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Line 64: | Line 64: | ||
| The Burial of the Sardine |
| The Burial of the Sardine |
||
| 1812<br/>19th century |
| 1812<br/>19th century |
||
| [[Real Academia de Bellas Artes de San Fernando]] |
| [[Real Academia de Bellas Artes de San Fernando|Royal Academy of Fine Arts of San Fernando]] |
||
|- |
|- |
||
| [[File:Retrato de la Marquesa de Santa Cruz.jpg|center|100px]] |
| [[File:Retrato de la Marquesa de Santa Cruz.jpg|center|100px]] |
||
Line 103: | Line 103: | ||
| [[File:Portrait of Doña Isabel de Porcel by Francisco Goya.jpg|center|100px]] |
| [[File:Portrait of Doña Isabel de Porcel by Francisco Goya.jpg|center|100px]] |
||
| Portrait of Doña Isabel de Porcel |
| Portrait of Doña Isabel de Porcel |
||
| |
| 180s |
||
| [[National Gallery]] |
| [[National Gallery]] |
||
|- |
|- |
||
Line 139: | Line 139: | ||
| The Clothed Maja |
| The Clothed Maja |
||
| 1800 |
| 1800 |
||
| [[Museo del Prado]]<br/>[[Real Academia de Bellas Artes de San Fernando]] |
| [[Museo del Prado]]<br/>[[Real Academia de Bellas Artes de San Fernando|Royal Academy of Fine Arts of San Fernando]] |
||
|- |
|- |
||
| [[File:GOYA - El aquelarre (Museo Lázaro Galdiano, Madrid, 1797-98).jpg|center|100px]] |
| [[File:GOYA - El aquelarre (Museo Lázaro Galdiano, Madrid, 1797-98).jpg|center|100px]] |
||
| Witches' Sabbath |
| Witches' Sabbath |
||
| 1798 |
| 1798 |
||
| [[Lázaro Galdiano Museum |
| [[Lázaro Galdiano Museum]] |
||
|- |
|- |
||
| [[File:Francisco Goya Self-Portrait with Dr Arrieta MIA 5214.jpg|center|100px]] |
| [[File:Francisco Goya Self-Portrait with Dr Arrieta MIA 5214.jpg|center|100px]] |
||
Line 169: | Line 169: | ||
| La Tirana |
| La Tirana |
||
| 1799 |
| 1799 |
||
| [[Real Academia de Bellas Artes de San Fernando]] |
| [[Real Academia de Bellas Artes de San Fernando|Royal Academy of Fine Arts of San Fernando]] |
||
|- |
|- |
||
| [[File:El dos de mayo de 1808 en Madrid.jpg|center|100px]] |
| [[File:El dos de mayo de 1808 en Madrid.jpg|center|100px]] |
||
Line 179: | Line 179: | ||
| Don Manuel Osorio de Zuniga |
| Don Manuel Osorio de Zuniga |
||
| 1787 |
| 1787 |
||
| [[Metropolitan Museum of Art]] |
| [[Metropolitan Museum of Art]]<br/>[[European Paintings]] |
||
|- |
|- |
||
| [[File:La novillada.jpg|center|100px]] |
| [[File:La novillada.jpg|center|100px]] |
||
Line 194: | Line 194: | ||
| Majas on a Balcony |
| Majas on a Balcony |
||
| 1808 |
| 1808 |
||
| [[Metropolitan Museum of Art]] |
| [[Metropolitan Museum of Art]]<br/>[[European Paintings]] |
||
|- |
|- |
||
| [[File:La nevada, Francisco de Goya.jpg|center|100px]] |
| [[File:La nevada, Francisco de Goya.jpg|center|100px]] |
||
Line 257: | Line 257: | ||
|- |
|- |
||
| [[File:La pradera de San Isidro de Goya.jpg|center|100px]] |
| [[File:La pradera de San Isidro de Goya.jpg|center|100px]] |
||
| |
| The Meadow of San Isidro |
||
| 1788 |
| 1788 |
||
| [[Museo del Prado]] |
| [[Museo del Prado]] |
||
Line 264: | Line 264: | ||
| The Inquisition Tribunal |
| The Inquisition Tribunal |
||
| 1812 |
| 1812 |
||
| [[Real Academia de Bellas Artes de San Fernando]] |
| [[Real Academia de Bellas Artes de San Fernando|Royal Academy of Fine Arts of San Fernando]] |
||
|- |
|- |
||
| [[File:Francisco de Goya, The Bewitched Man.JPG|center|100px]] |
| [[File:Francisco de Goya, The Bewitched Man.JPG|center|100px]] |
||
Line 282: | Line 282: | ||
|- |
|- |
||
| [[File:Aníbal vencedor que por primera vez mira Italia desde los Alpes - Francisco Goya.jpg|center|100px]] |
| [[File:Aníbal vencedor que por primera vez mira Italia desde los Alpes - Francisco Goya.jpg|center|100px]] |
||
| The Victorious Hannibal Seeing Italy from the Alps for the First Time |
|||
| Aníbal vencedor contempla por primera vez Italia desde los Alpes |
|||
| 1770 |
| 1770 |
||
| [[Museo del Prado]] |
| [[Museo del Prado]] |
||
Line 289: | Line 289: | ||
| Self-portrait in the Studio |
| Self-portrait in the Studio |
||
| 1790 |
| 1790 |
||
| [[Real Academia de Bellas Artes de San Fernando]] |
| [[Real Academia de Bellas Artes de San Fernando|Royal Academy of Fine Arts of San Fernando]] |
||
|- |
|- |
||
| [[File:La familia del infante don Luis.jpg|center|100px]] |
| [[File:La familia del infante don Luis.jpg|center|100px]] |
||
Line 329: | Line 329: | ||
| A Procession of Flagellants |
| A Procession of Flagellants |
||
| 1812 |
| 1812 |
||
| [[Real Academia de Bellas Artes de San Fernando]] |
| [[Real Academia de Bellas Artes de San Fernando|Royal Academy of Fine Arts of San Fernando]] |
||
|- |
|- |
||
| [[File:Francisco de Goya y Lucientes - Manola (La Leocadia) - WGA10107.jpg|center|100px]] |
| [[File:Francisco de Goya y Lucientes - Manola (La Leocadia) - WGA10107.jpg|center|100px]] |
||
Line 347: | Line 347: | ||
|- |
|- |
||
| [[File:Goya - Die Weinlese - 1786.jpeg|center|100px]] |
| [[File:Goya - Die Weinlese - 1786.jpeg|center|100px]] |
||
| The Grape Harvest |
|||
| Vintage |
|||
| 1786 |
| 1786 |
||
| [[Museo del Prado]] |
| [[Museo del Prado]] |
||
Line 412: | Line 412: | ||
|- |
|- |
||
| [[File:El columpio.jpg|center|100px]] |
| [[File:El columpio.jpg|center|100px]] |
||
| The Swing |
| The Swing |
||
| 1779 |
| 1779 |
||
| [[Museo del Prado]] |
| [[Museo del Prado]] |
||
Line 422: | Line 422: | ||
|- |
|- |
||
| [[File:Majo de la guitarra.jpg|center|100px]] |
| [[File:Majo de la guitarra.jpg|center|100px]] |
||
| Majo with a Guitar |
|||
| the guitar guy |
|||
| 1779 |
| 1779 |
||
| [[Museo del Prado]] |
| [[Museo del Prado]] |
||
Line 529: | Line 529: | ||
| The Threshing Floor |
| The Threshing Floor |
||
| 1786 |
| 1786 |
||
| [[Lázaro Galdiano Museum |
| [[Lázaro Galdiano Museum]] |
||
|- |
|- |
||
| [[File:Las lavanderas.jpg|center|100px]] |
| [[File:Las lavanderas.jpg|center|100px]] |
||
Line 576: | Line 576: | ||
| [[Museo del Prado]] |
| [[Museo del Prado]] |
||
|- |
|- |
||
| [[File:Niños del carretón.jpg|center|100px]] |
| [[File:Niños del carretón de Francisco Goya.jpg|center|100px]] |
||
| Children with a Cart |
| Children with a Cart |
||
| 1779 |
| 1779 |
||
Line 632: | Line 632: | ||
|- |
|- |
||
| [[File:Las gigantillas.jpg|center|100px]] |
| [[File:Las gigantillas.jpg|center|100px]] |
||
| The Game of Horse and Rider |
|||
| Las gigantillas |
|||
| 1791 |
| 1791 |
||
| [[Museo del Prado]] |
| [[Museo del Prado]] |
||
Line 684: | Line 684: | ||
| The Madhouse |
| The Madhouse |
||
| 1814 |
| 1814 |
||
| [[Real Academia de Bellas Artes de San Fernando]] |
| [[Real Academia de Bellas Artes de San Fernando|Royal Academy of Fine Arts of San Fernando]] |
||
|- |
|- |
||
| [[File:Cazador cargando su escopeta (restaurado) Francisco Goya.jpg|center|100px]] |
| [[File:Cazador cargando su escopeta (restaurado) Francisco Goya.jpg|center|100px]] |
||
Line 727: | Line 727: | ||
|- |
|- |
||
| [[File:La cometa.jpg|center|100px]] |
| [[File:La cometa.jpg|center|100px]] |
||
| |
| The Kite |
||
| 1778<br/>170s |
| 1778<br/>170s |
||
| [[Museo del Prado]] |
| [[Museo del Prado]] |
||
Line 749: | Line 749: | ||
| Portrait of Manuel Godoy |
| Portrait of Manuel Godoy |
||
| 1801 |
| 1801 |
||
| [[Real Academia de Bellas Artes de San Fernando]] |
| [[Real Academia de Bellas Artes de San Fernando|Royal Academy of Fine Arts of San Fernando]] |
||
|- |
|- |
||
| [[File:Triple generacion.jpg|center|100px]] |
| [[File:Triple generacion.jpg|center|100px]] |
||
Line 789: | Line 789: | ||
| Portrait of Sebastián Martínez y Pérez |
| Portrait of Sebastián Martínez y Pérez |
