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'''Alistair Graeme Fox''' (born 1948 in [[Richmond, New Zealand]])<ref>{{cite book|last1=Taylor|first1=Alister|last2=Coddington|first2=Deborah|title=New Zealand Who's Who, Aotearoa|date=1995|publisher=New Zealand Who's Who Aotearoa Ltd|location=Auckland, New Zealand|isbn=0908578482|page=190|edition=1995}}</ref> is a New Zealand scholar, former university administrator and writer who specialises in English Tudor literature and history, New Zealand literature and cinema studies, and contemporary literary and film theory.
'''Alistair Graeme Fox''' (born 1948 in [[Richmond, New Zealand]])<ref>{{cite book|last1=Taylor|first1=Alister|last2=Coddington|first2=Deborah|title=New Zealand Who's Who, Aotearoa|date=1995|publisher=New Zealand Who's Who Aotearoa Ltd|location=Auckland, New Zealand|isbn=978-0908578481|page=190|edition=1995}}</ref> is a New Zealand scholar, former university administrator and writer who specialises in English Tudor literature and history, New Zealand literature and cinema studies, and contemporary literary and film theory.


He currently holds the title of Professor Emeritus at the [[University of Otago]], Dunedin, New Zealand.<ref>{{cite book|last1=University of Otago|title=University of Otago Calendar|date=2018|publisher=University of Otago|location=Dunedin, New Zealand|page=120|edition=2018}}</ref> Until his retirement in 2013, he held a Personal Chair in English Literature at this same university,<ref>{{cite book|last1=University of Otago|title=University of Otago Calendar|date=2018|publisher=University of Otago|location=Dunedin, New Zealand|page=120|edition=2018}}</ref> where he also served as Pro-Vice Chancellor, Division of Humanities.<ref>{{cite book|last1=Cousins|first1=A. D.|last2=Grace|first2=Damian|title=A Companion to Thomas More|date=2009|publisher=Farley Dickinson Press|location=Madison/Teaneck|page=247}}</ref><ref>{{cite book|last1=University of Otago|title=University of Otago Annual Report|date=2007|publisher=University of Otago|location=Dunedin, New Zealand|page=8}}</ref> His honors include the award of a Nuffield Visiting Fellowship, Claire Hall, Cambridge (1980–1981)<ref>{{cite book|last1=Fox|first1=Alistair|title=Thomas More: History & Providence.|date=1983|publisher=Yale University Press|location=London/Yale|isbn=0300029519|page=viii}}</ref> and an appointment as Visiting Fellow, All Souls College, Oxford (1987-1988).<ref>{{cite book|last1=Fox|first1=Alistair|title=Politics and Literature in the Reigns of Henry VII and Henry VIII|date=1989|publisher=Basil Blackwell|location=Oxford|isbn=0631135669|page=vii}}</ref> Initially known for his scholarship on English Tudor literature,<ref>{{cite book|title=New Zealand Who's Who Aotearoa (1995 ed.)|last1=Taylor|first1=Alister|last2=Coddington|first2=Deborah|publisher=New Zealand's Who's Who Aotearoa Limited|year=1995|isbn=0908578482|location=Auckland, NZ|page=190|pages=}}</ref> since 2008 he has turned to topics addressing New Zealand literature and culture, cinema studies,<ref>{{cite book|last1=Fox|first1=Alistair|title=The Ship of Dreams: Masculinity in Contemporary New Zealand Fiction|date=2008|publisher=University of Otago Press|location=Dunedin, New Zealand|isbn=9781877372544}}</ref> and theories of literary and cinematic representation.<ref>{{cite book|last1=Fox|first1=Alistair|title=Speaking Pictures: Neuropsychoanalysis and in Film and Literature|date=2016|publisher=Indiana University Press|location=Bloomington, Indiana|isbn=9780253223012}}</ref> He has also translated a number of significant scholarly works from French into English,<ref>{{cite book|last1=Moine|first1=Raphaëlle|last2=Fox|first2=Alistair|last3=Radner|first3=Hilary|title=Cinema Genre|date=2008|publisher=John Wiley & Sons|isbn=9781405156509}}</ref><ref>{{Cite web|url=https://www.erudit.org/en/journals/cine/2005-v15-n2-3-cine1032/012325ar/|title=Raphaëlle Moine, Les genres du cinéma, Paris, Nathan, 2002, 192 p.|last=Kleinberger|first=Alain|date=Spring 2005|website=erudit.org|access-date=16 February 2018}}</ref><ref>{{cite book|last1=Gillain|first1=Anne|last2=Fox|first2=Alistair|title=François Truffaut: The Lost Secret|date=2013|isbn=9780253008398}}</ref><ref>{{Cite web|url=https://www.popmatters.com/francois-truffaut-the-lost-secret-2495724454.html|title='Fran&#231;ois Truffaut' May Be the Most Underrated Filmmaker in Modern History|last=Solis|first=Jose|date=19 September 2013|website=popmatters.com|access-date=16 February 2018}}</ref> most recently ''[[François Truffaut|Truffaut]] on Cinema'', ed. Anne Gillain (Bloomington, IN: Indiana University Press, 2016).<ref>{{cite book|last1=Gillain|first1=Anne|last2=Fox|first2=Alistair|title=Truffaut on Cinema|date=2017|publisher=Indiana University Press|location=Bloomington, Indiana|isbn=9780253026392}}</ref><ref>{{cite journal|last1=Campbell|first1=James|title="First Person Cinema"|journal=TLS|date=10 October 2017|url=https://www.the-tls.co.uk/articles/public/truffaut-first-person-cinema|accessdate=29 January 2018}}</ref>
