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Talla con monje inspirado por un ángel al traducir el texto bíblico. Inscr.: "Nuestro padre que [está] en los cielos santificará tu nombre". Misericordia gótica, Pons de Thomières, Francia.

Cita literal de imagen en Commons

Planchas sobre la Inquisición en Caprichos 23 y 24, con personajes vestidos con sambenito y titulados ellos Aquellos polbos y No hubo remedio. En sus apuntes (Álbum C, 1803-24), Goya expresa su resentimiento hacia la Inquisición. Allí, muchas de las imágenes están comentadas o tituladas explicando la causa de lo que ocurre: Por haber nacido en otra parte, Por linaje de ebreos, Por mober la lengua en otro modo, Por casarse con quien quiso, etc. señalando la frivolidad con que la Inquisición perseguía a sus víctimas. La visión de Goya con respecto a la Inquisición ya había cambiado. De ser una institución anticuada, que se asienta sobre supersticiones y un pueblo ignorante, una institución específicamente española, pasa a convertirse en un símbolo de la injusticia universal.

A verificar

• Arte sefardí
• Sefarad, Hagadá, Hagadá de Sarajevo, Dayenú
• Arte judío, Cultura judía, Beth Hatefutsoth, Museo de Israel
• * Museo de Israel, Jerusalén — Colecciones del Departamento de Judaica: Manuscritos hebreos miniados,Implementos Sinagogales, Sinagoga de Alemania, Sinagoga de India, Sinagoga de Italia, Sinagoga de Surinam, Vestimenta e Indumentaria Etnográficas, Ciclo de la Vida: Nacimiento, Esposorios, Defunción, Shabat, Pésaj y Sucot, Janucá y Purim.
• Museo de Arte y de Historia del Judaísmo, París
• Museo de Arte Judío, Nueva York

DATUM

Mishné Torá = código legal

• Mishné Torá, 1342. Sefer Ahavah. a skilled non-Jewish artist of Perugia by the name of Matteo di Ser Cambio. Jewish National and University Library, Jerusalem, Heb. 4* 1103. 14th century. A page with a decorated title-panel of Sefer Ahavah (Book of Love) from the second book of the Mishneh Torah. Spain and Italy, 14th century. This is one of the most elaborately decorated manuscripts of the Mishneh Torah. In the absence of a colophon, it can be inferred from the script that the manuscript was copied either in Spain or southern France in the first half of the 14th century (in any case, before 1351, when the codex was sold in Avignon). The scribe's name was probably Isaac, since this name is decorated in several places in the text. The manuscript was illuminated in burnished gold and lively wash colors by a skilled non-Jewish artist of Perugia by the name of Matteo di Ser Cambio. Jewish National and University Library, Jerusalem, Heb. 4* 1103 [2] - foto y datos JUNL. El libro fue escrito entre 1300 y 1350, luego miniado en Sefarad y hacia 1400 con iluminaciones realizadas por un artista del taller de Mateo Di Ser Cambio proveniente de o en Perugia.

• Guía de los Perplejos, Barcelona, 1348. Facsimile of a page from Maimonides' great philosophical work Moreh Nevukhim (Guide of the Perplexed) written originally in Arabic and here in the Hebrew translation of Samuel ibn Tibbon (ca. 1160-1230) copied and illuminated in Barcelona, 1348. The seated figure is holding an astrolabe. Royal Library, Copenhagen, Cod. Hebr. XXXVII, fol. 114r [3]

• Mishné Torá, Lisboa, 1472. Facsimile of the colophon of the Lisbon Mishneh Torah written by the scribe Solomon ibn Alzuk and completed in 1471-72. The British Library, London, Harley Ms. 5699, fol. 434v. [4]

• Golden Haggadah. "The Golden Haggadah, one of the finest surviving Spanish Hebrew manuscripts, was made near Barcelona in Northern Spain. The Haggadah, which literally means ‘narration’, is the service-book used in Jewish households on Passover Eve to commemorate the Exodus from Egypt. The text is preceded by a series of full-page miniatures depicting scenes mainly from the Book of Exodus. These sumptuous illuminations set against gold-tooled backgrounds earned the manuscript its name and were executed in the northern French Gothic style" BL + "The Golden Haggadah is one of the finest of the surviving Haggadah manuscripts from medieval Spain. The Haggadah, which literally means 'narration', is the Hebrew service-book used in Jewish households on Passover Eve at a festive meal to commemorate the Exodus from Egypt. | It is one of the most frequently decorated Jewish books. The fact that it was intended for use at home with its main aim being to educate the young, provides ample scope for artistic creativity. | The Golden Haggadah was probably made near Barcelona in about 1320. In addition to the Haggadah text itself the manuscript contains liturgical Passover poems according to the Spanish rite. The text is preceded by a series of full-page miniatures depicting scenes mainly from the Book of Exodus. These sumptuous illuminations set against gold-tooled backgrounds earned the manuscript its name and were executed by two artists in the northern French Gothic style. | The 17th-century Italian binding has an elaborate border on each cover. Hebrew is written from right to left, so the Golden Haggadah opens from the right. British Library Add. MS 27210 BL Virtual Bk Images Only