||
| 1792 |
| 1792 |
||
| [[Metropolitan Museum of Art]] |
| [[Metropolitan Museum of Art]]<br/>[[European Paintings]] |
||
|- |
|- |
||
| [[File:Maria Luisa de Parma con tontillo.jpg|center|100px]] |
| [[File:Maria Luisa de Parma con tontillo.jpg|center|100px]] |
||
Line 844: | Line 844: | ||
| Portrait of Charles IV of Spain |
| Portrait of Charles IV of Spain |
||
| 1789 |
| 1789 |
||
| [[ |
| [[Royal Academy of History]] |
||
|- |
|- |
||
| [[File:The Letter or the Young by Goya.jpg|center|100px]] |
| [[File:The Letter or the Young by Goya.jpg|center|100px]] |
||
Line 859: | Line 859: | ||
| Still life with fruit, bottles, breads |
| Still life with fruit, bottles, breads |
||
| 180s |
| 180s |
||
| [[Am Römerholz| |
| [[Am Römerholz|Museum collection Am Römerholz]] |
||
|- |
|- |
||
| [[File:Bodegón con costillas y cabeza de cordero por Francisco de Goya.jpg|center|100px]] |
| [[File:Bodegón con costillas y cabeza de cordero por Francisco de Goya.jpg|center|100px]] |
||
Line 879: | Line 879: | ||
| Still Life with Three Salmon Slices |
| Still Life with Three Salmon Slices |
||
| 18th century |
| 18th century |
||
| [[Am Römerholz| |
| [[Am Römerholz|Museum collection Am Römerholz]] |
||
|- |
|- |
||
| [[File:Aves muertas por Francisco de Goya.jpg|center|100px]] |
| [[File:Aves muertas por Francisco de Goya.jpg|center|100px]] |
||
Line 951: | Line 951: | ||
| [[Museo del Prado]] |
| [[Museo del Prado]] |
||
|- |
|- |
||
| [[File: |
| [[File:Francisco de Goya y Lucientes - Portrait of María Teresa de Vallabriga on Horseback - WGA9990.jpg|center|100px]] |
||
| Portrait of María Teresa de Vallabriga on Horseback |
| Portrait of María Teresa de Vallabriga on Horseback |
||
| 1783 |
| 1783 |
||
Line 1,000: | Line 1,000: | ||
| 1792<br/>170s |
| 1792<br/>170s |
||
| [[Museo del Prado]] |
| [[Museo del Prado]] |
||
|- |
|||
| [[File:Francisco de Goya y Lucientes - Portrait of Antonia Zárate - WGA10053.jpg|center|100px]] |
|||
| Portrait of Doña Antonia Zárate |
|||
| 1805 |
|||
| [[National Gallery of Ireland]] |
|||
|- |
|- |
||
| [[File:La conducción de un sillar, por Francisco de Goya.jpg|center|100px]] |
| [[File:La conducción de un sillar, por Francisco de Goya.jpg|center|100px]] |
||
Line 1,032: | Line 1,037: | ||
|- |
|- |
||
| [[File:The Count of Floridablanca by Francisco Goya.jpg|center|100px]] |
| [[File:The Count of Floridablanca by Francisco Goya.jpg|center|100px]] |
||
| |
| The Count of Floridablanca |
||
| 1783 |
| 1783 |
||
| No/unknown value |
| No/unknown value |
||
Line 1,059: | Line 1,064: | ||
| Leandro Fernández de Moratín |
| Leandro Fernández de Moratín |
||
| 1799 |
| 1799 |
||
| [[Real Academia de Bellas Artes de San Fernando]] |
| [[Real Academia de Bellas Artes de San Fernando|Royal Academy of Fine Arts of San Fernando]] |
||
|- |
|- |
||
| [[File:Manuel Silvela.jpg|center|100px]] |
| [[File:Manuel Silvela.jpg|center|100px]] |
||
Line 1,074: | Line 1,079: | ||
| Portrait of Jose de La Canal |
| Portrait of Jose de La Canal |
||
| 1808 |
| 1808 |
||
| [[Lázaro Galdiano Museum |
| [[Lázaro Galdiano Museum]] |
||
|- |
|- |
||
| [[File:Portret van Don Ramón Satué Rijksmuseum SK-A-2963.jpeg|center|100px]] |
| [[File:Portret van Don Ramón Satué Rijksmuseum SK-A-2963.jpeg|center|100px]] |
||
Line 1,084: | Line 1,089: | ||
| A Village Bullfight |
| A Village Bullfight |
||
| 1815 |
| 1815 |
||
| [[Real Academia de Bellas Artes de San Fernando]] |
| [[Real Academia de Bellas Artes de San Fernando|Royal Academy of Fine Arts of San Fernando]] |
||
|- |
|- |
||
| [[File:Muchachos cazando con mochuelo (Goya).jpg|center|100px]] |
| [[File:Muchachos cazando con mochuelo (Goya).jpg|center|100px]] |
||
Line 1,129: | Line 1,134: | ||
| Bullfight in a Divided Ring |
| Bullfight in a Divided Ring |
||
| 1816 |
| 1816 |
||
| [[Metropolitan Museum of Art]] |
| [[Metropolitan Museum of Art]]<br/>[[European Paintings]] |
||
|- |
|- |
||
| [[File:Fabricación de balas en la Sierra de Tardienta por Goya.jpg|center|100px]] |
| [[File:Fabricación de balas en la Sierra de Tardienta por Goya.jpg|center|100px]] |
||
Line 1,154: | Line 1,159: | ||
| Equestrian portrait of Ferdinand VII |
| Equestrian portrait of Ferdinand VII |
||
| 1808 |
| 1808 |
||
| [[Real Academia de Bellas Artes de San Fernando]] |
| [[Real Academia de Bellas Artes de San Fernando|Royal Academy of Fine Arts of San Fernando]] |
||
|- |
|- |
||
| [[File:Francisco de Goya y Lucientes - Gaspar Melchor de Jovellanos.jpg|center|100px]] |
| [[File:Francisco de Goya y Lucientes - Gaspar Melchor de Jovellanos.jpg|center|100px]] |
||
Line 1,284: | Line 1,289: | ||
| Queen María Luisa |
| Queen María Luisa |
||
| 1789 |
| 1789 |
||
| [[ |
| [[Royal Academy of History]] |
||
|- |
|- |
||
| [[File:Francisco de Goya - Un Oficial, c.1804 (Frick Collection).jpg|center|100px]] |
| [[File:Francisco de Goya - Un Oficial, c.1804 (Frick Collection).jpg|center|100px]] |
||
Line 1,299: | Line 1,304: | ||
| Ferdinand VII (1784–1833), Prince of Asturias |
| Ferdinand VII (1784–1833), Prince of Asturias |
||
| 1800 |
| 1800 |
||
| [[Metropolitan Museum of Art]] |
| [[Metropolitan Museum of Art]]<br/>[[European Paintings]] |
||
|- |
|- |
||
| [[File:Tiburcio Pérez y Cuervo (1785-86–1841), the Architect MET DP295718.jpg|center|100px]] |
| [[File:Tiburcio Pérez y Cuervo (1785-86–1841), the Architect MET DP295718.jpg|center|100px]] |
||
| Portrait of Tiburcio Pérez y Cuervo, the Architect |
| Portrait of Tiburcio Pérez y Cuervo, the Architect |
||
| 1820 |
| 1820 |
||
| [[Metropolitan Museum of Art]] |
| [[Metropolitan Museum of Art]]<br/>[[European Paintings]] |
||
|- |
|- |
||
| [[File:José Costa y Bonells (died l870), Called Pepito MET DP123853.jpg|center|100px]] |
| [[File:José Costa y Bonells (died l870), Called Pepito MET DP123853.jpg|center|100px]] |
||
| José Costa y Bonells, Called Pepito |
| José Costa y Bonells, Called Pepito |
||
| 1800 |
| 1800 |
||
| [[Metropolitan Museum of Art]] |
| [[Metropolitan Museum of Art]]<br/>[[European Paintings]] |
||
|- |
|- |
||
| [[File:Portrait of Narcisa Barañana de Goicoechea by Goya.jpg|center|100px]] |
| [[File:Portrait of Narcisa Barañana de Goicoechea by Goya.jpg|center|100px]] |
||
| Narcisa Barañana de Goicoechea |
| Narcisa Barañana de Goicoechea |
||
| 1815 |
| 1815 |
||
| [[Metropolitan Museum of Art]] |
| [[Metropolitan Museum of Art]]<br/>[[European Paintings]] |
||
|- |
|- |
||
| [[File:Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850) MET DT11823.jpg|center|100px]] |
| [[File:Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850) MET DT11823.jpg|center|100px]] |
||
| Portrait of Josefa de Castilla Portugal y van Asbrock de Garcini |
| Portrait of Josefa de Castilla Portugal y van Asbrock de Garcini |
||
| 1804 |
| 1804 |
||
| [[Metropolitan Museum of Art]] |
| [[Metropolitan Museum of Art]]<br/>[[European Paintings]] |
||
|- |
|- |
||
| [[File:Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers MET DT11822.jpg|center|100px]] |
| [[File:Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers MET DT11822.jpg|center|100px]] |
||
| Portrait of Ignacio Garcini y Queralt |
| Portrait of Ignacio Garcini y Queralt |
||
| 1804 |
| 1804 |
||
| [[Metropolitan Museum of Art]] |
| [[Metropolitan Museum of Art]]<br/>[[European Paintings]] |
||
|- |
|- |
||
| [[File:Augustin Estève (copia da Francisco Goya) - Ritratto di Carlo IV, re di Spagna.jpg|center|100px]] |
| [[File:Augustin Estève (copia da Francisco Goya) - Ritratto di Carlo IV, re di Spagna.jpg|center|100px]] |
