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{{Short description|2016 British-American biographical drama film by Michael Grandage}}
{{Infobox film
{{Infobox film
| name = Genius
| name = Genius
Line 4: Line 5:
| caption = Theatrical release poster
| caption = Theatrical release poster
| director = [[Michael Grandage]]
| director = [[Michael Grandage]]
| screenplay = [[John Logan (writer)|John Logan]]
| based_on = {{Based on |''Max Perkins: Editor of Genius''|[[A. Scott Berg]]}}
| producer = {{plainlist|
| producer = {{plainlist|
* James Bierman
* James Bierman
* Michael Grandage
* Michael Grandage
* [[John Logan (writer)|John Logan]]
* John Logan
* [[Tracey Seaward]]
* [[Tracey Seaward]]
}}
}}
| screenplay = John Logan
| based on = {{Based on |''Max Perkins: Editor of Genius''|[[A. Scott Berg]]}}
| starring = {{plainlist|
| starring = {{plainlist|
* [[Colin Firth]]
* [[Colin Firth]]
Line 20: Line 21:
* [[Dominic West]]
* [[Dominic West]]
}}
}}
| music = Adam Cork
| cinematography = [[Ben Davis (cinematographer)|Ben Davis]]
| cinematography = [[Ben Davis (cinematographer)|Ben Davis]]
| editing = [[Chris Dickens]]
| editing = [[Chris Dickens]]
| music = Adam Cork
| studio = {{plainlist|
| studio = {{plainlist|
* [[Summit Entertainment]]
* [[Roadside Attractions]]
* [[Reliance Entertainment|Riverstone Pictures]]
* [[Reliance Entertainment|Riverstone Pictures]]
* [[Pinewood Group#Pinewood Films|Pinewood Pictures]]
* [[Pinewood Group#Pinewood Films|Pinewood Pictures]]
Line 32: Line 35:
}}
}}
| distributor = {{plainlist|
| distributor = {{plainlist|
*[[Summit Entertainment]]
* [[Summit Entertainment]]
*[[Roadside Attractions]]
* [[Roadside Attractions]]
}}
}}
| released = {{Film date|2016|2|16|[[66th Berlin International Film Festival|Berlin]]|2016|6|10|United States}}
| released = {{Film date|2016|2|16|[[66th Berlin International Film Festival|Berlin]]|2016|6|10|United States}}
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| country = {{plainlist|
| country = {{plainlist|
* United Kingdom
* United Kingdom
* United States<ref>{{cite news|url=https://www.screendaily.com/reviews/genius-berlin-review/5100544.article|title='Genius': Berlin Review|website=ScreenDaily|access-date=10 October 2022}}</ref>
* United States
}}
}}
| language = English
| language = English
| budget = $17 million<ref>{{cite web | url=https://www.wsj.com/articles/even-genius-needs-an-editor-thomas-wolfe-and-max-perkins-in-new-film-1464796335| title=Even ‘Genius’ Needs an Editor: Thomas Wolfe and Max Perkins in New Film| work=The Wall Street Journal| accessdate=September 7, 2016}}</ref>
| budget = $17 million<ref>{{cite web | url=https://www.wsj.com/articles/even-genius-needs-an-editor-thomas-wolfe-and-max-perkins-in-new-film-1464796335| title=Even 'Genius' Needs an Editor: Thomas Wolfe and Max Perkins in New Film| work=The Wall Street Journal| access-date=September 7, 2016}}</ref>
| gross = $5.7 million<ref>{{cite web | url=http://www.the-numbers.com/movie/Genius#tab=summary| title=Genius (2016)| work=The-Numbers| accessdate=June 1, 2017}}</ref>
| gross = $5.7 million<ref>{{cite web | url=http://www.the-numbers.com/movie/Genius#tab=summary| title=Genius (2016)| work=The-Numbers| access-date=June 1, 2017}}</ref>
}}
}}


