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| genre = [[Soul music|Soul]]
| genre = [[Soul music|Soul]]
| length =
| length =
* 4:52 (album version)
* 4:52 <small>(album version)</small>
* 4:10 (radio edit)
* 4:10 <small>(radio edit)</small>
| label =
| label =
* [[Arista Records|Arista]], [[Bertelsmann Music Group|BMG]]
* [[Arista Records|Arista]],
* [[Bertelsmann Music Group|BMG]]
* Savage, BMG (US)
* Savage
| writer = David Bowie
| writer = David Bowie
| producer = [[Nile Rodgers]]
| producer = [[Nile Rodgers]]
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}}
}}


"'''Black Tie White Noise'''" is the title track from British singer-songwriter and actor [[David Bowie]]'s [[Black Tie White Noise|1993 album of the same name]]. Featuring guest vocals by [[Al B. Sure!]], it was produced by [[Nile Rodgers]] and released as the second single from the album in June 1993. It peaked at number 36 in the UK. The accompanying music video for the song was directed by [[Mark Romanek]].
"'''Black Tie White Noise'''" is the title track from British singer-songwriter and actor [[David Bowie]]'s 18th [[Black Tie White Noise|album of the same name]] (1993). Featuring guest vocals by [[Al B. Sure!]], it was written by Bowie, produced by [[Nile Rodgers]] and released as the second single from the album in June 1993 by [[Arista Records|Arista]], [[Bertelsmann Music Group|BMG]] and Savage. It peaked at number 36 in the UK. The accompanying music video for the song was directed by [[Mark Romanek]].


== Background ==
== Background ==
The track was inspired by Bowie's stay in [[Los Angeles]] in April 1992, when the [[1992 Los Angeles riots|city saw race riots]] in reaction to the [[Rodney King]] incident.<ref name=RSMag93>"Bowie's Wedding Album" by David Wild, Rolling Stone magazine, 21 January 1993, page 14</ref> It is the epitome of its parent album's feelings towards conformity and corporations, with [[Benetton Group|Benetton]] and the saccharine charity single "[[We Are the World]]" among the targets. Bowie would later explain that the track was concerned with the black community's own identity, and how it didn't need to be absorbed into the white community.
The track was inspired by Bowie's stay in [[Los Angeles]] in April 1992, when the [[1992 Los Angeles riots|city saw race riots]] in reaction to the [[Rodney King]] incident.<ref name=RSMag93>"Bowie's Wedding Album" by David Wild, Rolling Stone magazine, 21 January 1993, page 14</ref>


It is among the most [[jazz]]- and [[soul music|soul]]-influenced tracks on the album, highlighted by the key vocal of [[Al B. Sure!]], although [[Lenny Kravitz]] was reportedly Bowie's first choice for the duet. Essentially a [[rhythm and Blues|rhythm and blues]] tune, the song ultimately reinforced the feeling of Bowie's tendency as a chameleon of musical styles.
It is among the most [[jazz]]- and [[soul music|soul]]-influenced tracks on the album, highlighted by the key vocal of [[Al B. Sure!]], although [[Lenny Kravitz]] was reportedly Bowie's first choice for the duet. Essentially a [[rhythm and Blues|rhythm and blues]] tune, the song ultimately reinforced the feeling of Bowie's tendency as a chameleon of musical styles.{{cn |date=March 2024}}


== Release ==
== Release ==
Released as the album's second single, "Black Tie White Noise" was a top 40 hit in Britain and subsequently reached No. 36 in the UK chart<ref>{{cite web | url=http://www.officialcharts.com/search/singles/black%20tie%20white%20noise%20ft%20al%20b%20sure/ | title=Official singles Chart results matching: black tie white noise ft al b sure | website=[[Official Charts Company|Official Charts]] | access-date=3 August 2017}}</ref> and No. 74 in Australia.<ref>{{cite book|last=Ryan|first=Gavin|title=Australia's Music Charts 1988–2010|year=2011|publisher=Moonlight Publishing|location=Mt. Martha, VIC, Australia}}</ref>
Released as the album's second single, "Black Tie White Noise" was a top 40 hit in Britain and subsequently reached No. 36 in the UK chart<ref>{{cite web | url=http://www.officialcharts.com/search/singles/black%20tie%20white%20noise%20ft%20al%20b%20sure/ | title=Official singles Chart results matching: black tie white noise ft al b sure | website=[[Official Charts Company|Official Charts]] | access-date=3 August 2017}}</ref> and No. 74 in Australia.<ref>{{cite book|last=Ryan|first=Gavin|title=Australia's Music Charts 1988–2010|year=2011|publisher=Moonlight Publishing|location=Mt. Martha, VIC, Australia}}</ref>