||
Line 1,516: | Line 1,521: | ||
| [[Museo del Prado]] |
| [[Museo del Prado]] |
||
|- |
|- |
||
| [[File: |
| [[File:Goya - Sagrada Familia, Hacia 1787, P007857.jpg|center|100px]] |
||
| The Holy Family |
| The Holy Family |
||
| |
| 1787 |
||
| [[Museo del Prado]] |
| [[Museo del Prado]] |
||
|- |
|- |
||
Line 1,733: | Line 1,738: | ||
| [[File:Francisco José de Goya y Lucientes - Die Landpartie - HUW 23 - Bavarian State Painting Collections.jpg|center|100px]] |
| [[File:Francisco José de Goya y Lucientes - Die Landpartie - HUW 23 - Bavarian State Painting Collections.jpg|center|100px]] |
||
| Merienda en el campo |
| Merienda en el campo |
||
| 18th century |
|||
| |
|||
| [[Bavarian State Painting Collections]] |
| [[Bavarian State Painting Collections]] |
||
|- |
|- |
||
Line 1,789: | Line 1,794: | ||
| Charles IV in the uniform of a colonel of the Guardia de Corps |
| Charles IV in the uniform of a colonel of the Guardia de Corps |
||
| 17th century |
| 17th century |
||
| [[Royal |
| [[Royal Collections Gallery]] |
||
|- |
|- |
||
| [[File:Antonio de Porcel by Goya.jpg|center|100px]] |
| [[File:Antonio de Porcel by Goya.jpg|center|100px]] |
||
Line 1,846: | Line 1,851: | ||
| No/unknown value |
| No/unknown value |
||
|- |
|- |
||
| [[File: |
| [[File:Goya - Friar Miguel Fernández Flores, 1815, 1911.25.jpg|center|100px]] |
||
| Portrait of Don Fr. Miguel Fernandez y Flores |
| Portrait of Don Fr. Miguel Fernandez y Flores |
||
| 1815 |
| 1815 |
||
Line 1,878: | Line 1,883: | ||
| [[File:Goya (Copia) - La reina María Luisa de Parma, 1790, P007104.jpg|center|100px]] |
| [[File:Goya (Copia) - La reina María Luisa de Parma, 1790, P007104.jpg|center|100px]] |
||
| María Luisa de Parma, reina de España |
| María Luisa de Parma, reina de España |
||
| |
| 17th century |
||
| [[Museo del Prado]] |
| [[Museo del Prado]] |
||
|- |
|- |
||
Line 1,909: | Line 1,914: | ||
| The Junta of the Philippines |
| The Junta of the Philippines |
||
| 1816 |
| 1816 |
||
| [[Gemäldegalerie, Berlin |
| [[Gemäldegalerie, Berlin]] |
||
|- |
|- |
||
| [[File:El general Ricardos, ante su cañón de batalla por Goya.jpg|center|100px]] |
| [[File:El general Ricardos, ante su cañón de batalla por Goya.jpg|center|100px]] |
||
Line 1,941: | Line 1,946: | ||
| [[São Paulo Museum of Art]] |
| [[São Paulo Museum of Art]] |
||
|- |
|- |
||
| [[File:1808-12 Goya Der Maibaum anagoria.JPG|center|100px]] |
|||
| |
|||
| |
| The Maypole |
||
| 18th century |
| 18th century |
||
| [[Alte Nationalgalerie]] |
| [[Alte Nationalgalerie]] |
||
Line 1,954: | Line 1,959: | ||
| José Luis Munárriz |
| José Luis Munárriz |
||
| 1815 |
| 1815 |
||
| [[Real Academia de Bellas Artes de San Fernando]] |
| [[Real Academia de Bellas Artes de San Fernando|Royal Academy of Fine Arts of San Fernando]] |
||
|- |
|- |
||
| [[File:Francisco de Goya - Retrato de Juan de Villanueva - Google Art Project.jpg|center|100px]] |
| [[File:Francisco de Goya - Retrato de Juan de Villanueva - Google Art Project.jpg|center|100px]] |
||
| Portrait of Juan de Villanueva |
| Portrait of Juan de Villanueva |
||
| 1805 |
| 1805 |
||
| [[Real Academia de Bellas Artes de San Fernando]] |
| [[Real Academia de Bellas Artes de San Fernando|Royal Academy of Fine Arts of San Fernando]] |
||
|- |
|- |
||
| [[File:Francisco de Goya - Portrait of Don Miguel De Lardizábal.JPG|center|100px]] |
| [[File:Francisco de Goya - Portrait of Don Miguel De Lardizábal.JPG|center|100px]] |
||
Line 2,004: | Line 2,009: | ||
| Portrait of Manuel García de la Prada |
| Portrait of Manuel García de la Prada |
||
| 180s |
| 180s |
||
| [[Des Moines Art Center]] |
| [[Des Moines Art Center]]<br/>[[Führermuseum]]<br/>[[Munich Central Collecting Point]]<br/>No/unknown value |
||
|- |
|- |
||
| [[File:Goya (attr.), il miracolo di sant'antonio, 1798, 01.jpg|center|100px]] |
| [[File:Goya (attr.), il miracolo di sant'antonio, 1798, 01.jpg|center|100px]] |
||
Line 2,014: | Line 2,019: | ||
| Night Scene from the Inquisition |
| Night Scene from the Inquisition |
||
| 1810 |
| 1810 |
||
| [[National Museum of Art, Architecture and Design]] |
| [[National Museum of Norway|National Museum of Art, Architecture and Design]] |
||
|- |
|- |
||
| [[File:Goya, Portrait of a Picador, National Gallery, Oslo (36420542816) (cropped).jpg|center|100px]] |
| [[File:Goya, Portrait of a Picador, National Gallery, Oslo (36420542816) (cropped).jpg|center|100px]] |
||
| Portrait of a Picador |
| Portrait of a Picador |
||
| No/unknown value |
| No/unknown value |
||
| [[National Museum of Art, Architecture and Design]] |
| [[National Museum of Norway|National Museum of Art, Architecture and Design]] |
||
|- |
|- |
||
| [[File:Francisco de Goya (atribuido) - Palomas y pollos.jpg|center|100px]] |
| [[File:Francisco de Goya (atribuido) - Palomas y pollos.jpg|center|100px]] |
||
Line 2,096: | Line 2,101: | ||
| [[Zaragoza Museum|Saragossa Museum]] |
| [[Zaragoza Museum|Saragossa Museum]] |
||
|- |
|- |
||
| [[File:Manuel Lapeña, Marquis of Bondad Real |
| [[File:Francisco de Goya y Lucientes - Don Manuel Lapeña, later Marquis of Bondad Real - A99 - Hispanic Society of America.jpg|center|100px]] |
||
| Don Manuel Lapeña, later Marquis of Bondad Real |
| Don Manuel Lapeña, later Marquis of Bondad Real |
||
| 1799 |
| 1799 |
||
Line 2,154: | Line 2,159: | ||
| The incantation |
| The incantation |
||
| |
| |
||
| [[Lázaro Galdiano Museum |
| [[Lázaro Galdiano Museum]] |
||
|- |
|- |
||
| [[File:Antonio Adán de Yarza by Francisco de Goya.jpg|center|100px]] |
| [[File:Antonio Adán de Yarza by Francisco de Goya.jpg|center|100px]] |
||
Line 2,173: | Line 2,178: | ||
| [[File:Don Juan Bautista de Goicoechea y Urrutia.jpg|center|100px]] |
| [[File:Don Juan Bautista de Goicoechea y Urrutia.jpg|center|100px]] |
||
| Don Juan Bautista de Goicoechea y Urrutia |
| Don Juan Bautista de Goicoechea y Urrutia |
||
| |
| 1815 |
||
| [[Staatliche Kunsthalle Karlsruhe]] |
| [[Staatliche Kunsthalle Karlsruhe]] |
||
|- |
|- |
||
Line 2,206: | Line 2,211: | ||
| [[National Gallery of Ireland]] |
| [[National Gallery of Ireland]] |
||
|- |
|- |
||
| [[File:Goya Equestrian Portrait of the 1st Duke of Wellington.jpg|center|100px]] |
| [[File:Francisco de Goya - Equestrian Portrait of the 1st Duke of Wellington - WM. 1566-1948 - Apsley House.jpg|center|100px]] |
||
| Equestrian Portrait of the 1st Duke of Wellington |
| Equestrian Portrait of the 1st Duke of Wellington |
||
| 1812 |
| 1812 |
||
Line 2,219: | Line 2,224: | ||
| Portrait of Mariano Luis de Urquijo |
| Portrait of Mariano Luis de Urquijo |
||
| 170s |
| 170s |
||
| [[ |
| [[Royal Academy of History]] |
||
|- |
|- |
||
| [[File:PORTRAIT OF PRINCE ALOIS WENZEL VON KAUNITZ-RIETBERG.PNG|center|100px]] |
| [[File:PORTRAIT OF PRINCE ALOIS WENZEL VON KAUNITZ-RIETBERG.PNG|center|100px]] |
||
Line 2,293: | Line 2,298: | ||
| [[File:Bernardo de Iriarte por Francisco de Goya.jpg|center|100px]] |
| [[File:Bernardo de Iriarte por Francisco de Goya.jpg|center|100px]] |
||
| Bernardo de Iriarte |
| Bernardo de Iriarte |
||
| |
| 1796 |
||
| [[Musée des Beaux-Arts de Strasbourg]] |
| [[Musée des Beaux-Arts de Strasbourg]] |
||
|- |
|- |
||
Line 2,301: | Line 2,306: | ||
| [[Staatliche Kunsthalle Karlsruhe]] |
| [[Staatliche Kunsthalle Karlsruhe]] |
||
|- |
|- |
||
| [[File:Francisco de Goya - |
| [[File:Francisco de Goya - Otoño (1786).jpg|center|100px]] |
||
| Autumn |
| Autumn |
||
| 1786 |
| 1786 |
||
