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==Life==
==Life==
She was born '''Joanne Claire Coombs''' in Chicago,<ref name=tv>[http://www.tv.com/people/jo-mapes/biography/ Biography at TV.com]. Retrieved 4 April 2014</ref> and moved to [[Los Angeles]] with her mother when in her teens.<ref name=cohen>[https://books.google.com/books?id=BVqlULnfhy0C&pg=PA118&lpg=PA118&dq=jo+mapes+folk+singer&source=bl&ots=aB1yLm-XgM&sig=63YVEeoGhTakaKT_ngzJHvhLZE4&hl=en&sa=X&ei=M4c-U8WyG8SJ7AbjtYCIAQ&ved=0CDwQ6AEwAjgK#v=onepage&q=jo%20mapes%20folk%20singer&f=false Ronald D. Cohen, ''Rainbow Quest: The Folk Music Revival and American Society, 1940-1970'', Univ of Massachusetts Press, 2002, pp.77, 107]</ref> At Thomas Starr King Junior High School she was friendly with [[Odetta|Odetta Felious]], and developed a love of folk songs. In the early 1950s she began singing and playing guitar in folk clubs,<ref name=zoom>[http://www.zoominfo.com/p/Jo-Mapes/832283790 Jo Mapes at Zoominfo.com]. Retrieved 4 April 2014</ref> and in 1955 she appeared on the TV [[talent show]] ''[[Chance of a Lifetime (1950s TV series)|Chance of a Lifetime]]''.<ref name=allmusic>[http://www.allmusic.com/artist/jo-mapes-mn0001299201/biography Biography by Bruce Eder at Allmusic.com]. Retrieved 4 April 2014</ref> She moved to [[San Francisco]] in 1957, and later to [[New York City]],<ref name=cohen/> and performed in clubs and concert venues around the country.<ref name=allmusic/>
She was born '''Joanne Claire Coombs''' in Chicago,<ref name=tv>[http://www.tv.com/people/jo-mapes/biography/ Biography at TV.com]. Retrieved 4 April 2014</ref> and moved to [[Los Angeles]] with her mother when in her teens.<ref name=cohen>[https://books.google.com/books?id=BVqlULnfhy0C&pg=PA118&lpg=PA118&dq=jo+mapes+folk+singer&source=bl&ots=aB1yLm-XgM&sig=63YVEeoGhTakaKT_ngzJHvhLZE4&hl=en&sa=X&ei=M4c-U8WyG8SJ7AbjtYCIAQ&ved=0CDwQ6AEwAjgK#v=onepage&q=jo%20mapes%20folk%20singer&f=false Ronald D. Cohen, ''Rainbow Quest: The Folk Music Revival and American Society, 1940-1970'', Univ of Massachusetts Press, 2002, pp.77, 107]</ref> At Thomas Starr King Junior High School she was friendly with [[Odetta|Odetta Felious]], and developed a love of folk songs. In the early 1950s she began singing and playing guitar in folk clubs,{{cn}} and in 1955 she appeared on the TV [[talent show]] ''[[Chance of a Lifetime (1950s TV series)|Chance of a Lifetime]]''.<ref name=allmusic>[http://www.allmusic.com/artist/jo-mapes-mn0001299201/biography Biography by Bruce Eder at Allmusic.com]. Retrieved 4 April 2014</ref> She moved to [[San Francisco]] in 1957, and later to [[New York City]],<ref name=cohen/> and performed in clubs and concert venues around the country.<ref name=allmusic/>


