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Calimeronte (discusión · contribs.)
Calimeronte (discusión · contribs.)
Línea 88: Línea 88:
* Judaica
* Judaica
* Sumo Sacerdote de Israel - existe sólo como Anexo:Sumos Sacerdotes de Israel
* Sumo Sacerdote de Israel - existe sólo como Anexo:Sumos Sacerdotes de Israel
* Szyk - [[:en:Arthur Szyk|Arthur Szyk]] — [https://en.wikipedia.org/wiki/File:Arthur_Szyk02.jpg| Rubáiyát of Omar Khayyám 1940] ([[:en:https://en.wikipedia.org/wiki/Rubaiyat_of_Omar_Khayyam|poesía persa siglos XI-XII]]) ; [https://en.wikipedia.org/wiki/File:%27Battle_of_the_Warsaw_Ghetto%27_by_Arthur_Szyk,_1945.jpg| Batalla del Gueto de Varsovia 1945] ; [https://en.wikipedia.org/wiki/File:Arthur_Szyk09.jpg Hagadá 1956] ; [https://en.wikipedia.org/wiki/File:Eleanor_Roosevelt_and_Arthur_Szyk_-_NARA_-_195394.jpg IL.TXT 1956].
* Szyk - [[:en:Arthur Szyk|Arthur Szyk]] — [https://en.wikipedia.org/wiki/File:Arthur_Szyk02.jpg| Rubáiyát of Omar Khayyám 1940] ([[:en:https://en.wikipedia.org/wiki/Rubaiyat_of_Omar_Khayyam|poesía persa siglos XI-XII]]) ; [https://en.wikipedia.org/wiki/File:%27Battle_of_the_Warsaw_Ghetto%27_by_Arthur_Szyk,_1945.jpg| Batalla del Gueto de Varsovia 1945] ; [https://en.wikipedia.org/wiki/File:Arthur_Szyk09.jpg Hagadá 1956] ; [https://en.wikipedia.org/wiki/File:Eleanor_Roosevelt_and_Arthur_Szyk_-_NARA_-_195394.jpg IL.TXT 1956] ; [http://www.szyk.com/ sitio oficial].


==Compilación material a ser incluido en entradas diversas==
==Compilación material a ser incluido en entradas diversas==

Revisión del 02:59 23 jun 2014

Esta es mi zona de pruebas. Es subpágina de mi página de usuario y me sirve para hacer pruebas. Ella no es un artículo de la enciclopedia. Solicito no modificarla. Gracias, Calimeronte

Trabajados

  • Arte judío
  • Arte asquenazí
  • Beth Hatefutsoth
  • Cristo en el judaísmo
  • Cristo entre los doctores
  • Diez Mandamientos
  • Estrella de David
  • Éxodo
  • Golem
  • Gottlieb - Maurycy Gottlieb
  • Habiru
  • Hebreos
  • Historia de los judíos
  • Insignia amarilla
  • La fuente de la gracia
  • Liebermann - Max Liebermann
  • Lilien - Ephraim Moses Lilien
  • Menorá
  • Museo de Israel, Jerusalén
  • Santa María la Blanca
  • Sinagoga Hurva
  • Sumo Sacerdote - Anexo:Sumos Sacerdotes de Israe
  • Templo de Jerusalén
  • Yidis

Trabajados eventualmente

  • Abraham
  • Arte sefardí
  • Biblia de Alba
  • Crónicas de Núremberg
  • Doce Tribus de Israel
  • Dybbuk
  • Gótico español
  • Hartmann Schedel
  • Israelita
  • Jehú
  • Judaísmo y cristianismo
  • Macabeos
  • Mevaseret Sion
  • Modernismo (arte)
  • Obelisco Negro
  • Oseas
  • Palmaj
  • Sinagoga
  • Tabernáculo
  • Tierra Prometida
  • Pogromo de Kishinev

Aún sin trabajar

  • Agam - Yaacob Agam
  • Arca de la Alianza
  • Biblia hebrea
  • Chagall - Marc Chagall
  • Diáspora sefardí
  • Diez Mandamientos
  • Divisiones étnicas judías
  • Dura Europos
  • Gueto
  • Hagadá
  • Hebreo - Idioma hebreo
  • Hilel
  • Historia de los judíos
  • Historia de los judíos en España
  • Historia de los judíos en la Tierra de Israel
  • Historia del Antiguo Israel
  • Holocausto
  • Homaranismo - Hilelismo
  • Israëls - Jozef Israëls
  • Mendelsohn - Erich Mendelsohn
  • Museo de Arte y de Historia del Judaísmo, París
  • Oppenheim - Moritz Daniel Oppenheim
  • Pueblo judío
  • Sion
  • Solución final
  • Sucot
  • Talmud
  • Tanaj
  • Teoría del reemplazo
  • Tierra Santa
  • Tribus de Israel
  • Zona de Asentamiento

A ser creados

Compilación material a ser incluido en entradas diversas

Recursos a ser incorporados

Material a traducir y explorar su imaginería:

  • Washington, D.C., Library of Congress, Arthur Szyk: Artist for Freedom, diciembre de 1999-mayo de 2000; accedido 22 de junio de 2014. Arthur Szyk (1894 - 1951) was one America's leading political artists during World War II, when he produced hundreds of anti-Axis illustrations and cartoons in aid of the Allied war effort. Throughout his career he created art in the service of human rights and civil liberties -- in his native Poland, in Paris where he was trained during the 1920s, and in America, the country he adopted in 1940. Settling in the United States, Szyk announced, "At last, I have found the home I have always searched for. Here I can speak of what my soul feels. There is no other place on earth that gives one the freedom, liberty and justice that America does." / Born of Jewish parents in Lodz, Poland, Szyk acquired his early art training in Paris and Cracow. Between 1919 and 1920, during Poland's war against the Soviet Bolsheviks, he served as artistic director of the Department of Propaganda for the Polish army regiment quartered in Lodz. In 1921, he moved to Paris where he lived and worked for ten years. In 1934, Szyk traveled to the United States for exhibitions of his work, including one at the Library of Congress where a series of thirty-eight miniatures commemorating George Washington and the Revolutionary period were shown. In late 1940, after a period of residence in England, he immigrated to the United States. / In America, Arthur Szyk embraced the patriotic and democratic spirit of his adopted country. His work entitled The United States of America, includes portrayals of an African American and Native American, representing the diversity of American society, as well as familiar imagery -- Hoover Dam, the Manhattan skyline, the Golden Gate Bridge, and the Pony Express. His anti-Axis cartoons appeared frequently in such popular magazines as Collier's and in two published compilations, The New Order (1941) and Ink & Blood (1946). He also illustrated numerous works, including a richly rendered, magnificently printed Haggadah (1940), reflecting his passion for his own Jewish heritage and concern for the Jewish people in the face of Nazi hostility.
  • Washington, D.C., Library of Congress, Scrolls from the Dead Sea: The Ancient Library of Qumram and Modern Scholarship, abril-agosto de 1993; accedido 22 de junio de 2014. The exhibition Scrolls From the Dead Sea: The Ancient Library of Qumran and Modern Scholarship brings before the American people a selection from the scrolls which have been the subject of intense public interest. Over the years questions have been raised about the scrolls' authenticity, about the people who hid them away during the period in which they lived, about the secrets the scrolls might reveal, and about the intentions of the scrolls' custodians in restricting access. The Library's exhibition describes the historical context of the scrolls and the Qumran community from whence they may have originated; it also relates the story of their discovery 2,000 years later. In addition, the exhibition encourages a better understanding of the challenges and complexities connected with scroll research.

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