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{{italic title}}
[[File:Moretto_da_brescia_cesaresco.jpg|thumb|390px]]
{{short description|1542 painting by Moretto da Brescia}}
'''''Portrait of Fortunato Martinengo Cesaresco''''' is a 1542 oil on canvas painting by [[Moretto da Brescia]], now in the [[National Gallery, London]]<ref>{{Cite web|url=http://www.nationalgallery.org.uk/paintings/moretto-da-brescia-portrait-of-a-young-man|title=Catalogue entry}}</ref>. X-ray photography during a 1973 restoration showed a table in front of the man with an open book on it<ref name= redona381 />.
[[File:Moretto_da_brescia_cesaresco.jpg|thumb|300px|''Portrait of Fortunato Martinengo Cesaresco'' (1542) by Moretto da Brescia]]
'''''Portrait of Fortunato Martinengo Cesaresco''''' is a 1542 oil on canvas painting by [[Moretto da Brescia]], now in the [[National Gallery, London]].<ref>{{Cite web|url=http://www.nationalgallery.org.uk/paintings/moretto-da-brescia-portrait-of-a-young-man|title=Catalogue entry}}</ref> The use of X-ray photography during a 1973 restoration showed a table in front of the man with an open book on it.<ref>Pier Virgilio Begni Redona, Alessandro Bonvicino – Il Moretto da Brescia, Editrice La Scuola, Brescia 1988, p 381</ref>


==History==
==History==
The earliest mention of the work is in a mid 19th-century inventory of count [[Teodoro Lechi]]'s collection - the family archives add that he acquired the work in [[Brescia]] on 19 September 1843 and on 9 January 1854 sold it on to Charles Henfrey of Turin, where Lechi was exiled from 1849 to 1859<ref>Pier Virgilio Begni Redona, pag. 378</ref>. In 1975 [[Cecil Gould]] cited documents in the National Gallery stating that in 1843 countess [[Marzia Provaglio|Marzia Martinengo Cesaresco]] had sold the painting to Lechi, who had married her daughter Clara<ref>Cecil Gould, p. 156-158</ref>. It passed from Henfry to Otto Mündler in [[1856]] and two years later was acquired by its present owner<ref>Pier Virgilio Begni Redona, ''Alessandro Bonvicino – Il Moretto da Brescia'', Editrice La Scuola, Brescia 1988, p 378</ref>.
The earliest mention of the work is in a mid 19th-century inventory of count [[Teodoro Lechi]]'s collection - the family archives add that he acquired the work in [[Brescia]] on 19 September 1843 and on 9 January 1854 sold it on to Charles Henfrey of Turin, where Lechi was exiled from 1849 to 1859.<ref>Pier Virgilio Begni Redona, pag. 378</ref> In 1975 [[Cecil Gould]] cited documents in the National Gallery stating that in 1843 countess [[Marzia Provaglio|Marzia Martinengo Cesaresco]] had sold the painting to Lechi, who had married her daughter Clara.<ref>Cecil Gould, p. 156-158</ref> It passed from Henfry to Otto Mündler in [[1856]] and two years later was acquired by its present owner.<ref>Pier Virgilio Begni Redona, ''Alessandro Bonvicino – Il Moretto da Brescia'', Editrice La Scuola, Brescia 1988, p 378</ref>


