for an [[Absolut Vodka]] Absolut Gair ad campaign according to a story in ''[[The New York Times]]''.<ref name=AMA>{{cite web |url=http://www.nytimes.com/1993/06/06/business/advertising-s-marathon-auditions.html?scp=1&sq=Joanne%20Gair&st=nyt&pagewanted=all |title= Advertising's Marathon Auditions |accessdate=2008-02-19 |publisher=[[The New York Times Company]] |work=[[The New York Times]] |date=1993-06-06 |author=Elliott, Stuart}}</ref> The work is considered to be an example from the most sophisticated end of the bodypainting spectrum which extends all the way to [[Henna tattoo]]s.<ref>{{cite web |url=http://www.bodypaintmag.com/pages/newsarticles.html |archiveurl=http://web.archive.org/web/20080420074858/http://www.bodypaintmag.com/pages/newsarticles.html |archivedate=April 20, 2008 |title=Inprint - Nine to Five Magazine |accessdate=2009-07-23 |date=July 1998}}</ref>
Gene Newman considers the body painting of Moore to be the introduction of modern body painting to the world.<ref name="R1"/> Although willing to credit Moore and Gair with the rebirth of bodypainting in a ''[[San Francisco Chronicle]]'' story, the "makeup artist, wig maker and stylist" Jim Ponder had difficulty calling interest in bodypainting a trend because it traces back to the "beginnings of man."<ref name=WSCtL/> Joanne Gair has described the painting as a stylized reference to [[Botticelli]],<ref name="R2"/> since the sinuous pose is reminiscent of the central figures in both ''[[Primavera (Painting)|Primavera]]'' and ''[[The Birth of Venus (Botticelli)|The Birth of Venus]]''. The [[Amazon.com]] product description for Gair's book calls her participation in this photoshoot as her "defining moment."<ref name="R3"/> Soon after the release of the magazine Gair became such a pop culture icon that she was considered for an [[Absolut Vodka]] Absolut Gair ad campaign according to a story in ''[[The New York Times]]''.<ref name=AMA/> The work is considered to be an example from the most sophisticated end of the bodypainting spectrum which extends all the way to [[Henna tattoo]]s.<ref name="R4"/>

Some sources have claimed that the work is a derivative of preceding works. ''[[Playboy (magazine)|Playboy]]'' published a photo with similar bodypainting, with a [[necktie]], suit jacket and similar pose, in its March 1968 issue, as part of a feature on bodypainting.<ref>{{cite web |url=http://docs.newsbank.com/openurl?ctx_ver=z39.88-2004&rft_id=info:sid/iw.newsbank.com:NewsBank:CMAB&rft_val_format=info:ofi/fmt:kev:mtx:ctx&rft_dat=0EAF93D2A72102CA&svc_dat=InfoWeb:aggregated5&req_dat=0D0CB579A3BDA420 |title=Naked Truth |accessdate=2009-04-02 |date=1992-07-21 |format=Subscription required |work=[[The Commercial Appeal]]}}</ref>
Some sources have claimed that the work is a derivative of preceding works. ''[[Playboy (magazine)|Playboy]]'' published a photo with similar bodypainting, with a [[necktie]], suit jacket and similar pose, in its March 1968 issue, as part of a feature on bodypainting.<ref name="R5"/>