'''''Genius''''' is a 2016 British-American [[biographical film|biographical]] [[drama film|drama]] film directed by [[Michael Grandage]] and written by [[John Logan (writer)|John Logan]], based on the 1978 [[National Book Award]]-winner ''Max Perkins: Editor of Genius'' by [[A. Scott Berg]]. The film stars [[Colin Firth]], [[Jude Law]], [[Nicole Kidman]], [[Dominic West]], and [[Guy Pearce]]. It was selected to compete for the [[Golden Bear]] at the [[66th Berlin International Film Festival]].<ref name="First9">{{cite web |url=https://www.berlinale.de/en/presse/pressemitteilungen/wettbewerb/wettbewerb-presse-detail_29588.html |title=Berlinale 2016: First Films for Competition and Berlinale Special |accessdate=December 20, 2015 |work=Berlinale}}</ref>
'''''Genius''''' is a 2016 [[biographical film|biographical]] [[drama film|drama]] film directed by [[Michael Grandage]] and written by [[John Logan (writer)|John Logan]], based on the 1978 [[National Book Award]]-winner ''Max Perkins: Editor of Genius'' by [[A. Scott Berg]]. The film stars [[Colin Firth]], [[Jude Law]], [[Nicole Kidman]], [[Laura Linney]], [[Dominic West]], and [[Guy Pearce]]. It was selected to compete for the [[Golden Bear]] at the [[66th Berlin International Film Festival]].<ref name="First9">{{cite web |url=https://www.berlinale.de/en/presse/pressemitteilungen/wettbewerb/wettbewerb-presse-detail_29588.html |title=Berlinale 2016: First Films for Competition and Berlinale Special |access-date=December 20, 2015 |work=Berlinale}}</ref>


==Plot==
==Plot==
The film begins in [[New York City]] in 1929. [[Maxwell Perkins]], a successful [[Charles Scribner's Sons|Scribner's]] editor and discoverer of talented authors such as [[Francis Scott Fitzgerald]] and [[Ernest Hemingway]], lives in a cottage just outside the city with his wife and five daughters. One day, in his office, he reads the drafts of ''O Lost'', a novel by [[Thomas Wolfe]]. Struck by the content, Perkins decides to publish it and begins to collaborate with the author. The novel is eventually published as ''[[Look Homeward, Angel]]'' and proves to be a commercial success: fifteen thousand copies sold in a single month. Perkins and Wolfe become best friends, while Wolfe's relationship with [[Aline Bernstein]], a married woman twenty years older than him, is severely tested after the publication of Wolfe's novel. Max manages to publish Wolfe's second novel, ''[[Of Time and the River]]'', after several years of exhausting revision work. The second novel is also a success.
In 1929, in [[New York City]], [[Maxwell Perkins]] is a successful editor at [[Charles Scribner's Sons|Scribner's]] and discoverer of great authors such as [[F. Scott Fitzgerald]] and [[Ernest Hemingway]]. He lives in a "cottage"—actually, a mansion—just outside the city with his wife and five daughters.
One day, in his office, he reads the drafts of ''O Lost'', a novel by [[Thomas Wolfe]]. Struck by the content, Perkins decides to publish it and begins to collaborate with the author. It is eventually published as ''[[Look Homeward, Angel]]'' and proves to be a commercial success: 15 thousand copies sold in a month.
Perkins and Wolfe become best friends, while Wolfe's relationship with [[Aline Bernstein]], a married woman 20 years his senior, is severely tested after the novel's publication. Max manages to publish Wolfe's successful second novel, ''[[Of Time and the River]]'', after several years of exhausting revision.

Wolfe is in Paris where he follows the events remotely, thanks to news received from Perkins. On his return to New York, he immediately goes to work, writing his new book. His turbulent character leads him to quarrel with Perkins, destroying the relationship between them, resulting in Wolfe turning to another editor.


Meanwhile, Wolfe is in Paris where he follows the events remotely, thanks to news received from Perkins. On his return to New York, he immediately goes to work, writing his new book. His turbulent character leads him to quarrel with Perkins, destroying the relationship between the two and making Wolfe turn to another editor. Aline finally leaves Thomas, because he is too self-absorbed and unable to care about others. After Perkins has reconciled himself with Wolfe's absence, a phone call comes from Wolfe's mother: Wolfe has contracted [[miliary tuberculosis]]. Despite surgery, Wolfe shows no signs of improving. After a few weeks he dies, but before that he writes a letter to Max, reaffirming his immense affection for him.
Aline finally leaves Wolfe, because she feels he needs to experience how to be truly alone. After Perkins has reconciled himself with Wolfe's absence, a phone call comes from Wolfe's mother: he has contracted [[miliary tuberculosis]]. Despite surgery, Wolfe shows no signs of improving. After a few weeks he dies but before dying he writes a letter to Max, expressing his immense affection for him.