Mapes was described by [[Shel Silverstein]] as "the best female folk singer and guitar player around, with unique singing style and stage presence."<ref name=tv/> She was featured in the [[pilot episode]] of the [[American Broadcasting Company|ABC TV]] series ''[[Hootenanny (U.S. TV series)|Hootenanny]]'' in 1962, and later appeared in several episodes of the show. She recorded [[album]]s for [[Kapp Records]], including ''The Hootenanny Star'' (1962), as well as appearing on several ''Hootenanny'' compilations. She also wrote songs including "Come On In", recorded by [[The Association]], [[The Monkees]], and others; and "Come and Open Your Eyes", recorded by [[Spanky and Our Gang]]. In 1964 she released ''And You Were On My Mind'' on the short-lived [[FM Records (Jazz/Folk)|FM label]] set up by Pete Kameron and Monte Kay, but the company went [[bankrupt]] before the album could be distributed.<ref name=tv/><ref name=fm>[http://www.bsnpubs.com/veejay/fm.html Mike Callahan, David Edwards, and Patrice Eyries, "FM Album Discography", ''Both Sides Now Publications'']. Retrieved 4 April 2014</ref>
Mapes was described by [[Shel Silverstein]] as "the best female folk singer and guitar player around, with unique singing style and stage presence."<ref name=tv/> She was featured in the [[pilot episode]] of the [[American Broadcasting Company|ABC TV]] series ''[[Hootenanny (U.S. TV series)|Hootenanny]]'' in 1962, and later appeared in several episodes of the show. She recorded [[album]]s for [[Kapp Records]], including ''The Hootenanny Star'' (1962), as well as appearing on several ''Hootenanny'' compilations. She also wrote songs including "Come On In", recorded by [[The Association]], [[The Monkees]], and others; and "Come and Open Your Eyes", recorded by [[Spanky and Our Gang]]. In 1964 she released ''And You Were On My Mind'' on the short-lived [[FM Records (Jazz/Folk)|FM label]] set up by Pete Kameron and Monte Kay, but the company went [[bankrupt]] before the album could be distributed.<ref name=tv/><ref name=fm>[http://www.bsnpubs.com/veejay/fm.html Mike Callahan, David Edwards, and Patrice Eyries, "FM Album Discography", ''Both Sides Now Publications'']. Retrieved 4 April 2014</ref>


In 1964 she married [[banjo]]ist [[Fleming Brown]].<ref>[https://books.google.com/books?id=1Nn3QEQ_RqgC&pg=PA110&lpg=PA110&dq=%22fleming+brown%22+mapes&source=bl&ots=r-8R0H2tFo&sig=LMIqWlJkM7fUq_glqs4ysQNij44&hl=en&sa=X&ei=XgQ_U_GpDqWs7QaF8oGADg&ved=0CDcQ6AEwAQ#v=onepage&q=%22fleming%20brown%22%20mapes&f=false Izzy Young, ''The Conscience of the Folk Revival: The Writings of Israel "Izzy" Young'', Rowman & Littlefield, 2012, p.110]</ref> She retired from performing after a farewell concert at [[Carnegie Hall]],<ref name=allmusic/> and settled in Chicago to raise a family. She taught at the [[Old Town School of Folk Music]],<ref name=reverb>[http://www.reverbnation.com/artist_652137/bio Profile at ReverbNation.com]. Retrieved 4 April 2014</ref> and then worked as an award-winning copywriter, producer and [[jingle]] writer in the advertising industry, her clients including [[Kodak]], [[United Airlines]] and [[Kellogg's]]; she provided the song for a [[Raisin Bran]] commercial.<ref>[https://www.youtube.com/watch?v=RaXowL7SWW8 Kellogg's Raisin Bran commercial]. Retrieved 4 April 2014</ref> From 1968 to 1978 she worked as entertainment critic, columnist, and feature writer at the [[Chicago Sun-Times]],<ref name=tv/><ref name=allmusic/> and in 1986 she helped set up Artists In Evidence, a club associated with the Artists In Residence apartment building.<ref>[http://articles.chicagotribune.com/1986-06-13/entertainment/8602120330_1_performers-new-club-comics Rick Kogan, "Artistry Of Jo Mapes Is Evident Once More", ''Chicago Tribune'', June 13, 1986]. Retrieved 4 April 2014</ref> More recently she has occasionally performed at clubs in Chicago.<ref name=zoom/>
In 1964 she married [[banjo]]ist [[Fleming Brown]].<ref>[https://books.google.com/books?id=1Nn3QEQ_RqgC&pg=PA110&lpg=PA110&dq=%22fleming+brown%22+mapes&source=bl&ots=r-8R0H2tFo&sig=LMIqWlJkM7fUq_glqs4ysQNij44&hl=en&sa=X&ei=XgQ_U_GpDqWs7QaF8oGADg&ved=0CDcQ6AEwAQ#v=onepage&q=%22fleming%20brown%22%20mapes&f=false Izzy Young, ''The Conscience of the Folk Revival: The Writings of Israel "Izzy" Young'', Rowman & Littlefield, 2012, p.110]</ref> She retired from performing after a farewell concert at [[Carnegie Hall]],<ref name=allmusic/> and settled in Chicago to raise a family. She taught at the [[Old Town School of Folk Music]],<ref name=reverb>[http://www.reverbnation.com/artist_652137/bio Profile at ReverbNation.com]. Retrieved 4 April 2014</ref> and then worked as an award-winning copywriter, producer and [[jingle]] writer in the advertising industry, her clients including [[Kodak]], [[United Airlines]] and [[Kellogg's]]; she provided the song for a [[Raisin Bran]] commercial.<ref>[https://www.youtube.com/watch?v=RaXowL7SWW8 Kellogg's Raisin Bran commercial]. Retrieved 4 April 2014</ref> From 1968 to 1978 she worked as entertainment critic, columnist, and feature writer at the [[Chicago Sun-Times]],<ref name=tv/><ref name=allmusic/> and in 1986 she helped set up Artists In Evidence, a club associated with the Artists In Residence apartment building.<ref>[http://articles.chicagotribune.com/1986-06-13/entertainment/8602120330_1_performers-new-club-comics Rick Kogan, "Artistry Of Jo Mapes Is Evident Once More", ''Chicago Tribune'', June 13, 1986]. Retrieved 4 April 2014</ref> More recently she has occasionally performed at clubs in Chicago.{{cn}}