==Details==
==Details==
Gair had worked with Leibovitz and Moore on ''More Demi Moore''. Departing ''Vanity Fair'' editor [[Tina Brown]] felt "The only thing to do for the anniversary cover was to reprise it." According to a ''[[Houston Chronicle]]'' story that quotes both Moore and Brown, about 100 million people had seen the earlier cover,<ref>{{cite web |url=http://docs.newsbank.com/openurl?ctx_ver=z39.88-2004&rft_id=info:sid/iw.newsbank.com:NewsBank:HCBF&rft_val_format=info:ofi/fmt:kev:mtx:ctx&rft_dat=0ED7B1E1B441DEF6&svc_dat=InfoWeb:aggregated5&req_dat=0D0CB579A3BDA420 |title=VF dresses Demi in paint |accessdate=2009-04-02 |date=1992-07-07 |work=[[Houston Chronicle]] |author=Mesinger, Maxine}}</ref> and this cover capitalized on the anniversary.<ref>{{cite web |url=http://docs.newsbank.com/openurl?ctx_ver=z39.88-2004&rft_id=info:sid/iw.newsbank.com:NewsBank:TTRB&rft_val_format=info:ofi/fmt:kev:mtx:ctx&rft_dat=0EB0F126C53899F7&svc_dat=InfoWeb:aggregated5&req_dat=0D0CB579A3BDA420 |title=Does Bruce ever visit the newsstand? |accessdate=2009-04-02 |date=1992-07-07 |work=[[The Tampa Tribune]] |author=Fernandez, Don}}</ref>
Gair had worked with Leibovitz and Moore on ''More Demi Moore''. Departing ''Vanity Fair'' editor [[Tina Brown]] felt "The only thing to do for the anniversary cover was to reprise it." According to a ''[[Houston Chronicle]]'' story that quotes both Moore and Brown, about 100 million people had seen the earlier cover,<ref name="R6"/> and this cover capitalized on the anniversary.<ref name="R7"/>

They decided to attempt a body painting during the week-long shoot at the [[Chateau Marmont Hotel]] in [[West Hollywood, California]] in 1992. Gair was provided with a [[pin stripes|pinstriped]] [[three-piece suit]] by Richard Tyler as a model to paint onto Moore. Since in those days she did not generally work with assistants, the day started at 6:30 A.M. and Demi Moore slept that night in the painted-on suit in case they needed to resume the next day.<ref>{{cite book |title=Body Painting: Masterpieces by Joanne Gair |isbn=0-7893-1509-2 |date=2006 |publisher=Universe Publishing |author=Gair, Joanne |foreword=Klum, Heidi}}</ref> It took 15&nbsp;hours to apply the suit because it was difficult for Gair to build the proper paint density. Moore's body heat melted the paint.<ref name=DMpl>{{cite web |url=http://docs.newsbank.com/openurl?ctx_ver=z39.88-2004&rft_id=info:sid/iw.newsbank.com:NewsBank:USTB&rft_val_format=info:ofi/fmt:kev:mtx:ctx&rft_dat=0EB56820AF41A804&svc_dat=InfoWeb:aggregated5&req_dat=0D0CB579A3BDA420 |title=Demi Moore, painted lady |accessdate=2009-04-02 |date=1992-07-06 |work=[[USA Today]] |author=Sell, Shawn}}</ref> For the 1992 cover, which required a full-day sitting for Gair and her team of make-up artists, Leibovitz could not decide where to shoot, and "reserved two mobile homes, four hotel rooms and five houses".<ref name=AWCLLTALA>{{cite web |url=http://query.nytimes.com/gst/fullpage.html?res=9F04EFDB1F3EF935A15753C1A9659C8B63&scp=8&sq=Demi+Moore+body+painting&st=nyt |title=ART; What Celebrity Looks Like: The Annie Leibovitz Aesthetic |accessdate=2008-02-19 |date=2003-10-26 |publisher=[[The New York Times Company]] |work=[[The New York Times]] |author=Bellafante, Ginia}}</ref> Stylist Lori Goldstein assisted with the application.<ref name="stage">{{cite web |url=http://docs.newsbank.com/openurl?ctx_ver=z39.88-2004&rft_id=info:sid/iw.newsbank.com:NewsBank:SNP3&rft_val_format=info:ofi/fmt:kev:mtx:ctx&rft_dat=0EFEEBBB2C8C5D52&svc_dat=InfoWeb:aggregated5&req_dat=0D0CB579A3BDA420 |title=Ms. Moore: Demi, Not Demure |accessdate=2009-04-02 |date=1992-08-19 |work=[[Syracuse Herald-Journal]] |author=Stage, Jeff}}</ref>
They decided to attempt a body painting during the week-long shoot at the [[Chateau Marmont]] in [[Los Angeles, California]] in 1992. Gair was provided with a [[pin stripes|pinstriped]] [[three-piece suit]] by Richard Tyler as a model to paint onto Moore. Since in those days she did not generally work with assistants, the day started at 6:30 A.M. and Demi Moore slept that night in the painted-on suit in case they needed to resume the next day.<ref name="bodypaintingbook"/> It took 15&nbsp;hours to apply the suit because it was difficult for Gair to build the proper paint density. Moore's body heat melted the paint.<ref name=DMpl/> For the 1992 cover, which required a full-day sitting for Gair and her team of make-up artists, Leibovitz could not decide where to shoot, and "reserved two mobile homes, four hotel rooms and five houses".<ref name=AWCLLTALA/> Stylist [[Lori Goldstein]] assisted with the application.<ref name="stage"/>

