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| image_file = Lidel 8 1920 cover.jpg
| image_file = Lidel 8 1920 cover.jpg
| image_size =
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| image_caption = Cover of ''Lidel'' number 8 dated 1920
| image_caption = Cover of ''Lidel'' issue 8 dated 1920
| editor =
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| frequency =
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| category = [[Women's magazine]] <br/> Fashion magazine
| category = {{ubl|[[Women's magazine]] | Fashion magazine}}
| company =
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| finaldate = 1935
| finaldate = 1935
| country = [[Italy]]
| country = [[Italy]]
| based =
| based = [[Milan]]
| language = [[Italian language|Italian]]
| language = [[Italian language|Italian]]
| website =
| website =
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'''''Lidel''''' was an [[Italian language|Italian]] nationalist women's fashion magazine which was in circulation in the period 1919–1935. The title was a reference to its founder's name, Lydia Dosio De Liguoro,<ref name=note>{{cite book|editor=Ines Tolic|title=The Culture, Fashion and Society notebook 2017|date=2017|publisher=Pearson|location=Milan; Turin|isbn=9788867742844|url=https://web.archive.org/web/20220106184343/https://d1wqtxts1xzle7.cloudfront.net/56204829/talking-to-oneself-a-semiotic-analysis-of-donald-trumps-hair-style-with-cover-page-v2.pdf?Expires=1641498181&Signature=NB7EPqnSL8HmRCncWdbd2Hy0dKP9WOfMbz8PiM4c0s8NvIKdfi9INtVvGf9~Yucj61YE7gsIeeQR-gXSQvWFWlGQ5cAD9ZXnbORO5s4KCBZdrJ0MKyshNw6Qsr45Ef-yyQgFTu2UPDXn64oFrb9-CQlBFwlS6qKyKVt6jzw9WvvHHwvLVcPbiuWh0HnhfbyWlw10PQlXbTfExihXkg2afX0JKZ1jxW8XSnZxIOacg70bw~xy7q6x-pIY1Jh9rVRARLHBQREiy0stUb6U7gSyCRoZy3ie12AcgCf0sL6kNbDMedMZ2L3QWkDl0CBiTCllmLxEKk1z6T9tW~k61BRsAA__&Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA|chapter=Introduction}}</ref> as well as to the words Letture, illustrazioni, disegni, eleganze, lavori (Readings, illustrations, drawings, elegance, works in English).<ref name=eupa/> The magazine played a significant role in the birth of [[Italian fashion]],<ref name=note/> but at the same time became one of the most militant publications of [[Fascist Italy (1922–1943)|Fascist Italy]].<ref name=cinzia/>
'''''Lidel''''' was a nationalist women's fashion magazine which was in circulation Milan, Italy, in the period 1919–1935. The title was a reference to its founder's name, Lydia Dosio De Liguoro,<ref name=note>{{cite book|editor=Ines Tolic|title=The Culture, Fashion and Society notebook 2017|year=2017|publisher=Pearson|location=Milan; Turin|isbn=9788867742844}}</ref> as well as to the words Letture, illustrazioni, disegni, eleganze, lavori ({{lang-it|Readings, illustrations, drawings, elegance, works}}).<ref name=eupa/> The magazine played a significant role in the birth of [[Italian fashion]],<ref name=note/> but at the same time became one of the most [[militant]] publications of [[Fascist Italy (1922–1943)|Fascist Italy]].<ref name=cinzia/>