== Critical reception ==
== Critical reception ==
Dave Simpson from ''[[Melody Maker]]'' commented, "This isn't bad. Nice cosmopolitan New York rhythm section, vague hints of ''[[Low (David Bowie album)|Low]]''-era sax. Hmmm. Apparently it's inspired by the [[1992 Los Angeles riots|LA riots]], or rather David's view of them from the rooftop of his mansion."<ref>{{cite magazine|first=Dave|last=Simpson|url=https://www.flickr.com/photos/nothingelseon/52884918775/|title=Singles|magazine=[[Melody Maker]]|date=1993-05-22|page=27|access-date=2023-05-14}}</ref> Alan Jones from ''[[Music Week]]'' wrote, "This oddly churning but attractive track is a little too slow for current dancefloor tastes. Not as instant as many of Bowie's bigger hits, it will need a lot to push it into the top end of the chart. A moderate hit."<ref>{{cite magazine|first= Alan |last= Jones |title= Market Preview: Mainstream – Singles |magazine= [[Music Week]] |date= 1993-06-05 |page= 6 |accessdate= 2021-03-28 |url= https://worldradiohistory.com/UK/Music-Week/1993/Music-Week-1993-06-05.pdf}}</ref> Parry Gettelman from ''[[Orlando Sentinel]]'' felt it's "one of the better ones" on the [[Black Tie White Noise|album]], adding, "The groove is faux-funky, and the melody is undercooked, but Bowie's trumpet injects flavor, and the lyrics have something to say about race relations in America: "''Getting my facts from a [[Benetton Group|Benetton]] ad/ looking through African eyes/ lit by the glare of an L.A. fire/ I've got a face, not just my race.''" Bowie's cool, detached voice is nicely partnered by that of soul singer [[Al B. Sure!]], and Bowie sneaks in a [[Marvin Gaye]] allusion."<ref>Gettelman, Parry (16 April 1993). "David Bowie". ''[[Orlando Sentinel]]''.</ref> [[James Hamilton (DJ and journalist)|James Hamilton]] from the ''[[Record Mirror|RM]]'' Dance Update described it as a "gloomy slow roller".<ref>{{cite magazine|first= James |last= Hamilton |title= Djdirectory |magazine= [[Music Week]], in [[Record Mirror]] (Dance Update Supplemental Insert) |date= 1993-06-12 |page= 2 |accessdate= 2021-03-28 |url= https://worldradiohistory.com/UK/Music-Week/1993/Music-Week-1993-06-12.pdf |author-link= James Hamilton (DJ and journalist)}}</ref> Leesa Daniels from ''[[Smash Hits]]'' gave it five out of five, declaring it as "fabulous", "funky and soulful – and you could listen to it again and again and never get bored. Genius."<ref>{{cite magazine|first= Leesa |last= Daniels |url= https://www.flickr.com/photos/smashhits90s/35569116372/in/album-72157685900313945/ |title= New Singles |magazine= [[Smash Hits]] |date= 1993-04-28 |page= 49 |accessdate= 2021-04-27}}</ref>
Dave Simpson from ''[[Melody Maker]]'' commented, "This isn't bad. Nice cosmopolitan New York rhythm section, vague hints of ''[[Low (David Bowie album)|Low]]''-era sax. Hmmm. Apparently it's inspired by the [[1992 Los Angeles riots|LA riots]], or rather David's view of them from the rooftop of his mansion."<ref>{{cite magazine|first=Dave|last=Simpson|url=https://www.flickr.com/photos/nothingelseon/52884918775/|title=Singles|magazine=[[Melody Maker]]|date=1993-05-22|page=27|access-date=2023-05-14}}</ref> Alan Jones from ''[[Music Week]]'' wrote, "This oddly churning but attractive track is a little too slow for current dancefloor tastes. Not as instant as many of Bowie's bigger hits, it will need a lot to push it into the top end of the chart. A moderate hit."<ref>{{cite magazine|first= Alan |last= Jones |title= Market Preview: Mainstream – Singles |magazine= [[Music Week]] |date= 1993-06-05 |page= 6 |accessdate= 2021-03-28 |url= https://worldradiohistory.com/UK/Music-Week/1993/Music-Week-1993-06-05.pdf}}</ref> Parry Gettelman from ''[[Orlando Sentinel]]'' felt it's "one of the better ones" on the [[Black Tie White Noise|album]], adding, "The groove is faux-funky, and the melody is undercooked, but Bowie's trumpet injects flavor, and the lyrics have something to say about race relations in America: "''Getting my facts from a [[Benetton Group|Benetton]] ad/ looking through African eyes/ lit by the glare of an L.A. fire/ I've got a face, not just my race.''" Bowie's cool, detached voice is nicely partnered by that of soul singer [[Al B. Sure!]], and Bowie sneaks in a [[Marvin Gaye]] allusion."<ref>Gettelman, Parry (16 April 1993). "David Bowie". ''[[Orlando Sentinel]]''.</ref> [[James Hamilton (DJ and journalist)|James Hamilton]] from the ''[[Record Mirror]]'' Dance Update described it as a "gloomy slow roller".<ref>{{cite magazine|first= James |last= Hamilton |title= Djdirectory |magazine= [[Music Week]], in [[Record Mirror]] (Dance Update Supplemental Insert) |date= 1993-06-12 |page= 2 |accessdate= 2021-03-28 |url= https://worldradiohistory.com/UK/Music-Week/1993/Music-Week-1993-06-12.pdf |author-link= James Hamilton (DJ and journalist)}}</ref> Leesa Daniels from ''[[Smash Hits]]'' gave it five out of five, declaring it as "fabulous", "funky and soulful – and you could listen to it again and again and never get bored. Genius."<ref>{{cite magazine|first= Leesa |last= Daniels |url= https://www.flickr.com/photos/smashhits90s/35569116372/in/album-72157685900313945/ |title= New Singles |magazine= [[Smash Hits]] |date= 1993-04-28 |page= 49 |accessdate= 2021-04-27}}</ref>


