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'''Raymond Bellour''' (born 1939 in [[Lyon]]) is a French scholar, and writer.<ref>Warren Buckland, 'From System to Structure : The Film Semiology of Raymond Bellour', ''Essays in Poetics'', 18, 2 (1993): 42-68</ref> Best known to Anglophone readers for his publications on film theory, his work is dispersed across a wide range of articles and books, few of which are available in English, in which he addresses a broad spectrum of topics in the areas of cinema, literature and moving-image art.<ref>{{Cite book|title=Raymond Bellour: Cinema and the Moving Image|last=Hilary|first=Radner|last2=Fox|first2=Alistair|publisher=Edinburgh University Press|year=2018|isbn=9781474422895|location=Edinburgh|pages=176-184|chapter=Biography and Publications of Raymond Bellour by Alistair Fox}}</ref>
'''Raymond Bellour''' (born 1939 in [[Lyon]]) is a French scholar, and writer.<ref>Warren Buckland, 'From System to Structure : The Film Semiology of Raymond Bellour', ''Essays in Poetics'', 18, 2 (1993): 42-68</ref> Best known to Anglophone readers for his publications on film analysis,<ref>{{Cite journal|last=Bellour|first=Raymond|last2=Radner|first2=Hilary|last3=Novero|first3=Cecilia|last4=Salazkina|first4=Masha|last5=Fox|first5=Alistair|date=Spring 2014|title=From Hypnosis to Animals|url=http://muse.jhu.edu/article/543845|journal=Cinema Journal|publisher=University of Texas Press|volume=53.3|pages=1-8|via=Project Muse}}</ref> his work is dispersed across a wide range of articles and books, few of which are available in English, in which he addresses a broad spectrum of topics in the areas of cinema, literature and moving-image art.<ref>{{Cite book|title=Raymond Bellour: Cinema and the Moving Image|last=Hilary|first=Radner|last2=Fox|first2=Alistair|publisher=Edinburgh University Press|year=2018|isbn=9781474422895|location=Edinburgh|pages=176-184|chapter=Biography and Publications of Raymond Bellour by Alistair Fox}}</ref>


Raymond Bellour is Director of Research Emeritus at the [[CNRS]], Centre national de la recherche scientifique, which he entered in 1964.<ref>{{Cite book|title=Raymond Bellour: Cinema and the Moving Image|last=Radner|first=Hilary|last2=Fox|first2=Alistair|publisher=Edinburgh University Press|year=2018|isbn=9781474422895|location=Edinburgh|pages=180|chapter=Biography and Publications of Raymond Bellour by Alistair Fox}}</ref> In the course of his career he has taught at the Université de Paris I, at IDHEC (now "la Fémis"), the Université de Paris III, the Centre américain d'études cinématographiques, later re-named the Centre parisien d'études critiques, and in a range of international institutions as a guest lecturer.<ref>{{Cite book|title=Raymond Bellour: Cinema and the Moving Image|last=Radner|first=Hilary|last2=Fox|first2=Alistair|publisher=Edinburgh University Press|year=2018|isbn=9781474422895|location=Edinburgh|pages=181, 182|chapter=Biography and Publications of Raymond Bellour by Alistair Fox}}</ref> In 1990 with Christine Van Assche and [[Catherine David]] he co-curated the ''Passages de l'image'' exhibition at the [[Centre Georges Pompidou]].<ref>[http://www.newmedia-art.net/english/glossaire/raymondbellour.htm Raymond Bellour (France, 1939- )]</ref> In 1991, with [[Serge Daney]], and Jean-Claude Biette,<ref>{{Cite journal|last=|first=|date=Autumn 2011|title="From Matter"|url=|journal=Trafic|volume=79:1|pages=|via=}}</ref><ref>{{Cite web|url=https://www.lesinrocks.com/2016/12/12/cinema/revue-trafic-publie-centieme-numero-11886898/|title=La revue "Trafic" publie son centième numéro|last=Morain|first=Jean-Baptiste|date=December 12, 2016|website=lesinrocks.com|archive-url=|archive-date=|dead-url=|access-date=May 29, 2018}}</ref> he helped found the journal ''[[Trafic (journal)|Trafic]]''.<ref name="Goddard">Michael Goddard, [https://salford.academia.edu/MichaelGoddard/Papers/804664/Raymond_Bellour Raymond Bellour], in Colman, ed., ''Film, Theory and Philosophy''</ref>
Raymond Bellour is Director of Research Emeritus at the [[CNRS]], Centre national de la recherche scientifique, which he entered in 1964.<ref>{{Cite book|title=Raymond Bellour: Cinema and the Moving Image|last=Radner|first=Hilary|last2=Fox|first2=Alistair|publisher=Edinburgh University Press|year=2018|isbn=9781474422895|location=Edinburgh|pages=180|chapter=Biography and Publications of Raymond Bellour by Alistair Fox}}</ref> In the course of his career he has taught at the Université de Paris I, at IDHEC (now "la Fémis"), the Université de Paris III, the Centre américain d'études cinématographiques, later re-named the Centre parisien d'études critiques, and in a range of international institutions as a guest lecturer.<ref>{{Cite book|title=Raymond Bellour: Cinema and the Moving Image|last=Radner|first=Hilary|last2=Fox|first2=Alistair|publisher=Edinburgh University Press|year=2018|isbn=9781474422895|location=Edinburgh|pages=181, 182|chapter=Biography and Publications of Raymond Bellour by Alistair Fox}}</ref> In 1990 with Christine Van Assche and [[Catherine David]] he co-curated the ''Passages de l'image'' exhibition at the [[Centre Georges Pompidou]].<ref>[http://www.newmedia-art.net/english/glossaire/raymondbellour.htm Raymond Bellour (France, 1939- )]</ref> In 1991, with [[Serge Daney]], and Jean-Claude Biette,<ref>{{Cite journal|last=|first=|date=Autumn 2011|title="From Matter"|url=|journal=Trafic|volume=79:1|pages=|via=}}</ref><ref>{{Cite web|url=https://www.lesinrocks.com/2016/12/12/cinema/revue-trafic-publie-centieme-numero-11886898/|title=La revue "Trafic" publie son centième numéro|last=Morain|first=Jean-Baptiste|date=December 12, 2016|website=lesinrocks.com|archive-url=|archive-date=|dead-url=|access-date=May 29, 2018}}</ref> he helped found the journal ''[[Trafic (journal)|Trafic]]''.<ref name="Goddard">Michael Goddard, [https://salford.academia.edu/MichaelGoddard/Papers/804664/Raymond_Bellour Raymond Bellour], in Colman, ed., ''Film, Theory and Philosophy''</ref>

