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{{Short description|Italian sculptor and architect}}
'''Michelangelo Naccherino''' (Florence, March 6, 1550- Naples, February, 1622) was an [[Italy|Italian]] sculptor and architect, active mainly in the [[Kingdom of Naples]], Italy.
{{more footnotes|date=October 2012}}


He supposedly was a pupil of [[Giambologna]] in Florence, but due to disagreements moved to the Kingdom of Naples in 1573. From 1575-77, he was active in [[Palermo]], where he worked alongside [[Camillo Camilliani]] in the construction of the [[Fontana Pretoria]], a project of [[Francesco Camilliani]].
'''Michelangelo Naccherino''' (Florence, March 6, 1550 – Naples, February, 1622) was an Italian sculptor and architect, active mainly in the [[Kingdom of Naples]], Italy.
He supposedly was a pupil of [[Giambologna]] in Florence, but due to disagreements moved to the [[Kingdom of Naples]] in 1573. From 1575-1577, he was active in [[Palermo]], where he worked alongside [[Camillo Camilliani]] in the construction of the [[Fontana Pretoria]], a project of [[Francesco Camilliani]].


[[File:FantanaSantaLucia2.jpg|thumb|right|250px|[[Fontana di Santa Lucia (Villa Reale)|Fontana di Santa Lucia]]]]
[[File:FantanaSantaLucia2.jpg|thumb|right|250px|[[Fontana di Santa Lucia (Villa Reale)|Fontana di Santa Lucia]]]]
[[File:Boboli, Grotta di Adamo ed Eva 01.JPG|thumb|left|250px|Grotto of Adam and Eve in Boboli Gardens]]
[[File:Boboli, Grotta di Adamo ed Eva 01.JPG|thumb|left|250px|Grotto of Adam and Eve in Boboli Gardens]]


Returning to Naples, he completed a number of [[Mannerism|Mannerist]] projects such as the tomb of Alfonso Sanchez (1588-89) in the Basilica of [[Santissima Annunziata Maggiore, Naples|Santissima Annunziata Maggiore]] and a crucifix (1599) for the church of [[Church of San Carlo all'Arena, Naples|San Carlo all'Arena]]. He also completed a ''Madonna della Sanità'' for the church of [[Santa Maria della Sanità, Naples|Santa Maria della Sanità]] in the zone of [[Materdei]], where he lived.
Returning to Naples, he completed a number of [[Mannerism|Mannerist]] projects such as the tomb of Alfonso Sanchez (1588–89) in the Basilica of [[Santissima Annunziata Maggiore, Naples|Santissima Annunziata Maggiore]] and a crucifix (1599) for the church of [[Church of San Carlo all'Arena, Naples|San Carlo all'Arena]]. He also completed a ''Madonna della Sanità'' for the church of [[Santa Maria della Sanità, Naples|Santa Maria della Sanità]] in the zone of [[Materdei]], where he lived.


In the early 1600s, he participated in a variety of projects, including the [[Fontana di Santa Lucia (Villa Reale)|Fontana di Santa Lucia]] and the [[Fontana del Gigante, Naples|Fontana del Gigante]] (along with [[Pietro Bernini]]). In 1607, he submitted a design for the [[Cappella del Tesoro di San Gennaro]], in which he competed against [[Ceccardo Bernucci]], [[Giovan Battista Cavagna]], [[Giulio Cesare Fontana]], [[Giovan Giacomo Di Conforto]], [[Dionisio Nencioni di Bartolomeo]], [[Francesco Grimaldi (Architect)|Francesco Grimaldi]], and [[Giovanni Cola di Franco]]. The latter two won the competition.
In the early 1600s, he participated in a variety of projects, including the [[Fontana di Santa Lucia (Villa Reale)|Fontana di Santa Lucia]] and the [[Fontana del Gigante, Naples|Fontana del Gigante]] (along with [[Pietro Bernini]]). In 1607, he submitted a design for the [[Cappella del Tesoro di San Gennaro]], in which he competed against [[Ceccardo Bernucci]], [[Giovan Battista Cavagna]], [[Giulio Cesare Fontana]], [[Giovan Giacomo Di Conforto]], [[Dionisio Nencioni di Bartolomeo]], [[Francesco Grimaldi (Architect)|Francesco Grimaldi]], and [[Giovanni Cola di Franco]]. The latter two won the competition.


In 1612, he completed some tombs in the church of [[Santo Stefano, Capri|Santo Stefano]] in [[Capri]], and in 1616, he returned to Florence to sculpt an ‘’Adam and Eve’’ for the [[Boboli Gardens]]. Among those who worked with him were [[Giuliano Finelli]], Francesco Cassano, Tommaso Montani, Angelo Landi, and Mario Marasi.
In 1612, he completed some tombs in the church of [[Santo Stefano, Capri|Santo Stefano]] in [[Capri]], and in 1616, he returned to Florence to sculpt an ‘’Adam and Eve’’ for the [[Boboli Gardens]]. Among those who worked with him were [[Giuliano Finelli]], Francesco Cassano, Tommaso Montani, Angelo Landi, and Mario Marasi.
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* ''Christ Risen'', [[Certosa di San Martino]]
* ''Christ Risen'', [[Certosa di San Martino]]
* ''Tomb of Ferdinando Maiorca'', Pontificia Reale Basilica of [[San Giacomo degli Spagnoli, Naples]]
* ''Tomb of Ferdinando Maiorca'', Pontificia Reale Basilica of [[San Giacomo degli Spagnoli, Naples]]
* ''Christ at the Column'', [[Museo Lázaro Galdiano]], Madrid, Spain
* ''Virgin and Child'', ''Jesus Nazareno'' church, [[Cudillero]], Spain
* ''Funerary statue of García de Barrionuevo'' (bronze), ''San Ginés'' church, Madrid, Spain