== Cast ==
== Cast ==
Line 59: Line 68:
* [[Dominic West]] as [[Ernest Hemingway]]
* [[Dominic West]] as [[Ernest Hemingway]]
* [[Guy Pearce]] as [[F. Scott Fitzgerald]]
* [[Guy Pearce]] as [[F. Scott Fitzgerald]]
* [[Laura Linney]] as Louise Saunders
* [[Laura Linney]] as Louise Perkins
* [[Vanessa Kirby]] as [[Zelda Fitzgerald]]
* [[Vanessa Kirby]] as [[Zelda Fitzgerald]]
* Makenna McBrierty as Nancy Perkins
* Makenna McBrierty as Nancy Perkins
Line 65: Line 74:
== Production ==
== Production ==
=== Filming ===
=== Filming ===
[[Principal photography]] on the film began on October 19, 2014, in [[Manchester]], and ended on December 12, 2014.<ref name=MancunianMatters>{{cite news|last1=Willacy|first1=Josh|title=Lights, Kidman, action: Colin Firth and Nicole blockbuster starts filming in Manchester|url=http://www.mancunianmatters.co.uk/content/171071208-lights-kidman-action-colin-firth-and-nicole-blockbuster-starts-filming-manchester|accessdate=December 16, 2014|publisher=mancunianmatters.co.uk|date=October 17, 2014}}</ref><ref>{{cite news|title=On The Set, - Box Office ... Abrams Wraps The Cellar, Tom Hiddleston Finishes I Saw the Light & More|url=http://www.ssninsider.com/on-the-set-for-121514-jj-abrams-wraps-the-cellar-tom-hiddleston-finishes-i-saw-the-light-more/|accessdate=December 16, 2014|publisher=ssninsider.com|date=December 15, 2014|url-status=dead|archiveurl=https://web.archive.org/web/20150924105339/http://www.ssninsider.com/on-the-set-for-121514-jj-abrams-wraps-the-cellar-tom-hiddleston-finishes-i-saw-the-light-more/|archivedate=September 24, 2015}}</ref><ref>{{cite news|title=Colin Firth, Nicole Kidman and Jude Law begin filming ‘Genius’ in Manchester, UK|url=http://www.onlocationvacations.com/2014/10/27/colin-firth-nicole-kidman-and-jude-law-begin-filming-genius-in-manchester-uk/|accessdate=December 16, 2014|publisher=onlocationvacations.com|date=October 27, 2014}}</ref>
[[Principal photography]] began on October 19, 2014, in [[Manchester]], and ended on December 12, 2014.<ref name=MancunianMatters>{{cite news|last1=Willacy|first1=Josh|title=Lights, Kidman, action: Colin Firth and Nicole blockbuster starts filming in Manchester|url=http://www.mancunianmatters.co.uk/content/171071208-lights-kidman-action-colin-firth-and-nicole-blockbuster-starts-filming-manchester|access-date=December 16, 2014|publisher=mancunianmatters.co.uk|date=October 17, 2014}}</ref><ref>{{cite news|title=On The Set, - Box Office ... Abrams Wraps The Cellar, Tom Hiddleston Finishes I Saw the Light & More|url=http://www.ssninsider.com/on-the-set-for-121514-jj-abrams-wraps-the-cellar-tom-hiddleston-finishes-i-saw-the-light-more/|access-date=December 16, 2014|publisher=ssninsider.com|date=December 15, 2014|url-status=dead|archiveurl=https://web.archive.org/web/20150924105339/http://www.ssninsider.com/on-the-set-for-121514-jj-abrams-wraps-the-cellar-tom-hiddleston-finishes-i-saw-the-light-more/|archivedate=September 24, 2015}}</ref><ref>{{cite news|title=Colin Firth, Nicole Kidman and Jude Law begin filming 'Genius' in Manchester, UK|url=http://www.onlocationvacations.com/2014/10/27/colin-firth-nicole-kidman-and-jude-law-begin-filming-genius-in-manchester-uk/|access-date=December 16, 2014|publisher=onlocationvacations.com|date=October 27, 2014|archive-date=March 28, 2019|archive-url=https://web.archive.org/web/20190328120240/https://onlocationvacations.com/2014/10/27/colin-firth-nicole-kidman-and-jude-law-begin-filming-genius-in-manchester-uk/|url-status=dead}}</ref>
Some of the other filming was carried out in Golden Bay Malta on February 20, 2018.{{citation needed|date=April 2020}}