Revision as of 03:05, 29 May 2018

Raymond Bellour (born 1939 in Lyon) is a French scholar, and writer.[1] Best known to Anglophone readers for his publications on film analysis,[2] his work is dispersed across a wide range of articles and books, few of which are available in English, in which he addresses a broad spectrum of topics in the areas of cinema, literature and moving-image art.[3]

Raymond Bellour is Director of Research Emeritus at the CNRS, Centre national de la recherche scientifique, which he entered in 1964.[4] In the course of his career he has taught at the Université de Paris I, at IDHEC (now "la Fémis"), the Université de Paris III, the Centre américain d'études cinématographiques, later re-named the Centre parisien d'études critiques, and in a range of international institutions as a guest lecturer.[5] In 1990 with Christine Van Assche and Catherine David he co-curated the Passages de l'image exhibition at the Centre Georges Pompidou.[6] In 1991, with Serge Daney, and Jean-Claude Biette,[7][8] he helped found the journal Trafic.[9]

Works

  • Le Livre des autres: entretiens avec M. Foucault, C. Lévi-Strauss, R. Barthes, P. Francastel ..., L’Herne, 1971
  • 'Segmenting/Analysing', Quarterly Review of Film Studies, Vol. 1, No. 3, August 1976, pp. 331–353
  • L'Analyse du film, 1979. Translated as The Analysis of Film
  • 'Psychosis, Neurosis, Perversion', Camera Obscura, nos 3–4, 1979, pp. 104–34. Reprinted in Marshall Deutelbaum, Leland A. Poague, eds., A Hitchcock Reader, 2nd ed., Wiley-Blackwell, 2009, pp. 341 ff.
  • Henri Michaux, 1986
  • Mademoiselle Guillotine, 1989
  • Eye for I: Video Self-Portraits, New York: Independent Curators Inc., 1989
  • L'Entre-Images: Photo, Cinéma, Vidéo, 1990
  • Jean-Luc Godard: Son + Image 1974-1991, 1992
  • Oubli, 1992
  • L'Entre-Images 2, 1999
  • Partages de l'ombre, 2002
  • Le Corps du cinéma, 2009
  • La Querelle des dispositifs: Cinéma - installations, expositions, 2012
  • L'Enfant, 2013
  • Pensées du cinéma, 2016

References

  1. ^ Warren Buckland, 'From System to Structure : The Film Semiology of Raymond Bellour', Essays in Poetics, 18, 2 (1993): 42-68
  2. ^ Bellour, Raymond; Radner, Hilary; Novero, Cecilia; Salazkina, Masha; Fox, Alistair (Spring 2014). "From Hypnosis to Animals". Cinema Journal. 53.3. University of Texas Press: 1–8 – via Project Muse.
  3. ^ Hilary, Radner; Fox, Alistair (2018). "Biography and Publications of Raymond Bellour by Alistair Fox". Raymond Bellour: Cinema and the Moving Image. Edinburgh: Edinburgh University Press. pp. 176–184. ISBN 9781474422895.
  4. ^ Radner, Hilary; Fox, Alistair (2018). "Biography and Publications of Raymond Bellour by Alistair Fox". Raymond Bellour: Cinema and the Moving Image. Edinburgh: Edinburgh University Press. p. 180. ISBN 9781474422895.
  5. ^ Radner, Hilary; Fox, Alistair (2018). "Biography and Publications of Raymond Bellour by Alistair Fox". Raymond Bellour: Cinema and the Moving Image. Edinburgh: Edinburgh University Press. pp. 181, 182. ISBN 9781474422895.
  6. ^ Raymond Bellour (France, 1939- )
  7. ^ ""From Matter"". Trafic. 79:1. Autumn 2011.
  8. ^ Morain, Jean-Baptiste (December 12, 2016). "La revue "Trafic" publie son centième numéro". lesinrocks.com. Retrieved May 29, 2018. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)
  9. ^ Michael Goddard, Raymond Bellour, in Colman, ed., Film, Theory and Philosophy

External links

Retrieved from "https://en.wikipedia.org/w/index.php?title=Raymond_Bellour&oldid=843428994"