Transcendental Wild Oats: Difference between revisions
SimLibrarian (talk | contribs) Changing short description from "American satire" to "1873 work by Louisa May Alcott" |
SimLibrarian (talk | contribs) |
||
Line 4: | Line 4: | ||
'''''Transcendental Wild Oats: A Chapter from an Unwritten Romance''''' is a prose [[satire]] written by [[Louisa May Alcott]], about her family's involvement with the [[Transcendentalism|Transcendentalist]] community [[Fruitlands (transcendental center)|Fruitlands]]<ref>Richard Francis, ''Transcendental Utopias: Individual and Community at Brook Farm, Fruitlands, and Walden'', Ithaca, NY, Cornell University Press, 1997.</ref> in the early 1840s. The work was first published in a New York newspaper in 1873,<ref>''The Independent'', Vol. 25 No. 1307, 18 December 1873, pp. 1569-71.</ref> and reprinted in 1874,<ref>''The Woman's Journal'', Vol. 5 No. 8, 21 February 1874.</ref> 1876,<ref>''Silver Pitchers, Laurel Leaves: Original Poems, Stories, and Essays'', Boston, William Gill, 1876.</ref> and 1915<ref>Clara Endicott, ed., ''Bronson Alcott's Fruitlands'', Boston, Houghton Mifflin, 1915.</ref> and after. |
'''''Transcendental Wild Oats: A Chapter from an Unwritten Romance''''' is a prose [[satire]] written by [[Louisa May Alcott]], about her family's involvement with the [[Transcendentalism|Transcendentalist]] community [[Fruitlands (transcendental center)|Fruitlands]]<ref>Richard Francis, ''Transcendental Utopias: Individual and Community at Brook Farm, Fruitlands, and Walden'', Ithaca, NY, Cornell University Press, 1997.</ref> in the early 1840s. The work was first published in a New York newspaper in 1873,<ref>''The Independent'', Vol. 25 No. 1307, 18 December 1873, pp. 1569-71.</ref> and reprinted in 1874,<ref>''The Woman's Journal'', Vol. 5 No. 8, 21 February 1874.</ref> 1876,<ref>''Silver Pitchers, Laurel Leaves: Original Poems, Stories, and Essays'', Boston, William Gill, 1876.</ref> and 1915<ref>Clara Endicott, ed., ''Bronson Alcott's Fruitlands'', Boston, Houghton Mifflin, 1915.</ref> and after. |
||
In her account, Alcott provides the real people involved with thin pseudonymous disguises. Her father [[Amos Bronson Alcott]] is "Abel Lamb |
In her account, Alcott provides the real people involved with thin pseudonymous disguises. Her father [[Amos Bronson Alcott]] is "Abel Lamb", while his partner and community co-founder [[Charles Lane (transcendentalist)|Charles Lane]] is "Timon Lion"; [[Abby May|Abigail May Alcott]], Louisa's mother and Bronson's wife, is "Sister Hope". Alcott depicts her father as dominated by his more forceful partner, and both men as feckless and impractical dreamers. The men of the community spend their time in pointless debates while Sister Hope works from dawn to dusk to maintain their existence. |
||
A crisis arises at harvest time, when the grain crop is threatened by an approaching storm. In Alcott's words, "About the time the grain was ready to house, some call of the [[Over-soul|Oversoul]] wafted all the men away."<ref>"Transcendental Wild Oats," 1915 edition, p. 67.</ref> Sister Hope organizes the only available help, three little girls and a boy, and manages to save the crop. |
A crisis arises at harvest time, when the grain crop is threatened by an approaching storm. In Alcott's words, "About the time the grain was ready to house, some call of the [[Over-soul|Oversoul]] wafted all the men away."<ref>"Transcendental Wild Oats," 1915 edition, p. 67.</ref> Sister Hope organizes the only available help, three little girls and a boy, and manages to save the crop. |
||
The little community collapses as soon as the weather turns cold, when it becomes clear that their provisions are too meager to last the coming winter. Timon Lion and his son abscond to join the [[Shakers]] |