== Release ==
== Release ==
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===Critical response===
===Critical response===
On [[Rotten Tomatoes]], the film currently has a rating of 51% based on 97 reviews and an average rating of 5.7/10. The site's critical consensus reads, "Genius seeks to honor worthy subjects, yet never gets close enough to the titular quality to make watching worth the effort".<ref>{{cite web |url=http://www.rottentomatoes.com/m/genius_2016/?search=Genius |title= Genius (2016) |publisher=[[Rotten Tomatoes]] |accessdate=September 3, 2016}}</ref>
On [[Rotten Tomatoes]], the film has a rating of 52% based on 111 reviews and an average rating of 5.90/10. The site's critical consensus reads, "''Genius'' seeks to honor worthy subjects, yet never gets close enough to the titular quality to make watching worth the effort".<ref>{{cite web |url=http://www.rottentomatoes.com/m/genius_2016/ |title= Genius (2016) |publisher=[[Rotten Tomatoes]] |access-date=April 1, 2022 }}</ref> On [[Metacritic]], the film has a [[weighted arithmetic mean|weighted average]] score of 56 out of 100, based on 23 critics, indicating "mixed or average reviews".<ref>{{cite web |url=https://www.metacritic.com/movie/genius |title=Genius Reviews |publisher=[[Metacritic]] |access-date=March 12, 2022 }}</ref>


Among the British reviews of the film, ''[[The Guardian]]'' wrote, "Michael Grandage's debut film, on Thomas Wolfe and his literary editor Maxwell Perkins, is hammily acted, overstylised and lacking in subtlety",<ref>{{cite news |first= Henry |last= Barnes |date= February 16, 2016 |title= Genius review – Colin Firth and Jude Law's literary bromance needs an edit |work= The Guardian |location= London |url= https://www.theguardian.com/film/2016/feb/16/genius-review-maxwell-perkins-thomas-wolfe-colin-firth-jude-law |accessdate= June 19, 2016}}</ref> while ''[[The Independent]]'' wrote, "The acting, along with John Logan's script, belongs to the theatre".<ref>{{cite news |first= Kaleem |last= Aftab |date= February 16, 2016 |title= Genius, film review: Michael Grandage should have stuck to his day job |url= https://www.independent.co.uk/arts-entertainment/films/reviews/genius-film-review-michael-grandage-should-have-stuck-to-his-day-job-a6877626.html |work= The Independent |location= London |accessdate= June 19, 2016}}</ref> ''[[The Daily Telegraph]]'', meanwhile, had this to say about the film: "All the blaring trumpets and martinis the director can fling us as jazzy background don't save the film from being very unappealingly lit indeed—full of drab, grey interiors, it's halfway to monochrome."<ref>{{cite news |first= Tim |last= Robey |date= 16 February 2016 |title= Genius review: 'a colourless chore' |url= https://www.telegraph.co.uk/film/genius/review/ |work= The Daily Telegraph |location= London |accessdate= June 19, 2016}}</ref>
Among the British reviews of the film, ''[[The Guardian]]'' wrote, "Michael Grandage's debut film, on Thomas Wolfe and his literary editor Maxwell Perkins, is hammily acted, overstylised and lacking in subtlety",<ref>{{cite news |first= Henry |last= Barnes |date= February 16, 2016 |title= Genius review – Colin Firth and Jude Law's literary bromance needs an edit |work= The Guardian |location= London |url= https://www.theguardian.com/film/2016/feb/16/genius-review-maxwell-perkins-thomas-wolfe-colin-firth-jude-law |access-date= June 19, 2016}}</ref> while ''[[The Independent]]'' wrote, "The acting, along with John Logan's script, belongs to the theatre".<ref>{{cite news |first= Kaleem |last= Aftab |date= February 16, 2016 |title= Genius, film review: Michael Grandage should have stuck to his day job |url= https://www.independent.co.uk/arts-entertainment/films/reviews/genius-film-review-michael-grandage-should-have-stuck-to-his-day-job-a6877626.html |work= The Independent |location= London |access-date= June 19, 2016}}</ref> ''[[The Daily Telegraph]]'', meanwhile, had this to say about the film: "All the blaring trumpets and martinis the director can fling us as jazzy background don't save the film from being very unappealingly lit indeed—full of drab, grey interiors, it's halfway to monochrome."<ref>{{cite news |first= Tim |last= Robey |date= 16 February 2016 |title= Genius review: 'a colourless chore' |url= https://www.telegraph.co.uk/film/genius/review/ |work= The Daily Telegraph |location= London |access-date= June 19, 2016}}</ref>