Having started rigorous workouts in the final trimester of her [[pregnancy]] the year before to prepare for her role in ''[[A Few Good Men (film)|A Few Good Men]]'', Moore was physically fit for the photoshoot.<ref name=DMpl/> Thus she appeared in additional nude photos within the magazine's cover story.<ref name=WLoM>{{cite web |url=http://docs.newsbank.com/openurl?ctx_ver=z39.88-2004&rft_id=info:sid/iw.newsbank.com:NewsBank:DSNB&rft_val_format=info:ofi/fmt:kev:mtx:ctx&rft_dat=0F36055999712074&svc_dat=InfoWeb:aggregated5&req_dat=0D0CB579A3BDA420 |title=Want Less of Moore: See New Vanity Fair |accessdate=2009-04-02 |date=1992-07-07 |work=[[The Deseret News]]}}</ref> Moore viewed the photos as a chance to show off the results of her workouts: "I said I would get better with each baby and I have."<ref name=WLoM/> The weeklong effort also involved shots taken in [[Kauai]], [[Hawaii]] that are included in Gair's second book, ''Body Painting''.<ref name="bodypaintingbook"/> Moore felt she looked better on the cover at age 29 than she had in a [[bikini]] nine years earlier in ''[[Blame It on Rio]]''.<ref name="stage"/>
Having started rigorous workouts in the final trimester of her [[pregnancy]] the year before to prepare for her role in ''[[A Few Good Men (film)|A Few Good Men]]'', Moore was physically fit for the photoshoot.<ref name=DMpl/> Thus she appeared in additional nude photos within the magazine's cover story.<ref name=WLoM/> Moore viewed the photos as a chance to show off the results of her workouts: "I said I would get better with each baby and I have."<ref name=WLoM/> The weeklong effort also involved shots taken in [[Kauai]], [[Hawaii]] that are included in Gair's second book, ''Body Painting''.<ref name="bodypaintingbook"/> Moore felt she looked better on the cover at age 29 than she had in a [[bikini]] nine years earlier in ''[[Blame It on Rio]]''.<ref name="stage"/>

