Yamunakalyani: Difference between revisions
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|Dheena Karunakarane |
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|[[Thiruneelakantar]] |
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|[[Papanasam Sivan]] |
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|[[M. K. Thyagaraja Bhagavathar]] |
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|Sindhanai Sei Maname |
|Sindhanai Sei Maname |
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|[[Ambikapathy (1957 film)]] |
|[[Ambikapathy (1957 film)|Ambikapathy]] |
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|[[G. Ramanathan]] |
|[[G. Ramanathan]] |
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|rowspan=2|[[T. M. Soundararajan]] |
|rowspan=2|[[T. M. Soundararajan]] |
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|Vellai Pura Onru |
|Vellai Pura Onru |
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|[[Puthukavithai]] |
|[[Puthukavithai]] |
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|rowspan=" |
|rowspan="16"|[[Ilaiyaraaja]] |
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|rowspan="2"|[[K. J. Yesudas]], [[S. Janaki]] |
|rowspan="2"|[[K. J. Yesudas]], [[S. Janaki]] |
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|[[Anand (1987 film)|Anand]] |
|[[Anand (1987 film)|Anand]] |
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|[[Lata Mangeshkar]] |
|[[Lata Mangeshkar]] |
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|Malaiyoram Mayile |
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|[[Oruvar Vaazhum Aalayam]] |
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| [[Malaysia Vasudevan]],[[K.S. Chitra]] |
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|Siru Koottile Ulla |
|Siru Koottile Ulla |
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|[[Oru Naal Oru Kanavu]] |
|[[Oru Naal Oru Kanavu]] |
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|[[Ilaiyaraaja]], [[Hariharan (singer)|Hariharan]], [[Shreya Ghoshal]], [[Sadhana Sargam]], [[Bhavatharini]] |
|[[Ilaiyaraaja]], [[Hariharan (singer)|Hariharan]], [[Shreya Ghoshal]], [[Sadhana Sargam]], [[Bhavatharini]] |
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|Pasamalare |
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|[[Neethibathi]] |
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|[[Gangai Amaran]] |
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|[[T. M. Soundararajan]],[[P.Susheela]] |
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|Varaga Nadhikaraiyoram |
|Varaga Nadhikaraiyoram |
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|[[Sangamam]] |
|[[Sangamam]] |
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|rowspan=" |
|rowspan="9"|[[A. R. Rahman]] |
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|[[Shankar Mahadevan]] |
|[[Shankar Mahadevan]] |
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|Azhagu Nilave |
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|[[Pavithra]] |
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|[[K.S. Chitra]] |
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|Enthan Vaanil |
|Enthan Vaanil |
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|[[Ramesh Vinayakam]] |
|[[Ramesh Vinayakam]] |
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|[[Ramesh Vinayakam]] |
|[[Ramesh Vinayakam]] |
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|Poove Vai Pesum Pothu |
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|[[12B]] |
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|[[Mahalakshmi Iyer]],[[Harish Raghavendra]] |
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|Mun Andhi |
|Mun Andhi |
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|[[7aum Arivu]] |
|[[7aum Arivu]] |
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|[[Karthik (singer)|Karthik]],[[Megha (singer)|Megha]] |
|[[Karthik (singer)|Karthik]],[[Megha (singer)|Megha]] |
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Revision as of 10:58, 12 September 2020
This article includes a list of general references, but it lacks sufficient corresponding inline citations. (July 2020) |
Arohanam | S R₂ G₃ P M₂ G₃ P D₂ N₃ D₂ Ṡ |
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Avarohanam | Ṡ N₃ D₂ P M₂ G₃ M₁ R₂ S |
Carnatic music |
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Concepts |
Compositions |
Instruments |
|
Yamunakalyani is the janya raga of Mechakalyani, the 65th Melakarta ragam.[1][2] It brings out Bhakthi, Sringara, Gambheera and Shantha rasas.
Raga Lakshana
Yamunakalyani is a Sampoorna Bhashanga Raga. Its arohana-avarohana is as follows:
The swaras are Shadjam, Chathusruthi Rishabham, Antara Gandharam, Panchamam, Prathi Madhyamam, Chathusruthi Dhaivatham, Kakali Nishadam. Shudha Madhyama is seen in avarohana, but it must be used sparingly. Usually the avarohana is sung with a brief instance of M1[3] between G2 and R2.
The jeeva swaras are– R, G, M, D and N.
S, G, P and N forms the Graha swaras. M1 is the anya swara. The characteristic phrases of this raga are NDNR -NRNG – DNRG. PMRGR – GMR SNRS(Ranjaka prayogas).
Another type of this raga, with shadava-shadava scale, according to some sources[1][2] is as follows:
Compositions
Jamboopathe by Muthuswamy Dikshitar, set to Rupaka talam is a famous composition. Some other famous compositions in Yamunakalyani are Krishna Nee Begane by Vyasatirtha, Bhavayami Gopalam by Annamacharya, Pibare Ramarasam by Sashiva Brahmendra, O Rama Nee Nama by Bhadrachala Ramadasu, Sri Ramachandra Kripalu by Sant Tulsidas and Haridasulu by Tyagaraja.
Film Songs
Language:Tamil
Notes
- ^ Alternate notations:
- Hindustani: S R G P M̄ G P D N D Ṡ
- Western: C D E G F♯ E G A B A C
- ^ Alternate notations:
- Hindustani: Ṡ N D P M̄ G M R S
- Western: C B A G F♯ E F D C
- ^ Alternate notations:
- Hindustani: S R G P M̄ P D Ṡ
- Western: C D E G F♯ G A C
- ^ Alternate notations:
- Hindustani: Ṡ D P M̄ P G R S
- Western: C A G F♯ G E D C
References
- ^ a b Rao, B.Subba (1996). Raganidhi: A Comparative Study Of Hindustani And Karnatak Ragas. Volume Four (Q to Z). Madras: The Music Academy. p. 220.
- ^ a b Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
- ^ Rao, B.Subba (1996). Raganidhi: A Comparative Study Of Hindustani And Karnatak Ragas. Volume Four (Q to Z). Madras: The Music Academy. p. 219.