== Music video ==
== Music video ==
A music video for this piece was produced by [[Mark Romanek]], featuring a montage of African-American youth playing in urban Los Angeles, while intercut with scenes of Bowie in a blue suit with his [[saxophone]] and Al B. Sure! singing. The music video attempted to capture Bowie's image behind the song: multiple ethnic groups coexisting with their own identities, and not attempting to absorb one another.
The music video for "Black Tie White Noise" was produced by American filmmaker and photographer [[Mark Romanek]], featuring a montage of African-American youth playing in urban Los Angeles, while intercut with scenes of Bowie in a blue suit with his [[saxophone]] and Al B. Sure! singing. The video attempted to capture Bowie's image behind the song: multiple ethnic groups coexisting with their own identities, and not attempting to absorb one another.{{cn |date=March 2024}}


== Track listing ==
== Track listing ==
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|Australia ([[ARIA]])
|Australia ([[ARIA]])
|align="center"|74
|align="center"|74
|-
|Europe ([[Eurochart Hot 100]])<ref>{{cite magazine|url=https://www.worldradiohistory.com/UK/Music-and-Media/90s/1993/MM-1993-06-26.pdf|title=Eurochart Hot 100|magazine=[[Music & Media]]|volume=10|issue=26|date=1993-06-26|page=27|access-date=2024-03-24}}</ref>
|align="center"|75
|-
|Europe (European Hit Radio)<ref>{{cite magazine|url=https://www.worldradiohistory.com/UK/Music-and-Media/90s/1993/MM-1993-06-19.pdf|title=EHR Top 40|magazine=[[Music & Media]]|volume=10|issue=25|date=1993-06-19|page=22|access-date=2024-04-09}}</ref>
|align="center"|32
|-
|-
|[[UK Singles Chart|UK Singles]] ([[Official Charts Company|OCC]])<ref>{{Cite web|url=http://www.officialcharts.com/search/singles/black%20tie%20white%20noise%20ft%20al%20b%20sure/|title=black tie white noise ft al b sure {{!}} full Official Chart History {{!}} Official Charts Company|website=[[Official Charts Company|Official Charts]] |language=en|access-date=2018-01-28}}</ref>
|[[UK Singles Chart|UK Singles]] ([[Official Charts Company|OCC]])<ref>{{Cite web|url=http://www.officialcharts.com/search/singles/black%20tie%20white%20noise%20ft%20al%20b%20sure/|title=black tie white noise ft al b sure {{!}} full Official Chart History {{!}} Official Charts Company|website=[[Official Charts Company|Official Charts]] |language=en|access-date=2018-01-28}}</ref>
|align="center"|36
|align="center"|36
|-
|-
|[[UK Dance Singles Chart|UK Dance]] (''[[Music Week]]'')<ref>{{cite magazine|url= https://worldradiohistory.com/UK/Music-Week/1993/Music-Week-1993-06-12.pdf |title= Top 60 Dance Singles |magazine= [[Music Week]] |date= 1993-06-12 |page= 22 |accessdate= 2021-04-08}}</ref>
|UK Airplay (''[[Music Week]]'')<ref>{{cite magazine|url=https://www.worldradiohistory.com/UK/Music-Week/1993/Music-Week-1993-06-19.pdf|title=Top 50 Airplay Chart|magazine=[[Music Week]]|date=1993-06-19|page=14|access-date=2024-04-30}}</ref>
|align="center"|25
|align="center"|18
|-
|-
|UK Dance (''[[Music Week]]'')<ref>{{cite magazine|url= https://worldradiohistory.com/UK/Music-Week/1993/Music-Week-1993-06-12.pdf |title= Top 60 Dance Singles |magazine= [[Music Week]] |date= 1993-06-12 |page= 22 |accessdate= 2021-04-08}}</ref>
|align="center"|25
|}
|}