==Bibliography==
==Bibliography==
* Antonino Maresca di Serracapriola, ''Sulla vita e sulle opere di Michelangelo Naccherino: appunti'', Francesco Giannini & figli, [[Napoli]] [[1890]]
* Antonino Maresca di Serracapriola, ''Sulla vita e sulle opere di Michelangelo Naccherino: appunti'', Francesco Giannini & figli, [[Napoli]] 1890
* Antonino Maresca di Serracapriola, ''Michelangelo Naccherino scultore fiorentino allievo di [[Giambologna]]: sua vita, sue opere, opere del suo aiuto Tomaso Montani e del principale suo allievo [[Giuliano Finelli]]: con ventinove autotipie'', tipo-ed. meridionale anonima T.E.M.A., [[Napoli]] [[1924]]
* Antonino Maresca di Serracapriola, ''Michelangelo Naccherino scultore fiorentino allievo di [[Giambologna]]: sua vita, sue opere, opere del suo aiuto Tomaso Montani e del principale suo allievo [[Giuliano Finelli]]: con ventinove autotipie'', tipo-ed. meridionale anonima T.E.M.A., [[Napoli]] 1924
* Francesco Cibarelli, ''La Chiesa di [[San Carlo all'Arena]] e il Cristo del Naccherino'', Francesco Giannini & figli, [[Napoli]] [[1926]]
* Francesco Cibarelli, ''La Chiesa di [[San Carlo all'Arena]] e il Cristo del Naccherino'', Francesco Giannini & figli, [[Napoli]] 1926
* Franco Strazzullo, ''Sul crocefisso marmoreo di Michelangelo Naccherino'', Archivio Storico Napoletano, [[Napoli]] [[1952]]
* Franco Strazzullo, ''Sul crocefisso marmoreo di Michelangelo Naccherino'', Archivio Storico Napoletano, [[Napoli]] 1952
* Michael Kuhlemann, ''Michelangelo Naccherino: Skulptur zwischen Florenz und Neapel um 1600'', Waxmann, [[Münster (Renania Settentrionale-Vestfalia)|Münster]] [[1999]], ISBN 3893257322 {{de}}
* Michael Kuhlemann, ''Michelangelo Naccherino: Skulptur zwischen Florenz und Neapel um 1600'', Waxmann, [[Münster (Renania Settentrionale-Vestfalia)|Münster]] 1999, {{ISBN|3893257322}} {{in lang|de}}

{{Authority control}}


[[Category:Italian Sculptors|Naccherino, Michelangelo]]
{{DEFAULTSORT:Naccherino, Michelangelo}}
[[Category:1550 births]]
[[de:Michelangelo Naccherino]]
[[Category:1622 deaths]]
[[it: Michelangelo Naccherino]]
[[Category:16th-century Italian sculptors]]
[[Category:Italian male sculptors]]
[[Category:17th-century Italian sculptors]]

Latest revision as of 11:04, 28 January 2022

Michelangelo Naccherino (Florence, March 6, 1550 – Naples, February, 1622) was an Italian sculptor and architect, active mainly in the Kingdom of Naples, Italy.

He supposedly was a pupil of Giambologna in Florence, but due to disagreements moved to the Kingdom of Naples in 1573. From 1575-1577, he was active in Palermo, where he worked alongside Camillo Camilliani in the construction of the Fontana Pretoria, a project of Francesco Camilliani.

Fontana di Santa Lucia
Grotto of Adam and Eve in Boboli Gardens

Returning to Naples, he completed a number of Mannerist projects such as the tomb of Alfonso Sanchez (1588–89) in the Basilica of Santissima Annunziata Maggiore and a crucifix (1599) for the church of San Carlo all'Arena. He also completed a Madonna della Sanità for the church of Santa Maria della Sanità in the zone of Materdei, where he lived.

In the early 1600s, he participated in a variety of projects, including the Fontana di Santa Lucia and the Fontana del Gigante (along with Pietro Bernini). In 1607, he submitted a design for the Cappella del Tesoro di San Gennaro, in which he competed against Ceccardo Bernucci, Giovan Battista Cavagna, Giulio Cesare Fontana, Giovan Giacomo Di Conforto, Dionisio Nencioni di Bartolomeo, Francesco Grimaldi, and Giovanni Cola di Franco. The latter two won the competition.

In 1612, he completed some tombs in the church of Santo Stefano in Capri, and in 1616, he returned to Florence to sculpt an ‘’Adam and Eve’’ for the Boboli Gardens. Among those who worked with him were Giuliano Finelli, Francesco Cassano, Tommaso Montani, Angelo Landi, and Mario Marasi.

Other works

Bibliography

[edit]
  • Antonino Maresca di Serracapriola, Sulla vita e sulle opere di Michelangelo Naccherino: appunti, Francesco Giannini & figli, Napoli 1890
  • Antonino Maresca di Serracapriola, Michelangelo Naccherino scultore fiorentino allievo di Giambologna: sua vita, sue opere, opere del suo aiuto Tomaso Montani e del principale suo allievo Giuliano Finelli: con ventinove autotipie, tipo-ed. meridionale anonima T.E.M.A., Napoli 1924
  • Francesco Cibarelli, La Chiesa di San Carlo all'Arena e il Cristo del Naccherino, Francesco Giannini & figli, Napoli 1926
  • Franco Strazzullo, Sul crocefisso marmoreo di Michelangelo Naccherino, Archivio Storico Napoletano, Napoli 1952
  • Michael Kuhlemann, Michelangelo Naccherino: Skulptur zwischen Florenz und Neapel um 1600, Waxmann, Münster 1999, ISBN 3893257322 (in German)
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