Line 2,353: | Line 2,358: | ||
| [[File:Rita Luna, attributed to Francisco de Goya.jpg|center|100px]] |
| [[File:Rita Luna, attributed to Francisco de Goya.jpg|center|100px]] |
||
| Actress Rita Luna |
| Actress Rita Luna |
||
| |
| 180s |
||
| |
| |
||
|- |
|- |
||
Line 2,379: | Line 2,384: | ||
| Bildnis eines Mönchs |
| Bildnis eines Mönchs |
||
| |
| |
||
| [[Gemäldegalerie, Berlin |
| [[Gemäldegalerie, Berlin]] |
||
|- |
|- |
||
| [[File:Fray Juan Fernández de Rojas por Goya.jpg|center|100px]] |
| [[File:Fray Juan Fernández de Rojas por Goya.jpg|center|100px]] |
||
| Brother Juan Fernández de Rojas |
| Brother Juan Fernández de Rojas |
||
| |
| |
||
| [[ |
| [[Royal Academy of History]] |
||
|- |
|||
| [[File:Majas en un balcón por Goya (colección particular).jpg|center|100px]] |
|||
| Majas on the Balcony |
|||
| 18th century |
|||
| No/unknown value |
|||
|- |
|||
| [[File:La visita del fraile por Francisco de Goya.jpg|center|100px]] |
|||
| The Friar's visit |
|||
| 18th century |
|||
| [[Marquisate of La Romana|Marquess of la Romana]] |
|||
|- |
|- |
||
| [[File:Interior de prisión por Goya.jpg|center|100px]] |
| [[File:Interior de prisión por Goya.jpg|center|100px]] |
||
Line 2,394: | Line 2,409: | ||
| Matrimonio desigual |
| Matrimonio desigual |
||
| 1819 |
| 1819 |
||
| [[Lázaro Galdiano Museum |
| [[Lázaro Galdiano Museum]] |
||
|- |
|- |
||
| [[File:Aparición de la Virgen a San Julián por Francisco de Goya.jpg|center|100px]] |
| [[File:Aparición de la Virgen a San Julián por Francisco de Goya.jpg|center|100px]] |
||
Line 2,415: | Line 2,430: | ||
| 1771 |
| 1771 |
||
| [[Führermuseum]]<br/>[[Munich Central Collecting Point]] |
| [[Führermuseum]]<br/>[[Munich Central Collecting Point]] |
||
|- |
|||
| [[File:Francisco Jose de Goya (1746-1828) - Bildnis des Don Manuel Garcia de la Prada - 3546 - Führermuseum.jpg|center|100px]] |
|||
| Portrait of Don Mannuel Garcia della Prada (full size) |
|||
| 1771 |
|||
| [[Führermuseum]]<br/>[[Munich Central Collecting Point]]<br/>No/unknown value |
|||
|- |
|- |
||
| [[File:Muerte de san Alberto de Jerusalén por Francisco Goya.jpg|center|100px]] |
| [[File:Muerte de san Alberto de Jerusalén por Francisco Goya.jpg|center|100px]] |
||
| Death of Saint Albert of Jerusalem |
| Death of Saint Albert of Jerusalem |
||
| |
| 170s |
||
| No/unknown value |
| No/unknown value |
||
|- |
|- |
||
Line 2,452: | Line 2,462: | ||
|- |
|- |
||
| |
| |
||
| |
| Portrait of a gentleman |
||
| |
| |
||
| [[Munich Central Collecting Point]] |
| [[Munich Central Collecting Point]] |
||
Line 2,515: | Line 2,525: | ||
| 180s |
| 180s |
||
| [[Museum of Fine Arts, Boston|Museum of Fine Arts Boston]] |
| [[Museum of Fine Arts, Boston|Museum of Fine Arts Boston]] |
||
|- |
|||
| |
|||
| Boys Playing at See-Saw |
|||
| 17th century |
|||
| [[Pollok House]] |
|||
|- |
|||
| |
|||
| Boys Playing at Soldiers |
|||
| 17th century |
|||
| [[Pollok House]] |
|||
|- |
|||
| |
|||
| Don Francisco de Saavedra |
|||
| 1798 |
|||
| [[Courtauld Gallery]] |
|||
|- |
|||
| |
|||
| Scene at a Bullfight: División de place |
|||
| |
|||
| [[Ashmolean Museum]] |
|||
|- |
|||
| |
|||
| Scene at a Bullfight: Diversión de España |
|||
| |
|||
| [[Ashmolean Museum]] |
|||
|- |
|||
| |
|||
| Saint Anthony Raising a Dead Man |
|||
| |
|||
| [[Bowes Museum]] |
|||
|- |
|||
| |
|||
| La Visitación de Santa Isabel |
|||
| 1774 |
|||
| [[Fine Arts Museum of Córdoba|Museum of Fine Arts of Córdoba]] |
|||
|- |
|||
| [[File:(Agen) La misa de parida - Francisco de Goya - Musée des Beaux-Arts d'Agen.jpg|center|100px]] |
|||
| La Messe des relevailles |
|||
| 18th century |
|||
| [[Musée des Beaux-Arts d'Agen]] |
|||
|- |
|||
| [[File:Melendez valdes.jpeg|center|100px]] |
|||
| Portrait of Juan Meléndez Valdés (1754-1817), Spanish writer |
|||
| 1790 |
|||
| No/unknown value |
|||
|- |
|||
| [[File:Retrato ecuestre de Manuel Godoy.jpg|center|100px]] |
|||
| Boceto para el retrato ecuestre de Manuel Godoy, duque de la Alcudia |
|||
| 1794 |
|||
| No/unknown value |
|||
|- |
|||
| [[File:Portrait of Jose Alvarez de Toledo, Duke of Alba and Marquess of Villafranca, c. 1795, by Goya - Art Institute of Chicago - DSC09509.JPG|center|100px]] |
|||
| Portrait of José María Álvarez de Toledo, 15th Duke of Medina Sidonia (1756-1796) |
|||
| 1795 |
|||
| [[Art Institute of Chicago]] |
|||
|- |
|||
| [[File:Retrato del duque de alba por Francisco de Goya (colección privada Madrid).jpg|center|100px]] |
|||
| Portrait of José María Álvarez de Toledo, 15th Duke of Medina Sidonia (1756-1796) |
|||
| 1795 |
|||
| No/unknown value |
|||
|- |
|||
| [[File:Queen Maria Luisa of Spain (sketch).jpg|center|100px]] |
|||
| Portrait of Queen Maria Luisa of Spain |
|||
| 1799 |
|||
| No/unknown value |
|||
|- |
|||
| [[File:WLA taft Portrait of Queen Maria Luisa of Spain Goya.jpg|center|100px]] |
|||
| Portrait of Queen Maria Luisa of Spain |
|||
| 1800 |
|||
| [[Taft Museum of Art]] |
|||
|- |
|||
| [[File:Countess of Haro by Goya.jpg|center|100px]] |
|||
| Portrait of Countess of Haro |
|||
| |
|||
| |
|||
|- |
|||
| [[File:The Count of Fernán Núñez by Goya.jpg|center|100px]] |
|||
| Porträt des Grafen Fernand Núnez VII. |
|||
| 1803 |
|||
| No/unknown value |
|||
|- |
|||
| [[File:Antonio Raimundo Ibáñez.jpg|center|100px]] |
|||
| Don Antonio Raimundo Ibáñez |
|||
| 180s |
|||
| [[Baltimore Museum of Art]] |
|||
|- |
|||
| [[File:Dona Francisca Vicenta Chollet y Caballero by Francisco de Goya y Lucientes.jpg|center|100px]] |
|||
| Portrait of Francisca Vicenta Chollet y Caballero |
|||
| 1806 |
|||
| [[Norton Simon Museum]] |
|||
|- |
|||
| [[File:Portrait of Queen María Isabel de Braganza y Borbón by Francisco de Goya.jpg|center|100px]] |
|||
| María Isabel de Braganza |
|||
| 180s |
|||
| [[Meadows Museum]] |
|||
|- |
|||
| [[File:Francisco de Borja Téllez y Girón, X duque de Osuna (boceto, Goya).jpg|center|100px]] |
|||
| Porträt des Francisco Téllez-Girón, 10th Duke de Osuna (1785-1820) |
|||
| 1816 |
|||
| |
|||
|- |
|||
| [[File:José de Vargas Ponce por Goya.jpg|center|100px]] |
|||
| José de Vargas Ponce |
|||
| 1805 |
|||
| [[Royal Academy of History]] |
|||
|- |
|||
| [[File:Queen Maria Luisa of Spain by Goya.jpg|center|100px]] |
|||
| Porträt der Maria Luisa of Parma (1751-1819) |
|||
| 18th century |
|||
| |
|||
|- |
|||
| [[File:Maria Luisa de Parma por Goya (Real Fábrica de Tabacos).jpg|center|100px]] |
|||
| María Luisa de Parma, reina de España |
|||
| 1789 |
|||
| [[General Archive of the Indies]] |
|||
|- |
|||
| [[File:Boceto de La última comunión de San José de Calasanz.jpg|center|100px]] |
|||
| The last communion of Saint José de Calasanz (1557-1648) |
|||
| 180s |
|||
| [[Musée Bonnat|Musée Bonnat-Helleu]] |
|||
|- |
|||
| [[File:Goya - Autoportrait, 1800 vers, 9.jpg|center|100px]] |
|||
| Autoportrait |
|||
| 1800 |
|||
| [[Musée Bonnat|Musée Bonnat-Helleu]] |
|||
|- |
|||
| [[File:Alberto Foraster by Goya.jpg|center|100px]] |
|||
| Alberto Foraster |
|||
| 1804 |
|||
| [[Hispanic Society of America]] |
|||
|- |
|||
| [[File:Anibal vencedor contempla Italia desde los Alpes (boceto).jpg|center|100px]] |
|||
| Hannibal the Conqueror viewing Italy for the first time from the Alps (sketch) |
|||
| 1771 |
|||
| [[Zaragoza Museum|Saragossa Museum]] |
|||
|} |
|} |
||
{{Wikidata list end}} |
{{Wikidata list end}} |
Revision as of 22:18, 17 June 2024
This list is automatically generated from data in Wikidata and is periodically updated by Listeriabot.
