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'''Manayangath Subramanian Viswanathan''', also known as '''M.S.V.'''), is a Music Director from South India. Considered to be one of the versatile and significant composers in [[Kollywood]],he is popularly known as "Mellisai Mannar" ([[Tamil Language|Tamil]] for "the King of Light Music"). He has composed for a total of 1200 films composing songs in Tamil, Hindi, Malayalam, Kannada, and Telugu languages.<ref>{{cite web|url=http://www.nowrunning.com/news/tamil/cm-honours-viswanathan-ramamurthi/55925/story.htm |title=CM honours Viswanathan-Ramamurthi |publisher=Nowrunning.com |date=2012-08-31 |accessdate=2013-06-12}}</ref> His major works over the past five decades have been in [[Kollywood|Tamil]], [[Malluwood|Malayalam]] and [[Cinema of Andhra Pradesh|Telugu]] films. He has also acted and sung in a few Tamil films. J Jayalalithaa conferred the "Thirai Isai Chakravarthy" title on him in August 2012 <ref>{{cite web|url=http://chennaionline.com/movies/cine-buzz/20124830094809/Amma-confers-title-of-Thiraiyisai-Chakravarthy-on-legendary-MSV.col |title=Amma confers title of Thiraiyisai Chakravarthy on legendary MSV |publisher=ChennaiOnline |date=2012-08-30 |accessdate=2013-06-12}}</ref> and presented with 60 gold coins and a new car to him.<ref>{{cite web|last=News |first=Express |url=http://newindianexpress.com/cities/chennai/article597851.ece |title=CM confers Thirai Isai Chakravarthy on MSV |publisher=The New Indian Express |date=2012-08-30 |accessdate=2013-06-12}}</ref><ref>{{cite web|url=http://www.indianexpress.com/news/after-padma-snub-jaya-says-one-day-centre-will-listen/995707/ |title=After Padma snub, Jaya says one day Centre will listen |publisher=Indian Express |date=2012-08-31 |accessdate=2013-06-12}}</ref>
'''Manayangath Subramanian Viswanathan''', also known as '''M.S.V.'''), is a Music Director from South India. He is popularly known as "Mellisai Mannar" ([[Tamil Language|Tamil]] for "the King of Light Music"). He has composed for about 600 films that included mostly Tamil films and others from Malayalam, Kannada, and Telugu films.<ref>http://www.nowrunning.com/news/tamil/cm-honours-viswanathan-ramamurthi/55925/story.htm</ref>.Some of the Viswanathan Ramamoorthy Duo's compositions were adapted in Hindi films ,which were either remakes or dubbed versions of the original Tamil films.He has also acted and sung in a few Tamil films. J Jayalalithaa conferred the "Thirai Isai Chakravarthy" title on him in August 2012 <ref>http://chennaionline.com/movies/cine-buzz/20124830094809/Amma-confers-title-of-Thiraiyisai-Chakravarthy-on-legendary-MSV.col</ref> and presented with 60 gold coins and a new car to him.<ref>http://newindianexpress.com/cities/chennai/article597851.ece</ref><ref>http://www.indianexpress.com/news/after-padma-snub-jaya-says-one-day-centre-will-listen/995707/</ref>


Viswanathan Ramamoorthy duo composed music for 90 Tamil films from the film Panam in 1952 till Ayirathil Oruvan in 1965.<ref>{{Citation
Viswanathan Ramamoorthy duo composed music for 90 Tamil films from the film Panam in 1952 till Ayirathil Oruvan in 1965.<ref>{{Citation
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| isbn = }}</ref> Thereafter M.S.Viswanathan on his own composed music close to 1100 films till 2013 including Telugu, Malayalam, Hindi, Kannada and 50 Malayasia films. He reigned supreme in Tamil films from 1965 to 1985. He sang under his own composition over 500 songs and in adddition sang 200 songs composed by other music directors. Ramamoorthy composed for only 19 films on his own after the break up in 1965 till 1986.

Thereafter M.S.Viswanathan on his own composed music close to 425 Tamil films and around 50 Telugu and Malayasia films. He reigned supreme in Tamil films from 1965 to 1978. He sang under his own composition over 500 songs and in addition sang 200 songs composed by other music directors. Ramamoorthy composed for only 19 films on his own after the break up in 1965 till 1986.


==Early life==
==Early life==
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Both Ramamoorthy and Viswanathan always proudly name C.R.Subburaman as their Guru. M.S.Viswanathan has also mentioned that he was also inspired by the music of S.V.Venkatraman and T.R.Papa.
Both Ramamoorthy and Viswanathan always proudly name C.R.Subburaman as their Guru. M.S.Viswanathan has also mentioned that he was also inspired by the music of S.V.Venkatraman and T.R.Papa.


[[N. S. Krishnan]] who knew both M.S. Viswanathan and T.K.Ramamoorthy fairly intimately and also their respective talents by then, with foresight, suggested an alliance between them like [[Shankar Jaikishan]] in the North. T.K.Ramamoorthy, despite being an excellent musician with an orthodox carnatic musical background, was a shy, modest and reserved person whereas M. S. Viswanathan was naturally talented, charming, forward and dynamic although he lacked the similar background in Carnatic music. Ramamoorthy is older than Viswanathan by seven years, but placing of their names as ''Viswanathan-Ramamoorthy'' was agreed upon by both parties on the advice of N. S. Krishnan, who thereafter got the duo ''Viswanathan-Ramamoorthy'' their first chance to compose for the film ''Panam'' in 1953 which was produced by ''A.L.Seenivasan'' and directed by N. S. Krishnan himself.It was the second film for [[Sivaji Ganesan]] and the first film for the most successful pair in the history of Tamil Films&nbsp;– ''Sivaji Ganesan''&nbsp;– ''Padmini'' who acted in 65 films together.During this time,Chithambaram [[C. S.Jayaraman]], music comoposer and singer, also engaged the services of Viswanathan-Ramamoorthy duo for the film ''Raththa Kanneer'' to assist him for the background music though music for all the songs in Raththa Kanner were tuned by C.S.Jayaraman himself.It was a slow progress for the duo in the 50s , a period that boasted of many talented composers with the stalwart G.Ramanathan in the lead.After The duo were the highest paid composers and held the number one position in market together from 1961–1965.
[[N. S. Krishnan]] who knew both M.S. Viswanathan and T.K.Ramamoorthy fairly intimately and also their respective talents by then, with foresight, suggested an alliance between them like [[Shankar Jaikishan]] in the North. T.K.Ramamoorthy, despite being an excellent musician with an orthodox carnatic musical background, was a shy, modest and reserved person whereas M. S. Viswanathan was naturally talented, charming, forward and dynamic although he lacked the similar background in Carnatic music. Ramamoorthy is older than Viswanathan by seven years, but placing of their names as ''Viswanathan-Ramamoorthy'' was agreed upon by both parties on the advice of N. S. Krishnan, who thereafter got the duo ''Viswanathan-Ramamoorthy'' their first chance to compose for the film ''Panam'' in 1953 which was produced by ''A.L.Seenivasan'' and directed by N. S. Krishnan himself.It was the second film for [[Sivaji Ganesan]] and the first film for the most successful pair in the history of Tamil Films&nbsp;– ''Sivaji Ganesan''&nbsp;– ''Padmini'' who acted in 65 films together.During this time,Chithambaram [[C. S. Jayaraman]], music comoposer and singer, also engaged the services of Viswanathan-Ramamoorthy duo for the film ''Raththa Kanneer'' to assist him for the background music though music for all the songs in Raththa Kanner were tuned by C.S.Jayaraman himself.It was a slow progress for the duo in the 50s , a period that boasted of many talented composers with the stalwart G.Ramanathan in the lead.After The duo were the highest paid composers and held the number one position in market together from 1961–1965.