He currently holds the title of Professor Emeritus at the [[University of Otago]], Dunedin, New Zealand.<ref>{{cite book|last1=University of Otago|title=University of Otago Calendar|date=2018|publisher=University of Otago|location=Dunedin, New Zealand|page=120|edition=2018}}</ref> Until his retirement in 2013, he held a Personal Chair in English Literature at this same university,<ref>{{cite book|last1=University of Otago|title=University of Otago Calendar|date=2018|publisher=University of Otago|location=Dunedin, New Zealand|page=120|edition=2018}}</ref> where he also served as Pro-Vice Chancellor, Division of Humanities.<ref>{{cite book|last1=Cousins|first1=A. D.|last2=Grace|first2=Damian|title=A Companion to Thomas More|date=2009|publisher=Farley Dickinson Press|location=Madison/Teaneck|page=247}}</ref><ref>{{cite book|last1=University of Otago|title=University of Otago Annual Report|date=2007|publisher=University of Otago|location=Dunedin, New Zealand|page=8}}</ref> His honors include the award of a Nuffield Visiting Fellowship, Claire Hall, Cambridge (1980–1981)<ref>{{cite book|last1=Fox|first1=Alistair|title=Thomas More: History & Providence.|date=1983|publisher=Yale University Press|location=London/Yale|isbn=978-0300029512|page=viii}}</ref> and an appointment as Visiting Fellow, All Souls College, Oxford (1987-1988).<ref>{{cite book|last1=Fox|first1=Alistair|title=Politics and Literature in the Reigns of Henry VII and Henry VIII|date=1989|publisher=Basil Blackwell|location=Oxford|isbn=978-0631135661|page=vii}}</ref> Initially known for his scholarship on English Tudor literature,<ref>{{cite book|title=New Zealand Who's Who Aotearoa (1995 ed.)|last1=Taylor|first1=Alister|last2=Coddington|first2=Deborah|publisher=New Zealand's Who's Who Aotearoa Limited|year=1995|isbn=978-0908578481|location=Auckland, NZ|page=190}}</ref> since 2008 he has turned to topics addressing New Zealand literature and culture, cinema studies,<ref>{{cite book|last1=Fox|first1=Alistair|title=The Ship of Dreams: Masculinity in Contemporary New Zealand Fiction|date=2008|publisher=University of Otago Press|location=Dunedin, New Zealand|isbn=9781877372544}}</ref> and theories of literary and cinematic representation.<ref>{{cite book|last1=Fox|first1=Alistair|title=Speaking Pictures: Neuropsychoanalysis and in Film and Literature|date=2016|publisher=Indiana University Press|location=Bloomington, Indiana|isbn=9780253223012}}</ref> He has also translated a number of significant scholarly works from French into English,<ref>{{cite book|last1=Moine|first1=Raphaëlle|last2=Fox|first2=Alistair|last3=Radner|first3=Hilary|title=Cinema Genre|date=2008|publisher=John Wiley & Sons|isbn=9781405156509}}</ref><ref>{{Cite web|url=https://www.erudit.org/en/journals/cine/2005-v15-n2-3-cine1032/012325ar/|title=Raphaëlle Moine, Les genres du cinéma, Paris, Nathan, 2002, 192 p.|last=Kleinberger|first=Alain|date=Spring 2005|website=erudit.org|access-date=16 February 2018}}</ref><ref>{{cite book|last1=Gillain|first1=Anne|last2=Fox|first2=Alistair|title=François Truffaut: The Lost Secret|date=2013|isbn=9780253008398}}</ref><ref>{{Cite web|url=https://www.popmatters.com/francois-truffaut-the-lost-secret-2495724454.html|title='Fran&#231;ois Truffaut' May Be the Most Underrated Filmmaker in Modern History|last=Solis|first=Jose|date=19 September 2013|website=popmatters.com|access-date=16 February 2018}}</ref> most recently ''[[François Truffaut|Truffaut]] on Cinema'', ed. Anne Gillain (Bloomington, IN: Indiana University Press, 2016).<ref>{{cite book|last1=Gillain|first1=Anne|last2=Fox|first2=Alistair|title=Truffaut on Cinema|date=2017|publisher=Indiana University Press|location=Bloomington, Indiana|isbn=9780253026392}}</ref><ref>{{cite journal|last1=Campbell|first1=James|title=First Person Cinema|journal=TLS|date=10 October 2017|url=https://www.the-tls.co.uk/articles/public/truffaut-first-person-cinema|accessdate=29 January 2018}}</ref>