Among the American reviews, meanwhile, ''[[Variety (magazine)|Variety]]'' opined, "Though Michael Grandage's dull, dun-colored ''Genius'' makes every effort to credit the editor's role in shaping the century's great novels, it's nobody's idea of interesting to watch someone wield his red pencil over the pile of pages that would become Thomas Wolfe's ''[[Look Homeward, Angel]]'', even if the editor in question is the great Maxwell Perkins. While the talent involved should draw smarthouse crowds, the result has all the life of a flower pressed between ''Angel''{{'}}s pages 87 years ago."<ref>{{cite news |first= Peter |last= Debruge |date= February 16, 2016 |title= Film Review: 'Genius'
Among the American reviews, meanwhile, ''[[Variety (magazine)|Variety]]'' opined, "Though Michael Grandage's dull, dun-colored ''Genius'' makes every effort to credit the editor's role in shaping the century's great novels, it's nobody's idea of interesting to watch someone wield his red pencil over the pile of pages that would become Thomas Wolfe's ''[[Look Homeward, Angel]]'', even if the editor in question is the great Maxwell Perkins. While the talent involved should draw smarthouse crowds, the result has all the life of a flower pressed between ''Angel''{{'}}s pages 87 years ago."<ref>{{cite news |first= Peter |last= Debruge |date= February 16, 2016 |title= Film Review: 'Genius'
|url= https://variety.com/2016/film/reviews/genius-film-review-1201706276/ |work= Variety
|url= https://variety.com/2016/film/reviews/genius-film-review-1201706276/ |work= Variety
|accessdate= June 19, 2016}}</ref> ''[[The Hollywood Reporter]]'' was similarly unimpressed, writing, "The insurmountable problem, however, is that the story engages only late in the game, once Tom has betrayed his father figure by revising his previous acknowledgment of the role Max played in molding his genius. But perhaps due to the anesthetizing effect of most of what's come before, the central relationship lacks spark and the pathos remains muted. Even scenes that should burst with excitement, such as Tom loosening up sober Max in a Harlem jazz club, are like CPR on a lifeless body."<ref>{{cite news |first= Tim |last= Rooney |date= February 16, 2016 |title= 'Genius': Berlin Review |url= http://www.hollywoodreporter.com/review/colin-firth-jude-law-genius-865326 |work= The Hollywood Reporter |accessdate= June 19, 2016}}</ref> ''[[The New York Times]]'' also found the film unsatisfactory, writing, "''Genius'' is a dress-up box full of second- and third-hand notions. Set mainly in a picturesquely brown and smoky Manhattan in the 1930s, it gives the buddy-movie treatment to that wild-man novelist Thomas Wolfe and his buttoned-up red-penciler Maxwell Perkins."<ref>{{cite news |first= A. O. |last= Scott |date= June 9, 2016 |title= Review: 'Genius' Puts Max Perkins and Thomas Wolfe in a Literary Bromance' |url= https://www.nytimes.com/2016/06/10/movies/review-genius-puts-max-perkins-and-thomas-wolfe-in-a-literary-bromance.html |work= The New York Times |accessdate= June 19, 2016}}</ref> ''[[Rolling Stone]]'' had the same impression, writing, "You know the drill: Strong source material, in the form of A. Scott Berg's National Book Award-winning biography on Perkins, a top-notch screenwriter (John Logan) and a to-die-for A-list cast. Having all the right ingredients doesn't mean you can't royally screw up the recipe, however, and the missteps start coming fast and furious even before Law's manic-hillbilly act wears out its welcome."<ref>{{cite news |first= David |last= Fear |date= June 11, 2016 |title= Genius |work= Rolling Stone |url= https://www.rollingstone.com/movies/reviews/genius-20160611 |accessdate= June 19, 2016}}</ref>
|access-date= June 19, 2016}}</ref> ''[[The Hollywood Reporter]]'' was similarly unimpressed, writing, "The insurmountable problem, however, is that the story engages only late in the game, once Tom has betrayed his father figure by revising his previous acknowledgment of the role Max played in molding his genius. But perhaps due to the anesthetizing effect of most of what's come before, the central relationship lacks spark and the pathos remains muted. Even scenes that should burst with excitement, such as Tom loosening up sober Max in a Harlem jazz club, are like CPR on a lifeless body."<ref>{{cite news |first= Tim |last= Rooney |date= February 16, 2016 |title= 'Genius': Berlin Review |url= http://www.hollywoodreporter.com/review/colin-firth-jude-law-genius-865326 |work= The Hollywood Reporter |access-date= June 19, 2016}}</ref> ''[[The New York Times]]'' also found the film unsatisfactory, writing, "''Genius'' is a dress-up box full of second- and third-hand notions. Set mainly in a picturesquely brown and smoky Manhattan in the 1930s, it gives the buddy-movie treatment to that wild-man novelist Thomas Wolfe and his buttoned-up red-penciler Maxwell Perkins."<ref>{{cite news |first= A. O. |last= Scott |author-link= A. O. Scott |date= June 9, 2016 |title= Review: 'Genius' Puts Max Perkins and Thomas Wolfe in a Literary Bromance' |url= https://www.nytimes.com/2016/06/10/movies/review-genius-puts-max-perkins-and-thomas-wolfe-in-a-literary-bromance.html |work= The New York Times |access-date= June 19, 2016}}</ref> ''[[Rolling Stone]]'' had the same impression, writing, "You know the drill: Strong source material, in the form of A. Scott Berg's National Book Award-winning biography on Perkins, a top-notch screenwriter (John Logan) and a to-die-for A-list cast. Having all the right ingredients doesn't mean you can't royally screw up the recipe, however, and the missteps start coming fast and furious even before Law's manic-hillbilly act wears out its welcome."<ref>{{cite news |first= David |last= Fear |date= June 11, 2016 |title= Genius |work=[[Rolling Stone]] |url= https://www.rollingstone.com/movies/reviews/genius-20160611 |access-date= June 19, 2016}}</ref>