However,right from the beginning, the duo displayed a flair for light sweet melodious music. The films like Porter Kanthan, Pasa Valai, Thennali Raman, Gulebahavali, Sugam Enge, Sorga Vasal, etc. in the 50s created a lot attention for them.In 1956, the duo composed for the Telugu film ''Santhosham'',the Telugu adaptation of the Tamil film [[Velaikaari]](story by [[C. N. Annadurai]]) with [[N. T. Rama Rao]] and [[Anjali Devi]] which was a big musical hit.This was reproduced in Hindi as ''Naya Aadmi'' with music by Madan Mohan who,impressed by the duo's music, suggested to retain some of the original tunes for the Hindi version.The Hindi song "Laut gaya gam ka zamana" sung by [[Lata Mangeshkar]] and [[Hemanta Kumar Mukhopadhyay]] in that film, copy of the duo's Telugu song "Teeyani eenati reyi" sung by [[P. Susheela]] and [[G. K. Venkatesh]], was a big hit in the North.
However,right from the beginning, the duo displayed a flair for light sweet melodious music. The films like Porter Kanthan, Pasa Valai, Thennali Raman, Gulebahavali, Sugam Enge, Sorga Vasal, etc. in the 50s created a lot attention for them.In 1956, the duo composed for the Telugu film ''Santhosham'',the Telugu adaptation of the Tamil film [[Velaikaari]](story by [[C. N. Annadurai]]) with [[N. T. Rama Rao]] and [[Anjali Devi]] which was a big musical hit.This was reproduced in Hindi as ''Naya Aadmi'' with music by Madan Mohan who,impressed by the duo's music, suggested to retain some of the original tunes for the Hindi version.The Hindi song "Laut gaya gam ka zamana" sung by [[Lata Mangeshkar]] and [[Hemanta Kumar Mukhopadhyay]] in that film, copy of the duo's Telugu song "Teeyani eenati reyi" sung by [[P. Susheela]] and [[G. K. Venkatesh]], was a big hit in the North.


Towards the latter part of the 50s, the duo were racing ahead with musical hits like Pudhayal,Nichchaya Thamboolam,Pathi Pakthi. ,Petra Mahanai Vitra Annai,Thalai Koduththaan Thambi, Mahane Kel,Pahappirivinai,etc.The winning combinations of the duo initially were mainly with the Directors ''T. R. Ramanna'' and [[A. Bhimsingh]] who produced some mega hits in the late 50s and early 60s&nbsp;– for which the duo composed excellent music and thereby reaching the No.1 slot in the early 60s. Then [[C. V. Sridhar]], after his music composer [[A. M. Rajah]] fell out with him in 1961, engaged the duo for his films and many top hits followed. Major studios like Gemini, AVM, etc. were also to engage them later. Even B.R.Bhathulu, who always used T.G.Lingappa or G.Ramanathan in his films turned to the duo after the death of G.Ramanathan in 1963.Even the successful producers and directors like Madhavan , Trilokachandar (both previously assistants to C.V.Sridhar) and K.Balachandar chose the duo and later Viswanathan alone in their films. During this period, the duo also boasted of assistants of the stature of ''R. Govardhanam'', [[G. K. Venkatesh]], [[Shankar Ganesh]] and ''Henry Daniel''. They also had Sathan for special voice and sound effects.
Towards the latter part of the 50s, the duo were racing ahead with musical hits like Pudhayal,Nichchaya Thamboolam,Pathi Pakthi. ,Petra Mahanai Vitra Annai,Thalai Koduththaan Thambi, Mahane Kel,Pahappirivinai,etc.The winning combinations of the duo initially were mainly with the Directors ''T. R. Ramanna'' and [[A. Bhimsingh]] who produced some mega hits in the late 50s and early 60s – for which the duo composed excellent music and thereby reaching the No.1 slot in the early 60s. Then [[C. V. Sridhar]], after his music composer [[A. M. Rajah]] fell out with him in 1961, engaged the duo for his films and many top hits followed. Major studios like Gemini, AVM, etc. were also to engage them later. Even B. R. Bhathulu, who always used T.G.Lingappa or G.Ramanathan in his films turned to the duo after the death of G. Ramanathan in 1963.Even the successful producers and directors like Madhavan , Trilokachandar (both previously assistants to C.V.Sridhar), Mukta V Srinivasan and K.Balachandar (alternatively to V. Kumar sometimes) chose the duo and later Viswanathan alone in their films. During this period, the duo also boasted of assistants of the stature of ''R. Govardhanam'', [[G. K. Venkatesh]], [[Shankar Ganesh]] and ''Henry Daniel''. They also had Sathan for special voice and sound effects.

In 80's new directors like Visu, S.A.Chandrashekar collaborated with Viswanathan regularly.


On 16 June 1963, at a special function M. S. Viswanathan and T. K. Ramamoorthy were each given the title of ''Mellisai Mannar''(Kings of the Light Music).<ref>{{cite web|url=http://www.indianexpress.com/news/music-composer-t-k-ramamoorthy-dies-at-91/1103748/ |title=Veteran Tamil film music composer T K Ramamurthy is no more |publisher=Indian Express |date=2013-04-17 |accessdate=2013-06-12}}</ref> It was granted by [[Sivaji Ganesan]] at the Madras Triplicane Cultural Academy. The function was supported and facilitated by the Hindu Group of Publications, especially Mr. T. M. Ramachandran, Director [[C. V. Sridhar]] and ''Chitralaya Gobu''.
On 16 June 1963, at a special function M. S. Viswanathan and T. K. Ramamoorthy were each given the title of ''Mellisai Mannar''(Kings of the Light Music).<ref>{{cite web|url=http://www.indianexpress.com/news/music-composer-t-k-ramamoorthy-dies-at-91/1103748/ |title=Veteran Tamil film music composer T K Ramamurthy is no more |publisher=Indian Express |date=2013-04-17 |accessdate=2013-06-12}}</ref> It was granted by [[Sivaji Ganesan]] at the Madras Triplicane Cultural Academy. The function was supported and facilitated by the Hindu Group of Publications, especially Mr. T. M. Ramachandran, Director [[C. V. Sridhar]] and ''Chitralaya Gobu''.


But M. S. Viswanathan and T. K. Ramamoorthy split up after the release of [[Aayirathil Oruvan (1965 film)|Aayirathil Oruvan]] on 9 July 1965. Since then both had composed for films individually. Both ''T. R. Ramanna'' and [[A. Bhimsingh]] were saddened by this development , but still worked with both of them,but individually in different films they produced and directed&nbsp;– which showed that at that stage equal importance was given to both. Since then both had composed for films individually. All the assistants remained with Viswanathan. M.S.Viswanathan in his solo career continued to achieve success as he did earlier and composed music for over 1100 films from 1965 till present, but Ramamoorthy as a solo music director could not achieve as much and gradually faded away. He composed for only 19 films from 1966–1986. Vishwanathan was most in demand and was the highest paid music director from 1965–1985. After 29 years, they had rejoined in 1995 just once for the [[Sathyaraj]] starrer [[Tamil language|Tamil]] film ''Engirundho Vanthan''.
But M. S. Viswanathan and T. K. Ramamoorthy split up after the release of [[Aayirathil Oruvan (1965 film)|Aayirathil Oruvan]] on 9 July 1965. Since then both had composed for films individually. Both ''T. R. Ramanna'' and [[A. Bhimsingh]] were saddened by this development , but still worked with both of them,but individually in different films they produced and directed – which showed that at that stage equal importance was given to both. Since then both had composed for films individually. All the assistants remained with Viswanathan, who, in his solo career, continued to achieve success as he did earlier and composed music for around 425 Tamil films, but Ramamoorthy as a solo music director could not achieve as much and gradually faded away. He composed for only 19 films from 1966–1986. Vishwanathan was most in demand and was the highest paid music director from 1965–1978.
After 29 years, they had rejoined in 1995 just once for the [[Sathyaraj]] starrer [[Tamil language|Tamil]] film ''Engirundho Vanthan''.