His major published works have been highly praised within an international context, starting in 1983, when Sir [[Geoffrey Elton]], then Regius Professor of Modern History at Clare College Cambridge, assessed ''[[Thomas More|Thomas More:]] History and Providence'', concluding: ". . . this excellent book, which adds to the virtues of its substance a lucidity and readability not commonly found among literary or historical studies, provides the first solid basis on which further work can be undertaken. It will not surprise me if that further work will do little more than demonstrate the value of Dr. Fox's remarkable insights."<ref>{{cite journal|last1=Elton|first1=Geoffrey|title=Review of Thomas More: History and Providence by Alistair Fox|journal=New York Review of Books|date=3 February 1983|page=4}}</ref> Czech reviewer Jana Bébarová describes Fox's 2011 monograph ''Jane Campion: Authorship and Personal Cinema'' as "a remarkable and enriching perspective on the unique work of the most important woman director of her time,"<ref>{{cite web|last1=Bébarová|first1=Jana|title=Review of Jane Campion: Authorship and Personal Cinema by Alistair Fox|url=http://25fps.cz/2012/alistair-fox-campion-eng/|website=25fpsc|accessdate=29 January 2018}}</ref> a view shared by [[Michel Ciment]], editor of the French film journal ''Positif'', who characterizes the volume as "''remarquable''."<ref>{{cite book|last1=Ciment|first1=Michel|title=Jane Campion par Jane Campion|date=2014|publisher=Cahiers du cinéma|location=Paris|isbn=9782866429287|page=105}}</ref>
His major published works have been highly praised within an international context, starting in 1983, when Sir [[Geoffrey Elton]], then Regius Professor of Modern History at Clare College Cambridge, assessed ''[[Thomas More|Thomas More:]] History and Providence'', concluding: ". . . this excellent book, which adds to the virtues of its substance a lucidity and readability not commonly found among literary or historical studies, provides the first solid basis on which further work can be undertaken. It will not surprise me if that further work will do little more than demonstrate the value of Dr. Fox's remarkable insights."<ref>{{cite journal|last1=Elton|first1=Geoffrey|title=Review of Thomas More: History and Providence by Alistair Fox|journal=New York Review of Books|date=3 February 1983|page=4}}</ref> Czech reviewer Jana Bébarová describes Fox's 2011 monograph ''Jane Campion: Authorship and Personal Cinema'' as "a remarkable and enriching perspective on the unique work of the most important woman director of her time,"<ref>{{cite web|last1=Bébarová|first1=Jana|title=Review of Jane Campion: Authorship and Personal Cinema by Alistair Fox|url=http://25fps.cz/2012/alistair-fox-campion-eng/|website=25fpsc|accessdate=29 January 2018}}</ref> a view shared by [[Michel Ciment]], editor of the French film journal ''Positif'', who characterizes the volume as "''remarquable''."<ref>{{cite book|last1=Ciment|first1=Michel|title=Jane Campion par Jane Campion|date=2014|publisher=Cahiers du cinéma|location=Paris|isbn=9782866429287|page=105}}</ref>