==References==
==References==
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==Bibliography==
==Bibliography==
*{{it icon}} Camillo Boselli, ''Il Moretto, 1498-1554'', in "Commentari dell'Ateneo di Brescia per l'anno 1954 – Supplemento", Brescia 1954
*{{in lang|it}} Camillo Boselli, ''Il Moretto, 1498-1554'', in "Commentari dell'Ateneo di Brescia per l'anno 1954 – Supplemento", Brescia 1954
*Joseph Archer Crowe, Giovanni Battista Cavalcaselle, ''A history of painting in North Italy'', London 1871
*Joseph Archer Crowe, Giovanni Battista Cavalcaselle, ''A history of painting in North Italy'', London 1871
*{{it icon}} Pietro Da Ponte, ''L'opera del Moretto'', Brescia 1898
*{{in lang|it}} Pietro Da Ponte, ''L'opera del Moretto'', Brescia 1898
*William Dickes, ''A greek motto misread at the National Gallery'', in "Athenaeum", n.3423, 3 June 1893
*William Dickes, ''A greek motto misread at the National Gallery'', in "Athenaeum", n.3423, 3 June 1893
*György Gombosi, ''Moretto da Brescia'', Basel 1943
*György Gombosi, ''Moretto da Brescia'', Basel 1943
*Cecil Gould, ''The sixteenth-century italian schools'', London 1975
*Cecil Gould, ''The sixteenth-century italian schools'', London 1975
*{{it icon}} Pompeo Molmenti, ''Il Moretto da Brescia'', Firenze 1898
*{{in lang|it}} Pompeo Molmenti, ''Il Moretto da Brescia'', Firenze 1898
*{{it icon}} Pier Virgilio Begni Redona, ''Alessandro Bonvicino – Il Moretto da Brescia'', Editrice La Scuola, Brescia 1988
*{{in lang|it}} Pier Virgilio Begni Redona, ''Alessandro Bonvicino – Il Moretto da Brescia'', Editrice La Scuola, Brescia 1988
*{{it icon}} Ottavio Rossi, ''Elogi historici di bresciani illustri'', Brescia 1620
*{{in lang|it}} Ottavio Rossi, ''Elogi historici di bresciani illustri'', Brescia 1620
*{{it icon}} Adolfo Venturi, ''Storia dell'arte italiana'', volume IX, ''La pittura del Cinquecento'', Milano 1929
*{{in lang|it}} Adolfo Venturi, ''Storia dell'arte italiana'', volume IX, ''La pittura del Cinquecento'', Milano 1929


[[category:Paintings by Moretto da Brescia]]
{{Moretto da Brescia}}

[[category:1542 paintings]]
[[Category:Paintings by Moretto da Brescia]]
[[category:16th-century portraits]]
[[Category:1542 paintings]]
[[category:Portraits of men]]
[[Category:16th-century portraits]]
[[category:Collections of the National Gallery, London]]
[[Category:Portraits of men]]
[[Category:Paintings in the National Gallery, London]]

{{16C-painting-stub}}

Latest revision as of 12:53, 8 March 2024

Portrait of Fortunato Martinengo Cesaresco (1542) by Moretto da Brescia

Portrait of Fortunato Martinengo Cesaresco is a 1542 oil on canvas painting by Moretto da Brescia, now in the National Gallery, London.[1] The use of X-ray photography during a 1973 restoration showed a table in front of the man with an open book on it.[2]

History

[edit]

The earliest mention of the work is in a mid 19th-century inventory of count Teodoro Lechi's collection - the family archives add that he acquired the work in Brescia on 19 September 1843 and on 9 January 1854 sold it on to Charles Henfrey of Turin, where Lechi was exiled from 1849 to 1859.[3] In 1975 Cecil Gould cited documents in the National Gallery stating that in 1843 countess Marzia Martinengo Cesaresco had sold the painting to Lechi, who had married her daughter Clara.[4] It passed from Henfry to Otto Mündler in 1856 and two years later was acquired by its present owner.[5]

References

[edit]
  1. ^ "Catalogue entry".
  2. ^ Pier Virgilio Begni Redona, Alessandro Bonvicino – Il Moretto da Brescia, Editrice La Scuola, Brescia 1988, p 381
  3. ^ Pier Virgilio Begni Redona, pag. 378
  4. ^ Cecil Gould, p. 156-158
  5. ^ Pier Virgilio Begni Redona, Alessandro Bonvicino – Il Moretto da Brescia, Editrice La Scuola, Brescia 1988, p 378

Bibliography

[edit]
  • (in Italian) Camillo Boselli, Il Moretto, 1498-1554, in "Commentari dell'Ateneo di Brescia per l'anno 1954 – Supplemento", Brescia 1954
  • Joseph Archer Crowe, Giovanni Battista Cavalcaselle, A history of painting in North Italy, London 1871
  • (in Italian) Pietro Da Ponte, L'opera del Moretto, Brescia 1898
  • William Dickes, A greek motto misread at the National Gallery, in "Athenaeum", n.3423, 3 June 1893
  • György Gombosi, Moretto da Brescia, Basel 1943
  • Cecil Gould, The sixteenth-century italian schools, London 1975
  • (in Italian) Pompeo Molmenti, Il Moretto da Brescia, Firenze 1898
  • (in Italian) Pier Virgilio Begni Redona, Alessandro Bonvicino – Il Moretto da Brescia, Editrice La Scuola, Brescia 1988
  • (in Italian) Ottavio Rossi, Elogi historici di bresciani illustri, Brescia 1620
  • (in Italian) Adolfo Venturi, Storia dell'arte italiana, volume IX, La pittura del Cinquecento, Milano 1929