==References==
==References==

Revision as of 20:10, 21 February 2020

Jo Mapes (July 20, 1931[1] - February 2, 2018) was an American folk singer, songwriter, critic and writer. She was prominent in the folk music revival of the 1950s and 1960s and later became an advertising copywriter and nightclub critic for the Sun-Times in Chicago.

Life

She was born Joanne Claire Coombs in Chicago,[2] and moved to Los Angeles with her mother when in her teens.[3] At Thomas Starr King Junior High School she was friendly with Odetta Felious, and developed a love of folk songs. In the early 1950s she began singing and playing guitar in folk clubs,[citation needed] and in 1955 she appeared on the TV talent show Chance of a Lifetime.[4] She moved to San Francisco in 1957, and later to New York City,[3] and performed in clubs and concert venues around the country.[4]

Mapes was described by Shel Silverstein as "the best female folk singer and guitar player around, with unique singing style and stage presence."[2] She was featured in the pilot episode of the ABC TV series Hootenanny in 1962, and later appeared in several episodes of the show. She recorded albums for Kapp Records, including The Hootenanny Star (1962), as well as appearing on several Hootenanny compilations. She also wrote songs including "Come On In", recorded by The Association, The Monkees, and others; and "Come and Open Your Eyes", recorded by Spanky and Our Gang. In 1964 she released And You Were On My Mind on the short-lived FM label set up by Pete Kameron and Monte Kay, but the company went bankrupt before the album could be distributed.[2][5]

In 1964 she married banjoist Fleming Brown.[6] She retired from performing after a farewell concert at Carnegie Hall,[4] and settled in Chicago to raise a family. She taught at the Old Town School of Folk Music,[7] and then worked as an award-winning copywriter, producer and jingle writer in the advertising industry, her clients including Kodak, United Airlines and Kellogg's; she provided the song for a Raisin Bran commercial.[8] From 1968 to 1978 she worked as entertainment critic, columnist, and feature writer at the Chicago Sun-Times,[2][4] and in 1986 she helped set up Artists In Evidence, a club associated with the Artists In Residence apartment building.[9] More recently she has occasionally performed at clubs in Chicago.[citation needed]

References