The composer duo are given the credit in moulding the careers of singers especially that of singers, [[T. M. Soundararajan]], [[P. B. Srinivas]] and [[L. R. Eswary]] who owe their success partially to the duo and in particular to M. S. Viswanathan as they were most regular singers with them. (T. M. Soundararajan was the all time favourite singer for Viswanathan).[[P. Susheela]] too owes a great deal to the duo as their main female singer.[[A. L. Raghavan]] and [[S. Janaki]] sang for them, but not so regularly. [[Jikki]] used to be their favourite before P. Susheela, but the duo was divided on [[A. M. Rajah]]. Ramamoorthy was keen to use him, but Viswanathan always resisted using him owing to personality conflict after the film ''Genova'' , with the result that A. M. Rajah sang only 5 songs, compositions being that of Ramamoorthy, even at the height of his career in the 50s. In their films, A. M. Rajah did not even give his voice to [[Gemini Ganesan]], except for the film Pathi Pakthi. Their early years saw them also working with the already well established singers like [[M. L. Vasanthakumari]], [[C. S. Jayaraman]], [[Raavu Balasaraswathi]], [[P. Leela]], [[Jikki]],''M. S. Rajeswary'', [[Jamuna Rani]], S.C.Krishnan and [[Sirkazhi Govindarajan]].The actor-singer's , [[T. R. Mahalingam]], [[K. R. Ramasamy]] and [[J. P. Chandrababu]] also sang memorable songs for the duo. G.K.Venkatesh, Viswanathan's good friend and assistant, sang few but excellent songs for the duo.
The composer duo are given the credit in moulding the careers of singers especially that of singers, [[T. M. Soundararajan]], [[P. B. Srinivas]] and [[L. R. Eswary]] who owe their success partially to the duo and in particular to M. S. Viswanathan as they were most regular singers with them. (T. M. Soundararajan was the all time favourite singer for Viswanathan).[[P. Susheela]] too owes a great deal to the duo as their main female singer.[[A. L. Raghavan]] and [[S. Janaki]] sang for them, but not so regularly. [[Jikki]] used to be their favourite before P. Susheela, but the duo was divided on [[A. M. Rajah]]. Ramamoorthy was keen to use him, but Viswanathan always resisted using him owing to personality conflict after the film ''Genova'' , with the result that A. M. Rajah sang only 5 songs, compositions being that of Ramamoorthy, even at the height of his career in the 50s. In their films, A. M. Rajah did not even give his voice to [[Gemini Ganesan]], except for the film Pathi Pakthi. Their early years saw them also working with the already well established singers like [[M. L. Vasanthakumari]], [[C. S. Jayaraman]], [[Raavu Balasaraswathi]], [[P. Leela]], [[Jikki]],''M. S. Rajeswary'', [[Jamuna Rani]], S.C.Krishnan and [[Sirkazhi Govindarajan]].The actor-singer's , [[T. R. Mahalingam]], [[K. R. Ramasamy]] and [[J. P. Chandrababu]] also sang memorable songs for the duo. G. K. Venkatesh, Viswanathan's good friend and assistant, sang few but excellent songs for the duo.


===M.S.Viswanthan as separate music director (1965-present)===
===M.S.Viswanthan as separate music director (1965-present)===
A legendary perfectionist, he established a prolific career composing film music in the Tamil film industry.
A legendary perfectionist, he established a prolific career composing film music in the Tamil film industry.


M.S.Viswanathan's achievements range from introducing fresher melodies with changing trends, style and orchestration approaches to incorporating various genres of what is now called world music into Indian cinema music. Humming, Chorus, Viscilling were all incorporated swiftly in the songs composed by M.S.V without usage of advanced technology way back in 1950's to 1970's. MSV continued to upgrade his music with new trends like western music and disco from the early 1970's till 1990's and blended them with Indian classical tunes.
M.S.Viswanathan's achievements range from introducing fresher melodies with changing trends, style and orchestration approaches to incorporating various genres of what is now called world music into Indian cinema music. Humming, Chorus, whistling were all incorporated swiftly in the songs composed by M.S.V without usage of advanced technology way back in 1950's to 1970's. Viswanathan continued to upgrade his music with new trends like western music and disco from the early 1970's till 1990's and blended them with Indian classical tunes.
Viswanathan during the late 70s and 80s chose mainly the young , up and coming singers , [[S. P. Balasubramaniam]], [[K. J. Yesudas]] and [[Vani Jayaram]] giving career's of these singers the much needed boost. Film directors like B.R.Panthalu, B.S.Ranga, Krishnan-Panju from 1950's then A.Bhimsingh, Madhavan, C.V.Shridhar, T.R.Ramanna, A.C.Trilogchander, K.Shankar, K.Balachander, Mukta V Srinivasan preferred to have Vishwanathan as music director in their films from 1960s till 1990's and later from 1980's new directors like Visu, S.A.Chandrashekar collaborated with Viswanathan regularly.


Viswanathan continued to work regularly with P.Susheela, L.R.Eshwari and T.M. Sounderrajan in many films from 1965–1985. Although S.P.Balasubramaniam shot to fame with the song "Ayiram Nilave Vaa" from ''Adamai Penn'' , a [[K. V. Mahadevan]] composition in 1969,it was really Viswanathan who booked him first for a Tamil film. S.P.Balasubramanyum regards Viswanathan as his mentor for he gave him the break in Tamil films with the song "Iyarkai Ennum" in the film ''Shanthi Nilayam'' which was recorded in 1969, but released later than Admai Penn. Viswanathan introduced [[Jayachandran]] , the famous Malayalam singer to the Tamil films in Manippayal and used him for many more films in 70's. [[K. Y. Jesudas]] was given big break with film ''Kathalikka Neramillai'' in 1964 by the duo but Viswanathan started working mre with Yesudas from 1970. Ramamoorthy used him for the song ''Vasantha Kalam Varumo'' in the film ''Marakka Mudiyuma'' in 1965. In the 70s, at the insistence of [[M. G. Ramachandran]] , Yesudas was his voice in many films in Viswanathan's music like in Nalai Namathe, Urmaikural, Sirithu Vazha Vendum etc. Their co-operation continued consequent on the success of these songs and then Viswanathan used Yesudas for the up-and-coming actors like Kamalahasan, Sivakumar, Vijaykumar and others. During the late 70s and 80s he chose mainly the young , up and coming singers , [[S. P. Balasubramaniam]] and [[Vani Jayaram]] giving their career the much needed boost. He is alone held responsible for making singers like R.Balasaraswathi in early 1960's and then in making Vani Jayram, S.Janaki, A.L. Raghavan, Yesudas, S.P.Balasubramaniyam a popular name after 1965 in South India.
Viswanathan during the late 70s and 80s chose mainly the young and up-and-coming singers , [[S. P. Balasubramaniam]] and [[Vani Jayaram]] giving them the much needed boost while continuing to work with P.Susheela, L.R.Eswari and T.M. Sounderarajan but to a lesser extent. Although S.P.Balasubramaniam shot to fame with the song "Ayiram Nilave Vaa" from "Adamai Penn " , a K. V. Mahadevan composition in 1969,it was really Viswanathan who booked him first for a Tamil film, namely , "Shanthi Nilayam" with the song "Iyarkai Ennum" recorded in 1969, but released later. Viswanathan introduced [[Jayachandran]] , the famous Malayalam singer to the Tamil films in Manippayal and used him for many more films in the 70's. [[K. J. Yesudas]] sang first for the duo for the film Kathalikka Neramillai in 1964. Ramamoorthy used him for his beautiful composition "Vasantha Kalam Varumo" in the film ''Marakka Mudiyuma'' in 1965 after the duo's break up. Viswanathan started using him many years later in the mid 70s at the insistence of M. G. Ramachandran resulting in Yesudas singing for him in many of Viswanathan's compositions. Their co-operation continued consequent on the success of these songs and then Viswanathan used Yesudas for the up-and-coming actors like Sivakumar, Kamalahasan, Vijaykumar , etc.