IMAGO

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  Mishné Torá:Sefer Ahavah, Sefarad-Perugia?, 14th century - c. 1342 INUL
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  Arba ha-Turim, Sefarad, c. 1350. Gótico internacional, escuela lombarda. Véase Gutmann, Hebrew Ms Ptg, 1979, 27:XVI.
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  Mishné Torá: Sefer Mishpatim, c. 1457. semi-cursive Ashkenazic script. IMJ
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  Hagadá de Venecia, 1609. Impresa por Giovanni di Gara e Israel ben Daniel ha-Zifroni. IM
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  Meguilat Ester, Italia, 1616. INUL

Menorah. Illuminated leaf with illustration of the Menorah. IM. Spain, Late 15th century. Since the Temple’s destruction, depictions of its seven-branched candelabrum (Menorah) have served a symbol of the Temple and of redemption. Medieval Hebrew manuscripts contain many portrayals of the Menorah alongside other Tabernacle and Temple vessels. In Spain and Provence, these were especially profuse, and the Bible codex was sometimes called a Mikdashyah (God’s Temple). This single leaf, probably part of a manuscript, shows the Menorah symmetrically flanked by tongs, incense shovels, and the three-stepped stone on which, according to the Mishnah, the priest stood to trim the lamp.

Sefer Mishpatim (enlace escrito desde commons). Facsimile of a page with a decorated title-panel of Sefer Mishpatim (Book of Civil Law) from the 13th book of the Mishneh Torah, northern Italy, 15th century. In the bottom register three men stand before a panel of four seated judges. The top register consists of a jousting scene that is unrelated to the text. Private collection, fol. 298v. [5]

Commons categories

Jewish Art

Judaism in art

en:Category:Hebrew_manuscripts,_Wellcome_Collection Heb Mss Wellcome Coll.

Heb Ill Mss

Hagadot

Meguilot Ester

Sefarad

Hagadá Kaufmann, Cataluña, S. XIV

Hagadá Rylands, Cataluña, s. XIV. John Rylands University Library, Manchester

Hagadá Dorada, 1320

Hagadá Barcelona, 1350

Hagadá Sarajevo, Barcelona, 1350 - Hagadá de Sarajevo

Biblia de Alba

Asquenaz

Mishné Torá Kaufmann, Fr, 1290

Hagadá Rothschild, It, 1450

en:Category:Hebrew_calligraphy Hebrew callygraphy

LINKS n ARTICLES

JVL Illuminated Hebrew Mss.

Burgos 1260 (JNL Damascus Keter)

JTS Treasures Prato Haggadah JTS Prato Haggadah - facsímil Prato Hagadah 2006

David Kaufmann. Mss. miniados hebreos del medioevo . En la Biblioteca de la Academia Húngara de Ciencias. - versión castellana. - folios; Hagadá catalana (MS A 422); A; B; Mishneh Torah fr (MS A 77); artistas; profanidad | Mahzor (MS A 384); zodíaco; ver también: mishné torá fr 1296 (Ms A 77) y Majzor de-sur 1320 (Ms 384)

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  Damascus Keter, Burgos
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  The Kaufmann Haggadah (MS Kaufmann A 422) was produced in 14th century Catalonia. It contains the prayers, poems and narrative texts to be recited on the eve of the festival of the Jewish Easter, Pesach, the Feast of the Passover. fol. 13r
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  Majzor (tripartito) 1320
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  Mishneh Torah (Maimonides), North-Eastern France, 1296. Kauffman Ms. 77a, fol. 046v.​

Yale

• IM: Judaica
• IM: ILL MSS
• Hagadot manuscritas
• Expo Maimónides at Yale
• Maimónides Ill. Mss. at Yale
• hagadot impresas
• libros impresos siglo XV
• idem siglo XVI
• hagadot modernas
• hagadot IL

McBee jewish art definition sarajevo rylands 1 rylands 2 rylands in context ES synagogues

Heb Mss S Collection Pins Heb Mss Russian Collection Pins Superfine Judaica French Collection Pins Sefarad Pins Haggadah Pins Judaica

BL Virtual Books : Accesible Golden Haggadah - Golden Haggadah - Lisbon Bible - Vesalius

Trabajados

• Arte judío
• Arte asquenazí
• Becerro de oro
• Beth Hatefutsoth
• Cristo en el judaísmo
• Cristo entre los doctores
• Diez Mandamientos
• Estrella de David
• Éxodo
• Golem
• Gottlieb
• Habiru
• Hebreo
• Hebreos
• Insignia amarilla
• Jamsa
• Judaísmo y cristianismo
• La fuente de la gracia
• Liebermann
• Lilien
• Menorá
• Museo de Israel
• Profeta
• Santa María la Blanca
• Sinagoga Hurva
• Sumo Sacerdote
• Templo de Jerusalén
• Yidis

En curso

• Calendario hebreo
• Dura Europos
• Historia de los judíos
• Mano de Dios
• Moisés
• Sanctasanctórum (Dvir)