==More Demi Moore==
==''More Demi Moore''==
{{Main|More Demi Moore}}
{{Main|More Demi Moore}}
Demi Moore had appeared on the cover of ''Vanity Fair'' exactly one year earlier in the August 1991 edition in Leibovitz's photograph, ''[[More Demi Moore]]''. As a groundbreaking work, the photograph of her pregnant pose was an iconic one for Moore, Leibovitz and women in general who now view public representation of pregnancy as socially acceptable.<ref>{{cite book |url=http://books.google.com/?id=uKLczttJhmIC&pg=PA199&lpg=PA199&dq=Iconic+%22Demi+Moore%22+pregnant |title=Pregnant pictures |author=Matthews, Sandra and Laura Wexler |isbn=0-415-90449-8 |publisher=Routledge |page=199 |year=2000}}</ref> It had a cultural impact by causing numerous celebrities to pose for photographs in advanced pregnancy, which has made pregnancy photos fashionable and created a profitable business for photographers such as [[Jennifer Loomis]].<ref name=Cmpsg>{{cite web |url=http://www.msnbc.msn.com/id/12466527/ |title=Celebrities make pregnancy seem glamorous |accessdate=2010-03-14 |publisher=Microsoft |work=MSNBC.com |date=2006-04-26}}</ref> The [[American Society of Magazine Editors]] regards it as one of the best U.S. magazine covers ever,<ref name=Lllotmc>{{cite web |url=http://www.msnbc.msn.com/id/9729637/ |title= Lennon leads list of top magazine covers |accessdate=2010-03-14 |publisher=Microsoft |work=MSNBC.com |date=2005-10-17}}</ref><ref>{{cite web |url=http://www.newsweek.com/id/44751 |title=The Editor's Desk |accessdate=2008-03-21 |date=2006-10-02 |publisher=[[Newsweek Magazine]]}}</ref> and it is one of Leibovitz' best-known works.<ref name=SAEC>{{cite web |url=http://www.time.com/time/magazine/article/0,9171,973939,00.html |title=Shadows And Eye Candy |accessdate=2008-02-25 |date=1991-09-30 |publisher=[[Time Magazine]] |author=Lacayo, Richard}}</ref><ref>{{cite web |url=http://www.newsweek.com/id/44812 |title=Through Her Lens |accessdate=2008-03-21 |date=2006-10-02 |publisher=[[Newsweek Magazine]] |author=McGuigan, Cathleen |archiveurl=http://web.archive.org/web/20071221235943/http://www.newsweek.com/id/44812 |archivedate=December 21, 2007 |deadurl=yes}}</ref> Additionally, the photo served as a litmus test when [[Internet]] [[decency]] standards were first being legislated and adjudicated.<ref>{{cite web |url=http://www.newsweek.com/id/102292 |title=An Indecent Proposal |accessdate=2008-03-21 |publisher=[[Newsweek Magazine]] |date=1996-05-27 |author=Levy, Steven}}{{dead link|date=June 2010|bot=DASHBot}}</ref><ref>{{cite web |url=http://www.newsweek.com/id/97819 |title=On The Net, Anything Goes |accessdate=2008-03-21 |publisher=[[Newsweek Magazine]] |date=1997-07-07 |author=Levy, Steven}}</ref>
Demi Moore had appeared on the cover of ''Vanity Fair'' exactly one year earlier in the August 1991 edition in Leibovitz's photograph, ''[[More Demi Moore]]''. As a groundbreaking work, the photograph of her pregnant pose was an iconic one for Moore, Leibovitz and women in general who now view public representation of pregnancy as socially acceptable.<ref name="R8"/> It had a cultural impact by causing numerous celebrities to pose for photographs in advanced pregnancy, which has made pregnancy photos fashionable and created a profitable business for photographers such as [[Jennifer Loomis]].<ref name=Cmpsg/> The [[American Society of Magazine Editors]] regards it as one of the best U.S. magazine covers ever,<ref name=Lllotmc/><ref name="R9"/> and it is one of Leibovitz' best-known works.<ref name=SAEC/><ref name="R10"/> Additionally, the photo served as a litmus test when [[Internet]] [[decency]] standards were first being legislated and adjudicated.<ref name="R11"/><ref name="R12"/>

==Notes==
==References==
{{Reflist|2}}
{{Reflist|2|refs=
<ref name="bodypaintingbook">{{cite book

| title = Body Painting: Masterpieces by Joanne Gair | isbn = 0-7893-1509-2
{{nudity}}
| date = 2006 | publisher = Universe Publishing | author1 = Gair, Joanne
{{good article}}
| author2 = Klum, Heidi}}