He has done playback singing for 500 songs composed by himself and has sung over 200 songs of composed by music directors like [[V. Kumar]], [[Shankar Ganesh]], [[Ilayaraaja]], [[Gangai Amaran]], [[Deva (music director)|Deva]], [[Bharathwaj]] and [[A. R. Rahman]]. M.S.Viswanathan has also scored music for many non-film albums and for political campaigns. MSV is the inspiration for music directors Shankar Ganesh, Ilayaraaja, Deva, V. Kumar, A.R.Rahman, Vidyasagar, Gangai Amaran, Bharathwaj and others.
He has done playback singing for 500 songs composed by himself and has sung over 200 songs of composed by music directors like [[V. Kumar]], [[Shankar Ganesh]], [[Ilayaraaja]], [[Gangai Amaran]], [[Deva (music director)|Deva]], [[Bharathwaj]] and [[A. R. Rahman]]. M.S.Viswanathan has also scored music for many non-film albums and for political campaigns. MSV is the inspiration for music directors Shankar Ganesh, Ilayaraaja, Deva, V. Kumar, A.R.Rahman, Vidyasagar, Gangai Amaran, Bharathwaj and others.

Revision as of 12:05, 15 June 2013

M.S.Viswanathan
M. S. Viswanathan
M. S. Viswanathan
Background information
Birth nameManayangath Subramanian Viswanathan
Also known asMSV
Born (1928-06-24) 24 June 1928 (age 96)
OriginPalakkad, Kerala, India
Occupation(s)Film score composer music director
Instrument(s)Vocals (playback singing), keyboard/harmonium/piano
Years active1945 to present
LabelsMellisai Mannar
Websitehttp://www.msvtimes.com

Manayangath Subramanian Viswanathan, also known as M.S.V.), is a Music Director from South India. He is popularly known as "Mellisai Mannar" (Tamil for "the King of Light Music"). He has composed for about 600 films that included mostly Tamil films and others from Malayalam, Kannada, and Telugu films.[2].Some of the Viswanathan Ramamoorthy Duo's compositions were adapted in Hindi films ,which were either remakes or dubbed versions of the original Tamil films.He has also acted and sung in a few Tamil films. J Jayalalithaa conferred the "Thirai Isai Chakravarthy" title on him in August 2012 [3] and presented with 60 gold coins and a new car to him.[4][5]

Viswanathan Ramamoorthy duo composed music for 90 Tamil films from the film Panam in 1952 till Ayirathil Oruvan in 1965.[6].

Thereafter M.S.Viswanathan on his own composed music close to 425 Tamil films and around 50 Telugu and Malayasia films. He reigned supreme in Tamil films from 1965 to 1978. He sang under his own composition over 500 songs and in addition sang 200 songs composed by other music directors. Ramamoorthy composed for only 19 films on his own after the break up in 1965 till 1986.

Early life

Viswanathan was born on 24 June 1928 to Manayangath Subramanian and Narayanikutty (or Naanikutty) in Elappully village in Palakkad, Kerala, India. He lost his father when he was four. He was saved by his grandfather when his mother decided to kill him and herself as an escape from abject poverty and lack of support. According to him,he even sold refreshments in a movie theater for a living in his childhood and learned music from Neelakanda Bhagavathar in the period 1933–1939 resulting in his first stage performance in Trivandrum when he was only 13 years old.

Career

Viswanathan Ramamoorthy As Partners (1952-1965)

T. K. Ramamoorthy was born into a famous musical family in Trichy and was a talented violinist since young.His father, Krishnaswamy Iyer and grandfather, Malaikottai Govindasamy Iyer were well known violinists in Trichy. Ramamoorthy gave several stage performances along with his father since his childhood days. C. R. Subburaman noted the young Ramamoorthy's talent and hired him as a violinist for HMV when he was only fourteen years old.[7] He later worked in Saraswathi Stores where AVM Studo's boss, Avichi Meiyappa Chettiar,was a partner – which lead him to play violin for AVM's music composer , R. Sudarsanam, in some films. During these days, he also became friendly with P.S.Diwakar ,the famous pianist cum music composer in the Malayala films and was staying with P.S.Diwakar while seeking opportunities. By this time, C. R. Subburaman, was a rising star in the South Indian film music world and Ramamoorthy rejoined him as one of his violinists in his musical troupe. There , he met T. G. Lingappa, another famed violinist. M.S Viswanathan joined this troupe later as a harmonium player in 1950.

M. S. Viswanathan had always wanted to be an actor and singer, but was not successful.He had done a few small roles in stage dramas in 1940's. The famous music composer in the 50s, T. R. Papa, who was a violinist for the doyen of the Tamil film music, S. V. Venkatraman when he met the young struggling Viswanathan, took a liking to him and arranged a job for him as an errand boy for S. V. Venkatraman's musical troupe. In that company of all musicians, Viswanathan realized that he had the inclination and the potential for composing music. He thereafter joined S. M. Subbaiah Naidu and at times assisted him. He then joined C. R. Subburaman as a Harmonium player where he met both T.K.Ramamoorthy and T. G. Lingappa , the two leading violinists at that time. T. G. Lingappa also became a renowned music composer on his own in the 1950s.

In 1952, C. R. Subburaman died unexpectedly in the midst of completing the background music for the films such as Devadas, Chandi Rani and Marumagal. Ramamoorthy and Viswanathan joined together and completed the background music for these films . During this time, M.S.Viswanathan also got an opportunity to be the third composer for the film Genova starring M.G.R with M.S.Gnanamani and T.K.Kalyanam, who were famous music composers then.

Both Ramamoorthy and Viswanathan always proudly name C.R.Subburaman as their Guru. M.S.Viswanathan has also mentioned that he was also inspired by the music of S.V.Venkatraman and T.R.Papa.

N. S. Krishnan who knew both M.S. Viswanathan and T.K.Ramamoorthy fairly intimately and also their respective talents by then, with foresight, suggested an alliance between them like Shankar Jaikishan in the North. T.K.Ramamoorthy, despite being an excellent musician with an orthodox carnatic musical background, was a shy, modest and reserved person whereas M. S. Viswanathan was naturally talented, charming, forward and dynamic although he lacked the similar background in Carnatic music. Ramamoorthy is older than Viswanathan by seven years, but placing of their names as Viswanathan-Ramamoorthy was agreed upon by both parties on the advice of N. S. Krishnan, who thereafter got the duo Viswanathan-Ramamoorthy their first chance to compose for the film Panam in 1953 which was produced by A.L.Seenivasan and directed by N. S. Krishnan himself.It was the second film for Sivaji Ganesan and the first film for the most successful pair in the history of Tamil Films – Sivaji Ganesan – Padmini who acted in 65 films together.During this time,Chithambaram C. S. Jayaraman, music comoposer and singer, also engaged the services of Viswanathan-Ramamoorthy duo for the film Raththa Kanneer to assist him for the background music though music for all the songs in Raththa Kanner were tuned by C.S.Jayaraman himself.It was a slow progress for the duo in the 50s , a period that boasted of many talented composers with the stalwart G.Ramanathan in the lead.After The duo were the highest paid composers and held the number one position in market together from 1961–1965.

However,right from the beginning, the duo displayed a flair for light sweet melodious music. The films like Porter Kanthan, Pasa Valai, Thennali Raman, Gulebahavali, Sugam Enge, Sorga Vasal, etc. in the 50s created a lot attention for them.In 1956, the duo composed for the Telugu film Santhosham,the Telugu adaptation of the Tamil film Velaikaari(story by C. N. Annadurai) with N. T. Rama Rao and Anjali Devi which was a big musical hit.This was reproduced in Hindi as Naya Aadmi with music by Madan Mohan who,impressed by the duo's music, suggested to retain some of the original tunes for the Hindi version.The Hindi song "Laut gaya gam ka zamana" sung by Lata Mangeshkar and Hemanta Kumar Mukhopadhyay in that film, copy of the duo's Telugu song "Teeyani eenati reyi" sung by P. Susheela and G. K. Venkatesh, was a big hit in the North.