Line 19: Line 19:
Fox's work taken as a whole contributes to current debates about authorship and the creative process. Gabrielle Malcolm reviewing ''[[Jane Campion]]: Authorship and Personal Cinema'' proclaims that Fox "effectively announces the death of the intentional fallacy."<ref>{{Cite web|url=https://www.popmatters.com/146430-jane-campion-authorship-and-personal-cinema-by-alistair-fox-2495965774.html|title=Jane Campion: Authorship and Personal Cinema. Alistair Fox|last=Malcolm|first=Gabrielle|date=29 August 2011|website=popmatters.com|access-date=18 February 2018}}</ref> [http://research.flw.ugent.be/en/lars.bernaerts Lars Bernaerts] describes ''Speaking Pictures: Neuropsychoanalysis and Authorship in Film and Literature'' as "a distinct intervention" in "the field of cognitive cultural studies," noting that Fox's approach "combines [[Psychoanalysis and literature|psychoanalysis]] with neurocognitive science and integrates elements of [[reception theory]] and [[cultural studies]]" to inaugurate "a new synthesis."<ref>{{Cite journal|last=Bernaerts|first=Lars|date=2016|title=Alistair Fox, Speaking Pictures: Neuropsychoanalysis and Authorship in Film and Literature|url=http://www.imageandnarrative.be/index.php/imagenarrative/article/view/1345|journal=Image & Narrative|volume=17 |issue=4 |pages=114–116}}</ref>
Fox's work taken as a whole contributes to current debates about authorship and the creative process. Gabrielle Malcolm reviewing ''[[Jane Campion]]: Authorship and Personal Cinema'' proclaims that Fox "effectively announces the death of the intentional fallacy."<ref>{{Cite web|url=https://www.popmatters.com/146430-jane-campion-authorship-and-personal-cinema-by-alistair-fox-2495965774.html|title=Jane Campion: Authorship and Personal Cinema. Alistair Fox|last=Malcolm|first=Gabrielle|date=29 August 2011|website=popmatters.com|access-date=18 February 2018}}</ref> [http://research.flw.ugent.be/en/lars.bernaerts Lars Bernaerts] describes ''Speaking Pictures: Neuropsychoanalysis and Authorship in Film and Literature'' as "a distinct intervention" in "the field of cognitive cultural studies," noting that Fox's approach "combines [[Psychoanalysis and literature|psychoanalysis]] with neurocognitive science and integrates elements of [[reception theory]] and [[cultural studies]]" to inaugurate "a new synthesis."<ref>{{Cite journal|last=Bernaerts|first=Lars|date=2016|title=Alistair Fox, Speaking Pictures: Neuropsychoanalysis and Authorship in Film and Literature|url=http://www.imageandnarrative.be/index.php/imagenarrative/article/view/1345|journal=Image & Narrative|volume=17 |issue=4 |pages=114–116}}</ref>