== References ==
== References ==
{{Reflist|30em}}
{{Reflist}}


== External links ==
== External links ==
* {{IMDb title|1703957}}
* {{IMDb title|1703957}}
* {{Rotten Tomatoes|genius_2016}}


{{John Logan|state=expanded}}
{{John Logan|state=expanded}}
{{Thomas Wolfe}}
{{Thomas Wolfe}}
{{F. Scott Fitzgerald}}
{{Ernest Hemingway}}


[[Category:2016 films]]
[[Category:2016 films]]
[[Category:2010s biographical drama films]]
[[Category:2016 biographical drama films]]
[[Category:American films]]
[[Category:American biographical drama films]]
[[Category:American biographical drama films]]
[[Category:British films]]
[[Category:British biographical drama films]]
[[Category:British biographical drama films]]
[[Category:Cultural depictions of Ernest Hemingway]]
[[Category:Cultural depictions of Ernest Hemingway]]
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[[Category:Cultural depictions of writers]]
[[Category:Cultural depictions of writers]]
[[Category:2016 directorial debut films]]
[[Category:2016 directorial debut films]]
[[Category:English-language films]]
[[Category:Films about writers]]
[[Category:Films based on biographies]]
[[Category:Films based on biographies]]
[[Category:Films set in New York City]]
[[Category:British films set in New York City]]
[[Category:Films set in the 1920s]]
[[Category:Films set in the 1920s]]
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[[Category:Films set in the 1930s]]
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[[Category:Reliance Entertainment films]]
[[Category:Reliance Entertainment films]]
[[Category:Thomas Wolfe]]
[[Category:Thomas Wolfe]]
[[Category:2016 drama films]]
[[Category:Biographical films about writers]]
[[Category:2010s English-language films]]
[[Category:2010s American films]]
[[Category:2010s British films]]
[[Category:English-language biographical drama films]]