Towards the latter part of the 50s, the duo were racing ahead with musical hits like Pudhayal,Nichchaya Thamboolam,Pathi Pakthi. ,Petra Mahanai Vitra Annai,Thalai Koduththaan Thambi, Mahane Kel,Pahappirivinai,etc.The winning combinations of the duo initially were mainly with the Directors T. R. Ramanna and A. Bhimsingh who produced some mega hits in the late 50s and early 60s – for which the duo composed excellent music and thereby reaching the No.1 slot in the early 60s. Then C. V. Sridhar, after his music composer A. M. Rajah fell out with him in 1961, engaged the duo for his films and many top hits followed. Major studios like Gemini, AVM, etc. were also to engage them later. Even B. R. Bhathulu, who always used T.G.Lingappa or G.Ramanathan in his films turned to the duo after the death of G. Ramanathan in 1963.Even the successful producers and directors like Madhavan , Trilokachandar (both previously assistants to C.V.Sridhar), Mukta V Srinivasan and K.Balachandar (alternatively to V. Kumar sometimes) chose the duo and later Viswanathan alone in their films. During this period, the duo also boasted of assistants of the stature of R. Govardhanam, G. K. Venkatesh, Shankar Ganesh and Henry Daniel. They also had Sathan for special voice and sound effects.

In 80's new directors like Visu, S.A.Chandrashekar collaborated with Viswanathan regularly.

On 16 June 1963, at a special function M. S. Viswanathan and T. K. Ramamoorthy were each given the title of Mellisai Mannar(Kings of the Light Music).[8] It was granted by Sivaji Ganesan at the Madras Triplicane Cultural Academy. The function was supported and facilitated by the Hindu Group of Publications, especially Mr. T. M. Ramachandran, Director C. V. Sridhar and Chitralaya Gobu.

But M. S. Viswanathan and T. K. Ramamoorthy split up after the release of Aayirathil Oruvan on 9 July 1965. Since then both had composed for films individually. Both T. R. Ramanna and A. Bhimsingh were saddened by this development , but still worked with both of them,but individually in different films they produced and directed – which showed that at that stage equal importance was given to both. Since then both had composed for films individually. All the assistants remained with Viswanathan, who, in his solo career, continued to achieve success as he did earlier and composed music for around 425 Tamil films, but Ramamoorthy as a solo music director could not achieve as much and gradually faded away. He composed for only 19 films from 1966–1986. Vishwanathan was most in demand and was the highest paid music director from 1965–1978.

After 29 years, they had rejoined in 1995 just once for the Sathyaraj starrer Tamil film Engirundho Vanthan.

The composer duo are given the credit in moulding the careers of singers especially that of singers, T. M. Soundararajan, P. B. Srinivas and L. R. Eswary who owe their success partially to the duo and in particular to M. S. Viswanathan as they were most regular singers with them. (T. M. Soundararajan was the all time favourite singer for Viswanathan).P. Susheela too owes a great deal to the duo as their main female singer.A. L. Raghavan and S. Janaki sang for them, but not so regularly. Jikki used to be their favourite before P. Susheela, but the duo was divided on A. M. Rajah. Ramamoorthy was keen to use him, but Viswanathan always resisted using him owing to personality conflict after the film Genova , with the result that A. M. Rajah sang only 5 songs, compositions being that of Ramamoorthy, even at the height of his career in the 50s. In their films, A. M. Rajah did not even give his voice to Gemini Ganesan, except for the film Pathi Pakthi. Their early years saw them also working with the already well established singers like M. L. Vasanthakumari, C. S. Jayaraman, Raavu Balasaraswathi, P. Leela, Jikki,M. S. Rajeswary, Jamuna Rani, S.C.Krishnan and Sirkazhi Govindarajan.The actor-singer's , T. R. Mahalingam, K. R. Ramasamy and J. P. Chandrababu also sang memorable songs for the duo. G. K. Venkatesh, Viswanathan's good friend and assistant, sang few but excellent songs for the duo.

M.S.Viswanthan as separate music director (1965-present)

A legendary perfectionist, he established a prolific career composing film music in the Tamil film industry.

M.S.Viswanathan's achievements range from introducing fresher melodies with changing trends, style and orchestration approaches to incorporating various genres of what is now called world music into Indian cinema music. Humming, Chorus, whistling were all incorporated swiftly in the songs composed by M.S.V without usage of advanced technology way back in 1950's to 1970's. Viswanathan continued to upgrade his music with new trends like western music and disco from the early 1970's till 1990's and blended them with Indian classical tunes.

Viswanathan during the late 70s and 80s chose mainly the young and up-and-coming singers , S. P. Balasubramaniam and Vani Jayaram giving them the much needed boost while continuing to work with P.Susheela, L.R.Eswari and T.M. Sounderarajan but to a lesser extent. Although S.P.Balasubramaniam shot to fame with the song "Ayiram Nilave Vaa" from "Adamai Penn " , a K. V. Mahadevan composition in 1969,it was really Viswanathan who booked him first for a Tamil film, namely , "Shanthi Nilayam" with the song "Iyarkai Ennum" recorded in 1969, but released later. Viswanathan introduced Jayachandran , the famous Malayalam singer to the Tamil films in Manippayal and used him for many more films in the 70's. K. J. Yesudas sang first for the duo for the film Kathalikka Neramillai in 1964. Ramamoorthy used him for his beautiful composition "Vasantha Kalam Varumo" in the film Marakka Mudiyuma in 1965 after the duo's break up. Viswanathan started using him many years later in the mid 70s at the insistence of M. G. Ramachandran resulting in Yesudas singing for him in many of Viswanathan's compositions. Their co-operation continued consequent on the success of these songs and then Viswanathan used Yesudas for the up-and-coming actors like Sivakumar, Kamalahasan, Vijaykumar , etc.

He has done playback singing for 500 songs composed by himself and has sung over 200 songs of composed by music directors like V. Kumar, Shankar Ganesh, Ilayaraaja, Gangai Amaran, Deva, Bharathwaj and A. R. Rahman. M.S.Viswanathan has also scored music for many non-film albums and for political campaigns. MSV is the inspiration for music directors Shankar Ganesh, Ilayaraaja, Deva, V. Kumar, A.R.Rahman, Vidyasagar, Gangai Amaran, Bharathwaj and others. His achievements also include appearances in numerous films and television series.M. S. Vishwanathan went on to act in a couple of Tamil feature films notably appearing in Kaadhal Mannan after being convinced to do so by actor Vivek, while he also starred in Kamal Haasan's Kaathala Kaathala and Karthik's Rojavanam.

He mainly teamed up with the well-known Tamil poet and lyricist Kannadasan in 1960's and 1970's and also with Vaali, but to a lesser extent. Viswanathan continued to belt out hit songs in 1970's till 1990's

Since late 1990's Viswanathan has focused on composing devotional music and serving as a judge in Malayalam TV reality shows. He has collaborated with Illaiyaraja in 'Mella Thiranthathu Kathathavu', 'Senthamizh Paatu' 'Vishwa Thulsi' and 'Senthamizh Selvan' starring Prashanth.

Personal

Viswanathan was married to Janaki and they had four sons and three daughters. His wife, Janaki, died on 14 May 2012.

He is known to have looked after his original Guru, S.M.Subbaiah Naidu, when the latter fell into financial difficulties and then continued to look after his wife until her death.