</ref>
<ref name="R1">{{cite web
| url = http://www.iocoartmedia.com/PUBLICATIONS/body_painting.htm?n=body_painting.htm
| title = body work and paint jobs | date = 2000 | publisher = tagmag.com
| author = Newman, Gene | access-date = March 24, 2008 | url-status = dead
| archive-url = https://web.archive.org/web/20080403055155/http://www.iocoartmedia.com/PUBLICATIONS/body_painting.htm?n=body_painting.htm
| archive-date = April 3, 2008 | df = mdy }}
</ref>
<ref name=WSCtL>{{cite news
| url = http://docs.newsbank.com/openurl?ctx_ver=z39.88-2004&rft_id=info:sid/iw.newsbank.com:NewsBank:SFCB&rft_val_format=info:ofi/fmt:kev:mtx:ctx&rft_dat=0EB4F43A8015EDDD&svc_dat=InfoWeb:aggregated5&req_dat=0D0CB579A3BDA420
| title = When Statues Come to Life - Painted posers play at posh parties
| date = August 13, 1992 | work = [[San Francisco Chronicle]]
| author = Rubin, Sylvia | access-date = April 2, 2009}}
</ref>
<ref name="R2">{{cite book
| title = Paint A 'Licious: The Pain-Free Way to Achieving Your Naked Ambitions
| isbn = 0-7407-5537-4 | publisher = Andrews McMeel Publishing | date = 2005
| author = Gair, Joanne}}
</ref>
<ref name="R3">{{cite book
| title = Body Painting: Masterpieces by Joanne Gair (Editorial Reviews)
| isbn = 0789315092 | last1 = Gair | first1 = Joanne | year = 2006 }}
</ref>
<ref name=AMA>{{cite news
| url = https://www.nytimes.com/1993/06/06/business/advertising-s-marathon-auditions.html?scp=1&sq=Joanne%20Gair&st=nyt&pagewanted=all
| title = Advertising's Marathon Auditions | work = [[The New York Times]]
| date = June 6, 1993 | author = Elliott, Stuart
| access-date = February 19, 2008}}
</ref>
<ref name="R4">{{cite web
| url = http://www.bodypaintmag.com/pages/newsarticles.html
| archive-url = https://web.archive.org/web/20080420074858/http://www.bodypaintmag.com/pages/newsarticles.html
| archive-date = April 20, 2008 | title = Inprint - Nine to Five Magazine
| date = July 1998 | access-date = July 23, 2009}}
</ref>
<ref name="R5">{{cite news
| url = http://docs.newsbank.com/openurl?ctx_ver=z39.88-2004&rft_id=info:sid/iw.newsbank.com:NewsBank:CMAB&rft_val_format=info:ofi/fmt:kev:mtx:ctx&rft_dat=0EAF93D2A72102CA&svc_dat=InfoWeb:aggregated5&req_dat=0D0CB579A3BDA420
| title = Naked Truth | date = July 21, 1992 | url-access = subscription
| work = [[The Commercial Appeal]] | access-date = April 2, 2009}}
</ref>
<ref name="R6">{{cite news
| url = http://docs.newsbank.com/openurl?ctx_ver=z39.88-2004&rft_id=info:sid/iw.newsbank.com:NewsBank:HCBF&rft_val_format=info:ofi/fmt:kev:mtx:ctx&rft_dat=0ED7B1E1B441DEF6&svc_dat=InfoWeb:aggregated5&req_dat=0D0CB579A3BDA420
| title = VF dresses Demi in paint | date = July 7, 1992
| work = [[Houston Chronicle]] | author = Mesinger, Maxine
| access-date = April 2, 2009}}
</ref>
<ref name="R7">{{cite news
| url = http://docs.newsbank.com/openurl?ctx_ver=z39.88-2004&rft_id=info:sid/iw.newsbank.com:NewsBank:TTRB&rft_val_format=info:ofi/fmt:kev:mtx:ctx&rft_dat=0EB0F126C53899F7&svc_dat=InfoWeb:aggregated5&req_dat=0D0CB579A3BDA420
| title = Does Bruce ever visit the newsstand? | date = July 7, 1992
| work = [[The Tampa Tribune]] | author = Fernandez, Don
| access-date = April 2, 2009}}
</ref>
<ref name=DMpl>{{cite news
| url = http://docs.newsbank.com/openurl?ctx_ver=z39.88-2004&rft_id=info:sid/iw.newsbank.com:NewsBank:USTB&rft_val_format=info:ofi/fmt:kev:mtx:ctx&rft_dat=0EB56820AF41A804&svc_dat=InfoWeb:aggregated5&req_dat=0D0CB579A3BDA420
| title = Demi Moore, painted lady | date = July 6, 1992 | work = [[USA Today]]
| author = Sell, Shawn | access-date = April 2, 2009}}
</ref>
<ref name=AWCLLTALA>{{cite news
| url = https://query.nytimes.com/gst/fullpage.html?res=9F04EFDB1F3EF935A15753C1A9659C8B63&scp=8&sq=Demi+Moore+body+painting&st=nyt
| title = ART; What Celebrity Looks Like: The Annie Leibovitz Aesthetic
| date = October 26, 2003 | work = [[The New York Times]]