Edits made within the list area will be removed on the next update!
image | Artikulua | Data | Bilduma |
---|---|---|---|
La maja desnuda | 1800 17th century |
Museo del Prado | |
San Bernardino of Siena preaching before Alfonso V of Aragon | 1781 170s |
Royal Basilica of Saint Francis the Great | |
The Dog | 1819 180s |
Museo del Prado | |
Charles IV in Red | 1789 | Museo del Prado | |
The Death of the Picador | 1793 | No/unknown value | |
Judith and Holofernes | 1819 180s |
Museo del Prado | |
The Black Duchess | 1797 | Hispanic Society of America | |
The Marquesa de Pontejos | 1786 | Andrew W. Mellon collection National Gallery of Art | |
Charles IV of Spain and His Family | 1802 | Museo del Prado | |
The Burial of the Sardine | 1812 19th century |
Royal Academy of Fine Arts of San Fernando | |
Portrait of the Marchioness of Santa Cruz | 1805 | Museo del Prado | |
The Pretty Woman and the Masked Men (The Road of Andalusia) | 1777 | Museo del vino Museo del Prado | |
The Straw Manikin | 1791 170s |
Museo del Prado | |
Asmodea | 1819 180s |
Museo del Prado | |
Picnic on the banks of the Manzanares | 1776 | Museo del Prado | |
The Third of May 1808 | 1814 | Museo del Prado | |
Saturn Devouring His Son | 180s | Museo del Prado | |
Portrait of Doña Isabel de Porcel | 180s | National Gallery | |
Fight with Cudgels | 1820 | Museo del Prado | |
The Milkmaid of Bordeaux | 1827 | Museo del Prado | |
Cat fight | 1786 | Museo del Prado | |
The Colossus | 18th century | Museo del Prado | |
Witches' Sabbath | 180s | Museo del Prado | |
The Parasol | 170s | Hola Ghost Museo del Prado | |
The Clothed Maja | 1800 | Museo del Prado Royal Academy of Fine Arts of San Fernando | |
Witches' Sabbath | 1798 | Lázaro Galdiano Museum | |
Self-portrait with Dr Arrieta | 1820 | Minneapolis Institute of Art | |
Apparition of the Virgin of Pilar to Santiago and his disciples Zaragoza | 1768 | No/unknown value | |
Truth, Time and History | 1797 | Nationalmuseum | |
Assault of Thieves | 1793 1794 |
No/unknown value | |
La Tirana | 1799 | Royal Academy of Fine Arts of San Fernando | |
The Second of May 1808 | 1814 | Museo del Prado | |
Don Manuel Osorio de Zuniga | 1787 | Metropolitan Museum of Art European Paintings | |
the bullfight | 1779 1780 |
Museo del Prado | |
Banderillas en el campo | 1793 | No/unknown value | |
Majas on a Balcony | 1808 | Metropolitan Museum of Art European Paintings | |
The Snowstorm (Winter) | 1787 | Museo del Prado | |
Two Old Men Eating Soup | 1819 180s |
Museo del Prado | |
Men Reading | 1819 180s |
Museo del Prado | |
A Pilgrimage to San Isidro | 180s 1819 |
Museo del Prado | |
Pedro Romero | 1795 | Kimbell Art Museum | |
Atropos | 1819 180s |
Museo del Prado | |
Christ Crucified | 1780 | Museo del Prado Museo de la Trinidad | |
Portrait of Luis of Etruria | 1800 | Museo del Prado | |
The infante Francisco de Paula | 1800 | Museo del Prado | |
Portrait of Infante Antonio Pascual of Spain (1755-1817) | 1800 | Museo del Prado | |
Portrait of the Infante Carlos María Isidro of Spain | 1800 | Museo del Prado | |
Portrait of Maria Josefa of Spain | 1800 | Museo del Prado | |
The Meadow of San Isidro | 1788 | Museo del Prado | |
The Inquisition Tribunal | 1812 | Royal Academy of Fine Arts of San Fernando | |
The Bewitched Man | 1798 170s |
National Gallery | |
Blind Man's Bluff | 1788 | Museo del Prado | |
Adoration of the Name of God | 1772 | Basilica of Our Lady of the Pillar | |
The Victorious Hannibal Seeing Italy from the Alps for the First Time | 1770 | Museo del Prado | |
Self-portrait in the Studio | 1790 | Royal Academy of Fine Arts of San Fernando | |
The Family of the Infante Don Luis | 1783 1784 |
Fondazione Magnani-Rocca | |
Maja and Celestine on the balcony | 1808 | No/unknown value | |
The Duke and Duchess of Osuna and their Children | 1788 170s |
Museo del Prado | |
José Álvarez de Toledo, marqués de Villafranca y duque de Alba | 1795 | Museo del Prado | |
Portrait of the Duchess of Alba | 1795 | House of Alba | |
The stilts | 1791 | Museo del Prado | |
The Knifegrinder | 1808 | Museum of Fine Arts, Budapest | |
A Procession of Flagellants | 1812 | Royal Academy of Fine Arts of San Fernando | |
La Leocadia | 1819 180s |
Museo del Prado | |
Charles IV in his Hunting Clothes | 1799 | Royal Palace of Madrid | |
Countess of Chinchon | 1800 | Museo del Prado | |
The Grape Harvest | 1786 | Museo del Prado | |
Hunting with a decoy | 1775 | Museo del Prado | |
Allegory of Industry | 1804 | Museo del Prado | |
Assumption of the Virgin Mary and Saint Íñigo | 1760 | Church of San Juan el Real | |
Hunter at a fountain | 1786 | Museo del Prado | |
Consecration of Aloysius Gonzaga as patron saint of youth | 1763 | Saragossa Museum | |
Christ on the Mount of Olives | 1819 | Calasanctian Museum of the Piarist Fathers | |
Boy on a Ram | 1786 | Art Institute of Chicago | |
The Strolling Players | 1793 | Museo del Prado | |
El albañil borracho (boceto) | 1786 | Museo del Prado | |
The wounded bricklayer | 1786 | Museo del Prado | |
The blind guitarist | 1778 | Museo del Prado | |
The swing (1787) | 1787 | No/unknown value | |
The Swing | 1779 | Museo del Prado | |
The game of pelota with rackets | 1779 | Museo del Prado | |
Majo with a Guitar | 1779 | Museo del Prado | |
The soldier and the lady | 1779 | Museo del Prado | |
the Boy with a bird | 1779 1780 |
Museo del Prado | |
El Médico | 1780 | National Galleries Scotland | |
The tree boy | 1779 1780 |
Museo del Prado | |
The arrest of Christ | 1798 | Museo del Prado | |
the tobacco guards | 1779 1780 |
Museo del Prado | |
A Fight at the Venta Nueva | 1777 | Museo del Prado | |
Summer | 1787 1786 |
Museo del Prado | |
Harassed cat | 1788 | No/unknown value | |
Women carrying pitchers | 1791 | Museo del Prado | |
The Holy Family | 1775 | Museo del Prado | |
The seller of acerola | 1778 1779 |
Museo del Prado | |
The Fall | 1787 | No/unknown value | |
the Rendezvous | 1779 1780 |
Museo del Prado | |
The Greasy Pole | 1787 | No/unknown value | |
The hermitage of Saint Isidor | 1798 | Museo del Prado | |
Madrid fair | 1778 1779 |
Museo del Prado | |
Blind Man's Bluff (sketch) | 1789 1788 |
Museo del Prado | |
School scene | 1780 | Saragossa Museum | |
The magpie in a tree | 1786 | Museo del Prado | |
The Threshing Floor | 1786 | Lázaro Galdiano Museum | |
the washerwomen | 1779 1780 |
Museo del Prado | |
Women carrying pitchers (sketch) | 1791 | No/unknown value | |
the lumberjacks | 1780 17th century |
Museo del Prado | |
The Poor at the Fountain | 1786 | Museo del Prado | |
Picnic | 1786 | National Gallery | |
Boys playing soldiers | 1778 1779 |
Museo del Prado | |
Boys climbing a tree | 1791 | Museo del Prado | |
Women chatting | 1791 | Wadsworth Atheneum Museum of Art | |
Boys with Mastiffs | 1786 | Museo del Prado | |
Children with a Cart | 1779 | Toledo Museum of Art | |
Shepherd playing a Dulzaina | 1786 | Museo del Prado | |
Village procession | 1787 | No/unknown value | |
Ferdinand Guillemardet | 1798 | Department of Paintings of the Louvre | |
Portrait of the Marquis of San Adrián | 1804 | Museum of Navarre | |
Riña en el Mesón del Gallo | 1777 | Museo del Prado | |
Saint Barbara | 1773 1772 |
Museo del Prado | |
A woman and two children by a fountain | 1786 | Carmen Thyssen-Bornemisza Collection | |
Our Lady of the Pillar | 1769 | Saragossa Museum | |
Josefa Bayeu | 180s | Museo del Prado | |
Pilgrimage to the Fountain of San Isidro | 1819 180s |
Museo del Prado | |
The Game of Horse and Rider | 1791 | Museo del Prado | |
Man Mocked by Two Women | 1819 180s |
Museo del Prado | |
Portrait of the Duke of Wellington | 1812 | National Gallery | |
Prison Interior | 1815 | Bowes Museum | |
The Forge | 1819 | The Frick Collection | |
The Junta of the Philippines | 1815 | Goya Museum | |
Yard with Lunatics | 170s | Meadows Museum | |
Allegory of the City of Madrid | 1809 1810 |
Museo de Historia de Madrid | |
Attack on a Coach | 1787 | No/unknown value | |
Self-Portrait (1815, Prado) | 1815 | Museo del Prado | |
The Madhouse | 1814 | Royal Academy of Fine Arts of San Fernando | |
Hunter loading his rifle | 1775 | Museo del Prado | |
Two Old Men | 1819 180s |
Museo del Prado | |
Dance of the Majos at the Banks of Manzanares | 1776 | Museo del Prado | |
the Drinker | 1777 | Museo del Prado | |
Hunter with his Dogs | 1775 | Museo del Prado | |
fisherman with his rod | 1775 | Museo del Prado | |
The Duchess of Alba and la Beata | 1795 | Museo del Prado | |
The Quail Shoot | 1775 | Museo del Prado | |
The Kite | 1778 170s |
Museo del Prado | |
Boys picking fruit | 1778 | Museo del Prado | |
children inflating a bladder | 1778 170s |
Museo del Prado | |
Dogs and hunting gear | 1775 | Museo del Prado | |