Awards

M. S. Viswanathan has won many awards include the following:

  • Honorary doctorate from Tirunelveli-based Manonmaniam Sundaranar University (MSU) on 3 January 2013[9]
  • Paramacharya Award, meaning 'The Ultimate Guru' in 2006.
  • Doctorate conferred by Sathyabama University in 2006.[10]
  • Madhavapeddi Satyam Award by Siva Foundation in 2005.
  • Won Gold Remi Award for the best music score for movie Vishwa Thulasi in 2005.
  • Life Time Achievement Award by Sangam Kala group in 2004.
  • Isai Sangam honoured him with Isai Peraringnar, meaning "Great Scholar in Music", in 2004.
  • Kalaimamani – A jewel for art – from State Govt of Tamil Nadu
  • Seventh Kamukura Award – given by Kerala Cultural Ministry.
  • WorldFest Houston (USA)
  • People and Media describe him as "University of Music".
  • Media gave him title "Mellisai Mannar" along with T.K. Rammoorthy, meaning "King of Light Music" or "Kind of melodies".
  • 'Sangeetha Saraswathi' by Poojya Sri Guruji Viswanath of Manava Seva Kendra.

Filmography

This is the filmography of M. S.Viswanathan according to the language and are arranged alphabetically.

Tamil films

  1. 47 Natkal, 2002
  2. Aadu Paambe, 1979
  3. Aalaya Deepam, 1984
  4. Aalayamani, 1962
  5. Aalukku Oru Veedu
  6. Aanandha Jothi, 1963
  7. Aanandhi, 1965
  8. Aandavan Kattalai, 1964
  9. Aaru Pushpangal, 1977
  10. Aasaikku Vayasillai
  11. Aasirvadham, 1972
  12. Aayiram Jenmangal', 1978
  13. Aayiratthil Oruvan
  14. Apoorva Raagangal, 1975
  15. Agni Pravesam
  16. Agni Satchi, 1982
  17. Akka, 1976
  18. Akkaraipachhai, 1974
  19. Alaigal, 1973
  20. Amarakaviyam
  21. Ammavum Neeye Appavum Neeye, 1985
  22. Amudha
  23. Anaya Vilakku
  24. Anbai Thedi
  25. Anbalippu, 1969
  26. Anbe Aaruyire
  27. Anbe Vaa, 1966
  28. Anbu Vazhi, 1968
  29. Anbukkor Annan, 1971
  30. Anbulla Atthan
  31. Andaman Kadali
  32. Andha Ezhu Natkal
  33. Annaiyum Pithavum
  34. Annan Oru Kovil
  35. Anu
  36. Anubhavam Pudumai, 1967
  37. Anubhavi Raja Anubhavi
  38. Arumbugal
  39. Atthai Maga
  40. Atthaiya Mamiya
  41. Aval Oru Thamizhachi, 1986
  42. Aval Oru Thodarkathai
  43. Aval Sumangalidhan
  44. Aval Thandha Uravu
  45. Avalukendru Oor Manam
  46. Avan Aval Adhu, 1980
  47. Avan Oru Sarithhiram
  48. Avanthan Manithan
  49. Avargal
  50. Azhaithhal Varuven
  51. Baagiya Lakshmi, 1961
  52. Babu
  53. Bagapirivinai
  54. Bagdad Perazhagi
  55. Baktha Markandeya, 1957
  56. Bale Pandiya
  57. Bama Rukmani
  58. Bhama Vijayam
  59. Bandha Pasam
  60. Bharatha Vilas
  61. Bhavani
  62. Billa
  63. Bombai Mail
  64. Brammacharigal, 1983
  65. Chandrodayam
  66. Chellakkili
  67. Chitra Pournami
  68. Chitthi
  69. Chittira Chevvanam
  70. Deiva Magal
  71. Deiva Thirumanangal
  72. Deivamagan
  73. Deivathaai
  74. Deiveegaragangal
  75. Devi Dharisanam
  76. Deviyin Thirumanam
  77. Deviyin Thiruvilayadal
  78. Dharmam Engey
  79. Dharmaraja
  80. Dheerga Sumangali
  81. Dhool Parakkudhu,
  82. Dikku Theriyadha Kattil
  83. Disai Mariya Paravaigal
  84. Gowry Kalyanam
  85. Dr. Siva
  86. Dravidan, 1989
  87. Edhir Kalam, 1970
  88. Eerikarai Poongaatre, 1990
  89. Elangeswaran, 1987
  90. Ellam Avale
  91. En Arumai Manaivi
  92. En Kelvikkenna Badhil
  93. En Magan
  94. En Thambi
  95. Enga Mama
  96. Enga Oor Kannagi
  97. Enga Oor Raja
  98. Enga Veettu Pillai 1965
  99. Engal Kula Deivam
  100. Engal Thai
  101. Engal Thangam
  102. Engal Vadhhiyar
  103. Engapappa
  104. Enginrundho Vandhal
  105. Engirundho Vandhan, 1995
  106. Enkadamai
  107. Enna Mudalali Sowkiyama
  108. Enna Thavam Seidhen
  109. Ennai Pol Oruvan
  110. Erattai Manidhan
  111. Erimalai
  112. Galatta Kalyanam
  113. Ganga Gowri
  114. Ganga Yamuna Kaveri
  115. Garuda Sowkiyama
  116. Gas Light Mangamma
  117. Gauravam
  118. Geetha Oru Shenbagappoo
  119. General Chakkaravarthi
  120. Gnana Oli
  121. Gnanaparavai, 1991
  122. Gowrikalyanam
  123. Grihapravesam
  124. Gulebagavali, 1955
  125. Hello Mr. Zamindar
  126. Hitler Vumanath
  127. Idhaya Malar
  128. Idhayathil Nee
  129. Idho Enthan Deivam
  130. Idhu Engga Naad
  131. Idhu Satthiyam
  132. Idhyakkani
  133. Ilakkiya Solai
  134. Ilaya Thalaimurai
  135. Ilayarani Rajalatchumi
  136. Imayam
  137. Indru Pol Endrum Vazhga
  138. Iraivan Kodutha Varam
  139. Iru Dhuruvam
  140. Iru Malargal
  141. Iru Medaigal
  142. Irumbu Pookkal
  143. Ivargal Vidhhiyasamanavargal
  144. Janani
  145. Jayagopi
  146. Jeeva Nadhi
  147. Jenova, 1954
  148. Jodi Sendhachhu, 1992
  149. Justice Gopinath
  150. Kaalam Badil Sollum
  151. Kaalam Marudhu
  152. Kaaviyathlaivi
  153. Kadhai Kadhaiyam Karanamaam
  154. Kaikoduttha Deivam
  155. Kalaikoyil
  156. Kalangarai Villakkam
  157. Kallum Kaniyagum
  158. Kalthoon
  159. Kama Sasthiram
  160. Kanavan
  161. Kanmani Poonga
  162. Kanmani Raja
  163. Kanna Nalama
  164. Kannan En Kadhalan
  165. Kanne Kaniyamudhe
  166. Kanne Pappa
  167. Kannippen
  168. Karnan
  169. Karpagam
  170. Karuppu Panam
  171. Kasethan Kadavulada
  172. Kaadhalikka Neramillai 1964
  173. Katthiruntha Kangal
  174. Kavalai Illatha Manithan
  175. Kavalkaran
  176. Keezhvaanam Sivakkum
  177. Kizhakkum Merkum Sandikkindrana
  178. Kodimalar
  179. Kootu Puzhukkal
  180. Kudi Irundha Koil
  181. Kudumba Gauravam, 1958
  182. Kudumbam Oru Kadambam, 1981
  183. Kulakozhundhu
  184. Kumarikottam
  185. Kumarippen
  186. Kungumam Kadai Solgiradhu
  187. Kuppathu Raja
  188. Kuzhandaiyum Deivamum
  189. Kuzhandhaikkaga
  190. Lakshmi Kalyanam
  191. Lalitha
  192. Lorry Driver Rajakannu
  193. Maadi Veetu Eazhai
  194. Maalai Itta Mangai
  195. Maalathi
  196. Maayandi
  197. Maduraiyai Meetta Sundarapandian
  198. Magalukkaga
  199. Magane Kel
  200. Magarasi Vazhga
  201. Mahadevi
  202. Mahalakshmi
  203. Mamiyar Vijayam
  204. Mamudhavalli, 1959
  205. Manakannakku
  206. Manal Kayiru
  207. Manappanndal
  208. Mangalavadhhiyam
  209. Manidharil Manikkam
  210. Manikandan Mahimai
  211. Manikka Thottil
  212. Manippayal
  213. Maniyosai
  214. Manmadha Leelai
  215. Mannadhi Mannan
  216. Mannavan Vandhanadi
  217. Marumagal, 1954
  218. Mayor Meenatchi
  219. Mazhalai Pattalam
  220. Meenatchi Thiruvilayadal
  221. Meenava Nanban
  222. Meendum Pallavi
  223. Meendum Vazhven
  224. Megathukkum Dagam Vundu
  225. Mella Thirandhathu Kadavu
  226. Mister Sampath
  227. Mohana Punnagai
  228. Mookkanankayiru
  229. Moondru Deivangal
  230. Moondru Mudichu
  231. Motor Sundaram Pillai
  232. Mridhanga Chakkravarthi