Latest revision as of 12:25, 12 April 2024

Genius
Theatrical release poster
Directed byMichael Grandage
Screenplay byJohn Logan
Based onMax Perkins: Editor of Genius
by A. Scott Berg
Produced by
Starring
CinematographyBen Davis
Edited byChris Dickens
Music byAdam Cork
Production
companies
Distributed by
Release dates
  • February 16, 2016 (2016-02-16) (Berlin)
  • June 10, 2016 (2016-06-10) (United States)
Running time
104 minutes
Countries
  • United Kingdom
  • United States[1]
LanguageEnglish
Budget$17 million[2]
Box office$5.7 million[3]

Genius is a 2016 biographical drama film directed by Michael Grandage and written by John Logan, based on the 1978 National Book Award-winner Max Perkins: Editor of Genius by A. Scott Berg. The film stars Colin Firth, Jude Law, Nicole Kidman, Laura Linney, Dominic West, and Guy Pearce. It was selected to compete for the Golden Bear at the 66th Berlin International Film Festival.[4]

Plot[edit]

In 1929, in New York City, Maxwell Perkins is a successful editor at Scribner's and discoverer of great authors such as F. Scott Fitzgerald and Ernest Hemingway. He lives in a "cottage"—actually, a mansion—just outside the city with his wife and five daughters.

One day, in his office, he reads the drafts of O Lost, a novel by Thomas Wolfe. Struck by the content, Perkins decides to publish it and begins to collaborate with the author. It is eventually published as Look Homeward, Angel and proves to be a commercial success: 15 thousand copies sold in a month.

Perkins and Wolfe become best friends, while Wolfe's relationship with Aline Bernstein, a married woman 20 years his senior, is severely tested after the novel's publication. Max manages to publish Wolfe's successful second novel, Of Time and the River, after several years of exhausting revision.

Wolfe is in Paris where he follows the events remotely, thanks to news received from Perkins. On his return to New York, he immediately goes to work, writing his new book. His turbulent character leads him to quarrel with Perkins, destroying the relationship between them, resulting in Wolfe turning to another editor.

Aline finally leaves Wolfe, because she feels he needs to experience how to be truly alone. After Perkins has reconciled himself with Wolfe's absence, a phone call comes from Wolfe's mother: he has contracted miliary tuberculosis. Despite surgery, Wolfe shows no signs of improving. After a few weeks he dies but before dying he writes a letter to Max, expressing his immense affection for him.

Cast[edit]

Production[edit]

Filming[edit]

Principal photography began on October 19, 2014, in Manchester, and ended on December 12, 2014.[5][6][7]

Release[edit]

The film was released on June 10, 2016. It had its premiere at the 66th Berlin International Film Festival on February 16, 2016.

Critical response[edit]

On Rotten Tomatoes, the film has a rating of 52% based on 111 reviews and an average rating of 5.90/10. The site's critical consensus reads, "Genius seeks to honor worthy subjects, yet never gets close enough to the titular quality to make watching worth the effort".[8] On Metacritic, the film has a weighted average score of 56 out of 100, based on 23 critics, indicating "mixed or average reviews".[9]

Among the British reviews of the film, The Guardian wrote, "Michael Grandage's debut film, on Thomas Wolfe and his literary editor Maxwell Perkins, is hammily acted, overstylised and lacking in subtlety",[10] while The Independent wrote, "The acting, along with John Logan's script, belongs to the theatre".[11] The Daily Telegraph, meanwhile, had this to say about the film: "All the blaring trumpets and martinis the director can fling us as jazzy background don't save the film from being very unappealingly lit indeed—full of drab, grey interiors, it's halfway to monochrome."[12]