==History and profile==
==History and profile==
''Lidel'' was launched by journalist Lydia Dosio De Liguoro in 1919.<ref name=note/><ref name=cinzia>{{cite journal|author=Cinzia Capalbo
''Lidel'' was launched by journalist Lydia Dosio De Liguoro in 1919.<ref name=note/><ref name=cinzia>{{cite journal |author=Cinzia Capalbo|title=Creativity and innovation of the Italian fashion system in the inter-war period (1919–1943)|journal=Economic History Research|date=2016|volume=12|issue=2|page=92|doi=10.1016/j.ihe.2015.08.002 |url=https://doi.org/10.1016/j.ihe.2015.08.002}}</ref> It was published on a monthly basis.<ref name=col>{{cite thesis |author1=A. Colizzi|title=Bruno Munari and the invention of modern graphic design in Italy, 1928 - 1945 |url=ttps://hdl.handle.net/1887/17647|location=Leiden University|page=66|degree=PhD|date=2011}}</ref> The magazine's target reader group was [[Bourgeoisie|bourgeois]] women, and its goal was to instill a sense of Italian national identity and nationhood among these women.<ref name=eupa>{{cite journal|author=Eugenia Paulicelli|title=Fashion, the Politics of Style and National Identity in Pre-Fascist and Fascist Italy|journal=Gender & History|date=2002|page=552
|title=Creativity and innovation of the Italian fashion system in the inter-war period (1919–1943)|journal=Investigaciones de Historia Económica |year=2016 |volume=12|issue=2|page=92|doi=10.1016/j.ihe.2015.08.002|doi-access=free}}</ref> It was published on a monthly basis<ref name=col>{{cite thesis |author=A. Colizzi|title=Bruno Munari and the invention of modern graphic design in Italy, 1928 - 1945|pages=66,70|year=2011|location=[[Leiden University]]|url=https://hdl.handle.net/1887/17647|degree=PhD|hdl=1887/17647}}</ref> and had its headquarters in Milan.<ref>{{cite thesis
⚫
|volume=14|issue=3|doi=10.1111/1468-0424.00281|url=https://doi.org/10.1111/1468-0424.00281}}</ref> It employed fashion to promote the idea of a modern Italy and a sense of pride and solidarity among Italians.<ref name=eupa/>
|author=Manuela Di Franco|title=Popular Magazines in Fascist Italy, 1934 – 1943|url=https://doi.org/10.17863/CAM.33377|date=April 2018|page=12
|location=[[University of Cambridge]]|degree=PhD|doi=10.17863/CAM.33377}}</ref> The magazine's target reader group was bourgeois women.<ref name=eupa/> Its goal was to instill a sense of Italian national identity and nationhood among these women<ref name=eupa>{{cite journal|page=552
|author=Eugenia Paulicelli|title=Fashion, the Politics of Style and National Identity in Pre-Fascist and Fascist Italy|year=2002|journal=[[Gender & History]]|volume=14|issue=3|doi=10.1111/1468-0424.00281|s2cid=144286579}}</ref> and to compete with the French fashion magazines.<ref name=vansa>{{cite thesis|author=Vanessa Santoro|title=Fashioning sensibility: emotions in Gianna Manzini’s fashion journalism|year=2019
⚫
|url=https://theses.gla.ac.uk/81358/|location=[[University of Glasgow]]|page=13|degree=MA}}</ref> It employed fashion to promote the idea of a modern Italy and a sense of pride and solidarity among Italians.<ref name=eupa/>


Major contributors of ''Lidel'' were [[Grazia Deledda]], [[Luigi Pirandello]], [[Ada Negri]], [[Carola Prosperi]], [[Sibilla Aleramo]], [[Amalia Guglielminetti]], Goffredo Bellonci, [[Matilde Serao]] and Eugenio Treves.<ref name=eupa/> The magazine folded in 1935.<ref name=note/>
Major contributors of ''Lidel'' were [[Grazia Deledda]], [[Luigi Pirandello]], [[Ada Negri]], [[Carola Prosperi]], [[Sibilla Aleramo]], [[Amalia Guglielminetti]], Goffredo Bellonci, [[Matilde Serao]] and Eugenio Treves.<ref name=eupa/> The cover page of the monthly featured work by [[Bruno Munari]] last of which was published in the November 1930 issue.<ref name=col/> It frequently featured advertisement of luxury products and fashion illustrations, short stories and articles on art.<ref name=vansa/> The magazine folded in 1935.<ref name=note/>


==References==
==References==
{{Reflist}}
{{Reflist}}


==External links==
*{{Commons-inline}}
{{Authority control}}
{{Authority control}}


