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| owner = State property of the [[Netherlands]] through the Stichting Nationaal Fonds Kunstbezit
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'''''Victory Boogie Woogie''''' is the last, [[unfinished work|unfinished]], work by the [[Dutch people|Dutch]] abstract painter [[Piet Mondrian]]. Left incomplete in 1944, since 1998 it has been in the collection of the [[Gemeentemuseum Den Haag|Gemeentemuseum]] in [[The Hague]].<ref>[http://www.gemeentemuseum.nl/en/masterpieces/themes/mondriaan-de-stijl Mondriaan, Victory Boogie Woogie.] Gemeentemuseum Den Haag, 2013. 16 May 2013. [http://www.webcitation.org/6GfO9uR9b Archived here.]</ref> It was purchased at a cost of 80 million [[guilder]]s (approximately 35 million euros) from the American collector [[Samuel Irving Newhouse, Jr.|Samuel Irving Newhouse]], who purchased the work from Emily and Burton Tremaine for $12 million USD in the mid 1980s. It was bought by the Stichting Nationaal Fonds Kunstbezit (National Art Foundation) through a gift from the [[De Nederlandse Bank|Dutch Central Bank]], commemorating the introduction of the [[euro]]. This amount of money spent on the gift raised questions in the Dutch [[House of Representatives of the Netherlands|House of Representatives]].
'''''Victory Boogie Woogie''''' is the last, [[unfinished work|unfinished]], work by the [[Dutch people|Dutch]] abstract painter [[Piet Mondrian]]. Left incomplete in 1944, since 1998 it has been in the collection of the [[Gemeentemuseum Den Haag|Gemeentemuseum]] in [[The Hague]].<ref>[http://www.gemeentemuseum.nl/en/masterpieces/themes/mondriaan-de-stijl Mondriaan, Victory Boogie Woogie.] Gemeentemuseum Den Haag, 2013. 16 May 2013. [http://www.webcitation.org/6GfO9uR9b Archived here.]</ref> It was purchased at a cost of 80 million [[Dutch guilder|guilder]]s (approximately 35 million euros) from the American collector [[Samuel Irving Newhouse, Jr.|Samuel Irving Newhouse]], who purchased the work from Emily and Burton Tremaine for $12 million USD in the mid 1980s. It was bought by the Stichting Nationaal Fonds Kunstbezit (National Art Foundation) through a gift from the [[De Nederlandse Bank|Dutch Central Bank]], commemorating the introduction of the [[euro]]. This amount of money spent on the gift raised questions in the Dutch [[House of Representatives of the Netherlands|House of Representatives]].


The artwork was purchased by the Tremaines shortly after Mondrian's death and became part of the [[Miller Company Collection of Abstract Art]] in [[Meriden, Connecticut]]. In 1947-52, ''Victory Boogie Woogie'' was exhibited as the lead artwork in the corporate collection's exhibition ''Painting toward architecture'', originating at the Wadsworth Atheneum in Hartford, CT and travelling to over 20 venues across the United States, including the Walker Art Center in Minneapolis and the [[Los Angeles County Museum of Art]]. The exhibition catalogue essay was by [[Henry-Russell Hitchcock]] with foreword by [[Alfred Barr]] at the Museum of Modern Art, New York.<ref>(1948). ''Painting toward architecture: The Miller Company Collection of Abstract Art''. The Miller Company: Meriden, CT.</ref><ref>(July 16, 2016). [http://www.artdesigncafe.com/painting-toward-architecture-artworks "The Painting toward architecture exhibition (1947-52) by the Miller Company Collection of Abstract Art: Venues, documentation and media coverage"]. ''artdesigncafe.com''. Retrieved August 26, 2016.</ref> A photo of the painting in on the cover of the biography of art collector Emily Hall Tremaine as well as the exhibition catalogue ''The Tremaine Collection: 20th century masters]''.<ref>Housley, Kathleen L. (2001) [https://www.amazon.com/Emily-Hall-Tremaine-Collector-Cusp/dp/0970501102/ "Emily Hall Tremaine: Collector on the cusp"]. The Emily Hall Tremaine Foundation: Meriden, CT. Retrieved August 27, 2016.</ref><ref>(1984). [https://www.amazon.com/Tremaine-Collection-Century-Masters-Modernism/dp/B000QXOQVA/ "The Tremaine Collection: 20th Century Masters. The Spirit of Modernism". Wadsworth Atheneum, Hartford, CT. Retrieved August 27, 2016.]</ref>
The artwork was purchased by the Tremaines shortly after Mondrian's death and became part of the [[Miller Company Collection of Abstract Art]] in [[Meriden, Connecticut]]. In 1947-52, ''Victory Boogie Woogie'' was exhibited as the lead artwork in the corporate collection's exhibition ''Painting toward architecture'', originating at the Wadsworth Atheneum in Hartford, CT and travelling to over 20 venues across the United States, including the Walker Art Center in Minneapolis and the [[Los Angeles County Museum of Art]]. The exhibition catalogue essay was by [[Henry-Russell Hitchcock]] with foreword by [[Alfred Barr]] at the Museum of Modern Art, New York.<ref>(1948). ''Painting toward architecture: The Miller Company Collection of Abstract Art''. The Miller Company: Meriden, CT.</ref><ref>(July 16, 2016). [http://www.artdesigncafe.com/painting-toward-architecture-artworks "The Painting toward architecture exhibition (1947-52) by the Miller Company Collection of Abstract Art: Venues, documentation and media coverage"]. ''artdesigncafe.com''. Retrieved August 26, 2016.</ref> A photo of the painting in on the cover of the biography of art collector Emily Hall Tremaine as well as the exhibition catalogue ''The Tremaine Collection: 20th century masters]''.<ref>Housley, Kathleen L. (2001) [https://www.amazon.com/Emily-Hall-Tremaine-Collector-Cusp/dp/0970501102/ "Emily Hall Tremaine: Collector on the cusp"]. The Emily Hall Tremaine Foundation: Meriden, CT. Retrieved August 27, 2016.</ref><ref>(1984). [https://www.amazon.com/Tremaine-Collection-Century-Masters-Modernism/dp/B000QXOQVA/ "The Tremaine Collection: 20th Century Masters. The Spirit of Modernism". Wadsworth Atheneum, Hartford, CT. Retrieved August 27, 2016.]</ref>