Trabajados eventualmente

• Abraham
• Arte sefardí
• Biblia de Alba
• Capricho (arte)
• Cautiverio de Babilonia 586-537 aEC
• Crónicas de Núremberg
• Cúpula de la Roca
• Doce Tribus de Israel
• Dybbuk
• Efraím
• Gótico español
• Hartmann Schedel
• Israelita
• Jehú
• José (patriarca)
• Judaísmo y cristianismo
• Leví (patriarca)
• Macabeos
• Manasés (hijo de José)
• Mevaseret Sion
• Modernismo (arte)
• Obelisco Negro
• Oseas
• Palmaj
• Sinagoga
• Tabernáculo
• Tierra Prometida
• Tribu de Efraín
• Tribu de Leví
• Tribu de Manasés
• Pogromo de Kishinev

Aún sin trabajar

• Agam - Yaacob Agam
• Arca de la Alianza
• Biblia hebrea
• Chagall - Marc Chagall
• Diáspora sefardí
• Diez Mandamientos
• Divisiones étnicas judías
• Dura Europos
• Estela de Mesha (inscripciones paleohebreas), siglo IX aEC
• Gueto
• Hagadá
• Hebreo - Idioma hebreo
• Hilel
• Historia de los judíos en España
• Historia de los judíos en la Tierra de Israel
• Historia del Antiguo Israel

• Reino de Israel

• Monarquía Unida — United Kingdom of Israel and Judah, 1020-930 aEC
• Reino del norte (Samaria) — Kingdom of Israel (Samaria), 930-720 aEC

• Reino de Judá — 930-587 aEC

• Holocausto
• Homaranismo - Hilelismo
• Israëls - Jozef Israëls
• Mendelsohn - Erich Mendelsohn
• Museo de Arte y de Historia del Judaísmo, París
• Oppenheim - Moritz Daniel Oppenheim
• Pueblo judío
• Sion
• Solución final
• Sucot
• Talmud
• Tanaj
• Teoría del reemplazo
• Tierra Santa
• Tribus de Israel
• Zona de Asentamiento

A ser creados

• Bak - Samuel Bak
• Judaica
• Raban - Ze'ev Raban
• Sumo Sacerdote de Israel - existe sólo como Anexo:Sumos Sacerdotes de Israel
• Szyk - Arthur Szyk — Rubáiyát of Omar Khayyám 1940 (poesía persa siglos XI-XII) ; Batalla del Gueto de Varsovia 1945 ; Historia Visual de las Naciones: IL 1945-49 ; Hagadá 1956 ; sitio oficial.
• Roca Fundacional o Roca de la Fundación

Compilación material a ser incluido en entradas diversas

• Relieve de Shoshenq con israelitas, 926 aEC
• Israelitas, judíos y samaritanos
• Imágenes de israelitas s 10 aEC Shishaq-Karnak
• Imágenes de israelitas s 9 aEC Obelisco negro
• Imágenes de israelitas s 7 aEC Lajish
• Imágenes de israelitas s 3 EC Dura

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  La así llamada "Roca Fundacional" (hebreo: אבן השתייה, Even Hashetiá; árabe: صخرة, Sajrah) preservada en el interior del Domo de la Roca
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  Moisés con los Diez Mandamientos
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  Las Doce Tribus de Israel, 1200-1050 a.E.C.
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  Doce tribus. Aaron ben Hayyim of Grodno, 1836. Mapa publicado en Varsovia en 1883
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  Reino de Israel (monarquía unida) en tiempos de Saúl y David, 1020–930 a.E.C.
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  Shoshenq I, 926 a.E.C.
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  La monarquía dividida: Reino de Judá (sur) y Reino de Israel (norte), 926 a.E.C. (Bible Society, 1888).
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  Juda e Israel. Aaron ben Hayyim of Grodno, 1836. Mapa publicado en Varsovia en 1883
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  Reino de Judá y Reino de Israel, c. 830 a.E.C.
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  Exilio babilónico. Deportación de los judíos del Reino de Judá a Babilonia tras la destrucción del Templo de Salomón (Tissot, 1896-1902)
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  Reino de Herodes el Grande, siglo I
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  Segundo Templo de Jerusalén
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  Fragmentos arqueológicos judaico y romano. Fotografiados por Auguste Salzmann en 1853.
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  Sitio y destrucción de Jerusalén por los romanos, 70 EC (Roberts, 1850)
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  Expolios de Jerusalén, 70 EC
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  Dura Europus, 244 EC
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  Josué, representado entre el sol y la luna en un fresco de la Sinagoga de Dura Europos, 244-256 E.C.​
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  Mosaico del Sinagoga de Beit Alfa, siglo V
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  Mosaico en la Sinagoga de Seforis, siglo V
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  Mosaic proveniente de la Sinagoga de Hamat Gader, siglo V-VI
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  Mosaico con Menorá, lulav y etróg, siglo VI.
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  Llegada de los judíos a Polonia, 1096 (Jan Matejko, s. XIX).
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  Los cruzados capturan Jerusalén, 1099
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  Hagadá Barcelona, s. XIV, fol. 42v
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  Hagadá Cataluña, s. XIV. Versificación: "Ilu... ve lo..."
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  Puerta de Sion, Jerusalén, 1540
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  Beit Hamikdash. Insignia hebrea con bendiciones de Marco Antonio Giustiniani, que incorpora una imagen del Templo de Jerusalén representado a partir del Domo de la Roca como fuente de inspiración al Domo de la Roca; Venecia, 1546
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  Emancipación de los judíos, 1806
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  Degradación de Alfred Dreyfus (Le Petit Journal, 1895).
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  Musée des Horreurs: Le Traître, litografía, 1899