| author = Bellafante, Ginia | access-date = February 19, 2008}}
</ref>
<ref name="stage">{{cite news
| url = http://docs.newsbank.com/openurl?ctx_ver=z39.88-2004&rft_id=info:sid/iw.newsbank.com:NewsBank:SNP3&rft_val_format=info:ofi/fmt:kev:mtx:ctx&rft_dat=0EFEEBBB2C8C5D52&svc_dat=InfoWeb:aggregated5&req_dat=0D0CB579A3BDA420
| title = Ms. Moore: Demi, Not Demure | date = August 19, 1992
| work = [[Syracuse Herald-Journal]] | author = Stage, Jeff
| access-date = April 2, 2009}}
</ref>
<ref name=WLoM>{{cite news
| url = http://docs.newsbank.com/openurl?ctx_ver=z39.88-2004&rft_id=info:sid/iw.newsbank.com:NewsBank:DSNB&rft_val_format=info:ofi/fmt:kev:mtx:ctx&rft_dat=0F36055999712074&svc_dat=InfoWeb:aggregated5&req_dat=0D0CB579A3BDA420
| title = Want Less of Moore: See New Vanity Fair | date = July 7, 1992
| work = [[The Deseret News]] | access-date = April 2, 2009}}
</ref>
<ref name="R8">{{cite book
| url = https://books.google.com/books?id=uKLczttJhmIC&q=Iconic+%22Demi+Moore%22+pregnant&pg=PA199
| title = Pregnant pictures | author = Matthews, Sandra and Laura Wexler
| isbn = 0-415-90449-8 | publisher = Routledge | page = 199 | year = 2000}}
</ref>
<ref name=Cmpsg>{{cite news
| url = https://www.today.com/popculture/celebrities-make-pregnancy-seem-glamorous-wbna12466527
| title = Celebrities make pregnancy seem glamorous | publisher = Today.com
| date = April 26, 2006 | access-date = March 14, 2010}}
</ref>
<ref name=Lllotmc>{{cite news
| url = https://www.today.com/popculture/lennon-leads-list-top-magazine-covers-wbna9729637
| title = Lennon leads list of top magazine covers | publisher = Today.com
| date = October 17, 2005 | access-date = March 14, 2010}}
</ref>
<ref name="R9">{{cite news
| url = http://www.newsweek.com/id/44751 | title = The Editor's Desk
| date = October 2, 2006 | work = [[Newsweek]] | access-date = March 21, 2008}}
</ref>
<ref name=SAEC>{{cite magazine
| url = http://www.time.com/time/magazine/article/0,9171,973939,00.html
| archive-url = https://web.archive.org/web/20080228005555/http://www.time.com/time/magazine/article/0,9171,973939,00.html
| url-status = dead | archive-date = February 28, 2008
| title = Shadows And Eye Candy | date = September 30, 1991
| magazine = [[Time (magazine)|Time]] | author = Lacayo, Richard
| access-date = February 25, 2008}}
</ref>
<ref name="R10">{{cite news
| url = http://www.newsweek.com/id/44812 | title = Through Her Lens
| date = October 2, 2006 | work = [[Newsweek]] | author = McGuigan, Cathleen
| access-date = March 21, 2008
| archive-url = https://web.archive.org/web/20071221235943/http://www.newsweek.com/id/44812
| archive-date = December 21, 2007 | url-status = dead}}
</ref>
<ref name="R11">{{cite news
| url = http://www.newsweek.com/id/102292 | title = An Indecent Proposal
| work = [[Newsweek]] | date = May 27, 1996 | author = Levy, Steven
| access-date = March 21, 2008 | url-status = dead
| archive-url = https://web.archive.org/web/20090306000251/http://www.newsweek.com/id/102292
| archive-date = March 6, 2009 }}
</ref>
<ref name="R12">{{cite news
| url = http://www.newsweek.com/id/97819 | title = On The Net, Anything Goes
| work = [[Newsweek]] | date = July 7, 1997 | author = Levy, Steven
| access-date = March 21, 2008}}
</ref>
}}
{{Nudity}}
{{Joanne Gair}}
{{Authority control}}
{{Good article}}
[[Category:1992 works]]
[[Category:1992 works]]
[[Category:Body art]]
[[Category:1992 in art]]
[[Category:Nudity]]
[[Category:1992 in the United States]]
[[Category:Optical illusions]]
[[Category:Photographs of the United States]]
[[Category:Photographs of the United States]]
[[Category:Color photographs]]
[[Category:Works originally published in Vanity Fair (magazine)]]
[[Category:Works originally published in Vanity Fair (magazine)]]
[[Category:Body art]]
[[Category:Nude photography]]
[[Category:Optical illusions]]
[[Category:1990s photographs]]
[[Category:Photographs by Annie Leibovitz]]