== Other releases ==
== Other releases ==
* On the bonus disc following the 10th anniversary edition of ''Black Tie White Noise'' the remixes "3rd Floor US Radio Mix" and "Here Come Da Jazz" appeared.
The "3rd Floor US Radio Mix" and "Here Come Da Jazz" remixes appeared on the bonus disc of the 10th anniversary re-release of the ''Black Tie White Noise'' album.

== Cover versions ==
* The Rockridge Synthesiser Orchestra – ''Plays David Bowie Classic Trax''

=== Other uses ===
A sample of the first bar of the song is the basis for the song ''Tziporen'' ({{Lang-he|ציפורן}}) from the 1994 album ''Iver be-lev yam'' by the Israeli singer [[Eran Zur]].


== References ==
== References ==
Line 155: Line 158:
[[Category:Music videos directed by Mark Romanek]]
[[Category:Music videos directed by Mark Romanek]]
[[Category:Songs about black people]]
[[Category:Songs about black people]]
[[Category:Songs against racism and xenophobia]]
[[Category:Songs about racism and xenophobia]]
[[Category:Songs written by David Bowie]]
[[Category:Songs written by David Bowie]]
[[Category:Song recordings produced by Nile Rodgers]]
[[Category:Song recordings produced by Nile Rodgers]]

Latest revision as of 14:23, 30 April 2024

"Black Tie White Noise"
Single by David Bowie featuring Al B. Sure!
from the album Black Tie White Noise
B-side"You've Been Around" (Dangers remix)
Released1 June 1993 (1993-06-01)[1]
Studio
GenreSoul
Length
  • 4:52 (album version)
  • 4:10 (radio edit)
Label
Songwriter(s)David Bowie
Producer(s)Nile Rodgers
David Bowie singles chronology
"Jump They Say"
(1993)
"Black Tie White Noise"
(1993)
"Miracle Goodnight"
(1993)
Music video
"Black Tie White Noise" on YouTube

"Black Tie White Noise" is the title track from British singer-songwriter and actor David Bowie's 18th album of the same name (1993). Featuring guest vocals by Al B. Sure!, it was written by Bowie, produced by Nile Rodgers and released as the second single from the album in June 1993 by Arista, BMG and Savage. It peaked at number 36 in the UK. The accompanying music video for the song was directed by Mark Romanek.

Background

[edit]

The track was inspired by Bowie's stay in Los Angeles in April 1992, when the city saw race riots in reaction to the Rodney King incident.[2]

It is among the most jazz- and soul-influenced tracks on the album, highlighted by the key vocal of Al B. Sure!, although Lenny Kravitz was reportedly Bowie's first choice for the duet. Essentially a rhythm and blues tune, the song ultimately reinforced the feeling of Bowie's tendency as a chameleon of musical styles.[citation needed]

Release

[edit]

Released as the album's second single, "Black Tie White Noise" was a top 40 hit in Britain and subsequently reached No. 36 in the UK chart[3] and No. 74 in Australia.[4]

Critical reception

[edit]