Recursos a ser incorporados

• Lieder des Ghetto

Material a traducir y explorar su imaginería:

• Washington, D.C., Library of Congress, Arthur Szyk: Artist for Freedom, diciembre de 1999-mayo de 2000; accedido 22 de junio de 2014. Arthur Szyk (1894 - 1951) was one America's leading political artists during World War II, when he produced hundreds of anti-Axis illustrations and cartoons in aid of the Allied war effort. Throughout his career he created art in the service of human rights and civil liberties -- in his native Poland, in Paris where he was trained during the 1920s, and in America, the country he adopted in 1940. Settling in the United States, Szyk announced, "At last, I have found the home I have always searched for. Here I can speak of what my soul feels. There is no other place on earth that gives one the freedom, liberty and justice that America does." / Born of Jewish parents in Lodz, Poland, Szyk acquired his early art training in Paris and Cracow. Between 1919 and 1920, during Poland's war against the Soviet Bolsheviks, he served as artistic director of the Department of Propaganda for the Polish army regiment quartered in Lodz. In 1921, he moved to Paris where he lived and worked for ten years. In 1934, Szyk traveled to the United States for exhibitions of his work, including one at the Library of Congress where a series of thirty-eight miniatures commemorating George Washington and the Revolutionary period were shown. In late 1940, after a period of residence in England, he immigrated to the United States. / In America, Arthur Szyk embraced the patriotic and democratic spirit of his adopted country. His work entitled The United States of America, includes portrayals of an African American and Native American, representing the diversity of American society, as well as familiar imagery -- Hoover Dam, the Manhattan skyline, the Golden Gate Bridge, and the Pony Express. His anti-Axis cartoons appeared frequently in such popular magazines as Collier's and in two published compilations, The New Order (1941) and Ink & Blood (1946). He also illustrated numerous works, including a richly rendered, magnificently printed Haggadah (1940), reflecting his passion for his own Jewish heritage and concern for the Jewish people in the face of Nazi hostility.

• Washington, D.C., Library of Congress, Scrolls from the Dead Sea: The Ancient Library of Qumram and Modern Scholarship, abril-agosto de 1993; accedido 22 de junio de 2014. The exhibition Scrolls From the Dead Sea: The Ancient Library of Qumran and Modern Scholarship brings before the American people a selection from the scrolls which have been the subject of intense public interest. Over the years questions have been raised about the scrolls' authenticity, about the people who hid them away during the period in which they lived, about the secrets the scrolls might reveal, and about the intentions of the scrolls' custodians in restricting access. The Library's exhibition describes the historical context of the scrolls and the Qumran community from whence they may have originated; it also relates the story of their discovery 2,000 years later. In addition, the exhibition encourages a better understanding of the challenges and complexities connected with scroll research.

• Washington, D.C., Library of Congress, Words Like Sapphires: 100 Years of Hebraica at the Library of Congress, 1912–2012, octubre de 2012-abril de 2013; accedido 22 de junio de 2014. The Hebraic Section of the Library of Congress is recognized as one of the world’s foremost centers for the study of Hebrew and Yiddish materials. Its beginnings can be traced to Jacob H. Schiff’s gift in 1912 of nearly 10,000 books and pamphlets. In the century since Schiff’s initial gift, the Library has expanded its Hebraic holdings to close to 200,000 works in Hebrew and related languages.