Latest revision as of 03:13, 31 October 2023

Demi's Birthday Suit, August 1992.

Demi's Birthday Suit, or The Suit, was a trompe-l'œil body painting by Joanne Gair photographed by Annie Leibovitz that was featured on the cover of the Vanity Fair August 1992 issue to commemorate and exploit the success of Leibovitz's More Demi Moore cover photo of Demi Moore one year earlier.[1][2] As an example of modern body painting artwork, it raised the profile of Gair in pop culture as an artist in that genre.[3]

The work is considered to be groundbreaking by some, although there is controversy surrounding its originality. The converse of this image serves as the dust jacket art to Gair's second bodypainting book, Body Painting.[4] The photo shoot also let Moore show off the results of her fitness regimen.[5]

Artistic perspective[edit]

Gene Newman considers the body painting of Moore to be the introduction of modern body painting to the world.[6] Although willing to credit Moore and Gair with the rebirth of bodypainting in a San Francisco Chronicle story, the "makeup artist, wig maker and stylist" Jim Ponder had difficulty calling interest in bodypainting a trend because it traces back to the "beginnings of man."[7] Joanne Gair has described the painting as a stylized reference to Botticelli,[8] since the sinuous pose is reminiscent of the central figures in both Primavera and The Birth of Venus. The Amazon.com product description for Gair's book calls her participation in this photoshoot as her "defining moment."[9] Soon after the release of the magazine Gair became such a pop culture icon that she was considered for an Absolut Vodka Absolut Gair ad campaign according to a story in The New York Times.[3] The work is considered to be an example from the most sophisticated end of the bodypainting spectrum which extends all the way to Henna tattoos.[10]

Some sources have claimed that the work is a derivative of preceding works. Playboy published a photo with similar bodypainting, with a necktie, suit jacket and similar pose, in its March 1968 issue, as part of a feature on bodypainting.[11]

Details[edit]

Gair had worked with Leibovitz and Moore on More Demi Moore. Departing Vanity Fair editor Tina Brown felt "The only thing to do for the anniversary cover was to reprise it." According to a Houston Chronicle story that quotes both Moore and Brown, about 100 million people had seen the earlier cover,[12] and this cover capitalized on the anniversary.[13]

They decided to attempt a body painting during the week-long shoot at the Chateau Marmont in Los Angeles, California in 1992. Gair was provided with a pinstriped three-piece suit by Richard Tyler as a model to paint onto Moore. Since in those days she did not generally work with assistants, the day started at 6:30 A.M. and Demi Moore slept that night in the painted-on suit in case they needed to resume the next day.[4] It took 15 hours to apply the suit because it was difficult for Gair to build the proper paint density. Moore's body heat melted the paint.[2] For the 1992 cover, which required a full-day sitting for Gair and her team of make-up artists, Leibovitz could not decide where to shoot, and "reserved two mobile homes, four hotel rooms and five houses".[1] Stylist Lori Goldstein assisted with the application.[14]

Having started rigorous workouts in the final trimester of her pregnancy the year before to prepare for her role in A Few Good Men, Moore was physically fit for the photoshoot.[2] Thus she appeared in additional nude photos within the magazine's cover story.[5] Moore viewed the photos as a chance to show off the results of her workouts: "I said I would get better with each baby and I have."[5] The weeklong effort also involved shots taken in Kauai, Hawaii that are included in Gair's second book, Body Painting.[4] Moore felt she looked better on the cover at age 29 than she had in a bikini nine years earlier in Blame It on Rio.[14]

More Demi Moore[edit]

