Portrait of Fortunato Martinengo Cesaresco: Difference between revisions
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{{short description|1542 painting by Moretto da Brescia}} |
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⚫ | '''''Portrait of Fortunato Martinengo Cesaresco''''' is a 1542 oil on canvas painting by [[Moretto da Brescia]], now in the [[National Gallery, London]]<ref>{{Cite web|url=http://www.nationalgallery.org.uk/paintings/moretto-da-brescia-portrait-of-a-young-man|title=Catalogue entry}}</ref> |
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[[File:Moretto_da_brescia_cesaresco.jpg|thumb|300px|''Portrait of Fortunato Martinengo Cesaresco'' (1542) by Moretto da Brescia]] |
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⚫ | '''''Portrait of Fortunato Martinengo Cesaresco''''' is a 1542 oil on canvas painting by [[Moretto da Brescia]], now in the [[National Gallery, London]].<ref>{{Cite web|url=http://www.nationalgallery.org.uk/paintings/moretto-da-brescia-portrait-of-a-young-man|title=Catalogue entry}}</ref> The use of X-ray photography during a 1973 restoration showed a table in front of the man with an open book on it.<ref>Pier Virgilio Begni Redona, Alessandro Bonvicino – Il Moretto da Brescia, Editrice La Scuola, Brescia 1988, p 381</ref> |
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==History== |
==History== |
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The earliest mention of the work is in a mid 19th-century inventory of count [[Teodoro Lechi]]'s collection - the family archives add that he acquired the work in [[Brescia]] on 19 September 1843 and on 9 January 1854 sold it on to Charles Henfrey of Turin, where Lechi was exiled from 1849 to 1859<ref>Pier Virgilio Begni Redona, pag. 378</ref> |
The earliest mention of the work is in a mid 19th-century inventory of count [[Teodoro Lechi]]'s collection - the family archives add that he acquired the work in [[Brescia]] on 19 September 1843 and on 9 January 1854 sold it on to Charles Henfrey of Turin, where Lechi was exiled from 1849 to 1859.<ref>Pier Virgilio Begni Redona, pag. 378</ref> In 1975 [[Cecil Gould]] cited documents in the National Gallery stating that in 1843 countess [[Marzia Provaglio|Marzia Martinengo Cesaresco]] had sold the painting to Lechi, who had married her daughter Clara.<ref>Cecil Gould, p. 156-158</ref> It passed from Henfry to Otto Mündler in [[1856]] and two years later was acquired by its present owner.<ref>Pier Virgilio Begni Redona, ''Alessandro Bonvicino – Il Moretto da Brescia'', Editrice La Scuola, Brescia 1988, p 378</ref> |
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==References== |
==References== |
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==Bibliography== |
==Bibliography== |
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*{{in lang|it}} Camillo Boselli, ''Il Moretto, 1498-1554'', in "Commentari dell'Ateneo di Brescia per l'anno 1954 – Supplemento", Brescia 1954 |
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*Joseph Archer Crowe, Giovanni Battista Cavalcaselle, ''A history of painting in North Italy'', London 1871 |
*Joseph Archer Crowe, Giovanni Battista Cavalcaselle, ''A history of painting in North Italy'', London 1871 |
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*{{ |
*{{in lang|it}} Pietro Da Ponte, ''L'opera del Moretto'', Brescia 1898 |
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*William Dickes, ''A greek motto misread at the National Gallery'', in "Athenaeum", n.3423, 3 June 1893 |
*William Dickes, ''A greek motto misread at the National Gallery'', in "Athenaeum", n.3423, 3 June 1893 |
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*György Gombosi, ''Moretto da Brescia'', Basel 1943 |
*György Gombosi, ''Moretto da Brescia'', Basel 1943 |
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*Cecil Gould, ''The sixteenth-century italian schools'', London 1975 |
*Cecil Gould, ''The sixteenth-century italian schools'', London 1975 |
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*{{ |
*{{in lang|it}} Pompeo Molmenti, ''Il Moretto da Brescia'', Firenze 1898 |
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*{{ |
*{{in lang|it}} Pier Virgilio Begni Redona, ''Alessandro Bonvicino – Il Moretto da Brescia'', Editrice La Scuola, Brescia 1988 |
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*{{ |
*{{in lang|it}} Ottavio Rossi, ''Elogi historici di bresciani illustri'', Brescia 1620 |
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*{{ |
*{{in lang|it}} Adolfo Venturi, ''Storia dell'arte italiana'', volume IX, ''La pittura del Cinquecento'', Milano 1929 |
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{{Moretto da Brescia}} |
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[[Category:Paintings by Moretto da Brescia]] |
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Latest revision as of 12:53, 8 March 2024
Portrait of Fortunato Martinengo Cesaresco is a 1542 oil on canvas painting by Moretto da Brescia, now in the National Gallery, London.[1] The use of X-ray photography during a 1973 restoration showed a table in front of the man with an open book on it.[2]
History
[edit]The earliest mention of the work is in a mid 19th-century inventory of count Teodoro Lechi's collection - the family archives add that he acquired the work in Brescia on 19 September 1843 and on 9 January 1854 sold it on to Charles Henfrey of Turin, where Lechi was exiled from 1849 to 1859.[3] In 1975 Cecil Gould cited documents in the National Gallery stating that in 1843 countess Marzia Martinengo Cesaresco had sold the painting to Lechi, who had married her daughter Clara.[4] It passed from Henfry to Otto Mündler in 1856 and two years later was acquired by its present owner.[5]
References
[edit]- ^ "Catalogue entry".
- ^ Pier Virgilio Begni Redona, Alessandro Bonvicino – Il Moretto da Brescia, Editrice La Scuola, Brescia 1988, p 381
- ^ Pier Virgilio Begni Redona, pag. 378
- ^ Cecil Gould, p. 156-158
- ^ Pier Virgilio Begni Redona, Alessandro Bonvicino – Il Moretto da Brescia, Editrice La Scuola, Brescia 1988, p 378
Bibliography
[edit]- (in Italian) Camillo Boselli, Il Moretto, 1498-1554, in "Commentari dell'Ateneo di Brescia per l'anno 1954 – Supplemento", Brescia 1954
- Joseph Archer Crowe, Giovanni Battista Cavalcaselle, A history of painting in North Italy, London 1871
- (in Italian) Pietro Da Ponte, L'opera del Moretto, Brescia 1898
- William Dickes, A greek motto misread at the National Gallery, in "Athenaeum", n.3423, 3 June 1893
- György Gombosi, Moretto da Brescia, Basel 1943
- Cecil Gould, The sixteenth-century italian schools, London 1975
- (in Italian) Pompeo Molmenti, Il Moretto da Brescia, Firenze 1898
- (in Italian) Pier Virgilio Begni Redona, Alessandro Bonvicino – Il Moretto da Brescia, Editrice La Scuola, Brescia 1988
- (in Italian) Ottavio Rossi, Elogi historici di bresciani illustri, Brescia 1620
- (in Italian) Adolfo Venturi, Storia dell'arte italiana, volume IX, La pittura del Cinquecento, Milano 1929