Ilustraciones temas varios

Arca de la Alianza Augusta Victoria

• Réplica del Arca de la Alianza
  Réplica del Arca de la Alianza
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  The Erection of the Tabernacle and the Sacred vessels (right plate); as in Exodus 40:17-19: "And it came to pass in the first month in the second year, on the first day of the month, that the tabernacle was reared up. And Moses reared up the tabernacle, and fastened his sockets, and set up the boards thereof, and put in the bars thereof, and reared up his pillars. And he spread abroad the tent over the tabernacle, and put the covering of the tent above upon it; as the Lord commanded Moses."; illustration from the 1728 Figures de la Bible; illustrated by Gerard Hoet (1648–1733) and others, and published by P. de Hondt in The Hague; University of Oklahoma Libraries
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  Transport of the Ark, Auch Cathedral, France
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  Tissot, The Ark Passes Over the Jordan, between 1896 and 1902
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  Les Très Riches Heures du duc de Berry, Folio 29r - The Ark of God Carried into the Temple, 1412-15. Musée Condé, Chantilly
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  Replica of the Ark of the Covenant in the Royal Arch Room of the George Washington Masonic National Memorial
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  Parochet for Yamim Noraim in Mizmor L'Assaf Shul, made by Efod Art Embroidery, Nahariya, 2011
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  Isidor Kaufmann, Day of Atonement, 1907
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  Jakub Weiles, On the eve of Yom Kippur, c. 1890. National Museum, Varsovia
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  Cherubim, from ulius Bate, A new and literal translation, from the Hebrew, of the Pentateuch of Moses, and of the historical books of the Old Testament, to the end of the second book of Kings (1773).
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  Ark of the Covenant church in Axum, Ethiopia, 2004
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  Choeur de l'église du monastère de l'Annonciade à Menton. Avec une réplique de l'Arche d'Alliance
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  Tissot, The Seven Trumpets of Jericho 1896 and 1902
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  High priest in robes and breastplate
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  Tissot, A Patriarch, 1850
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  Cementerio Judío, Heinheim, Alemania, siglo XVII
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  Idem
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  Judaismo y Cristianismo. Biblia: frontispicio con tribus y apóstoles. Sur la colonne de gauche les médaillons des 12 tribus d'Israël (1. RUBEN 2. SIMON (épée) 3. LEVI 4. JUDAH (lion) 5. DAN 6. NEPHTALI 7. GAD 8. ASHER 9. ISSACHAR 10. ZEBULON 11. JOSEPH 12. BENJAMIN ) et sur la colonne de droite ceux des 12 apôtres. One of 6,330 prints in the 45 volumes of the Bowyer Bible in Bolton Museum, England.
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  Ze'ev Raban
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  Judá y el león; escenas de la historia de Ester. Moscú, 1690
• León de Judá
  León de Judá
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  Cementerio judío de Skwierzyna, Polonia
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  Cementerio judío de Radom
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  Cementerio judío de Będzin

Symbols on Jewish gravestones

• Star of David : The six-pointed Star of David, a symbol of Judaism, is frequently found on Jewish tombstones.
• Cohanim Hands – Priestly Blessing : Two hands with outspread fingers indicated that the dead man was descended from priestly stock (Kohanim) who blessed the people in this fashion
• Ewer : Levite pitcher (and bowl)
• the shofar (ram's horn) indicating that the deceased was a blower of the shofar
• deer : people whose name is Zvi, Hirsch or Naftali (deer representing the tribe of Naphtali)
• lion : people whose name is Aryeh, Judah, Leib or Loew (lion representing the tribe of judah)
• bear : people whose name is Dov and Ber.
• wolf : representing the Tribe of Benjamin
• books : an open book indicates the presence of a rabbi, an officiating minister, or just a scholar
• bookshelves : groups of books, sometimes arranged in an open bookcase, or on shelves.
• fish : zodiac sign for the month of Adar
• menorah : one of the oldest symbols of Judaism
• candles : one of the most accepted symbols of the woman. The candle was lit by the Jewish woman. Most of the candlesticks have three branches but there are ones with two, five and more. A broken candle on a gravestone symbolizes an early death, at a young age.
• crown . כתר שם טוב "crown of a good name" (based on Mishna in Avos 4:17)
• tree : A broken tree or branch is a sign that the deceased was young at the time of death
• bird : appears on the gravestones of many women
• grapes : cluster of grapes is an emblem of Israel,

Biblia por Tissot

Biblia por Tissot addendum

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  Dios renueva sus promesas con Abraham
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  Moisés
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  Cantos de alegría
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  Moisés con el Decálogo
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  Bezalel
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  Moisés y Josué en el Tabernáculo
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  Isaías
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  Zacarías
• 
  Jonás

Compilados

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  La Synagogue aux yeux bandés, portant une lance et les Tables de la Loi brisées. Cathédrale de Strasbourg, XIIIe siècle.
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  Ancienne synagogue de Strasbourg (1896–1940), inaugurée en 1898, brûlée par les nazis en 1940.
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  Synagogue de Thann, Alsacia. Les tables de la loi; מַה-נּוֹרָא, הַמָּקוֹם הַזֶּה Genèse 28:17 - Que ce lieu est redoutable !
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  Deuteronomio. Portada del Deuteronomio en la "Biblia de San Paolo". Bible of S Paolo fuori le Mura, fol. 50r
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  Palacio de Justicia, Caen
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  Coat of arms of the Dutch municipality of Bedum, Holanda
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  Rabbinerbibel
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  Paul Delaroche (1797–1856), Moisés y Miriam.
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  Tomić Psalter, Bulgaria, 1360. Museo de Historia, Moscú. Miriams Dance, see Exodus 15:20 "Then Miriam the prophetess, Aaron's sister, took a tambourine in her hand, and all the women followed her, with tambourines and dancing"
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  York Minster, Inglaterra
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  Stained glass window (early 17th century), Church Saint Etienne du Mont in Paris. Above: Rabbis washing their hands under a menorah and the Ark of the Covenant, and a plan of the Synagogue. Below: Christ washing the feet of the Apostles, and a plan of the Church
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  Tierra Prometida. Abraham Ortelius, 1575
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  Tierra Santa. Tirinius, 1632. Chorographia Terrae Sanctae in Angustiorem Formam Redacta, et ex Variis Auctoribus a Multis Erroribus Expurgata
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  Las 4 ciudades santas. Holy Cities Plaque (Palestine, nineteenth century). Depicting the four Holy Cities of the Holy Land, this plaque is divided into four quadrants, with Jerusalem occupying by far the largest area in the upper right quadrant. Below Jerusalem, is Hebron. Dividing the drawing roughly down the center is the Jordan River. In the top left quadrant -- higher even than Jerusalem -- is Safed; and directly below it, we find Tiberias. Each of the four cities includes representations of the sacred shrines, as well as the graves of sainted rabbis and holy men. siglo XIX
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  Charles Francois Delamarche. Carte De La Terre Hebreux ou Israelites partagee selon l'ordre de Dieu aux douze tirbus descendantes Des Douze Fils De Jacob. Paris 1797.
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  Sinagoga de Oni, Georgia, 1880