The little community collapses as soon as the weather turns cold, when it becomes clear that their provisions are too meager to last the coming winter. Timon Lion and his son abscond to join the [[Shakers]]—though Timon is unhappy to learn that life among them is "all work and no play." Abel is crushed by the failure of the enterprise; after days of despair he begins to eat again only when he realizes that his family needs him. Sister Hope finds a way for them to subsist and persevere.<ref>Nan Bowman Albinski, "Utopia Reconsidered: Women Novelists and Nineteenth-Century Utopian Visions," ''Signs'', Vol. 13 No. 4 (Summer 1988); pp. 830-41; see pp. 837-8.</ref> |
||
Alcott's view of male arrogance and female exploitation in this piece is paralleled in her novel ''[[Work: A Story of Experience|Work]]'', published in the same year as ''Transcendental Wild Oats''. |
Alcott's view of male arrogance and female exploitation in this piece is paralleled in her novel ''[[Work: A Story of Experience|Work]]'', published in the same year as ''Transcendental Wild Oats''. |
Latest revision as of 06:11, 21 April 2024
Transcendental Wild Oats: A Chapter from an Unwritten Romance is a prose satire written by Louisa May Alcott, about her family's involvement with the Transcendentalist community Fruitlands[1] in the early 1840s. The work was first published in a New York newspaper in 1873,[2] and reprinted in 1874,[3] 1876,[4] and 1915[5] and after.
In her account, Alcott provides the real people involved with thin pseudonymous disguises. Her father Amos Bronson Alcott is "Abel Lamb", while his partner and community co-founder Charles Lane is "Timon Lion"; Abigail May Alcott, Louisa's mother and Bronson's wife, is "Sister Hope". Alcott depicts her father as dominated by his more forceful partner, and both men as feckless and impractical dreamers. The men of the community spend their time in pointless debates while Sister Hope works from dawn to dusk to maintain their existence.
A crisis arises at harvest time, when the grain crop is threatened by an approaching storm. In Alcott's words, "About the time the grain was ready to house, some call of the Oversoul wafted all the men away."[6] Sister Hope organizes the only available help, three little girls and a boy, and manages to save the crop.
The little community collapses as soon as the weather turns cold, when it becomes clear that their provisions are too meager to last the coming winter. Timon Lion and his son abscond to join the Shakers—though Timon is unhappy to learn that life among them is "all work and no play." Abel is crushed by the failure of the enterprise; after days of despair he begins to eat again only when he realizes that his family needs him. Sister Hope finds a way for them to subsist and persevere.[7]
Alcott's view of male arrogance and female exploitation in this piece is paralleled in her novel Work, published in the same year as Transcendental Wild Oats.
Transcendental Wild Oats has been reprinted in several modern editions.[8]
References
[edit]- ^ Richard Francis, Transcendental Utopias: Individual and Community at Brook Farm, Fruitlands, and Walden, Ithaca, NY, Cornell University Press, 1997.
- ^ The Independent, Vol. 25 No. 1307, 18 December 1873, pp. 1569-71.
- ^ The Woman's Journal, Vol. 5 No. 8, 21 February 1874.
- ^ Silver Pitchers, Laurel Leaves: Original Poems, Stories, and Essays, Boston, William Gill, 1876.
- ^ Clara Endicott, ed., Bronson Alcott's Fruitlands, Boston, Houghton Mifflin, 1915.
- ^ "Transcendental Wild Oats," 1915 edition, p. 67.
- ^ Nan Bowman Albinski, "Utopia Reconsidered: Women Novelists and Nineteenth-Century Utopian Visions," Signs, Vol. 13 No. 4 (Summer 1988); pp. 830-41; see pp. 837-8.
- ^ Including: Louisa May Alcott, Transcendental Wild Oats: And Excerpts from the Fruitlands Diary, Boston, Harvard Common Press, 1975; and: Joan M. Jensen, ed., With These Hands: Women Working on the Land, New York, Feminist Press, 1980; pp. 49-54.