Tivadar Csontváry Kosztka: Difference between revisions
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[[Image:Csontvary-pecs2.jpg|left|thumb|Csontváry Museum, [[Pécs]]]] |
[[Image:Csontvary-pecs2.jpg|left|thumb|Csontváry Museum, [[Pécs]]]] |
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Csontváry was born on 5 July 1853 in [[Sabinov|Kisszeben]], [[Sáros County]], [[Kingdom of Hungary]] (today [[Sabinov]], [[Slovakia]]), and died 20 June 1919 in [[Budapest]]. His ancestors were [[Poles]] who settled down in Hungary.<ref>{{cite book |title= The Art quarterly|last=Valentiner|first= Wilhelm Reinhold|authorlink=Wilhelm Valentiner|coauthors= |year= 1965|volume=28|publisher= [[Detroit Institute of Arts]]|quote=Tivadar Kosztka — he was a descendant of old Polish aristocracy who settled in Hungary|location= |isbn= |page=247 |pages= |url= |accessdate=}} |
Csontváry was born on 5 July 1853 in [[Sabinov|Kisszeben]], [[Sáros County]], [[Kingdom of Hungary]] (today [[Sabinov]], [[Slovakia]]), and died 20 June 1919 in [[Budapest]]. His ancestors were [[Poles]] who settled down in Hungary.<ref>{{cite book |title= The Art quarterly|last=Valentiner|first= Wilhelm Reinhold|authorlink=Wilhelm Valentiner|coauthors= |year= 1965|volume=28|publisher= [[Detroit Institute of Arts]]|quote=Tivadar Kosztka — he was a descendant of old Polish aristocracy who settled in Hungary|location= |isbn= |page=247 |pages= |url= |accessdate=}}</ref> He was a [[pharmacist]] until his twenties. On a hot sunny afternoon, 13 October 1880, — when he was 27 years old — he experienced a mystic vision. He heard a voice saying ''"you will be the greatest sunway painter, greater than [[Raphael]]!"'' He took journeys around Europe, visited the galleries of the [[Vatican City|Vatican]], then went home to collect money for his journeys working as an [[apothecary]]. From 1890 onwards he traveled around the world. He visited [[Paris]], the Mediterraneum ([[Dalmatia]], [[Italy]], [[Greece]]), North Africa and the Middle East ([[Lebanon]], [[Palestine]], [[Egypt]], [[Syria]]) and painted pictures. |
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[[Image:Csontvary-pecs1.jpg|thumb|His statue in front of the Csontváry Museum, Pécs]] |
[[Image:Csontvary-pecs1.jpg|thumb|His statue in front of the Csontváry Museum, Pécs]] |
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He painted his major works between 1903 and 1909. He had some exhibitions in Paris (1907) and Western Europe. Most of the critics in Western Europe recognized his abilities, art and congeniality, but in [[Hungary]] during his life he was considered to be an eccentric [[Crank (person)|crank]] for several reasons, e. g. for his [[vegetarianism]], [[Teetotalism|anti-alcoholism]], [[Abstinence|anti-nicotinism]], [[pacifism]], his latent, but more and more apparent [[schizophrenia]] and his cloudy, [[prophet]]ic writings and pamphlets about his life (''Curriculum''), genius (''The Authority'', ''The Genius'') and religious philosophy (''The Positivum''). Even though later he was acclaimed, during his lifetime Csontváry's visionary, expressionistic style found little understanding. A loner by nature, the master's mental balance was upset by his “failure” impairing his creative power. Little did he know that some years after his death, an entire museum in [[Pécs]], Hungary, would be devoted to his paintings, and that worldwide appreciation of his works would be in constant ascendancy. Many painters, e.g. [[Pablo Picasso|Picasso]] added a stone to Csontváry's cairn. |
He painted his major works between 1903 and 1909. He had some exhibitions in Paris (1907) and Western Europe. Most of the critics in Western Europe recognized his abilities, art and congeniality, but in [[Hungary]] during his life he was considered to be an eccentric [[Crank (person)|crank]] for several reasons, e. g. for his [[vegetarianism]], [[Teetotalism|anti-alcoholism]], [[Abstinence|anti-nicotinism]], [[pacifism]], his latent, but more and more apparent [[schizophrenia]] and his cloudy, [[prophet]]ic writings and pamphlets about his life (''Curriculum''), genius (''The Authority'', ''The Genius'') and religious philosophy (''The Positivum''). Even though later he was acclaimed, during his lifetime Csontváry's visionary, expressionistic style found little understanding. A loner by nature, the master's mental balance was upset by his “failure” impairing his creative power. Little did he know that some years after his death, an entire museum in [[Pécs]], Hungary, would be devoted to his paintings, and that worldwide appreciation of his works would be in constant ascendancy. Many painters, e.g. [[Pablo Picasso|Picasso]] added a stone to Csontváry's cairn. |
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Revision as of 11:57, 2 August 2011
Tivadar Kosztka Csontváry (Hungarian pronunciation: [ˈtivɒdɒr ˈkostkɒ ˈt͡ʃontvaːri]; born 1853, Kisszeben, Kingdom of Hungary (currently Sabinov, Slovakia) - 1919) was a Hungarian[1] painter. He was one of the first Hungarian painters to become well-known in Europe.