Alistair Fox's major monographs include:<ref>{{Cite web|url=https://edinburghuniversitypress.com/alastair-fox.html|title=Alistair Fox|last=|first=|date=|website=edinburghuniversitypress.com|access-date=19 February 2018}}</ref><ref>{{Cite web|url=http://www.iupress.indiana.edu/product_info.php?products_id=807901|title=Speaking Pictures|last=|first=|date=|website=iupress.indiana.edu|access-date=18 February 2018}}</ref><ref>{{Cite web|url=http://www.iupress.indiana.edu/product_info.php?products_id=573661|title=Jane Campion|last=|first=|date=|website=iupress.indiana.edu|access-date=18 February 2018}}</ref><ref>{{Cite web|url=https://shop.timeout.co.nz/p/nz-non-fiction-the-ship-of-dreams-masculinity-in-contemporary-new-zealand-fiction?barcode=9781877372544|title="The Ship of Dreams"|last=|first=|date=|website=Time Out Bookstore|access-date=18 February 2018}}</ref>
Alistair Fox's major monographs include:<ref>{{Cite web|url=https://edinburghuniversitypress.com/alastair-fox.html|title=Alistair Fox|last=|first=|date=|website=edinburghuniversitypress.com|access-date=19 February 2018}}</ref><ref>{{Cite web|url=http://www.iupress.indiana.edu/product_info.php?products_id=807901|title=Speaking Pictures|last=|first=|date=|website=iupress.indiana.edu|access-date=18 February 2018}}</ref><ref>{{Cite web|url=http://www.iupress.indiana.edu/product_info.php?products_id=573661|title=Jane Campion|last=|first=|date=|website=iupress.indiana.edu|access-date=18 February 2018}}</ref><ref>{{Cite web|url=https://shop.timeout.co.nz/p/nz-non-fiction-the-ship-of-dreams-masculinity-in-contemporary-new-zealand-fiction?barcode=9781877372544|title=The Ship of Dreams|last=|first=|date=|website=Time Out Bookstore|access-date=18 February 2018}}</ref>
* ''Coming of Age in New Zealand: Genre, Gender and Adaptation in New Zealand Cinema'' (Edinburgh: Edinburgh University Press, 2017) {{ISBN|9781474429443}}
* ''Coming of Age in New Zealand: Genre, Gender and Adaptation in New Zealand Cinema'' (Edinburgh: Edinburgh University Press, 2017) {{ISBN|9781474429443}}
* ''Speaking Pictures: Neuropyschoanalysis and Authorship in Film and Literature'' (Bloomington, IN: Indiana University Press, 2016) {{ISBN|978-0-253-02099-4}};
* ''Speaking Pictures: Neuropyschoanalysis and Authorship in Film and Literature'' (Bloomington, IN: Indiana University Press, 2016) {{ISBN|978-0-253-02099-4}};
Line 25: Line 25:
* ''The Ship of Dreams: Masculinity in Contemporary New Zealand Fiction'' (Dunedin; Otago University Press, 2008) {{ISBN|978 1 877372 54 4}};<ref>{{Cite web|url=https://www.odt.co.nz/masculine-myths-exposed|title=Masculine Myths Exposed|last=|first=|date=3 December 2008|website=odt.co.nz|access-date=18 February 2018}}</ref>
* ''The Ship of Dreams: Masculinity in Contemporary New Zealand Fiction'' (Dunedin; Otago University Press, 2008) {{ISBN|978 1 877372 54 4}};<ref>{{Cite web|url=https://www.odt.co.nz/masculine-myths-exposed|title=Masculine Myths Exposed|last=|first=|date=3 December 2008|website=odt.co.nz|access-date=18 February 2018}}</ref>
* ''The English Renaissance: Identity and Representation in the Reign of Elizabeth I'' (Oxford: Basil Blackwell, 1997) {{ISBN|978-0-631-19029-5}};
* ''The English Renaissance: Identity and Representation in the Reign of Elizabeth I'' (Oxford: Basil Blackwell, 1997) {{ISBN|978-0-631-19029-5}};
* ''Utopia: An Elusive Vision'', Twayne Masterworks (Boston: G.K. Hall, 1993) {{ISBN|0805785701}};<ref>{{Cite journal|last=Olin|first=John C.|date=1995|title=Utopia, an Illusive Vision. Alistair Fox.|url=http://www.journals.uchicago.edu/doi/abs/10.2307/2862897|journal=Renaissance Quarterly|volume=48:3|pages=654–655|via=journals.uchicago.edu}}</ref>
* ''Utopia: An Elusive Vision'', Twayne Masterworks (Boston: G.K. Hall, 1993) {{ISBN|0805785701}};<ref>{{Cite journal|last=Olin|first=John C.|date=1995|title=Utopia, an Illusive Vision. Alistair Fox.|journal=Renaissance Quarterly|volume=48:3|issue=3|pages=654–655|doi=10.2307/2862897|jstor=2862897}}</ref>
* ''Politics and Literature in the Reigns of Henry VII and Henry VIII'' (Oxford: Basil Blackwell, 1989) {{ISBN|0631135669}};
* ''Politics and Literature in the Reigns of Henry VII and Henry VIII'' (Oxford: Basil Blackwell, 1989) {{ISBN|0631135669}};
* ''Thomas More: History and Providence'' (Oxford: Basil Blackwell, 1982; New Haven: Yale University Press, 1983) {{ISBN|0631130942}}.
* ''Thomas More: History and Providence'' (Oxford: Basil Blackwell, 1982; New Haven: Yale University Press, 1983) {{ISBN|0631130942}}.