Main article: More Demi Moore

Demi Moore had appeared on the cover of Vanity Fair exactly one year earlier in the August 1991 edition in Leibovitz's photograph, More Demi Moore. As a groundbreaking work, the photograph of her pregnant pose was an iconic one for Moore, Leibovitz and women in general who now view public representation of pregnancy as socially acceptable.[15] It had a cultural impact by causing numerous celebrities to pose for photographs in advanced pregnancy, which has made pregnancy photos fashionable and created a profitable business for photographers such as Jennifer Loomis.[16] The American Society of Magazine Editors regards it as one of the best U.S. magazine covers ever,[17][18] and it is one of Leibovitz' best-known works.[19][20] Additionally, the photo served as a litmus test when Internet decency standards were first being legislated and adjudicated.[21][22]

References[edit]

  1. ^ a b Bellafante, Ginia (October 26, 2003). "ART; What Celebrity Looks Like: The Annie Leibovitz Aesthetic". The New York Times. Retrieved February 19, 2008.
  2. ^ a b c Sell, Shawn (July 6, 1992). "Demi Moore, painted lady". USA Today. Retrieved April 2, 2009.
  3. ^ a b Elliott, Stuart (June 6, 1993). "Advertising's Marathon Auditions". The New York Times. Retrieved February 19, 2008.
  4. ^ a b c Gair, Joanne; Klum, Heidi (2006). Body Painting: Masterpieces by Joanne Gair. Universe Publishing. ISBN 0-7893-1509-2.
  5. ^ a b c "Want Less of Moore: See New Vanity Fair". The Deseret News. July 7, 1992. Retrieved April 2, 2009.
  6. ^ Newman, Gene (2000). "body work and paint jobs". tagmag.com. Archived from the original on April 3, 2008. Retrieved March 24, 2008.
  7. ^ Rubin, Sylvia (August 13, 1992). "When Statues Come to Life - Painted posers play at posh parties". San Francisco Chronicle. Retrieved April 2, 2009.
  8. ^ Gair, Joanne (2005). Paint A 'Licious: The Pain-Free Way to Achieving Your Naked Ambitions. Andrews McMeel Publishing. ISBN 0-7407-5537-4.
  9. ^ Gair, Joanne (2006). Body Painting: Masterpieces by Joanne Gair (Editorial Reviews). ISBN 0789315092.
  10. ^ "Inprint - Nine to Five Magazine". July 1998. Archived from the original on April 20, 2008. Retrieved July 23, 2009.
  11. ^ "Naked Truth". The Commercial Appeal. July 21, 1992. Retrieved April 2, 2009.
  12. ^ Mesinger, Maxine (July 7, 1992). "VF dresses Demi in paint". Houston Chronicle. Retrieved April 2, 2009.
  13. ^ Fernandez, Don (July 7, 1992). "Does Bruce ever visit the newsstand?". The Tampa Tribune. Retrieved April 2, 2009.
  14. ^ a b Stage, Jeff (August 19, 1992). "Ms. Moore: Demi, Not Demure". Syracuse Herald-Journal. Retrieved April 2, 2009.
  15. ^ Matthews, Sandra and Laura Wexler (2000). Pregnant pictures. Routledge. p. 199. ISBN 0-415-90449-8.
  16. ^ "Celebrities make pregnancy seem glamorous". Today.com. April 26, 2006. Retrieved March 14, 2010.
  17. ^ "Lennon leads list of top magazine covers". Today.com. October 17, 2005. Retrieved March 14, 2010.
  18. ^ "The Editor's Desk". Newsweek. October 2, 2006. Retrieved March 21, 2008.
  19. ^ Lacayo, Richard (September 30, 1991). "Shadows And Eye Candy". Time. Archived from the original on February 28, 2008. Retrieved February 25, 2008.
  20. ^ McGuigan, Cathleen (October 2, 2006). "Through Her Lens". Newsweek. Archived from the original on December 21, 2007. Retrieved March 21, 2008.
  21. ^ Levy, Steven (May 27, 1996). "An Indecent Proposal". Newsweek. Archived from the original on March 6, 2009. Retrieved March 21, 2008.
  22. ^ Levy, Steven (July 7, 1997). "On The Net, Anything Goes". Newsweek. Retrieved March 21, 2008.

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