• Jewish History
• Israelites
• Ancient Israel n Judah
• Beth Hatefutsoth
• Jews in art

Referencia bíblica

• Biblia Paralela
• BibleGateway
• Mercer Dictionary of the Bible, ed. Watson E. Mills y Roger Aubrey Bullard, Mercer UP, 1990
• Diccionario Bíblico: Becerro de oro

Filatelia

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  Procesión solemne de los judíos de Praga, grabado, 1741
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  Procesión solemne de los judíos de Praga, grabado, 1741
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  Menorá y tribus. "...And the children of Israel shall pitch their tants, every man by his own camp and every man by his own standard..." Numbers I: 52. - Otte Wallish, 1952
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  Memorial Day for the Fighters for Independence 1958 - Otte Wallish

Mapas

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  John Speed, 1595
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  Descriptio Paradisi et Terrae Canaan, regionumque a Patriarchis primum habitatarum. Franciscus Halma, 1707
• 
  Carte du voïage des Israëlites dans le désert depuis leur sortie de l'Egipte jusqu'au passage du Jourdain. Jean-Baptiste Liébaux, siglo XVII
• 
  Canaan. 1880
• 
  Tierra Prometida. Liébaux, siglo XVII. Bibliothèque nationale de France
• 
  Mapa bíblico. Keurs 1702 (basado en Nicholas Visscher, 1650; y D. Stoopendaal).
• 
  Ortelius - Hondius, 1570
• 
  Tirinus, 1632
• 
  Abraham Bar-Jacob, 1695
• 
  Funck, 1720
• 
  Tribes. Schryver, 1729
• 
  Tribus. Johann Christoph Harenberg, 1750
• 
  Tribus. Tobias Lotter, 1759
• 
  Lotter, 1762
• 
  Rigobert Bonne, 1770
• 
  Delamarche, Paris, 1797
• 
  Gaon de Vilna, 1802
• 
  Claude Reignier Conder, 1889
• 
  Martino Sanudo, 1320
• 
  Abraham y Judá Cresques, Tierra Santa, Atlas, 1375
• 
  Carta Catalana, 1450
• 
  Rudimentum Novitiorum: Terra Sanctae. Lucas Brandis, 1475
• 
  Geographiae Sacrae. Nicolas Sanson, 1662. Publicado 1690.
• 
  Israel. Guillem Soler, 1380
• 
  Tierra de Israel. Rabbi Chaim Salomon Pinta, Zefat, 1875
• 
  Holy Land. Shiviti. Moshe Ganbash, 1838-39
• 
  Deportaciones asirias, 734-715 a.E.C.
• 
  Imperio persa. Houze, 1844.
• 
  Período persa, 538-332 a.E.C.
• 
  Época de los macabeos, 168-135 a.E.C.
• 
  Fases de expansión del Reino Asmoneo, 134-63 a.E.C.
• 
  Reino Asmoneo en su apogeo, 76-67 a.E.C.
• 
  Reino de Herodes el Grande, 40 a.E.C.-4 E.C.

T

• 
  Old Yishuv Court Museum, Bario Judío, J. shiviti
• 
  menora
• 
  lujot
• 
  tc
• 
  tcz
• 
  Museo Judío de Grecia, Atenas
• 
  Funda. Zeev Jabotinsky Institute, Israel
• 
  Torah Reading. Pointer
• 
  Belarus, 19th-century. National Historical Museum of Belarus
• 
  Br Silver breast plate for Torah, Bavaria-Bohemia
• 
  Silver torah Breast plate. Jewish Encyclopedia
• 
  Silver torah Breast plate. Jewish Encyclopedia, by 1900
• 
  Silver torah Breast plate. Hadad Brothers, Israel, 2010
• 
  TC. Nyirbator, Hungary. 1886-1922. Yeshiva University Museum, NY
• 
  Torah crown, 1775, gilt silver, from the Portuguese Synagogue. Joods Historisch Museum, Amsterdam
• 
  T crowns n finials. Sanok, Polonia
• 
  Judaica, Sanok
• 
  Judaica. Torah mantles, Torah breast plates, Torah crowns Sinagoga de Turin
• 
  Judaica
• 
  Judaica. Sanok, PL
• 
  Sanok
• 
  Sanok
• 
  Sinagoga Bialystoker, NY, 1906.
• 
  Sinagoga Bialystoker, NY, 1906. bimah parojet
• 
  Aaron rod
• 
  Bendición de la Torá. Beth Shalom Synagogue, Afula
• 
  Estuche
• 
  Corona. Silver Thora crown in Lviv Museum of Religion
• 
  Piotr Kranc Sztuczyński, Papercutting, Sanok, PL, 2011