  233. Mohammad Bin Thuklak
  234. Mupperum Deviyar
  235. Murai Ponnu
  236. Mutthana Mutthallavo
  237. Naalai Namadhe
  238. Naalu Perukku Nandri
  239. Naam Pirandha Mann
  240. Naan Aanai Ittal
  241. Naan Avanillai
  242. Naan Kudhitthukonde Iruppen
  243. Naangu Suvargal
  244. Nadhi Ondru Karai Moondru
  245. Nadodi
  246. Nalla Mudivu
  247. Nambinar Keduvadhillai
  248. Namma Kuzhandaigal
  249. Namma Veethu Lakshmi
  250. Namnadu
  251. Navagraha Nayaki
  252. Nawab Naarkali
  253. Nee
  254. Nee Vazhavendum
  255. Needhi
  256. Needhikku Dhandanai
  257. Needhikku Thalai Vanangu
  258. Needhikkumun Neeya Naana
  259. Neela Malargal
  260. Neelakkadalin Orrathile
  261. Neelavanam
  262. Neenga Nalla Irukkanum
  263. Neerum Neruppum
  264. Neethibathi
  265. Neeyindri Naanillai
  266. Neeyum Naanum
  267. Nenjam Marappadhillai
  268. Nenjatthai Alli Thaa
  269. Nenjil Oor Alayam
  270. Nenjirukkumvarai
  271. Neram Nallayirukku
  272. Nermai
  273. Netru Indru Naalai
  274. Nichiya Thamboolam
  275. Nil Gavani Kadhali
  276. Nilave Malare
  277. Nilave Nee Satchi
  278. Nimirndhunil
  279. Ninaithadhai Mudippavan
  280. Ninaithale Inikkum
  281. Nizhal Nijamagiradhu
  282. Noolveli
  283. O Manju
  284. Odum Nadhi
  285. Oli Vilakku
  286. Om Saravana Bhava, 1997
  287. Ondru Pattal Undu Vazhavu
  288. Oomaithurai, 1988
  289. Oorukku Oru Pillai
  290. Oorukku Uzhaippavan
  291. Ooty Varai Oravu
  292. Ore Indiya Kanavu
  293. Ore Vaanam Ore Bhoomi
  294. Oru Kai Osai
  295. Oru Kodiyil Iru Malargal
  296. Oru Nadigai Nadagam Paarkiral
  297. Oru Thaai Makkal
  298. Oru Varisu Vuruvagiradhu
  299. Oru Veedu Oru Ulagam
  300. Oru Velladu Vengaiyagiradhu
  301. Paadha Kaanikkai
  302. Paadhukappu
  303. Paalkudam
  304. Paalum Pazhamum 1961
  305. Paar Magale Paar
  306. Paarthal Pasi Theerum
  307. Paasa Deepam
  308. Paasam
  309. Paasamalar
  310. Paasavalai, 1956
  311. Paattum Bharathamum
  312. Paavamannippu
  313. Pacchai Vilakku
  314. Padagotti
  315. Padithhal Mattum Podhuma
  316. Panakkara Kudumbam
  317. Panam Padaithavan
  318. Panam, 1952
  319. Panathottam
  320. Panatthukkaga
  321. Panjavarnakkili
  322. Parakkum Pavai
  323. Paritchaikku Neramachu
  324. Partha Gyabagam Illaiyo
  325. Pathi Bhakthi
  326. Pattam Padavi
  327. Patthini Deivam
  328. Patthinippen
  329. Pattikkada Pattanama
  330. Pattina Pravesam
  331. Payanam
  332. Pazhani
  333. Pen Endral Pen
  334. Pen Ondru Kanden
  335. Pennai Solli Kutramillai
  336. Periya Idatthu Pen
  337. Perum Pughazhum
  338. Perumaikkuriyaval
  339. Petralthan Pillaiya
  340. Petramaganai Vitra Annai
  341. Pillaiyo Pillai
  342. Pilot Premnath
  343. Poikkal Kudhirai
  344. Pokkiri Raja
  345. Police Police
  346. Policekaran Magal
  347. Polladhavan
  348. Pona Machhan Thirumbivanthan
  349. Ponoonjal
  350. Poojaikku Vandha Malar
  351. Pookkari
  352. Poova Thalaiya
  353. Porter Kandan
  354. Porter Ponnusami
  355. Praptham
  356. Pudhaiyal
  357. Pudhiya Bhoomi
  358. Pudiya Paravai
  359. Punidha Anthoniar
  360. Punnagai
  361. Punniya Bhoomi
  362. Punniyam Seidaval
  363. Puyal Kadandha Boomi
  364. Raaman Etthanai Ramanadi
  365. Raman Thediya Seethai
  366. Raanuva Veeran
  367. Ragasiya Police 115
  368. Raja
  369. Raja Malayasimhan
  370. Raja Nadai
  371. Raja Thandhiram
  372. Raja Veetu Kannukutti
  373. Rajapart Rangadurai
  374. Ramu
  375. Rani
  376. Rasatthi Kalyanam
  377. Rathhinapuri Ilavarasi
  378. Rattha Pasam
  379. Rikshawkaran
  380. Rojavin Raja
  381. Roshakkari
  382. Rudra Thandavam
  383. Saanthi Nilayam
  384. Samayalkaran
  385. Sandhadhi
  386. Sandhippu
  387. Sandirani, 1953
  388. Sange Muzhangu
  389. Sangili
  390. Sankar Salim Saiman
  391. Santhi
  392. Saranalayam
  393. Saritthira Nayagan
  394. Sattam Oru Vilayattu
  395. Satthiya Sundaram
  396. Saval
  397. Savale Samali
  398. Savithri
  399. School Master
  400. Seer Varisai
  401. Selvamagal
  402. Senthamarai
  403. Senthamizh Selvan, 1994
  404. Senthamizhpattu
  405. Sarvar Sundaram
  406. Sila Nerangalil Sila Manidhargal
  407. Silambu
  408. Silk Silk Silk
  409. Simla Special
  410. Sirai
  411. Siranjeevi
  412. Sirithu Vazhavendum
  413. Sivagangai Cheemai
  414. Sivakamiyin Selvan
  415. Sivandha Mann
  416. Sivappu Malargal
  417. Sivappu Sooriyan
  418. Sivappukal Mookuthhi
  419. Sollatthan Ninaikiren
  420. Sondham
  421. Soodhattam
  422. Sorga Vasal
  423. Sorgam
  424. Sri Ramajayam
  425. Sudandhira Nattin Adimaigal
  426. Sudarum Sooravaliyum
  427. Sugam Engey
  428. Sugamana Raagangal
  429. Sujatha
  430. Sumaithaangi
  431. Sumangali
  432. Sumathi En Sundari
  433. Suprabatham
  434. Suriya Gandhi
  435. Taxi Driver
  436. Thaai
  437. Thaai Pirandhal
  438. Thaai Veetu Seedhanam
  439. Thaali Dhanam
  440. Thaamarai Nenjam
  441. Thalai Kodutthan Thambi
  442. Thalaiprasavam
  443. Thambadhigal
  444. Thambathyam Oru Sangeetham
  445. Thanga Padhakkam
  446. Thanga Padhumai, 1960
  447. Thanga Rangan
  448. Thangadurai
  449. Thangai
  450. Thangaikkaga
  451. Thani Kudithhanam
  452. Thanneer Thanneer
  453. Thannga Kalasam
  454. Thappu Kanakku
  455. Tharasu
  456. Thattungal Thirakkapadum
  457. Thavapudhalvan
  458. Thedivandha Mappillai
  459. Thee
  460. Theerpu
  461. Thenaliraman
  462. Thendral Veesum
  463. Thenum Paalum
  464. Thillu Mullu
  465. Thirisoolam
  466. Thirudan
  467. Thirudi
  468. Thirumangalyam
  469. Thiruppam
  470. Thiruppangal
  471. Thiyagi
  472. Thunaivi
  473. Thunivey Thunai
  474. Ulagam Sutrum Valiban
  475. Unakkaga Naan
  476. Ungalil Orutthi
  477. Unmaigal
  478. Unmaiye Un Vilai Enna
  479. Unnai Vidamatten
  480. Urimaikural
  481. Uttharavindri Ulle Vaa
  482. Uzhaikkum Karangal
  483. Vaa Kanna Vaa
  484. Vaayadi
  485. Vaazhkai Padagu
  486. Vadai Malai
  487. Vaira Nenjam
  488. Vairamalai
  489. Valayal Chattham
  490. Vandikaran Magan
  491. Vannakathhukuriya Kadaliye
  492. Varam
  493. Varumaiyin Niram Sigappu
  494. Varuvan Vadivelan
  495. Vasantha Raagam
  496. Vasanthathil Oor Nal
  497. Vayasupponnu
  498. Vazahvu En Pakkam
  499. Vazhkai Vazhvadarke
  500. Vazhndhu Kattugiren
  501. Veeduvarai Uravu
  502. Veerathirumagan
  503. Veettuku Oru Pillai
  504. Veetukku Veedu
  505. Velli Radham
  506. Velundu Vinai Illai
  507. Vennira Aadai
  508. Vetri Vinayagar, 1996
  509. Vishwa Thulasi, 2004
  510. Viswaroopam
  511. Uyarntha Manithan
  512. Vuyira Manama
  513. Yamirukka Bayamen
  514. Yuddha Kaandam
  515. Thillu Mullu 2