Csontváry was born on 5 July 1853 in Kisszeben, Sáros County, Kingdom of Hungary (today Sabinov, Slovakia), and died 20 June 1919 in Budapest. His ancestors were Poles who settled down in Hungary.[2] He was a pharmacist until his twenties. On a hot sunny afternoon, 13 October 1880, — when he was 27 years old — he experienced a mystic vision. He heard a voice saying "you will be the greatest sunway painter, greater than Raphael!" He took journeys around Europe, visited the galleries of the Vatican, then went home to collect money for his journeys working as an apothecary. From 1890 onwards he traveled around the world. He visited Paris, the Mediterraneum (Dalmatia, Italy, Greece), North Africa and the Middle East (Lebanon, Palestine, Egypt, Syria) and painted pictures.
He painted his major works between 1903 and 1909. He had some exhibitions in Paris (1907) and Western Europe. Most of the critics in Western Europe recognized his abilities, art and congeniality, but in Hungary during his life he was considered to be an eccentric crank for several reasons, e. g. for his vegetarianism, anti-alcoholism, anti-nicotinism, pacifism, his latent, but more and more apparent schizophrenia and his cloudy, prophetic writings and pamphlets about his life (Curriculum), genius (The Authority, The Genius) and religious philosophy (The Positivum). Even though later he was acclaimed, during his lifetime Csontváry's visionary, expressionistic style found little understanding. A loner by nature, the master's mental balance was upset by his “failure” impairing his creative power. Little did he know that some years after his death, an entire museum in Pécs, Hungary, would be devoted to his paintings, and that worldwide appreciation of his works would be in constant ascendancy. Many painters, e.g. Picasso added a stone to Csontváry's cairn.
He painted more than one hundred pictures, the most famous and emblematic of which is probably Magányos cédrus (The Lonely Cedar). His art connects with post-impressionism and expressionism, but actually he was an autodidact and cannot be classified into an exact style — he regarded himself as one of the "sunway"-painters (this word was created by him). He was one of the most eccentric and most considerable Hungarian painters.
The Kieselbach galery from Budapest,Hungary sold on 15 December 2006 in an auction the most expensive Csontvary painting so far. The in 1902 painted "Meeting of the lovers" or "Randevú" was bought by an unknown customer for more than one million EUR.
A quote
- "I, Tivadar Kosztka , who gave up his prime of youth for the rebirth of the world, accepting the call of the invisible Spirit, had a regular civil job, comfort, wealth then (...) Going to Paris in 1907 I oppositely standed alone in front of millions with only the result of the divine providence, and I beat the vanity of the world hollow, but I haven't killed 10 million people, only sobered them, I haven't made commercials from things, because I didn't care for the pedlar's press; I retired from the world instead, going to the top of the Lebanons, and I painted cedars."
- T., Cs. K.: The Positivum.
References
- ^ Mansbach & V. West 1991, p. 101
- ^ Valentiner, Wilhelm Reinhold (1965). The Art quarterly. Vol. 28. Detroit Institute of Arts. p. 247.
Tivadar Kosztka — he was a descendant of old Polish aristocracy who settled in Hungary
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Sources
- Mansbach, Steven A.; V. West, Richard (1991). Standing in the tempest: painters of the Hungarian avant-garde, 1908-1930. Santa Barbara Museum of Art. ISBN 9780262132749.
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External links