Ayuda

• Tablón de bibliotecarios
• Jkbw (berlín)
• Aviador (reversor)
• Lourdes (supresora)

Destructividad dolosa y persistente

Asunto

• Vandalismo insistente y doloso de REGISTRO , [https: ... aquí], FECHA. - Solicito su exclusión de Wikipedia por destructividad intencional y persistente. Justificación: al focalizar en la investigación y desarrollo de cada artículo invertimos tiempo y dedicación en nuestro quehacer; ese ha debe ser nuestro trabajo y no perder el tiempo con gente que se dedica a destruir Wikipedia - Para sentar precedente, en caso de no haberlo, o bien para reafirmar nuestras políticas, la respuesta de los bibliotecarios wikipedísticos debe ser inequívoca, severa y contundente, caso contrario perderemos nuestras vidas SOLO revirtiendo los caprichos de anónimos malintencionados. No estaría por otra parte de más el que sólo los usuarios registrados podamos editar: por el momento libramos una batalla contra "fantasmas". Agradezco y envío mis saludos cordiales para todo el Equipo Wikipedístico,

Usuario que lo solicita

• --FECHA (UTC) Cali Mero (intracorrespondencia)

Respuesta

(a rellenar por un bibliotecario)

Cronología

Abraham
2000.​​
1850.​

Patriarcas
2000-1500.​

Éxodo, seguido de la revelación de la Torá en Sinaí
1300.​
siglo XIII.​
1250.​

David, rey de Israel, conquista Jerusalén y la hace capital de su reino.
1010-970.​
1005-965.​

"Canción del Mar", poema bíblico proclama a YHVH como dios supremo sobre todos los demás
1000.​

Reinado de Salomón; construcción del Primer Templo de Jerusalén.
970-931.​

Separación de los reinos: Judá e Israel
931.​

Salmanazar V toma Samaria
722.​

Rey Josías de Judá prohibe el culto a cualquier otro diose que no sea YHVH
622.​

Nabucodonosor toma Jerusalén; destrucción del Templo y deportación de los habitantes a Babilonia
587-586.​
586.​​

Libro de Isaías escrito en Babilonia y el reino de Judá
540.​

Edicto de Ciro II de Persia autoriza el regreso de los exiliados; reconstrucción de Jerusalén y su Templo
538.​​

Segundo Templo de Jerusalén
516.​

400 Alejandro Magno conquista Judea
​

Judea bajo dominio de los Lagidos de Egipto
285-200.​

Dominio de la dinastía seleucida del reino de Siria
200-167.​

Revuelta de los Macabeos
siglo II a.E.C.​
167-142.​

Manuscritos del Mar Muerto
150 a.E.C - 68 E.C.​

Reino de la dinastía hasmonea
142-37.​

Pompeyo entra en Jerusalén; control romano sobre Judea
63.​​

Herodes proclamado "rey de Judea" por el senado romano
40.​

Herodes el Grande entra en función, estabiliza la situación política y remodela el Segundo Templo de Jerusalén
37-4.​​

Filón de Alejandría describe al Dios de la Biblia en términos filosóficos griegos, pero sin atributos aristotélicos
30 a.E.C - 50 E.C.​

Dinastía herodiana

4-41.​

Procuradores romanos dirigen Judea
44-66.​

Guerra judía; Roma envía al general Vespaciano para combatir a los judíos
66-70.​

Tito toma Jerusalén e incendia el Templo
70.​​

Rebeliones contra el imperio romano
70-135.​

Toma de Masada
73.​

Revuelta de Bar Kojba
132-135.​

Comienza la redacción del Talmud
170.​

Compilación de la Mishná - versión escrita de la ley oral judaica
200.​​

Cristianismo pasa a ser religión oficial del Imperio Romano
392.​

Culminación del Talmud de Babilonia - incluye la Mishná y la Guemará (serie de comentarios sobre la Mishná)
425.​
500.​

Rabí Shimon bar Yojai compila el Zohar, obra clave de la cábala o misticismo judaico
1250.​

Bibliografía

• Sed-Rajna, Gabrielle. Abecedaire du Judaïsme, París: Flammarion, 2000.
• Wilkinson, Philip. Religiões (Religions, 2008), Río de Janeiro: Zahar, 2011.
• Jones, Gareth, y Georgina Palffy, eds., O livro das religiões (The Religions Book), San Pablo: Globo, 2013.