Dave Simpson from Melody Maker commented, "This isn't bad. Nice cosmopolitan New York rhythm section, vague hints of Low-era sax. Hmmm. Apparently it's inspired by the LA riots, or rather David's view of them from the rooftop of his mansion."[5] Alan Jones from Music Week wrote, "This oddly churning but attractive track is a little too slow for current dancefloor tastes. Not as instant as many of Bowie's bigger hits, it will need a lot to push it into the top end of the chart. A moderate hit."[6] Parry Gettelman from Orlando Sentinel felt it's "one of the better ones" on the album, adding, "The groove is faux-funky, and the melody is undercooked, but Bowie's trumpet injects flavor, and the lyrics have something to say about race relations in America: "Getting my facts from a Benetton ad/ looking through African eyes/ lit by the glare of an L.A. fire/ I've got a face, not just my race." Bowie's cool, detached voice is nicely partnered by that of soul singer Al B. Sure!, and Bowie sneaks in a Marvin Gaye allusion."[7] James Hamilton from the Record Mirror Dance Update described it as a "gloomy slow roller".[8] Leesa Daniels from Smash Hits gave it five out of five, declaring it as "fabulous", "funky and soulful – and you could listen to it again and again and never get bored. Genius."[9]

Music video

[edit]

The music video for "Black Tie White Noise" was produced by American filmmaker and photographer Mark Romanek, featuring a montage of African-American youth playing in urban Los Angeles, while intercut with scenes of Bowie in a blue suit with his saxophone and Al B. Sure! singing. The video attempted to capture Bowie's image behind the song: multiple ethnic groups coexisting with their own identities, and not attempting to absorb one another.[citation needed]

Track listing

[edit]

Tracks #1-3 re-produced, re-arranged and mixed by Marc 'Funkyman' Paley, Raul 'DJ EFX' Recinos & Jeremy 'DJ Digit' Cowan
Track # 2 remix and additional production by John Waddell
Track # 4 remix and additional production by Al B. Sure & Timar

Credits and personnel

[edit]

Charts

[edit]
Chart (1993) Peak
position
Australia (ARIA) 74
Europe (Eurochart Hot 100)[10] 75
Europe (European Hit Radio)[11] 32
UK Singles (OCC)[12] 36
UK Airplay (Music Week)[13] 18
UK Dance (Music Week)[14] 25

Other releases

[edit]

The "3rd Floor US Radio Mix" and "Here Come Da Jazz" remixes appeared on the bonus disc of the 10th anniversary re-release of the Black Tie White Noise album.

References

[edit]
  1. ^ "New Releases: Singles". Music Week. 29 May 1993. p. 23.
  2. ^ "Bowie's Wedding Album" by David Wild, Rolling Stone magazine, 21 January 1993, page 14
  3. ^ "Official singles Chart results matching: black tie white noise ft al b sure". Official Charts. Retrieved 3 August 2017.
  4. ^ Ryan, Gavin (2011). Australia's Music Charts 1988–2010. Mt. Martha, VIC, Australia: Moonlight Publishing.
  5. ^ Simpson, Dave (22 May 1993). "Singles". Melody Maker. p. 27. Retrieved 14 May 2023.
  6. ^ Jones, Alan (5 June 1993). "Market Preview: Mainstream – Singles" (PDF). Music Week. p. 6. Retrieved 28 March 2021.
  7. ^ Gettelman, Parry (16 April 1993). "David Bowie". Orlando Sentinel.
  8. ^ Hamilton, James (12 June 1993). "Djdirectory" (PDF). Music Week, in Record Mirror (Dance Update Supplemental Insert). p. 2. Retrieved 28 March 2021.
  9. ^ Daniels, Leesa (28 April 1993). "New Singles". Smash Hits. p. 49. Retrieved 27 April 2021.
  10. ^ "Eurochart Hot 100" (PDF). Music & Media. Vol. 10, no. 26. 26 June 1993. p. 27. Retrieved 24 March 2024.
  11. ^ "EHR Top 40" (PDF). Music & Media. Vol. 10, no. 25. 19 June 1993. p. 22. Retrieved 9 April 2024.
  12. ^ "black tie white noise ft al b sure | full Official Chart History | Official Charts Company". Official Charts. Retrieved 28 January 2018.
  13. ^ "Top 50 Airplay Chart" (PDF). Music Week. 19 June 1993. p. 14. Retrieved 30 April 2024.
  14. ^ "Top 60 Dance Singles" (PDF). Music Week. 12 June 1993. p. 22. Retrieved 8 April 2021.
  • Black Tie White Noise Limited Edition DVD, 2004
  • Pegg, Nicholas, The Complete David Bowie, Reynolds & Hearn Ltd, 2000, ISBN 1-903111-14-5