Portrait of Manuel Godoy | 1801 | Royal Academy of Fine Arts of San Fernando | |
The Holy Family with Saint Joachim and Saint Anne Before the Eternal Glory | 1769 | No/unknown value | |
St. Francis Borgia Helping a Dying Impenitent | 1788 | Valencia Cathedral | |
Self-portrait on Linen | 170s 1795 |
Museo del Prado | |
Self-portrait | 1783 | Musée des Beaux-Arts d'Agen | |
Self portrait with spectacles | 1800 | Goya Museum | |
The Time and the old woman | 180s | Palais des Beaux-Arts de Lille | |
La Tirana (Goya, 1794) | 1794 | No/unknown value | |
Portrait of Sebastián Martínez y Pérez | 1792 | Metropolitan Museum of Art European Paintings | |
María Luisa of Parma wearing panniers | 1789 | Museo del Prado | |
The Flower Girls or Spring | 1786 | Museo del Prado | |
The Seesaw | 1779 | Museu de Belles Arts de València | |
The Crockery Vendor | 1779 170s |
Museo del Prado | |
Card Players | 1777 | Museo del Prado | |
Self-portrait | 170s | No/unknown value | |
The Boar Hunt | 1775 | Royal Palace of Madrid | |
The last communion of St Joseph of Calasanz | 1819 | école Pías de San Antón | |
Still Life with Golden Bream | 1808 | Museum of Fine Arts, Houston | |
Cardinal Luis María de Borbón y Vallabriga | 170s | São Paulo Museum of Art | |
Portrait of Charles IV of Spain | 1789 | Royal Academy of History | |
The Letter | 1814 1819 |
Palais des Beaux-Arts de Lille | |
Dead duck | 180s | No/unknown value | |
Still life with fruit, bottles, breads | 180s | Museum collection Am Römerholz | |
Still-Life: A Butcher's Counter | 18th century | Department of Paintings of the Louvre | |
Dead turkey | 1808 18th century |
Museo del Prado | |
Plucked turkey | 1810 | Bavarian State Painting Collections | |
Still Life with Three Salmon Slices | 18th century | Museum collection Am Römerholz | |
Dead Birds | 180s | Museo del Prado | |
Dead hares | 180s | No/unknown value | |
Still Life with Woodcocks | 180s | Meadows Museum | |
The Water Bearer | 1808 1812 |
Museum of Fine Arts, Budapest | |
Asensio Juliá | 1814 | Clark Art Institute | |
Portrait of Asensio Julià | 1798 | Thyssen-Bornemisza Museum | |
Portrait of Francisco Bayeu | 1786 | Museu de Belles Arts de València | |
Francisco Bayeu | 1795 | Museo del Prado | |
Charles IV of Spain | 1789 | Saragossa Museum | |
María Teresa de Borbón y Vallabriga, later Condesa de Chinchón | 1783 | National Gallery of Art | |
Portrait of María Luisa de Borbón y Vallabriga | 1800 | Uffizi Gallery | |
Portrait of Doña María Teresa de Vallabriga y Rozas (1759-1820) | 1783 | Pérez Simón Collection | |
Doña Maria Teresa de Vallabriga | 1783 | Bavarian State Painting Collections | |
Portrait of Maria Teresa de Vallabriga | 1783 | Museo del Prado | |
Portrait of María Teresa de Vallabriga on Horseback | 1783 | Uffizi Gallery | |
Portrait of Martín Zapater | 1790 | Museo de Arte de Ponce | |
Portrait of Senora Ceán Bermudez | 170s 1785 |
Museum of Fine Arts, Budapest | |
Portrait of Martín Zapater | 1797 | Bilbao Fine Arts Museum | |
Portrait of Rafael Esteve i Vilella | 1815 | Museu de Belles Arts de València | |
Luis María de Borbón y Vallabriga | 1783 | Saragossa Museum | |
portrait of Infante Luis of Spain | 1783 | No/unknown value | |
Allegory of Love, Cupid and Psyche | 1798 | Museu Nacional d'Art de Catalunya | |
Witches' Flight | 1797 1798 |
Museo del Prado | |
The wedding | 1792 170s |
Museo del Prado | |
Portrait of Doña Antonia Zárate | 1805 | National Gallery of Ireland | |
Driving an ashlar | 1786 | No/unknown value | |
The Sacrifice to Pan | 1771 | No/unknown value | |
Portrait of Jacques Galos | 1826 | Barnes Foundation | |
Portrait of Maria Luisa de Parma | 1800 | Biblioteca Museu Víctor Balaguer | |
Rounding up the bulls | 1787 | No/unknown value | |
A spearman | 1795 | Museo del Prado | |
The Count of Floridablanca | 1783 | No/unknown value | |
Dead game | 1775 | No/unknown value | |
Portrait of Jose Duaso y Latre | 1824 | Museo de Bellas Artes de Sevilla | |
Portrait of José Pío de Molina | 1827 | Reinhart am Stadtgarten | |
Portrait of Juan Bautista de Muguiro | 1827 | Museo del Prado | |
Leandro Fernández de Moratín | 1799 | Royal Academy of Fine Arts of San Fernando | |
Portrait of Manuel Silvela | 1809 | Museo del Prado | |
Portrait of María Martínez de Puga | 1824 | The Frick Collection | |
Portrait of Jose de La Canal | 1808 | Lázaro Galdiano Museum | |
Portrait of Don Ramón Satué | 1823 | Rijksmuseum | |
A Village Bullfight | 1815 | Royal Academy of Fine Arts of San Fernando | |
Boys hunting with an owl | 1775 | No/unknown value | |
Flying birds | 1786 | Fundación Goya en Aragón | |
El Sueño | 1790 | National Gallery of Ireland | |
The Countess del Carpio, Marquesa de La Solana | 170s | Department of Paintings of the Louvre | |
The hold up | 1776 | No/unknown value | |
The Seesaw (1791) | 1791 | Philadelphia Museum of Art | |
Cannibals contemplating human remains | 180s | Musée des Beaux-Arts et d'Archéologie de Besançon | |
Cannibals Chopping up Victims | 180s | Musée des Beaux-Arts et d'Archéologie de Besançon | |
Bullfight in a Divided Ring | 1816 | Metropolitan Museum of Art European Paintings | |
Manufacture of bullets in the Sierra de Tardienta | 1810 | Palace of Zarzuela | |
Powder manufacturing in the Sierra de Tardienta | 1814 | Royal Monastery of San Lorenzo de El Escorial | |
Portrait of Bartolomé Sureda y Miserol | 1804 | National Gallery of Art | |
José Moñino y Redondo, count de Floridablanca | 1783 | Museo del Prado | |
Equestrian portrait of Ferdinand VII | 1808 | Royal Academy of Fine Arts of San Fernando | |
Portrait of Gaspar Melchor de Jovellanos | 1798 | Museo del Prado | |
General Nicolas Philippe Guye | 1810 | Virginia Museum of Fine Arts | |
Portrait de Juan Martin Diez, the Determined | 1809 | National Museum of Western Art | |
Lazarillo de Tormes | 1804 | No/unknown value | |
Portrait of Tomás Pérez de Estala | 1798 | No/unknown value | |
The Countess of Fernán Núñez | 1803 | No/unknown value | |
Portrait of the Duchess of Osuna | 1785 | No/unknown value | |
Portrait of the Marquise de Lazán | 1804 | No/unknown value | |
Portrait of the Marquesa de Santiago | 1804 | J. Paul Getty Museum | |
Señora Sabasa Garcia | 1804 | National Gallery of Art Andrew W. Mellon collection | |
The Marchioness of Villafranca Painting her Husband | 1804 | Museo del Prado | |
Teresa Sureda | 1804 | National Gallery of Art | |
the Count of Fernán Núnez | 1803 | No/unknown value | |
Portrait of the Poet Moratín | 1824 | Bilbao Fine Arts Museum | |
Sleeping woman | 1790 | No/unknown value | |
SS. Justa and Rufina | 1817 | Catedral de Sevilla | |
Heads in a landscape | 1819 | No/unknown value | |
The Architect Ventura Rodriguez | 1784 | Nationalmuseum | |
Poetry and Poets | 1808 | Nationalmuseum | |
Portrait of El General Ricardos | 18th century | Walters Art Museum | |
Mariana Waldstein, Ninth Marquesa de Santa Cruz | 170s | Department of Paintings of the Louvre | |
Woman with a Fan | 180s | Department of Paintings of the Louvre | |
Portrait of a Man | 18th century | Department of Paintings of the Louvre | |
Portrait of Luis María de Cistué Martínez | 1791 | Department of Paintings of the Louvre | |
Charles IV | 1789 | Biblioteca Museu Víctor Balaguer | |
Queen María Luisa | 1789 | Royal Academy of History | |
An Officer (probably the Count of Teba) | 1804 | The Frick Collection | |
Don Pedro, Duque de Osuna | 1785 | The Frick Collection | |
Ferdinand VII (1784–1833), Prince of Asturias | 1800 | Metropolitan Museum of Art European Paintings | |
Portrait of Tiburcio Pérez y Cuervo, the Architect | 1820 | Metropolitan Museum of Art European Paintings | |
José Costa y Bonells, Called Pepito | 1800 | Metropolitan Museum of Art European Paintings | |
Narcisa Barañana de Goicoechea | 1815 | Metropolitan Museum of Art European Paintings | |
Portrait of Josefa de Castilla Portugal y van Asbrock de Garcini | 1804 | Metropolitan Museum of Art European Paintings | |
Portrait of Ignacio Garcini y Queralt | 1804 | Metropolitan Museum of Art European Paintings | |
Portrait of Charles IV, King of Spain | 170s | National Museum of Capodimonte | |
Portrait of Maria Luisa di Parma | National Museum of Capodimonte | ||
Armario relicario de Fuendetodos | 1763 | No/unknown value | |
Saint Ignacius of Loyola | 170s | No/unknown value | |
José Queraltó | 1802 | Bavarian State Painting Collections | |
Marquesa de Caballero | 1807 | Bavarian State Painting Collections | |
The Shipwreck | 170s | Bowes Museum | |
Bullfight, Suerte de Varas | 1824 | J. Paul Getty Museum | |
Young Lady Wearing a Mantilla and Basquina | 18th century | National Gallery of Art | |
Don Antonio Noriega | 1801 | National Gallery of Art Samuel H. Kress Collection | |