Revision as of 03:08, 5 March 2019

Alistair Fox
Born1948
NationalityNew Zealand
Alma materUniversity of Canterbury, New Zealand; University of Western Ontario, Canada
Occupation(s)Scholar, author
Years active1974–present
TitleProfessor Emeritus University of Otago

Alistair Graeme Fox (born 1948 in Richmond, New Zealand)[1] is a New Zealand scholar, former university administrator and writer who specialises in English Tudor literature and history, New Zealand literature and cinema studies, and contemporary literary and film theory.

He currently holds the title of Professor Emeritus at the University of Otago, Dunedin, New Zealand.[2] Until his retirement in 2013, he held a Personal Chair in English Literature at this same university,[3] where he also served as Pro-Vice Chancellor, Division of Humanities.[4][5] His honors include the award of a Nuffield Visiting Fellowship, Claire Hall, Cambridge (1980–1981)[6] and an appointment as Visiting Fellow, All Souls College, Oxford (1987-1988).[7] Initially known for his scholarship on English Tudor literature,[8] since 2008 he has turned to topics addressing New Zealand literature and culture, cinema studies,[9] and theories of literary and cinematic representation.[10] He has also translated a number of significant scholarly works from French into English,[11][12][13][14] most recently Truffaut on Cinema, ed. Anne Gillain (Bloomington, IN: Indiana University Press, 2016).[15][16]

His major published works have been highly praised within an international context, starting in 1983, when Sir Geoffrey Elton, then Regius Professor of Modern History at Clare College Cambridge, assessed Thomas More: History and Providence, concluding: ". . . this excellent book, which adds to the virtues of its substance a lucidity and readability not commonly found among literary or historical studies, provides the first solid basis on which further work can be undertaken. It will not surprise me if that further work will do little more than demonstrate the value of Dr. Fox's remarkable insights."[17] Czech reviewer Jana Bébarová describes Fox's 2011 monograph Jane Campion: Authorship and Personal Cinema as "a remarkable and enriching perspective on the unique work of the most important woman director of her time,"[18] a view shared by Michel Ciment, editor of the French film journal Positif, who characterizes the volume as "remarquable."[19]

Fox's work taken as a whole contributes to current debates about authorship and the creative process. Gabrielle Malcolm reviewing Jane Campion: Authorship and Personal Cinema proclaims that Fox "effectively announces the death of the intentional fallacy."[20] Lars Bernaerts describes Speaking Pictures: Neuropsychoanalysis and Authorship in Film and Literature as "a distinct intervention" in "the field of cognitive cultural studies," noting that Fox's approach "combines psychoanalysis with neurocognitive science and integrates elements of reception theory and cultural studies" to inaugurate "a new synthesis."[21]

Alistair Fox's major monographs include:[22][23][24][25]

  • Coming of Age in New Zealand: Genre, Gender and Adaptation in New Zealand Cinema (Edinburgh: Edinburgh University Press, 2017) ISBN 9781474429443
  • Speaking Pictures: Neuropyschoanalysis and Authorship in Film and Literature (Bloomington, IN: Indiana University Press, 2016) ISBN 978-0-253-02099-4;
  • Jane Campion: Authorship and Personal Cinema (Bloomington, IN: Indiana University Press, 2011) ISBN 978-0-253-22301-2;
  • The Ship of Dreams: Masculinity in Contemporary New Zealand Fiction (Dunedin; Otago University Press, 2008) ISBN 978 1 877372 54 4;[26]
  • The English Renaissance: Identity and Representation in the Reign of Elizabeth I (Oxford: Basil Blackwell, 1997) ISBN 978-0-631-19029-5;
  • Utopia: An Elusive Vision, Twayne Masterworks (Boston: G.K. Hall, 1993) ISBN 0805785701;[27]
  • Politics and Literature in the Reigns of Henry VII and Henry VIII (Oxford: Basil Blackwell, 1989) ISBN 0631135669;
  • Thomas More: History and Providence (Oxford: Basil Blackwell, 1982; New Haven: Yale University Press, 1983) ISBN 0631130942.