Referencias

YIVO

• hebrew
• khazaria
• ashkenaz
• shtetl
• assimilation
• holocaust
• land of il

Golden Haggadah DATA

Golden Haggadah, Northern Spain, probably Barcelona, c.1320 British Library Add. MS. 27210

Golden Haggadah The extravagant use of gold-leaf in the backgrounds of its 56 miniature paintings earned this magnificent manuscript its name: the 'Golden Haggadah'. It was made around 1320, in or near Barcelona, for the use of a wealthy Jewish family. The holy text is written on vellum pages in Hebrew script, reading from right to left. Its stunning miniatures illustrate stories from the biblical books of 'Genesis' and 'Exodus' and scenes of Jewish ritual.

What does this page show? Anticlockwise from top right: Adam naming the animals, the Creation of Adam and Eve, the Temptation, Cain and Abel offering a sacrifice, Cain slaying Abel, and lastly Noah, his wife and sons coming out of the ark. God's image is forbidden in Jewish religious contexts, and is totally absent in all the miniatures here. Instead, angels are seen intervening at critical moments.

What is a haggadah? A haggadah is a collection of Jewish prayers and readings written to accompany the Passover 'seder', a ritual meal eaten on the eve of the Passover festival. The ritual meal was formalised during the 2nd century, after the example of the Greek 'symposium', in which philosophical debate was fortified by food and wine. The literal meaning of the Hebrew word 'haggadah' is a 'narration' or 'telling'. It refers to a command in the biblical book of 'Exodus', requiring Jews to "tell your son on that day: it is because of that which the Lord did for me when I came forth out of Egypt". Perhaps because it was mainly intended for use at home, and its purpose was educational, Jewish scribes and artists felt completely free to illustrate the Haggadah. Indeed it was traditionally the most lavishly decorated of all Jewish sacred writings, giving well-to-do Jews of the middle ages a chance to demonstrate their wealth and good taste as well as their piety. The man for whom the 'Golden Haggadah' was made must have been rich indeed.

What is Passover? Passover commemorates one of the most important events in the story of the Jewish people. Like Christianity and Islam, Judaism traces its origins back to Abraham. He was leader of the Israelites, a group of nomadic tribes in the Middle East some 4,000 years ago. Abraham established a religion that distinguished itself from other local beliefs by having only one, all-powerful God. According to a Covenant made between them, the Jews would keep God's laws, and in return they would be protected as chosen people. The Israelites were captured and taken as slaves to Egypt, where they suffered much hardship. Eventually, a prophet called Moses delivered the Jews from their captivity with the help of several miraculous events intended to intimidate the Egyptian authorities. The last of these was the sudden death of the eldest son in every family. Jewish households were spared by smearing lambs' blood above their doors - a sign telling the 'angel of death' to pass over.

Why was a Jewish manuscript made in Spain? The wandering tribes of Israel finally settled in the 'promised land' after their delivery from captivity in Egypt. But the twin kingdoms of Israel and Judah were to fall to the Assyrians and Babylonians. Then, in 63 BC, the region came under the governance of the Roman Empire. In 70 AD, the Roman army destroyed the Second Jewish Temple and sacked Jerusalem; in 135 AD they crushed a Judaean uprising. As a result of this many Jews went into exile. Some migrated across north Africa to Spain. For many centuries, these 'Sephardic' Jews lived peacefully and productively under both Christian and Islamic rulers. The Jewish community in Barcelona had been established since Roman times and was one of the most affluent in Spain by the time the 'Golden Haggadah' was produced. Jews acted as advisers, physicians and financiers to the Counts of Barcelona, who provided economic and social protection. They grew attuned to the tastes of the court and began commissioning manuscripts decorated in Christian style. Though the scribe who wrote its Hebrew text would have been a Jew, the illuminators of the 'Golden Haggadah' are likely to have been Christian artists, instructed in details of Judaic symbolism by the scribe or patron.

Who made the Golden Haggadah? The illumination of the manuscript - its paintings and decoration - was carried out by two artists. Though their names are unknown, the similarity of their styles implies they both worked in the same studio in the Barcelona region. The gothic style of northern French painting was a strong influence on Spanish illuminators, and these two were no exceptions. There is also Italian influence to be seen in the rendering of the background architecture. Differences between the two artists may be attributed to their individual talents and training. The painter of the scenes shown here tends towards stocky figures with rather exaggerated facial expressions. The second artist has a greater sense of refinement and achieves a better sense of space.

How did the 'Golden Haggadah' come to the British Library? Islamic rule in Spain came to an end in 1492, when King Ferdinand and Queen Isabella (the Catholic Monarchs) defeated the Muslim army at Granada and restored the whole of Spain to Christianity. Months later the entire Jewish population was expelled. The manuscript found its way to Italy and passed through various hands, serving as a wedding present at one stage. In 1865, the British Library (then the British Museum Library) bought it as part of the collection of Hebrew poet and bibliophile Giuseppe (or Joseph) Almanzi.

BL