Portrait of Victor Guye | 1810 | National Gallery of Art | |
Condesa de Altamira and Her Daughter, María Agustina | 170s | Metropolitan Museum of Art | |
Don Ramon de Posada y Soto | 1801 | Fine Arts Museums of San Francisco | |
Portrait of Isidoro Maiquez | 1807 | Art Institute of Chicago | |
Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun | 1806 | Art Institute of Chicago | |
Friar Pedro Binds El Maragato with a Rope | 1806 | Art Institute of Chicago | |
Friar Pedro Shoots El Maragato as His Horse Runs Off | 1806 | Art Institute of Chicago | |
Portrait of General José Manuel Romero | 1810 | Art Institute of Chicago | |
Friar Pedro Clubs El Maragato with the Butt of the Gun | 1806 | Art Institute of Chicago | |
El Maragato Threatens Friar Pedro de Zaldivia with His Gun | 1806 | Art Institute of Chicago | |
Friar Pedro Wrests the Gun from El Maragato | 1806 | Art Institute of Chicago | |
The Hanged Monk | 1810 | Art Institute of Chicago | |
Winter Scene | 1786 | Art Institute of Chicago | |
Portrait of a Man in a Brown Coat | Museum of Fine Arts Boston | ||
Officer on Horseback | Museum of Fine Arts Boston | ||
Portrait of a Young Man in Brown, possibly Javier Goya | Museum of Fine Arts Boston | ||
Annunciation | 1785 | Museum of Fine Arts Boston | |
Time, Truth and History | 17th millenium | Museum of Fine Arts Boston | |
Mounted Cavalier with a Javelin | Philadelphia Museum of Art | ||
Portrait of the Toreador José Romero | Philadelphia Museum of Art | ||
El tío Paquete | 1820 | Thyssen-Bornemisza Museum | |
Portrait of Ferdinand VII | 180s | Thyssen-Bornemisza Museum | |
Portrait of the Actress Antonia Zarate | 1810 | Hermitage Museum | |
The Repentant St. Peter | 180s | The Phillips Collection | |
The Rape of Europa | 1772 | No/unknown value | |
Portrait of marquise de Montehermoso | 1810 | No/unknown value | |
Don Andrés del Peral | 17th century | National Gallery | |
Charles III in Hunting Dress | 170s 1786 |
Museo del Prado | |
The Holy Family | 1787 | Museo del Prado | |
Tadea Arias de Enríquez | 1789 | Museo del Prado | |
The Immaculate Conception | 1784 170s |
Museo del Prado | |
Tobias and the Angel | 1787 | Museo del Prado | |
Charles IV in Court Dress | 1789 | Museo del Prado | |
General Antonio Ricardos | 1793 | Museo del Prado | |
General José de Urrutia | 1798 | Museo del Prado | |
María Antonia Gonzaga, Dowager Marchioness of Villafranca | 1795 | Museo del Prado | |
Cardinal Luis María de Borbón y Vallabriga | 1800 | Museo del Prado | |
Carlos IV on Horseback | 18th century | Museo del Prado | |
Queen María Luisa on horseback | 1799 | Museo del Prado | |
Commerce | 180s | Museo del Prado | |
Manuela Goicoechea y Galarza | 1805 | Museo del Prado | |
Agriculture | 180s | Museo del Prado | |
Juana Galarza de Goicoechea | 1805 | Museo del Prado | |
Saint John the Baptist in the Desert | 180s | Museo del Prado | |
The Actor Isidoro Máiquez | 1807 | Museo del Prado | |
Saint Justa and Saint Rufina | 1817 | Museo del Prado | |
The Duchess of Abrantes | 1816 | Museo del Prado | |
Ferdinand VII at an Encampment | 18th century | Museo del Prado | |
Ferdinand VII in Court Dress | 1815 1814 180s |
Museo del Prado | |
Portrait of a Young Man | Indianapolis Museum of Art | ||
Félix Colón de Larriátegui | 1794 | Indianapolis Museum of Art | |
Portrait of Manuel Quijano | 1815 | Museu Nacional d'Art de Catalunya | |
Apparition of Saint Isidore to Saint Ferdinand, king, before the walls of Seville | 17th millenium | National Museum of Fine Arts | |
War Scene | 1808 | National Museum of Fine Arts | |
Fire of a Hospital | National Museum of Fine Arts | ||
Scene of Disciplines | 1808 | National Museum of Fine Arts | |
Popular Party Under a Bridge or Popular Dance | National Museum of Fine Arts | ||
The Madhouse | 170s | Belvedere | |
Selbstbildnis | Belvedere Kunsthistorisches Museum | ||
Portrait of Juan Agustín Ceán Bermúdez | 1785 | No/unknown value | |
Dogs Chasing a Cat on a Man on a Donkey | Barnes Foundation | ||
Old People Singing and Dancing | Barnes Foundation | ||
The Miracle of St. Anthony | 1798 | Carnegie Museum of Art | |
Monk Talking to an Old Woman | 180s | Princeton University Art Museum | |
Bulls | National Gallery of Armenia | ||
Bandit murdering a woman III | 17th millenium | No/unknown value | |
Le Christ au jardin des oliviers | 180s | Department of Paintings of the Louvre | |
Le Mariage inégal | 17th century | Department of Paintings of the Louvre | |
Der Zweikampf | 180s | Bavarian State Painting Collections | |
Hexenhinrichtung | 180s | Bavarian State Painting Collections | |
Mönchspredigt | 180s | Bavarian State Painting Collections | |
Merienda en el campo | 18th century | Bavarian State Painting Collections | |
Vicente Osorio de Moscoso, hrabia Trastamara | 170s | No/unknown value | |
Portrait of Vicente Joaquín Osorio de Moscoso | 170s | Bank of Spain headquarters | |
Portrait of Francisco Cabarrús | 1788 | Bank of Spain headquarters | |
Charles III of Spain | 170s | Bank of Spain headquarters | |
Miguel Fernández Durán, marquis of Tolosa | 170s | Bank of Spain headquarters | |
Portrait of José de Toro y Zambrano | 1785 | Bank of Spain headquarters | |
Portrait of Francisco Javier de Larrumbe | 1787 | Bank of Spain headquarters | |
portrait of Ramón Pignatelli | 1790 | No/unknown value | |
Gaspar Melchor de Jovellanos | 170s | National Sculpture Museum | |
Francesco Sabatini | 170s | Meadows Museum | |
Charles IV in the uniform of a colonel of the Guardia de Corps | 17th century | Royal Collections Gallery | |
Portrait of Antonio de Porcel | 1806 | No/unknown value | |
Miguel de Múzquiz y Goyeneche | 170s | Bank of Spain | |
Portrait of Juan Agustín Ceán Bermúdez | 17th millenium | No/unknown value | |
Antonio Veián y Monteagudo | 1782 | Museum of Huesca | |
Saint Lucy | 17th century | Bavarian State Painting Collections | |
Königin Maria Luisa, Gemahlin Karls IV. von Spanien (Kopie nach) | Bavarian State Painting Collections | ||
Der Verwundete | 180s | Bavarian State Painting Collections | |
Ländlicher Tanz am Ufer einer Meeresbucht | Bavarian State Painting Collections | ||
Francisco Téllez-Girón, 10th Duke de Osuna | 1816 | Musée Bonnat-Helleu | |
Apparition of the Virgin of the Pilar | 1775 | Museu Nacional d'Art de Catalunya | |
Portrait of the Duke of Osuna | 1785 | No/unknown value | |
Portrait of Don Fr. Miguel Fernandez y Flores | 1815 | Worcester Art Museum | |
The Ecstasy of Saint Anthony Abbot | 1771 | Saragossa Museum | |
Death of Saint Francis Xabier | 170s | Saragossa Museum | |
Seated Woman and Man in Spanish Cloak | Nationalmuseum | ||
San Luis Gonzaga | 1798 | Saragossa Museum | |
Portrait of the Duke of San Carlos | 1815 | ||
María Luisa de Parma, reina de España | 17th century | Museo del Prado | |
Venus and Adonis | 1771 | Saragossa Museum | |
Portrait of Ferdinand VII in his royal coat | 1815 | ||
Retrato de Dama con Mantilla | 180s | ||
Archbishop Joaquin Company | 1800 | Alma Mater Museum | |
Portrait of Felix de Azara | 1805 | Museo Camón Aznar | |
The Junta of the Philippines | 1816 | Gemäldegalerie, Berlin | |
El general Ricardos, ante su cañón de batalla por Goya | 1794 | No/unknown value | |
Portrait of Juan Antonio Cuervo | 1819 | Cleveland Museum of Art | |
Portrait of Tadeo Bravo de Rivero | 1806 | Brooklyn Museum | |
Juan Antonio Llorente | 18th century | São Paulo Museum of Art | |
Portrait of Ferdinand VII of Spain | 1808 | São Paulo Museum of Art | |
The Countess of Casa Flores | 170s | São Paulo Museum of Art | |
The Maypole | 18th century | Alte Nationalgalerie | |
Portrait of Don Ignacio Omulryan y Rourera | 1815 | The Nelson-Atkins Museum of Art | |
José Luis Munárriz | 1815 | Royal Academy of Fine Arts of San Fernando | |
Portrait of Juan de Villanueva | 1805 | Royal Academy of Fine Arts of San Fernando | |
Portrait of Don Miguel De Lardizábal | 1815 | National Gallery Prague | |
Portrait of José Antonio Marqués de Caballero | 1807 | Museum of Fine Arts, Budapest | |
The Knife-Grinder ("El Afilador") | Museum of Fine Arts, Budapest | ||
A Scene from the Spanish War of Independence | Museum of Fine Arts, Budapest | ||
Portrait of Francisco del Mazo | 180s | Goya Museum No/unknown value | |
Portrait of the Officer Pantaleón Pérez de Nenin | 1808 | ||
Don Francisco Bayeu y Subias (1734-1795) | 18th century | National Trust | |
The embroiderer Juan López de Robredo | 17th millenium | No/unknown value | |
Portrait of Manuel García de la Prada | 180s | Des Moines Art Center Führermuseum Munich Central Collecting Point No/unknown value | |
The Miracle of S. Anthony | 1798 | Carnegie Museum of Art | |
Night Scene from the Inquisition | 1810 | National Museum of Art, Architecture and Design | |