References

  1. ^ Taylor, Alister; Coddington, Deborah (1995). New Zealand Who's Who, Aotearoa (1995 ed.). Auckland, New Zealand: New Zealand Who's Who Aotearoa Ltd. p. 190. ISBN 978-0908578481.
  2. ^ University of Otago (2018). University of Otago Calendar (2018 ed.). Dunedin, New Zealand: University of Otago. p. 120.
  3. ^ University of Otago (2018). University of Otago Calendar (2018 ed.). Dunedin, New Zealand: University of Otago. p. 120.
  4. ^ Cousins, A. D.; Grace, Damian (2009). A Companion to Thomas More. Madison/Teaneck: Farley Dickinson Press. p. 247.
  5. ^ University of Otago (2007). University of Otago Annual Report. Dunedin, New Zealand: University of Otago. p. 8.
  6. ^ Fox, Alistair (1983). Thomas More: History & Providence. London/Yale: Yale University Press. p. viii. ISBN 978-0300029512.
  7. ^ Fox, Alistair (1989). Politics and Literature in the Reigns of Henry VII and Henry VIII. Oxford: Basil Blackwell. p. vii. ISBN 978-0631135661.
  8. ^ Taylor, Alister; Coddington, Deborah (1995). New Zealand Who's Who Aotearoa (1995 ed.). Auckland, NZ: New Zealand's Who's Who Aotearoa Limited. p. 190. ISBN 978-0908578481.
  9. ^ Fox, Alistair (2008). The Ship of Dreams: Masculinity in Contemporary New Zealand Fiction. Dunedin, New Zealand: University of Otago Press. ISBN 9781877372544.
  10. ^ Fox, Alistair (2016). Speaking Pictures: Neuropsychoanalysis and in Film and Literature. Bloomington, Indiana: Indiana University Press. ISBN 9780253223012.
  11. ^ Moine, Raphaëlle; Fox, Alistair; Radner, Hilary (2008). Cinema Genre. John Wiley & Sons. ISBN 9781405156509.
  12. ^ Kleinberger, Alain (Spring 2005). "Raphaëlle Moine, Les genres du cinéma, Paris, Nathan, 2002, 192 p." erudit.org. Retrieved 16 February 2018.
  13. ^ Gillain, Anne; Fox, Alistair (2013). François Truffaut: The Lost Secret. ISBN 9780253008398.
  14. ^ Solis, Jose (19 September 2013). "'François Truffaut' May Be the Most Underrated Filmmaker in Modern History". popmatters.com. Retrieved 16 February 2018.
  15. ^ Gillain, Anne; Fox, Alistair (2017). Truffaut on Cinema. Bloomington, Indiana: Indiana University Press. ISBN 9780253026392.
  16. ^ Campbell, James (10 October 2017). "First Person Cinema". TLS. Retrieved 29 January 2018.
  17. ^ Elton, Geoffrey (3 February 1983). "Review of Thomas More: History and Providence by Alistair Fox". New York Review of Books: 4.
  18. ^ Bébarová, Jana. "Review of Jane Campion: Authorship and Personal Cinema by Alistair Fox". 25fpsc. Retrieved 29 January 2018.
  19. ^ Ciment, Michel (2014). Jane Campion par Jane Campion. Paris: Cahiers du cinéma. p. 105. ISBN 9782866429287.
  20. ^ Malcolm, Gabrielle (29 August 2011). "Jane Campion: Authorship and Personal Cinema. Alistair Fox". popmatters.com. Retrieved 18 February 2018.
  21. ^ Bernaerts, Lars (2016). "Alistair Fox, Speaking Pictures: Neuropsychoanalysis and Authorship in Film and Literature". Image & Narrative. 17 (4): 114–116.
  22. ^ "Alistair Fox". edinburghuniversitypress.com. Retrieved 19 February 2018.
  23. ^ "Speaking Pictures". iupress.indiana.edu. Retrieved 18 February 2018.
  24. ^ "Jane Campion". iupress.indiana.edu. Retrieved 18 February 2018.
  25. ^ "The Ship of Dreams". Time Out Bookstore. Retrieved 18 February 2018.
  26. ^ "Masculine Myths Exposed". odt.co.nz. 3 December 2008. Retrieved 18 February 2018.
  27. ^ Olin, John C. (1995). "Utopia, an Illusive Vision. Alistair Fox". Renaissance Quarterly. 48:3 (3): 654–655. doi:10.2307/2862897. JSTOR 2862897.
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