Revision as of 03:41, 4 February 2017

Victory Boogie Woogie
ArtistPiet Mondrian
Year1942–44
TypeOil and paper on canvas
Dimensions127 cm × 127 cm (50 in × 50 in)
LocationGemeentemuseum, The Hague. Formerly owned by Samuel Irving Newhouse, Jr. and Emily and Burton Tremaine / The Miller Company Collection of Abstract Art.
OwnerState property of the Netherlands through the Stichting Nationaal Fonds Kunstbezit

Victory Boogie Woogie is the last, unfinished, work by the Dutch abstract painter Piet Mondrian. Left incomplete in 1944, since 1998 it has been in the collection of the Gemeentemuseum in The Hague.[1] It was purchased at a cost of 80 million guilders (approximately 35 million euros) from the American collector Samuel Irving Newhouse, who purchased the work from Emily and Burton Tremaine for $12 million USD in the mid 1980s. It was bought by the Stichting Nationaal Fonds Kunstbezit (National Art Foundation) through a gift from the Dutch Central Bank, commemorating the introduction of the euro. This amount of money spent on the gift raised questions in the Dutch House of Representatives.

The artwork was purchased by the Tremaines shortly after Mondrian's death and became part of the Miller Company Collection of Abstract Art in Meriden, Connecticut. In 1947-52, Victory Boogie Woogie was exhibited as the lead artwork in the corporate collection's exhibition Painting toward architecture, originating at the Wadsworth Atheneum in Hartford, CT and travelling to over 20 venues across the United States, including the Walker Art Center in Minneapolis and the Los Angeles County Museum of Art. The exhibition catalogue essay was by Henry-Russell Hitchcock with foreword by Alfred Barr at the Museum of Modern Art, New York.[2][3] A photo of the painting in on the cover of the biography of art collector Emily Hall Tremaine as well as the exhibition catalogue The Tremaine Collection: 20th century masters].[4][5]

In 2014, U.S. President Barack Obama was photographed with Victory Boogie Woogie, sometimes with Dutch politicians, which was widely reported in Dutch and Flemish (Belgian) news media.[6]

References

  1. ^ Mondriaan, Victory Boogie Woogie. Gemeentemuseum Den Haag, 2013. 16 May 2013. Archived here.
  2. ^ (1948). Painting toward architecture: The Miller Company Collection of Abstract Art. The Miller Company: Meriden, CT.
  3. ^ (July 16, 2016). "The Painting toward architecture exhibition (1947-52) by the Miller Company Collection of Abstract Art: Venues, documentation and media coverage". artdesigncafe.com. Retrieved August 26, 2016.
  4. ^ Housley, Kathleen L. (2001) "Emily Hall Tremaine: Collector on the cusp". The Emily Hall Tremaine Foundation: Meriden, CT. Retrieved August 27, 2016.
  5. ^ (1984). "The Tremaine Collection: 20th Century Masters. The Spirit of Modernism". Wadsworth Atheneum, Hartford, CT. Retrieved August 27, 2016.
  6. ^ (March 25, 2014). "Obama bekijkt ook Victory Boogie Woogie" / "Obama also looks at Victory Boogie Woogie". Telegraaf newspaper website. Retrieved August 27, 2016.