Portrait of a Picador | No/unknown value | National Museum of Art, Architecture and Design | |
Pigeons and Fowls | 17th century | Juan B. Castagnino Fine Arts Museum | |
Bandits shooting their prisoners | 18th century | No/unknown value | |
Tomás Pérez de Estala | 1795 180s |
Hamburger Kunsthalle | |
Mariano Ferrer y Aulet | 1780 | Museu de Belles Arts de València | |
Santa Lutgarda | 1787 | Real Monasterio de San Joaquín y Santa Ana | |
Portrait of Joaquina Candado Ricarte | 1802 | Museu de Belles Arts de València | |
Don Vicente Isabel Osorio de Moscoso y Álvarez de Toledo, Conde de Trastámara | Museum of Fine Arts, Houston | ||
Queen of Spain Maria Louisa, née Bourbon-Parma | 1790 | Museo del Prado Biblioteca Museu Víctor Balaguer | |
The transit of St. Joseph | 1787 | Real Monasterio de San Joaquín y Santa Ana | |
Saint Bernard of Clairvaux curing a cripple | Real Monasterio de San Joaquín y Santa Ana | ||
General José de Palafox on Horseback | 1814 | Museo del Prado | |
Sacrifice to Vesta | 1771 | No/unknown value | |
Portrait of King Charles IV | 1790 | Museo del Prado | |
Saint Christopher | 1767 | Saragossa Museum | |
Juan Martín de Goicoechea y Galarza | 1790 | Saragossa Museum | |
Don Manuel Lapeña, later Marquis of Bondad Real | 1799 | Hispanic Society of America | |
San Francisco de Borja says goodbye to his family | 1788 | ||
Saint Ambrose | 1796 | Cleveland Museum of Art | |
Portrait of Don Juan Antonio Cuervo | 1819 | Cleveland Museum of Art | |
Bernarda Tavira | No/unknown value | ||
Portrait of Cesárea Goicoechea y Galarza | 1805 | Rhode Island School of Design Museum | |
Portrait of Gerónima Goicoechea y Galarza | 1805 | Rhode Island School of Design Museum | |
Two Children Looking at a Book | 180s | Rhode Island School of Design Museum | |
Dona Amalia Bonells de Costa | 1805 | Detroit Institute of Arts | |
Act of Violence against Two Women | 180s | Städel Museum | |
Attack on a Woman | 180s | Städel Museum | |
The incantation | Lázaro Galdiano Museum | ||
Antonio Adán de Yarza | 170s | No/unknown value | |
María Ramona de Barbachano | 170s | No/unknown value | |
The Balloon | 180s | Musée des Beaux-Arts d'Agen | |
Don Juan Bautista de Goicoechea y Urrutia | 1815 | Staatliche Kunsthalle Karlsruhe | |
José de Cistué y Coll | 1788 | No/unknown value | |
José de Cistué y Coll | 1788 | Museo Camón Aznar | |
the witches kitchen | |||
Admirał José de Mazarredo | 1785 | Lowe Art Museum | |
Portrait of a Lady in a Black Mantilla | 1824 | National Gallery of Ireland | |
The Count of the Tagus | 1800 | National Gallery of Ireland | |
Equestrian Portrait of the 1st Duke of Wellington | 1812 | Apsley House | |
Portrait of Don Francisco de Saavedra | 1798 | Courtauld Gallery | |
Portrait of Mariano Luis de Urquijo | 170s | Royal Academy of History | |
Portrait of prince Aloys Wenzel von Kaunitz-Rietberg | 1816 | Private Collection | |
Portrait of Camilo Goya | 170s | Zuloaga's House-Museum | |
Portrait of Mariano Goya, the Artist's Grandson | 180s | ||
Portrait of Mariano Goya, the Artist’s Grandson | 1827 | Meadows Museum | |
Portrait of Mariano Goya | 1810 | No/unknown value | |
Don Juan and the Commendatore | |||
Retrato del poeta Moratin | 1824 | ||
Juan Antonio Meléndez Valdés | 1797 | Bowes Museum | |
Portrait of Carlos López Altamirano | 1796 | Montreal Museum of Fine Arts | |
Portrait of Pedro Gil de Tejada | 170s | No/unknown value | |
Portrait of Juan José de Arias Saavedra y Verdugo | 170s | No/unknown value | |
Portrait of Valentín Bellvís de Moncada y Pizarro | 1795 | Juan Miguel Villar Mir | |
Portrait of Ferdinand VII of Spain | 1814 | Museo de Arte Moderno y Contemporáneo de Santander y Cantabria | |
Portrait of the Duke of Roca | 1795 | San Diego Museum of Art | |
Bernardo de Iriarte | 1796 | Musée des Beaux-Arts de Strasbourg | |
Don Juan Bautista de Goicoechea y Urrutia | 1815 | Staatliche Kunsthalle Karlsruhe | |
Autumn | 1786 | Clark Art Institute | |
Portrait of Pedro Mocarte | 1805 | Hispanic Society of America | |
Sketch for a Portrait of an Officer of the King's Dragoons | 1808 | Hispanic Society of America | |
Brigadier General Alberto Foraster | 1804 | Hispanic Society of America | |
The Duchess of Alba, Sketch | 1796 | Hispanic Society of America | |
Banderillas in the field | 1793 | No/unknown value | |
Blaze, Fire at night | 1793 | No/unknown value | |
Hercules and Omphale | 1784 | No/unknown value | |
Children playing leapfrog | 1780 | Museu de Belles Arts de València | |
Ghostly Vision | 1801 | Museo Camón Aznar | |
Actress Rita Luna | 180s | ||
Charles IV, King of Spain | 17th century | Harvard Art Museums Fogg Museum | |
Masked ball | 18th century | Museo Camón Aznar | |
El dos de mayo de 1808 en Madrid | 1814 | Museo Camón Aznar | |
Aesop and Menippus | 1778 | Museo Camón Aznar | |
Bildnis eines Mönchs | Gemäldegalerie, Berlin | ||
Brother Juan Fernández de Rojas | Royal Academy of History | ||
Majas on the Balcony | 18th century | No/unknown value | |
The Friar's visit | 18th century | Marquess of la Romana | |
Interior of a prison | 18th century | Marquess of la Romana | |
Matrimonio desigual | 1819 | Lázaro Galdiano Museum | |
Apparition of the Virgin to St. Julian | 1790 | ||
Knabenbildnis | 1771 | Führermuseum Munich Central Collecting Point | |
Bildnis der Clara de Sonia im Alter von 6 Jahren | 1771 | Führermuseum Munich Central Collecting Point | |
Maja (...unleserlich) | 1771 | Führermuseum Munich Central Collecting Point | |
Death of Saint Albert of Jerusalem | 170s | No/unknown value | |
Portrait of Isabella of Bourbon | Hermann Göring Collection Munich Central Collecting Point | ||
head of a gentleman with hat | Munich Central Collecting Point | ||
Girl with jug | Munich Central Collecting Point Museum of Fine Arts, Budapest | ||
The grindler | Munich Central Collecting Point Museum of Fine Arts, Budapest | ||
La Junta | Munich Central Collecting Point | ||
Portrait of a gentleman | Munich Central Collecting Point | ||
Luck of killing | 1793 | No/unknown value | |
The arrest of Christ | 1798 | ||
Fiesta popular bajo un puente | 18th century | National Museum of Fine Arts | |
El arrastre | 1793 | No/unknown value Casa de Medinaceli | |
Escena de bandidos | 18th century | National Museum of Fine Arts | |
Sebastián Gabriel de Borbón as a child | 1822 | No/unknown value | |
What a sacrifice! | 1799 | Los Angeles County Museum of Art | |
Episode in the Spanish War of Independence | 1810 | Museum of Fine Arts, Budapest | |
The Madman | Voergaard Castle | ||
Act of Violence against Two Women | 180s | ||
Time, Truth and History | Museum of Fine Arts Boston | ||
Nude Woman Reclining Against a Rock | 180s | Museum of Fine Arts Boston | |
Boys Playing at See-Saw | 17th century | Pollok House | |
Boys Playing at Soldiers | 17th century | Pollok House | |
Don Francisco de Saavedra | 1798 | Courtauld Gallery | |
Scene at a Bullfight: División de place | Ashmolean Museum | ||
Scene at a Bullfight: Diversión de España | Ashmolean Museum | ||
Saint Anthony Raising a Dead Man | Bowes Museum | ||
La Visitación de Santa Isabel | 1774 | Museum of Fine Arts of Córdoba | |
La Messe des relevailles | 18th century | Musée des Beaux-Arts d'Agen | |
Portrait of Juan Meléndez Valdés (1754-1817), Spanish writer | 1790 | No/unknown value | |
Boceto para el retrato ecuestre de Manuel Godoy, duque de la Alcudia | 1794 | No/unknown value | |
Portrait of José María Álvarez de Toledo, 15th Duke of Medina Sidonia (1756-1796) | 1795 | Art Institute of Chicago | |
Portrait of José María Álvarez de Toledo, 15th Duke of Medina Sidonia (1756-1796) | 1795 | No/unknown value | |
Portrait of Queen Maria Luisa of Spain | 1799 | No/unknown value | |
Portrait of Queen Maria Luisa of Spain | 1800 | Taft Museum of Art | |
Portrait of Countess of Haro | |||
Porträt des Grafen Fernand Núnez VII. | 1803 | No/unknown value | |
Don Antonio Raimundo Ibáñez | 180s | Baltimore Museum of Art | |
Portrait of Francisca Vicenta Chollet y Caballero | 1806 | Norton Simon Museum | |
María Isabel de Braganza | 180s | Meadows Museum | |
Porträt des Francisco Téllez-Girón, 10th Duke de Osuna (1785-1820) | 1816 | ||
José de Vargas Ponce | 1805 | Royal Academy of History | |
Porträt der Maria Luisa of Parma (1751-1819) | 18th century | ||
María Luisa de Parma, reina de España | 1789 | General Archive of the Indies | |
The last communion of Saint José de Calasanz (1557-1648) | 180s | Musée Bonnat-Helleu | |
Autoportrait | 1800 | Musée Bonnat-Helleu | |
Alberto Foraster | 1804 | Hispanic Society of America | |
Hannibal the Conqueror viewing Italy for the first time from the Alps (sketch) | 1771 | Saragossa Museum |
End of auto-generated list.