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[[Category:1919 establishments in Italy]]
[[Category:1919 establishments in Italy]]
[[Category:1935 disestablishments in Italy]]
[[Category:1935 disestablishments in Italy]]
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[[Category:Defunct Italian-language magazines]]
[[Category:Defunct magazines published in Italy]]
[[Category:Defunct magazines published in Italy]]
[[Category:Defunct women's magazines published in Italy]]
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[[Category:Defunct women's fashion magazines]]
[[Category:Fascist newspapers and magazines]]
[[Category:Fascist newspapers and magazines]]
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[[Category:Italian-language magazines]]
[[Category:Magazines established in 1919]]
[[Category:Magazines established in 1919]]
[[Category:Magazines disestablished in 1935]]
[[Category:Magazines disestablished in 1935]]
[[Category:Monthly magazines published in Italy]]
[[Category:Monthly magazines published in Italy]]
[[Category:Women's magazines published in Italy]]
[[Category:Magazines published in Milan]]
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[[Category:Women's fashion magazines]]

Latest revision as of 18:27, 2 July 2024

Lidel
Cover of Lidel issue 8 dated 1920
Categories
FounderLydia Dosio De Liguoro
Founded1919
Final issue1935
CountryItaly
Based inMilan
LanguageItalian

Lidel was a nationalist women's fashion magazine which was in circulation Milan, Italy, in the period 1919–1935. The title was a reference to its founder's name, Lydia Dosio De Liguoro,[1] as well as to the words Letture, illustrazioni, disegni, eleganze, lavori (Italian: Readings, illustrations, drawings, elegance, works).[2] The magazine played a significant role in the birth of Italian fashion,[1] but at the same time became one of the most militant publications of Fascist Italy.[3]

History and profile

[edit]

Lidel was launched by journalist Lydia Dosio De Liguoro in 1919.[1][3] It was published on a monthly basis[4] and had its headquarters in Milan.[5] The magazine's target reader group was bourgeois women.[2] Its goal was to instill a sense of Italian national identity and nationhood among these women[2] and to compete with the French fashion magazines.[6] It employed fashion to promote the idea of a modern Italy and a sense of pride and solidarity among Italians.[2]

Major contributors of Lidel were Grazia Deledda, Luigi Pirandello, Ada Negri, Carola Prosperi, Sibilla Aleramo, Amalia Guglielminetti, Goffredo Bellonci, Matilde Serao and Eugenio Treves.[2] The cover page of the monthly featured work by Bruno Munari last of which was published in the November 1930 issue.[4] It frequently featured advertisement of luxury products and fashion illustrations, short stories and articles on art.[6] The magazine folded in 1935.[1]

References

[edit]
  1. ^ a b c d Ines Tolic, ed. (2017). The Culture, Fashion and Society notebook 2017. Milan; Turin: Pearson. ISBN 9788867742844.
  2. ^ a b c d e Eugenia Paulicelli (2002). "Fashion, the Politics of Style and National Identity in Pre-Fascist and Fascist Italy". Gender & History. 14 (3): 552. doi:10.1111/1468-0424.00281. S2CID 144286579.
  3. ^ a b Cinzia Capalbo (2016). "Creativity and innovation of the Italian fashion system in the inter-war period (1919–1943)". Investigaciones de Historia Económica. 12 (2): 92. doi:10.1016/j.ihe.2015.08.002.
  4. ^ a b A. Colizzi (2011). Bruno Munari and the invention of modern graphic design in Italy, 1928 - 1945 (PhD thesis). Leiden University. pp. 66, 70. hdl:1887/17647.
  5. ^ Manuela Di Franco (April 2018). Popular Magazines in Fascist Italy, 1934 – 1943 (PhD thesis). University of Cambridge. p. 12. doi:10.17863/CAM.33377.
  6. ^ a b Vanessa Santoro (2019). Fashioning sensibility: emotions in Gianna Manzini’s fashion journalism (MA thesis). University of Glasgow. p. 13.
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