Angelo Everardi: Difference between revisions
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*{{cite book | first= James R.|last= Hobbes| year=1849| title= Picture collector's manual adapted to the professional man, and the amateur| editor = | pages= |
*{{cite book | first= James R.|last= Hobbes| year=1849| title= Picture collector's manual adapted to the professional man, and the amateur| editor = | pages= 82 | publisher= T&W Boone, 29 Bond Street; Digitized by Googlebooks | id= | url= http://books.google.com/books?q=intitle:picture+intitle:collector's | authorlink= }} |
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*{{cite book | first= Federico Nicoli | last=Cristiani | year=1807| title= '''Della Vita delle pitture di Lattanzio Gambara; Memorie Storiche aggiuntevi brevi notizie intorno a' più celebri ed eccelenti pittori Bresciani'''| chapter= | editor= | others= | pages= |
*{{cite book | first= Federico Nicoli | last=Cristiani | year=1807| title= '''Della Vita delle pitture di Lattanzio Gambara; Memorie Storiche aggiuntevi brevi notizie intorno a' più celebri ed eccelenti pittori Bresciani'''| chapter= | editor= | others= | pages= 155–6| publisher= Spinelli e Valgiti, Brescia| id= | url= http://books.google.com/books?id=FF0GAAAAQAAJ&pg=PP11&dq=Federico+Nicoli+Cristiani| authorlink= }} |
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{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. --> |
{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. --> |
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| NAME = Everardi, Angelo |
| NAME = Everardi, Angelo |
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Revision as of 06:59, 7 August 2015
Angelo Everardi[1] (1647–1680) was a painter active in Brescia in the second half of the 17th century. He was born in the province of Brescia. He was known as il Fiamminghino or Fiammenghino indicating that he may have been of Flemish or Dutch descent.[2] Old Italian sources also refer to the artist as a German.[3] He studied under the Flemish painter Jan de Herdt who was active in Brescia and Francesco Monti (il Brescianino).[2]
He worked mainly as a battle painter. Among his pupils were Pompeo Ghiti and Faustino Bocchi (1659–1742). Bocchi painted both battles and genre scenes of dwarves and occasionally other mythical beasts.[4] Some art historians have suggested that Everardi should be identified with the artist referred to as Maestro della Fertilità dell'Uovo who painted grotesque scenes.[5]
References
- Sources
- Hobbes, James R. (1849). Picture collector's manual adapted to the professional man, and the amateur. T&W Boone, 29 Bond Street; Digitized by Googlebooks. p. 82.
- Cristiani, Federico Nicoli (1807). Della Vita delle pitture di Lattanzio Gambara; Memorie Storiche aggiuntevi brevi notizie intorno a' più celebri ed eccelenti pittori Bresciani. Spinelli e Valgiti, Brescia. pp. 155–6.
- Notes
- ^ Many name variations: Angiolov Esseradts, Angiolo Engelbertsz. Esseradts, Angiolo Engelbertsz. Everardi, Angiolo Eversen, Angiolo Engelbertsz. Eversen, Il Fiaminghino
- ^ a b Angiolo Everardi at the Netherlands Institute for Art History Template:Link language
- ^ Paolo Brognoli, Nova guida per la citta di Brescia, Federico Nicoli-Cristiani, - Brescia, 1826, p. 157
- ^ books.google.com
- ^ Maestro della Fertilità dell'Uovo, Grotesque Scene with Animals and Stylised Figures No. 1 at The Ruzhnikov Collection
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