Telugu films

  1. Praja Rajyam
  2. Santhosham
  3. Tenali Ramakrishna (1956)
  4. Baktha Markandeya
  5. Maa Gopi
  6. Raja Malayasimhan
  7. Intiki Deepam Illale
  8. Aasha Jeevulu
  9. Ammai Kaarisi
  10. Premalu Pellillu
  11. Anthuleni Katha (1976)
  12. Chilakamma Cheppindi (1977)
  13. Idi Katha Kaadu (1979)
  14. Aakali Rajyam (1981)
  15. Tholi Kodi Koosindi (1980)
  16. 47 Rojulu (1981)
  17. Maanasa Veena
  18. Simha Baludu
  19. Chatte Kaladi Chattaiya
  20. Samrat Asoka
  21. Triloka Sundari
  22. Maro Charithra (1978)
  23. Ramu
  24. Mahadevi
  25. Moratodu
  26. Kokilamma (1983)
  27. Laila
  28. Radhamma Kapuram (Alias Vichitra Pelli) (1990)
  29. Adavallaku Matrame (1994)

Malayalam films

  1. Janova
  2. Lanka Dahanam
  3. Manthrakodi
  4. Pani Theeratha Veedu
  5. Jesus
  6. Divya Darsanam
  7. Chandrakaantham
  8. Jeevikkan Marannupoya Sthree
  9. Babu Mon
  10. Ullasayathra
  11. Dharma Kshethre Kurukshethre
  12. Aval Oru Thudarkadha
  13. Panchami
  14. Ajayanum Vijayanum
  15. Yakshaganam
  16. Themmadi Velappan
  17. Rajayogam
  18. yakshaganam
  19. Kuttavum Sikshayum
  20. Hridayame Saakshi
  21. Ormakal Marikkumo
  22. Akshaya Pathram
  23. Rathi Manmadhan
  24. Amme Anupame
  25. Parivarthanam
  26. Sangamam
  27. Chila Nerangalil Chila Manushyar
  28. Madhurikkunna Rathri
  29. Randu Penkuttikal
  30. Sundarimarude Swapnangal
  31. Muhammadum Musthafayum
  32. Velluvili
  33. Snehathinte Mukhangal
  34. Itha Oru Manushyan
  35. Randilonnu
  36. Viswa Roopam
  37. Iniyum Kanam
  38. Indra Dhanussu
  39. Simhasanam
  40. Pathivrtha
  41. Venalil Oru Mazha
  42. Vadaka Veedu
  43. Oru Ragam Pala Thalam
  44. Jeevitham Oru Ganam
  45. Manikoya Kurup
  46. Ezham Kadalinakkare
  47. Lorry
  48. Theeram Thedunnavar
  49. Swarga Devatha
  50. Avan Oru Ahankari
  51. Kolilakkam
  52. Panchapandavar
  53. Jeevikkan Padikkanam
  54. Thirakal Ezhuthiya Kavitha
  55. Ankuram
  56. Marmaram
  57. Kaikeyi
  58. Sneha Bandhanam
  59. Ariyatha Vedhikal
  60. Minimol Vathikkanil
  61. Athirathram
  62. Thennal Thedunna Poovu
  63. Idanilangal
  64. Priyamvadakkoru Pranayageetham
  65. Amme Bhagavathi
  66. Bhagavan
  67. Ariyatha Bandham
  68. Samskaram
  69. Kai Ethum Doorathu (Old)
  70. Iyyer The Great
  71. Oliyambukal
  72. Veeralippattu
  73. Sthreekku Vendi Sthree
  74. Sabarimalayil Thanka Sooryodayam
  75. Amma Ammayiyamma
  76. Valkannezhuthi (Hold)

References

  1. ^ "Mellisai Mannar M S Viswanathan". Lakshman Sruthi. Retrieved 13 March 2012.
  2. ^ http://www.nowrunning.com/news/tamil/cm-honours-viswanathan-ramamurthi/55925/story.htm
  3. ^ http://chennaionline.com/movies/cine-buzz/20124830094809/Amma-confers-title-of-Thiraiyisai-Chakravarthy-on-legendary-MSV.col
  4. ^ http://newindianexpress.com/cities/chennai/article597851.ece
  5. ^ http://www.indianexpress.com/news/after-padma-snub-jaya-says-one-day-centre-will-listen/995707/
  6. ^ Vamanan, Mellisai Mannargal Paattu Payanam
  7. ^ "Music composer Ramamoorthy passes away". Deccanherald.com. DHNS. 17 April 2013. Retrieved 12 June 2013.
  8. ^ "Veteran Tamil film music composer T K Ramamurthy is no more". Indian Express. 17 April 2013. Retrieved 12 June 2013.
  9. ^ "Honorary doctorate for veteran musician M S Viswanathan". The Times Of India. TNN. 10 January 2013. Retrieved 12 June 2013.
  10. ^ "Tamil Nadu / Chennai News : Honorary doctorates for seven eminent personalities". The Hindu. 4 September 2006. Retrieved 13 March 2012.

External links

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