Among the American reviews, meanwhile, Variety opined, "Though Michael Grandage's dull, dun-colored Genius makes every effort to credit the editor's role in shaping the century's great novels, it's nobody's idea of interesting to watch someone wield his red pencil over the pile of pages that would become Thomas Wolfe's Look Homeward, Angel, even if the editor in question is the great Maxwell Perkins. While the talent involved should draw smarthouse crowds, the result has all the life of a flower pressed between Angel's pages 87 years ago."[13] The Hollywood Reporter was similarly unimpressed, writing, "The insurmountable problem, however, is that the story engages only late in the game, once Tom has betrayed his father figure by revising his previous acknowledgment of the role Max played in molding his genius. But perhaps due to the anesthetizing effect of most of what's come before, the central relationship lacks spark and the pathos remains muted. Even scenes that should burst with excitement, such as Tom loosening up sober Max in a Harlem jazz club, are like CPR on a lifeless body."[14] The New York Times also found the film unsatisfactory, writing, "Genius is a dress-up box full of second- and third-hand notions. Set mainly in a picturesquely brown and smoky Manhattan in the 1930s, it gives the buddy-movie treatment to that wild-man novelist Thomas Wolfe and his buttoned-up red-penciler Maxwell Perkins."[15] Rolling Stone had the same impression, writing, "You know the drill: Strong source material, in the form of A. Scott Berg's National Book Award-winning biography on Perkins, a top-notch screenwriter (John Logan) and a to-die-for A-list cast. Having all the right ingredients doesn't mean you can't royally screw up the recipe, however, and the missteps start coming fast and furious even before Law's manic-hillbilly act wears out its welcome."[16]

References[edit]

  1. ^ "'Genius': Berlin Review". ScreenDaily. Retrieved 10 October 2022.
  2. ^ "Even 'Genius' Needs an Editor: Thomas Wolfe and Max Perkins in New Film". The Wall Street Journal. Retrieved September 7, 2016.
  3. ^ "Genius (2016)". The-Numbers. Retrieved June 1, 2017.
  4. ^ "Berlinale 2016: First Films for Competition and Berlinale Special". Berlinale. Retrieved December 20, 2015.
  5. ^ Willacy, Josh (October 17, 2014). "Lights, Kidman, action: Colin Firth and Nicole blockbuster starts filming in Manchester". mancunianmatters.co.uk. Retrieved December 16, 2014.
  6. ^ "On The Set, - Box Office ... Abrams Wraps The Cellar, Tom Hiddleston Finishes I Saw the Light & More". ssninsider.com. December 15, 2014. Archived from the original on September 24, 2015. Retrieved December 16, 2014.
  7. ^ "Colin Firth, Nicole Kidman and Jude Law begin filming 'Genius' in Manchester, UK". onlocationvacations.com. October 27, 2014. Archived from the original on March 28, 2019. Retrieved December 16, 2014.
  8. ^ "Genius (2016)". Rotten Tomatoes. Retrieved April 1, 2022.
  9. ^ "Genius Reviews". Metacritic. Retrieved March 12, 2022.
  10. ^ Barnes, Henry (February 16, 2016). "Genius review – Colin Firth and Jude Law's literary bromance needs an edit". The Guardian. London. Retrieved June 19, 2016.
  11. ^ Aftab, Kaleem (February 16, 2016). "Genius, film review: Michael Grandage should have stuck to his day job". The Independent. London. Retrieved June 19, 2016.
  12. ^ Robey, Tim (16 February 2016). "Genius review: 'a colourless chore'". The Daily Telegraph. London. Retrieved June 19, 2016.
  13. ^ Debruge, Peter (February 16, 2016). "Film Review: 'Genius'". Variety. Retrieved June 19, 2016.
  14. ^ Rooney, Tim (February 16, 2016). "'Genius': Berlin Review". The Hollywood Reporter. Retrieved June 19, 2016.
  15. ^ Scott, A. O. (June 9, 2016). "Review: 'Genius' Puts Max Perkins and Thomas Wolfe in a Literary Bromance'". The New York Times. Retrieved June 19, 2016.
  16. ^ Fear, David (June 11, 2016). "Genius". Rolling Stone. Retrieved June 19, 2016.

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